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| Deliberate Practice | |
| May 07th, 2018 | |
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| There's a fantastic article circulating on the typical nerd | |
| portals today regarding "deep work" and "deliberate practice" [0]. | |
| Give it a read if you haven't already. | |
| [0] The Importance of Deep Work | |
| One of the things I enjoyed most about the post was the summary of | |
| methods of deep work taken from a great book on the subject [1]. | |
| [1] Deep Work: Rules for Focused Success in a Distracted World | |
| Monastic: | |
| "This philosophy attempts to maximize deep efforts by | |
| eliminating or radically minimizing shallow obligations." | |
| — isolate yourself for long periods of time without | |
| distractions; no shallow work allowed. | |
| Bimodal: | |
| "This philosophy asks that you divide your time, dedicating some | |
| clearly defined stretches to deep pursuits and leaving the rest | |
| open to everything else." – dedicate a few consecutive days | |
| (like weekends, or a Sunday, for example) for deep work only, at | |
| least one day a week. | |
| Rhythmic: | |
| "This philosophy argues that the easiest way to consistently | |
| start deep work sessions is to transform them into a simple | |
| regular habit." – create a daily habit of three to four hours | |
| every day to perform deep work on your project. | |
| Journalistic: | |
| "in which you fit deep work wherever you can into your | |
| schedule." — Not recommended to try out first, since you first | |
| need to accustom yourself to deep work. | |
| This put into words a struggle I've had with my own strategies. | |
| I've tried dedicating a set amount of time, sort of like "Rythmic" | |
| but that time hasn't been long enough to establish a deep work | |
| flow. I've set aside days of the week for it like Bimodal, but | |
| rarely with the isolation necessary to really dig in. Occasionally | |
| I'm successful, but I think it's more to do with luck, or | |
| a motivation I happened to find that day, than any deliberatet | |
| planning. | |
| In the past I've spoken about freezing up when an opportunity for | |
| exploration appears [2]. I'm combatting that with organization of | |
| lists so I can refer back to these projects I have moving and | |
| I don't waste time spinning my wheels. All of it is a part of the | |
| effort to get back the time that should belong to me that I give | |
| away out of a combination of laziness and poor planning [3]. | |
| [2] Stuck | |
| [3] Resolution | |
| Ultimately, there are skills I want to improve. The top of that | |
| list are my writing craft and the Shakuhachi [4]. In reality the | |
| list is quite a bit longer. Even so, I have the ability, I have | |
| the time, and I have the necessary components to make a go of it. | |
| [4] Shakuhachi (UTF-8) | |
| Deliberate practice, not just sitting around fiddling with crap, | |
| is the difference I'm missing. I've told it to my son a lot, and | |
| I'll continue to do so in the future. You can't just go along with | |
| things and expect to learn and grow. You need to do the hard | |
| things [5]. When I practice with the Shakuhachi, I can't just go | |
| sit on the porch and play improvisations for twenty minutes. | |
| I have specific things I need to improve: timing, embouchure, | |
| breathing dynamics. My writing is the same. I'm working on | |
| a writing exercise and I've given myself a specific goal to focus | |
| on brevity. This is good. | |
| [5] Do the Hard Thing | |
| It's not just about doing things with my hobby time. It's work in | |
| itself and I need to commit to it, at least a significant portion | |
| of the time, if I want to improve. |