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| # 2025-02-21 - A Paradise Built In Hell by Rebecca Solnit | |
| Years ago a friend recommended this book, and i finally got around to | |
| checking it out from the local library. I enjoyed reading it and | |
| learned a few things, including the terms "elite panic" and | |
| "social capitol". I was also deeply affected by reading the story of | |
| Donnell Herrington, and i am glad that SOMEBODY told it. | |
| Below are interesting excerpts from the book | |
| # Intro | |
| Thousands of people survived Hurricane Katrina because grandsons or | |
| aunts or neighbors or complete strangers reached out to those in need | |
| all through the Gulf Coast and because an armada of boat owners from | |
| the surrounding communities and as far away as Texas went into New | |
| Orleans to pull stranded people to safety. Hundreds of people died | |
| in the aftermath of Katrina because others, including police, | |
| vigilantes, high government officials, and the media, decided that | |
| the people of New Orleans were too dangerous to allow them to | |
| evacuate the septic, drowned city or to rescue them, even from | |
| hospitals. Some who attempted to flee were turned back at gunpoint | |
| or shot down. Rumors proliferated about mass rapes, mass murders, | |
| and mayhem that turned out later to be untrue, though the national | |
| media and New Orleans's police chief believed and perpetuated those | |
| rumors during the crucial days when people were dying on rooftops and | |
| elevated highways and in crowded shelters and hospitals in the | |
| unbearable heat, without adequate water, without food, without | |
| medicine and medical attention. Those rumors led soldiers and others | |
| dispatched as rescuers to regard victims as enemies. | |
| Katrina was an extreme version of what goes on in many disasters, | |
| wherein how you behave depends on whether you think your neighbors or | |
| fellow citizens are a greater threat than the havoc wrought by a | |
| disaster or a greater good than the property in houses and stores | |
| around you. What you believe shapes how you act. How you act | |
| results in life or death, for yourself or others. | |
| In the wake of an earthquake, a bombing, or a major storm, most | |
| people are altruistic, urgently engaged in caring for themselves and | |
| those around them, strangers and neighbors as well as friends and | |
| loved ones. The image of the selfish, panicky, or regressively | |
| savage human being in times of disaster has little truth to it. | |
| Decades of meticulous sociological research on behavior in disasters, | |
| from the bombings of World War II to floods, tornadoes, earthquakes, | |
| and storms across the continent and around the world, have | |
| demonstrated this. But belief lags behind, and often the worst | |
| behavior in the wake of a calamity is on the part of those who | |
| believe that other will behave savagely and that they themselves are | |
| taking defensive measures against barbarism. From | |
| earthquake-shattered San Francisco in 1906 to flooded New Orleans in | |
| 2005, innocents have been killed by people who believed or asserted | |
| that their victims were the criminals and they themselves were the | |
| protectors of the shaken order. Beliefs matter. | |
| I was more surprised to realize that most of the people I knew and | |
| met in the Bay Area were also enjoying immensely the disaster that | |
| shut down much of the region for several days, the Bay Bridge for | |
| months, and certain unloved elevated freeways forever [in 1989]--if | |
| *enjoyment* is the right word for that sense of immersion in the | |
| moment and solidarity with others caused by the rupture in everyday | |
| life, an emotion graver than happiness but deeply positive. We don't | |
| even have a language for this emotion, in which the wonderful comes | |
| wrapped in the terrible, joy in sorrow, courage in fear. We cannot | |
| welcome disaster, but we can value the responses, both practical and | |
| psychological. | |
| What is this feeling that crops up during so many disasters? This | |
| book is about that emotion, as important as it is surprising, and the | |
| circumstances that arouse it and those that it generates. These | |
| things count as we enter an era of increasing and intensifying | |
| disaster. | |
| The positive emotions that arise in those unpromising circumstances | |
| demonstrate that social ties and meaningful work are deeply desired, | |
| readily improvised, and intensely rewarding. The very structure of | |
| our economy and society prevents these goals from being achieved. | |
| The structure is also ideological, a philosophy that best serves the | |
| wealthy and powerful but shapes all of our lives, reinforced as the | |
| conventional wisdom disseminated by the media, from news hours to | |
