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| # 2025-05-11 - The Commune Comes To America | |
| LIFE Vol 67, No. 3 | |
| July 18, 1969 | |
| Youthful pioneers leave society to seek, from the land and one | |
| another, a new life. | |
| Cover Image | |
| Photographed by John Olson | |
| Teepee Foundation | |
| At a commune in the wilderness (above), a young man begins work on | |
| his new home, a teepee. At right, in front of another teepee, he and | |
| fellow members of the commune gather together for a group portrait. | |
| Group Portrait | |
| Their hair and dress, their pioneer spirit, even their Indian teepees | |
| evoke the nation's frontier beginnings. These young people are | |
| members of a commune, which they have created for themselves as a new | |
| and radical way of living. Scores of these communes are springing up | |
| all across the U.S. In the wilderness areas of the West, Southwest, | |
| and New England, the new settlers build their own homes--adobe huts, | |
| log cabins, geodesic domes--share their money and labor and legislate | |
| their own laws and taboos. | |
| The youthful pioneers, unlike the earlier Americans who went into the | |
| wilderness to seek their fortunes, are refugees from affluence. | |
| Though there have been previous such experiments in the U.S., the new | |
| communes represent an evolution of the philosophy and life-style of | |
| the hippie movement. Most members have fled the big cities--New | |
| York's East Village, San Francisco's Haight-Ashbury--where they were | |
| beset by crime, police harassment, squalor, and disillusionment. | |
| They seek in the land, and in one another, meaningful work, mutual | |
| love, and spiritual rebirth. Their religion is rooted in many | |
| faiths--among them Christianity, Hinduism, and Zen Buddhism. Some | |
| communes permit LSD and marijuana, but many now discourage their use | |
| or even ban them. Some take a broad view of sexual morality, but in | |
| many communes couples practice traditional American monogamy, and | |
| sexual behavior is often surprisingly pristine. Young children, | |
| however, are raised by all adults and by the older children in the | |
| commune, which itself is often referred to as "the Family." | |
| Many of the settlers dropped out of teaching and other professions | |
| and are particularly ill-prepared to carve a living out of nature. | |
| The winters are harsh, the earth hard. Often they resort to shopping | |
| at the nearest stores. They also find that many of the constraints | |
| they sought to escape are necessary--an orderly work routine, | |
| community health regulations. They almost invariably encounter | |
| hostility and even violence from local people. Another threat is | |
| unwanted visitors--the sightseers from "straight" society and weekend | |
| hippies who descend upon them to freeload. To protect their privacy, | |
| members of the commune shown on these pages asked LIFE not to reveal | |
| their location but to describe it merely as "somewhere in the woods." | |
| Hexagonal Lodge | |
| The focal point of the commune is the hexagonal lodge (above), which | |
| includes a kitchen area with a cast-iron stove and a library with 500 | |
| well-read books, including volumes on the occult and crop raising. | |
| Wood Splitting | |
| A commune member, Will (above), splits logs to build up the 90-cord | |
| stockpile of firewood needed for next winter. At right, two women | |
| go into the two-acre garden to pick vegetables for the day's main | |
| meal. | |
| Garden | |
| Shortly after dawn the sharp ring of a Buddhist gong starts the day | |
| for the 41-member Family in the commune. Most of the day is devoted | |
| to labor. They must plant, cultivate, and harvest vegetables, | |
| supplement their diet with fishing trips (right), and split and store | |
| logs for the long winter. The adults range from 17 to 32 and | |
| represent widely diverse backgrounds. One was an actor, one an | |
| office worker, another a welder. They started the commune 14 months | |
| ago after making a down payment on 240 acres of woodland. They faced | |
| problems from the start: they miscalculated the harshness of their | |
| first winter and ran out of firewood. They still have not realized | |
| their hope of becoming self-sufficient--members use their savings and | |
| money from part-time work to pay off their mortgage and buy supplies | |
| in town 20 miles away. Most of the 11 children are very young, and | |
| there is as yet no provision for formal schooling. The older | |
