Subj : it's all in the hands...
To : Steve Kaplan
From : Martin Ridgley
Date : Fri Jul 14 2000 06:35 am
-=> Steve Kaplan wrote to Martin Ridgley <=-
SK> SEE MARTIN, before you disagree with me, understand, the word
SK> TONE, isn't synonimous with technique :) I never said a good
SK> TONE = a good bassist.
Right... neither was I...
SK> I'm saying that TONE can result from a person setting an SVT/
SK> Nice jazz bass together, and tweaking them so just playing the
SK> open g string has a NICE TONE...
Okay, I think that's a given... a decent bass, good strings,
tweaking the amp, etc. Those things are understood. But there is
something beyond that in many guitar and bass players' sound which
I think has to do, in part at least, with the way they actually pluck
the strings and/or finger the notes. It probably comes under the
heading of 'playing technique'. That's what I was talking about.
SK> So Jaco playing a musicmaster bass, can produce a nicer BLEND,
SK> then most with an Alembic, and a nicer guitar :) If we just define
SK> tone as "sound in general", and not the quality of a particular
SK> frequency interpretted by the human ear, then yes..I concede...
SK> It's all in the fingers...
Yes, it's a multi-faceted thing. I think that one aspect of it is
in the way the musician uses his fingers and hands. I saw a bassist
just last night who, although he played simply, had a very musical
style in the way that he played each note and the way his hands moved
around the instrument. I could hear that in his sound. As I said,
it's probably best described as 'playing technique', but it's not
necessarily related to musical knowledge, or what we generally regard
as technical skills or proficiency.
Does that make sense?
Martin
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