| disaster movies. ... These accounts demonstrate that the citizens any | |
| paradise would need--the people who are brave enough, resourceful | |
| enough, and generous enough--already exist. The possibility of | |
| paradise hovers on the cusp of coming into being, so much so that it | |
| takes powerful forces to keep such a paradise at bay. If paradise | |
| now arises in hell, it's because in the suspension of the usual order | |
| and the failure of most systems, we are free to live and act in | |
| another way. | |
| Disaster movies and the media continue to portray ordinary people as | |
| hysterical or vicious in the face of calamity. We believe these | |
| sources telling us we are victims or brutes more than we trust our | |
| own experience. Most people know this other [contrary to mass media] | |
| human nature from experience, though almost nothing official or | |
| mainstream confirms it. This book is an account of that rising from | |
| the ruins that is the ordinary human response to disaster... | |
| But to understand both that rising and what hinders and hides it, | |
| there are two other important subjects to consider. One is the | |
| behavior of the minority in power, who often act savagely in a | |
| disaster. The other is the beliefs and representations of the media, | |
| the people who hold up a distorting mirror to us in which it is | |
| almost impossible to recognize these paradises and our | |
| possibilities. Beliefs matter, and the overlapping beliefs of the | |
| media and the elites can become a second wave of disaster--as they | |
| did most dramatically in the aftermath of Hurricane Katrina. These | |
| three subjects are woven together in almost every disaster, and | |
| finding the one that matters most--this glimpse of paradise--means | |
| understanding the forces that obscure, oppose, and sometimes rub out | |
| that possibility. | |
| In some of the disasters of the twentieth century--the big | |
| northeastern blackouts in 1965 and 2003, the 1989 Loma Prieta | |
| earthquake in the San Francisco Bay Area, 2005's Hurricane Katrina on | |
| the Gulf Coast--the loss of electrical power meant that the light | |
| pollution blotting out the night sky vanished. In these | |
| disaster-struck cities, people suddenly found themselves under the | |
| canopy of stars still visible in small and remote places. On the | |
| warn night of August 15, 2003, the Milky Way could be seen in New | |
| York City, a heavenly realm long lost to view until the blackout that | |
| hit the Northeast late that afternoon. You can think of the current | |
| social order as something akin to this artificial light: another kind | |
| of power that fails in disaster. In its place appears a reversion to | |
| improvised, collaborative, cooperative, and local society. However | |
| beautiful the stars of a suddenly visible night sky, few nowadays | |
| could find their way by them. But the constellations of solidarity, | |
| altruism, and improvisation are within most of us and reappear at | |
| these times. ... This is the paradise entered through hell. | |
| # Dorothy Day's Other Loves | |
| Conventional therapy, necessary and valuable at times to resolve | |
| personal crises and suffering, presents a very incomplete sense of | |
| self. As a guide to the range of human possibility it is grimly | |
| reductive. It will help you deal with your private shames and pains, | |
| but it won't generally have much to say about your society and your | |
| purpose on earth. It won't even suggest, most of the time, that you | |
| provide yourself with relief from and perspective on the purely | |
| personal by living in the larger world. Nor will it ordinarily | |
| diagnose people as suffering from social alienation, meaninglessness, | |
| or other anomies that arise from something other than familial and | |
| erotic life. It more often leads to personal adjustment than social | |
| change (during the 1950s, for example, psychology went to work | |
| bullying women into accepting their status as housewives, the | |
| language of Freudianism was deployed to condemn their desires for | |
| more power, more independence, more dignity, and more of a role in | |
| public life.) Such a confinement of desire and possibility to the | |
| private serves the status quo as well: it describes no role for | |
| citizenship and no need for social change or engagement. | |
| Popular culture feeds on this privatized sense of self. A recent | |
| movie about political activists proposed that they opposed the | |
| government because they had issues with their fathers. The | |
| implication was that the proper sphere of human activity is personal, | |
| that there is no legitimate reason to engage with public life, that | |
| the very act of engaging is juvenile, blindly emotional, a | |
| transference of the real sources of passion. What if that government | |
| is destroying other human lives, or your own, and is leading to a | |