| children teach the younger ones, and they themselves are taught by | |
| their parents when they express an interest. But soon, under state | |
| law, several of the children will have to attend a licensed school. | |
| Family Photo | |
| Alone in their teepee at the end of a day of communal work, | |
| meditation, and play, a family within the Family reads from a book of | |
| fairy tales before the children's bedtime. Ron, 36, a former computer | |
| programmer at a New York bank and his wife, Nancy, who went to | |
| Radcliffe, brought their daughter and 4-year-old son to the commune a | |
| year ago. Before they joined the commune their search for faith had | |
| led them to become Quakers and to civil rights work... We chose to | |
| devote our lives to God and the learn the lessons He teaches in the | |
| earth. | |
| Bible Reading | |
| In the lodge, above, Nancy reads to herself from the Bible. The | |
| children of the commune (below) are expected to help in occasional | |
| chores in the garden and kitchen, but spend much of their time in the | |
| surrounding woods hunting for berries or playing make-believe. | |
| Children | |
| Meal | |
| Above, Sandoz and Twig serve themselves a midday meal of rice, | |
| vegetables, and fruit. Most of the members do not eat meat. At | |
| right, as the coolness of the night comes to the mountains, Ama sits | |
| in silent meditation in the teepee he built last summer. He is | |
| building a log cabin nearby where he plans to spend the winter with | |
| his wife Evening Star and their expected child. | |
| Ama Meditating | |
| Although the commune may look like an early American frontier | |
| establishment, it certainly doesn't sound like one. On the contrary, | |
| the pronouncements of members seem to have little connection with the | |
| realities of the world they have left behind. | |
| "We are entering the time of tribal dance," one member of the Family | |
| has written, "as we go to live in teepees, celebrate our joys | |
| together, and learn to survive. We go to a virgin forest with no | |
| need for the previously expensive media of electric technology. The | |
| energy we perceive within ourselves is beyond electric; it is atomic, | |
| it is cosmic, it is bliss." | |
| All the members speak in such mystical jargon of their new experience | |
| in the wilderness. Many say that taking LSD opened their eyes | |
| originally. Now they do not forbid drugs but they frown on their | |
| use. They regard chopping wood, planting seeds, and washing clothes | |
| as acts of creative meditation which contribute as much to the | |
| spiritual well-being of the workers as to the good of the commune. | |
| They say that the hard work strips them of their city frustrations. | |
| Members have written a commune credo: "Getting out of the cities | |
| isn't hard, only concrete is. Get it together. This means on your | |
| own, all alone, or with a few of your friends. Buy land. Don't | |
| rent. Money manifests. Trust. Plant a garden, create a center. | |
| Come together." | |
| Each evening before dinner members join hands and stand in a silent | |
| circle for two or three minutes. Then they chant the Hindu holy | |
| syllable "Om" which trails off into the night sounds of the forest. | |
| In such a ceremony last Thanksgiving, an ordained minister came to | |
| the commune and married all the Family members to one another and | |
| then united a number of couples in matrimony. "We were standing in a | |
| big circle and a cold rain began to fall," a woman recalls. "It was | |
| like being married and baptized too." | |
| The commune has its share of everyday squabbling, and a little | |
| incident can bring the loftiest ideals abruptly back to earth. | |
| During a recent three-day fast by the group, one member whose spirit | |
| was weakened walked seven miles to a gas station to buy a candy bar. | |
| When the others spotted the empty wrapper sticking out of his back | |
| pocket, they laughed--and then /everyone/ continued the fast. | |
| A secluded creek (following page) used by the commune for swimming | |
| also provides the opportunity for a mother to grab an unwilling | |
| daughter and soap her hair. | |
| Creek Bathing | |
| * * * | |
| # Happy Hippy of Days Past by Joan Momsen | |
| A friend of JCHS brought us a collection of photos and papers from | |
| the past. It will take weeks, maybe months before we can identify | |
| the photos, if at all, and find a place to put the new collection. I | |
| started to look through the papers and photos and found a LIFE | |
