| Information (tilde.town/~mozz/index) | |
| All You Love Will Be Carried Away | |
| By Steven King | |
| (part 7 of 7) | |
| Alfie stood at the edge of the pavement, gasping a little | |
| because the air was so cold and full of snow. In his left | |
| hand he held the Spiral notebook, bent almost double. There | |
| was no need to destroy it, after all. He would simply throw | |
| it into Farmer John's east field, here on the west side of | |
| Lincoln. The wind would help him. The notebook might carry | |
| twenty feet on the fly, and the wind could tumble it even | |
| farther before it finally fetched up against the side of a | |
| furrow and was covered. It would lie there buried all | |
| winter, long after his body had been shipped home. In the | |
| spring, Farmer John would come out this way on his tractor, | |
| the cab filled with the music of Patty Loveless or George | |
| Jones or maybe even Clint Black, and he would plow the | |
| Spiral notebook under without seeing it and it would | |
| disappear into the scheme of things. Always supposing there | |
| was one. "Relax, it's all just the rinse cycle," someone had | |
| written beside a pay phone on I_35 not far from Cameron, | |
| Missouri. | |
| Alfie drew the book back to throw it, then lowered his arm. | |
| He hated to let it go, that was the truth of it. That was | |
| the bottom line everyone was always talking about. But | |
| things were bad, now. Everything looked like highways to him | |
| now. He raised his arm again and then lowered it again. In | |
| his distress and indecision he began to cry without being | |
| aware of it. The wind rushed around him, on its way to | |
| wherever. He couldn't go on living the way he had been | |
| living, he knew that much. Not one more day. And a shot in | |
| the mouth would be easier than any living change, he knew | |
| that, too. Far easier than struggling to write a book few | |
| people (if any at all) were likely to read. He raised his | |
| arm again, cocked the hand with the notebook in it back to | |
| his ear like a pitcher preparing to throw a fastball, then | |
| stood like that. An idea had occurred to him. He would count | |
| to sixty. If the spark lights of the farmhouse reappeared at | |
| any time during that count, he would try to write the book. | |
| To write a book like that, he thought, you'd have to begin | |
| by talking about how it was to measure distance in green | |
| mile markers, and the very width of the land, and how the | |
| wind sounded when you got out of your car at one of those | |
| rest areas in Oklahoma or North Dakota. How it sounded | |
| almost like words. You'd have to tell about the silence, and | |
| how the bathrooms always smelled of piss and the great | |
| hollow farts of departed travelers, and how in that silence | |
| the voices on the walls began to speak. The voices of those | |
| who had written and then moved on. The telling would hurt, | |
| but if the wind dropped and the spark lights of the farm | |
| came back, he'd do it anyway. | |
| If they didn't, he'd throw the notebook into the field, go | |
| back into room 190 (just hang a left at the Snax machine), | |
| and shoot himself, after all. | |
| Either way. Either way. | |
| Alfie stood there counting to sixty inside his head, waiting | |
| to see if the wind would drop. |