| devastating future? What if a vision of a better world or just, say, | |
| a better transit system is a legitimate passion? What if your sense | |
| of self is so vast that your well-being includes these broad and | |
| idealistic engagements? | |
| I don't have a television. For many years the devices seemed like | |
| forbidden fruit when I encountered them in hotels and motels, and I | |
| would eagerly turn on the TV and look for something to watch. | |
| Situation comedies would catch my attention, for several always | |
| seemed to be in rerun on the cable channels. In them, the world | |
| often seemed reduced to a realm almost without the serious suffering | |
| of poverty, illness, and death that puts minor emotional trials in | |
| perspective, but without ideals, without larger possibilities beyond | |
| pursuing almost always deeply selfish needs (the characters were | |
| constantly pitted against each other, and the laugh tracks chimed in | |
| most reliably at these moments). If someone aspired to something | |
| more, their folly was shown up immediately; even romantic love was | |
| always visibly self-serving, delusional, or lecherous. Along with | |
| therapy culture, the sitcoms seemed to define down what it means to | |
| be human. It wasn't that I condemned them morally; it's just that | |
| they made me feel lousy. (Fortunately, in those hotels I could | |
| usually find an old movie, or the Weather Channel, with its | |
| inexhaustible supply of spectacular disasters, or The Simpsons.) | |
| Even best-selling semiliterary novels I picked up seemed to shrink | |
| away from the full scope of being human. It was as though the rooms | |
| in which the characters lived had no windows, or more terrifying yet, | |
| there was nothing outside those windows. We were consigned to the | |
| purely personal--it was not the warm home to which we might return | |
| from the politics of [Dorothy] Day or the seascapes of Lopez. It was | |
| not the shelter at the center of the world, but all that was left: a | |
| prison. | |
| The human being you recognize in reading, for example, Tom Paine's | |
| *Rights of Man* or Nelson Mandela's autobiography is far larger than | |
| this creature of family and erotic life. That being has a soul, | |
| ethics, ideals, a chance at heroism, at shaping history, a set of | |
| motivations based on principles. Paine writes that nature "has not | |
| only forced man into society by a diversity of wants that the | |
| reciprocal aid of each other can supply, but she has implanted in him | |
| a system of social affections, which, though not necessary to his | |
| existence, are essential to his happiness. There is no period in | |
| life when this love for society ceases to act. It begins and ends | |
| with out being." But that love and that happiness have no place in | |
| the conventional configuration of who we are and what we should want. | |
| We lack the language for that aspect of our existence, the language | |
| we need to describe what happens during disaster. | |
| # A Tale Of Two Princes: The Halifax Explosion And After | |
| At the end of his teens, Le Bon moved to Paris to study medicine and | |
| stayed on for seven decades, until his death in 1931, as a prolific | |
| writer of books popularizing and sometimes entirely bastardizing the | |
| science of the day. Kept at arm's length by the university | |
| scientists who covered the same ground, he grew bitter about that... | |
| Even his early writings contain harshly dismissive statements about | |
| women, the poor, and nonwhite people. ... Behind his writing seethes | |
| a European male's incessant anxiety about being overtaken by other | |
| categories of human being. Science moved on, but Le Bon did not and | |
| only one of his books ever had wide currency, so wide that in many | |
| ways we have never recovered from its arguments. | |
| In his highly influential *The Crowd*, he proposed that when | |
| individuals gather, they lose themselves and are swept along by | |
| primordial forces: someone in a crowd "is no longer himself, but has | |
| become an automaton who has ceased to be guided by his will. | |
| Moreover, by the mere fact that he forms part of an organised crowd, | |
| a man descends several rungs in the ladder of civilization. | |
| Isolated, he may be a cultivated individual; in a crowd, he is a | |
| barbarian--that is, a creature acting by instinct..." | |
| To believe this is to believe that the very act of agglomerating into | |
| groups makes humans go mad and that the public is inherently | |
| dangerous. ... Because disasters push the population out into the | |
| streets and into collective solutions--community kitchens, emergency | |
| shelters, bucket brigades--disaster produces some of the crowds that | |
| made Le Bon and his ilk so anxious toward the end of the nineteenth | |