| magazine from July 18, 1969. I immediately recognized the cover and | |
| recalled the story from 53 years ago. | |
| In 1969 one needed film to take a photo, then a lab to develop it. | |
| Taking, developing, and printing photos was time consuming and | |
| expensive. Many people did not even own a camera, far distance from | |
| today where people use the camera on their cell phone on a regular | |
| basis. | |
| This old magazine recalled what part I had in the publishing of the | |
| article, although nothing official but just being there and providing | |
| a service. I was working at the Greyhound Depot which also handled | |
| Western Union. The cover story was about a commune near Wolf Creek. | |
| No mention of Wolf Creek or even Oregon is in the article. There are | |
| just photos and words about a group of young Americans who gave up | |
| what we might call a civilized life to move into the woods, form a | |
| commune with other of like desires, and live off the land. Most of | |
| us "normal folks" called them hippies and hippy settlements were all | |
| around us in Southern Oregon. Some were not a problem, but others | |
| were, or at least their neighbors thought they were a problem. These | |
| "kids" usually under the age of 30 just wanted to get away from it | |
| all. Some might have been getting away from the draft and the | |
| Vietnam War. Only the individual hippy could tell you why and that | |
| may have changed from day to day. | |
| As an Agent for Western Union, we were basically sworn to secrecy, | |
| and could not talk about what we had access to. I am not going to | |
| divulge some things I remember about using Western Union telegraph | |
| lines because I am not sure if there are any limits of time about | |
| such things as destinations. I still laugh to myself when I think of | |
| the abbreviations we used when sending many "wires" at the same time. | |
| I remember sending dozens of "night letters" to Senator Wayne Morse | |
| one night. I do not remember what the issue was, but lots of folks | |
| sent wires to the Senator that night. The address was Senator Wayne | |
| Morse, Senate Office Building, Washington D.C. which came out on a | |
| single line as Senator Wayne Morse, SOB, WashDC. | |
| For your information a "night letter" was a telegram that had more | |
| words for a cheaper rate and was to be delivered the first thing the | |
| next morning. Night letters were what I sent for the LIFE | |
| photographer. He came in each night to send undeveloped film | |
| canisters, 35mm, to Portland where they would be picked up at the | |
| Portland Greyhound Depot and delivered to the airport and sent air | |
| express to the final destination. In this case, I think it was New | |
| York City which in night letter shorthand was NYC. | |
| The photographer would come in just before the last northbound bus | |
| would depart, around 8 in the evening. He would also drop off a few | |
| hand written pages to be sent to NYC. This was the night letter and | |
| it turned out to be the basis of the LIFE article. I got to read the | |
| story before it was published. The photographer told me the things | |
| written and photographed were in the Wolf Creek area but I was not to | |
| tell anyone. I did not. After 53 years I remember reading and | |
| typing the day's commentary, but do not remember if I kept an | |
| original copy. He may have returned for it after he went and got | |
| himself some non-hippy fast food. | |
| I did not use Morse Code. We had what we called a teleprinter. | |
| [Also known as a TTY.] It was like an electric typewriter, only | |
| bigger and more foreboding. I hit certain keys to send to certain | |
| areas and then I just typed out what was given to me. If a typo was | |
| made, I put XXX behind the error and each time it came out on the | |
| other end, the XXX and the word before it was eliminated. Where a | |
| Western Union office had the message print out on a long, thin strip | |
| of paper, they would just cut behind the XXX and glue the rest of the | |
| message over it. If you remember telegrams, you understand and if | |
| you don't, sorry about that. | |
| So over a period of a couple of weeks, I would talk to the LIFE | |
| photographer each night, write up the waybill for the film shipped to | |
| Portland and then send his night letter. I knew what was happening | |
| and so did many others in the area. Seems that many of us were aware | |
| of what the hippies were doing. Those of us that were "in the loop" | |