| century and into the twentieth. That anxiety never quite dissipated. | |
| In the middle of *Catastrophe And Social Change*, Samuel Prince | |
| suddenly references Kropotkin. "Catastrophe and the sudden | |
| termination of the normal which ensues become the stimuli of heroism | |
| and bring into play the great social virtues of generosity and of | |
| kindliness--which in one of its forms is mutual aid. The new | |
| conditions, perhaps it would be more correct to say, afford the | |
| occasion for their release," he writes on page 55, and on the next | |
| page he footnotes Kropotkin's 1902 treatise | |
| *Mutual Aid: A Factor Of Evolution*. | |
| Mutual aid means that every participant is both giver and receiver to | |
| acts of care that bind them together, as distinct from the one-way | |
| street of charity. In this sense it is reciprocity, a network of | |
| people cooperating to meet each others' wants and share each others' | |
| wealth. ... People preferred to care for each other rather than to be | |
| cared for by strangers or governed by others. | |
| ... by the time he wrote *Mutual Aid* he was one of the theorists of | |
| the political philosophy called *anarchism*. The word means | |
| literally, in Greek, "the absence of government." It is often used | |
| nowadays as a synonym for mayhem, chaos, and riotous behavior because | |
| many imagine that the absence of authority is equally the absence of | |
| order. Anarchists are idealists, believing human beings do not need | |
| authorities and the threat of violence to govern them but are instead | |
| capable of governing themselves by cooperation, negotiation, and | |
| mutual aid. They stand on one side of a profound debate about human | |
| nature and human possibility. On the other side, the authoritarian | |
| pessimists believe that order comes only at the point of a gun or a | |
| society stacked with prisons, guards, judges, and punishments. They | |
| believe that somehow despite the claimed vileness of the many, the | |
| few whom they wish to endow with power will use it justly and | |
| prudently, though the evidence for this could most politely be called | |
| uneven. The cases drawn from disaster largely contradict this | |
| belief. It is often the few in power who behave viciously in | |
| disaster, and those few do so often exactly because they subscribe to | |
| the fearful beliefs of Huxley, Le Bon, and others. | |
| The mainstream has forgotten it now, though it [anarchism] was never | |
| an ideology like state socialism or Marxism. Rather, many anarchists | |
| argue that they have merely described and analyzed the ancient and | |
| widespread ways people organized themselves for millennia, with an | |
| emphasis on equality and liberty for all. They were not inventing | |
| anything new but reclaiming something ancient. | |
| # From The Blitz And The Bomb To Vietnam | |
| Naomi Klein's 2007 book *The Shock Doctrine* is a trenchant | |
| investigation on how economic policies benefiting elites are thrust | |
| upon people in times of crisis. But it describes those people in all | |
| the old, unexamined terms and sees the aftermath of disaster as an | |
| opportunity for conquest from above rather than a contest of power | |
| whose outcome is sometimes populist or even revolutionary. ... In a | |
| public talk when the book appeared she said that in extreme crisis | |
| "we no longer know who or where we are. We become like children, we | |
| look for daddies." If only she had read Fritz. | |
| Fritz's first radical premise is that everyday life is already a | |
| disaster of sorts, one from which actual disaster liberates us. He | |
| points out that people suffer and die daily, though in ordinary | |
| times, they do so privately and separately. And he writes, "The | |
| traditional contrast between 'normal' and 'disaster' almost always | |
| ignores or minimizes these recurrent stresses of everyday life and | |
| their personal and social effects. It also ignores a historically | |
| consistent and continually growing body of political and social | |
| analyses that points to the failure of modern societies to fulfill an | |
| individual's basic human needs for community identity." | |
| Later he describes more specifically how this community identity is | |
| fed during disaster: "The widespread sharing of danger, loss, and | |
| deprivation produces an intimate, primarily group solidarity among | |
| the survivors, which overcomes social isolation, provides a channel | |
| for intimate communication and expression, and provides a major | |
| source of physical and emotional support and reassurance... The | |
| 'outsider' becomes an 'insider,' the 'marginal man' a 'central man.' | |
| People are thus able to perceive, with a clarity never before | |
| possible, a set of underlying basic values to which all people | |
| subscribe. They realize that collective and group goals are | |
| inextricably merged. This merging of individual and societal needs | |
| provides a feeling of belonging and a sense of unity rarely achieved | |
| under normal circumstances." | |
| In other words, disaster offers temporary solutions to the alienation | |
| and isolations of everyday life. | |
| Disasters, unlike everyday troubles... pose straightforward problems | |
| to which solutions can be taken in the form of straightforward | |
| actions... The ability to address directly and clearly the troubles | |
| at hand provides a satisfaction hard to find in other times. | |
| For more than a dozen years, the United States strongly encouraged | |
| its citizens to build their own fallout shelters. The idea was that | |
| after a nuclear war, survival would require sheltering for days, | |
| weeks, or months from the radiation before you surfaced to rebuild | |
| civilization. ... While Soviets built collective shelters, American | |
| citizens were encouraged to build their own: destruction was the | |
| government's job, survival was the citizen's. ... The burning | |
| question was this: if you built a shelter for yourself and your | |
| family--an option available largely to families with backyards, not | |
| city dwellers or the poor--would you let the neighbors in? | |
| Preparing for this vision of war meant preparing to go to war against | |
| the neighbors in their hour of desperation. | |
| It was a remarkable moment upon which few remarked: ordinary citizens | |
| balked at taking steps for their own survival at others' expense, | |
| even in a time of great fear of nuclear war and suspicion that | |
| collective solutions and solidarities smacked communism. | |
| # Hobbes In Hollywood, Or The Few Versus The Many | |
| The basic notion is of people so overwhelmed by fear and selfish | |
| desire to survive that their judgment, their social bonds, even their | |
| humanity are overwhelmed, and that this can happen almost instantly | |
| when things go wrong--the old notion of reversion to brute nature, | |
| though out of fear rather than inherent malice. It presumes that we | |
| are all easily activated antisocial bombs waiting to go off. Belief | |
| in panic provides a premise for treating the public as a problem to | |
| be shut out or controlled by the military. Hollywood eagerly feeds | |
| those beliefs. Sociologists, however, do not. | |
| Charles Fritz's colleague Enrico Quarantelli recalls that in 1954, "I | |
| wrote a master's thesis on panic, expecting to find a lot of it, and | |
| after a while I said, 'My God, I'm trying to write a thesis about | |
| panic and I can't find any instances of it.' That's an | |
| overstatement, but... it took a little while to learn that, wait a | |
| second, the situation is much better here" than anyone had thought. | |
| ... Quarantelli, even more than Fritz, went on to become a dynastic | |
| head of disaster studies, working with Fritz early on, then becoming | |
| a professor and founding the Disaster Research Center at Ohio State | |
| University that is now at the University of Delaware. | |
| Fifty-three years after the thesis without panic, Quarantelli added, | |
| "In fact, most of the disaster funding, even to this day, is based on | |
| the notion of how can we prevent people from panicking or engaging in | |
| antisocial behavior. So in the early days of disaster studies that | |
| was the reason for funding. They just assumed the real problem was | |
| the citizens and the people at large, even though the studies from | |
| the beginning argued against that." He added, "If by panic one means | |
| people being very frightened, that probably is a very correct | |
| perception of what occurs at the time of a disaster. Most people in | |
| contact with reality get frightened and in fact should get frightened | |
| unless they've lost their contact with reality at the time of the | |
| disaster. On the other hand it doesn't mean that if people are | |
| frightened, they cannot act appropriately." Studies of people in | |
| urgently terrifying situations have demonstrated--as Quarantelli puts | |
| it in the dry language of his field--that "instead of ruthless | |
| competition, the social order did not break down," and that there was | |
| "cooperative rather than selfish behavior predominating." | |
| Quarantelli states that more than seven hundred studies of disasters | |
| demonstrate that panic is a vanishingly rare phenomenon. Subsequent | |
| researchers have combed the evidence meticulously--in one case | |
| examining the behavior of two thousand people in more than nine | |
| hundred fires--and concluded that the behavior was mostly rational, | |
| sometimes altruistic, and never about "the beast within" when the | |
| thin veneer of civilization is peeled off. Except in the movies and | |
| popular imagination. And in the media. And in some remaining | |