| knew about it when the magazine published, but I am not sure there | |
| are still people that did not know it was so near to Grants Pass and | |
| if they were to take a guess, they probably thought these particular | |
| hippies were in the Illinois Valley. | |
| The Editors' Note from the LIFE magazine of July 18, 1969 sums up the | |
| situation: | |
| # Two young men in a forest commune | |
| > Our lead story this week, which depicts life in one of the new | |
| > youth communes sprouting up around the country, is the work of two | |
| > of the youngest members of our staff, John Stickney, 23, and | |
| > Photographer John Olson, 22. Stickney, who covers the youth scene | |
| > for us, looks as little like the conventional image of a reporter | |
| > as Olson, who covers the White House, resembles the stereotyped | |
| > elbows-and-flash-gun photographer. Both are coolly intense, well | |
| > bethatched, bell-bottomed, and bespectacled. | |
| > | |
| > "I get in trouble all the time because I was too involved," says | |
| > Stickney, slouching, with one boot resting on the ankle of the | |
| > other, his Navajo necklace dangling down his navy blue shirt. | |
| > "It's not supposed to be professional. But I felt I had to get | |
| > involved in this story, or I wasn't going to get an accurate | |
| > impression of the commune life." | |
| > | |
| > The commune dwellers are suspicious of journalists as they are of | |
| > the rest of the society they have deliberately abandoned. Before | |
| > Stickney and Olson could begin their coverage, they had to win the | |
| > community's trust as individuals. Only after a solemn one-hour | |
| > powwow in the community's pine-log lodge were Olson and Stickney | |
| > accepted--and then solely on the condition that LIFE would not | |
| > reveal the location of the commune. | |
| > | |
| > "It was the first time I have had to sleep on the ground since | |
| > leaving Vietnam," says Olson, who covered the war first as | |
| > soldier-photographer, then as a member of the LIFE staff. "But at | |
| > least I didn't have to worry about being mortared." He reports a | |
| > preference for C-rations over the commune diet of grain, rice, and | |
| > lettuce. "We shipped our film every day just so I could get a | |
| > cheeseburger--20 miles away." Stickney, a businessman's son who | |
| > grew up in Columbus, Ohio and majored in art at Williams College, | |
| > took time out from interviewing to learn how to chop wood and help | |
| > tote logs out of the forest. Before Olson and Stickney had | |
| > completed their coverage, the members of the commune accepted them | |
| > as "brothers" and invited them to the family gathering known as | |
| > "the meeting of the spirit." | |
| > | |
| > Both found themselves subtly changed by their stay in the commune. | |
| > "I went there feeling very suspicious," Olson says, "and I still | |
| > wouldn't drop out--but I can understand now how they would." | |
| > Stickney, remembering the haunting notes of a flute that echoed in | |
| > the midnight stillness, wants someday to go back. "Out there," he | |
| > says, "you can see and breath, and smell things." | |
| > | |
| > Ralph Graves, Managing Editor | |
| I suppose that tucked in the attics throughout Southern Oregon, one | |
| can find a few copies of this particular edition. Storing a large | |
| group of magazines can be tedious and I know because my father saved | |
| LIFE magazine from 1936 to 1972 and stored them in our attic. When | |
| Rogue Community College opened, we donated them all to their library. | |
| I doubt if they still have them, but they were neatly stacked in the | |
| library for a few years. | |
| When the July 18, 1969 copy arrived at our research library, I | |
| stopped what I was doing and read the article and looked at the | |
| photos. I had not seen a copy since about 1972 and I just had to | |
| share my memories. | |
| * * * | |
| This commune is referred to as FAMILY OF MYSTIC ARTS in the | |
| LIST OF COMMUNES section on pages 47 and 48 of Steal This Book. | |
| Steal This Book by Abbie Hoffman | |
| The members of this commune played a pivotal role in Vortex I, | |
| a psychedelic rock festival outside of Estacada, Oregon in 1970. | |
| This rock festival was inspired by Woodstock. The participants | |
| went on to organize the first Rainbow Gathering. | |
| Vortex I (Wikipedia) | |
| Vortex I gallery | |
| Vortex I ebook (PDF) | |
| Rainbow Family (Wikipedia) | |
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