| disaster plans. A different worldview could emerge from this. | |
| Quarantelli remarks that the organizations rather than individuals | |
| are the most prone to create problems during a natural disaster. | |
| "Bureaucracy depends on routine and schedules and paperwork and etc. | |
| If done right--in face, the modern world could not exist without | |
| bureaucracy. The only trouble with that is that the bureaucratic | |
| framework is one of the worst things to have at the time of disasters | |
| when you need innovations and doing things differently. In fact the | |
| better they operate during nondisaster times, the less likely they | |
| are to operate well. ... On the other hand, human beings, and this | |
| cuts across all societies ... rise to the occasion." | |
| The distinguishing thing about elite panic as compared to | |
| regular-people panic, is that what elites will panic about is the | |
| possibility that we will panic. It is simply, more prosaically more | |
| important when they panic because they're in positions of influence, | |
| positions of power. They're in positions where they can move | |
| resources around so they can keep information close to the vest. | |
| It's a very paternalistic orientation to governance. It's how you | |
| might treat a child. ... Imagining that the public is a danger, they | |
| endanger the public. | |
| [Lee] Clarke wrote, "Disaster myths are not politically neutral, but | |
| rather work systematically to the advantage of elites. Elites cling | |
| to the panic myth because to acknowledge the truth of the situation | |
| would lead to very different policy prescriptions than the ones | |
| currently in vogue. The chief prescription is, she noted, that the | |
| best way to prepare for disasters is by following the command and | |
| control model... But it is not the bureaucrats who will be the | |
| first-responders when the next disaster... comes. It won't even be | |
| the police or firefighters. It will be our neighbors, it will be the | |
| strangers in the next car, it will be our family members. The | |
| effectiveness of disaster response is thus diminished to the degree | |
| that we overrely on command and control. This is another case where | |
| political ideology trumps good scientific knowledge about how the | |
| world works." | |
| At large in disaster are two populations: a great majority that tends | |
| toward altruism and mutual aid and a minority whose callousness and | |
| self-interest often becomes a second disaster. The majority often | |
| act against their own presumptive beliefs in selfishness and | |
| competition, but the minority sticks to its ideology. Disaster | |
| cannot liberate them, even while many others find themselves in an | |
| unfamiliar world playing unfamiliar roles. | |
| # The City Transfigured: New York In Grief And Glory | |
| Tricia Wachtendorf, a disaster sociologist who spent considerable | |
| time in New York during the aftermath of September 11, comments that | |
| convergent volunteers often irk officials because "the appearance of | |
| these groups suggests the inadequacy of official response efforts." | |
| She describes how goods managed by groups like Mueller's and Smith's | |
| were called "rebel food" and "renegade supplies." | |
| But if the popular aftermath was a festival of mutual aid, altruism, | |
| improvisation, and solidarity, then the institutional aftermath was | |
| elite panic at its most damaging. And that slower response largely | |
| overpowered the carnival of compassion that had taken place on the | |
| streets of New York. | |
| "When the plane that hit the Pentagon and the plane that crashed in | |
| Pennsylvania are looked at side by side, they reveal two different | |
| conceptions of national defense: one model is authoritarian, | |
| centralized, top-down; the other, operating in a civil frame, is | |
| distributed and egalitarian. Should anything be inferred from the | |
| fact that the first form of defense failed and the second succeeded?" | |
| ... The mainstream narrative crafted from the ruins of September 11 | |
| did not recognize the enormous power of the unarmed public or the | |
| comparative helplessness of the world's mightiest military and of | |
| centralized institutions generally. | |
| While the Pentagon failed to act, citizens took dramatic action | |
| inside Flight 93, possibly because of the passengers' quick | |
| collective decisions and actions. It was not only a moment of mutual | |
| aid and altruism but also a moment of participator democracy at the | |
| forum of Union Square, at the dispensaries, impromptu kitchens, and | |
| volunteer efforts all over the city. People decided to do something, | |
| banded together--usually with strangers--and made it happen. | |
| # New Orleans: Common Grounds And Killers | |
| But that young medic [Aislyn Colgan] from Oakland, California, a | |
| sturdy fair-haired woman with a broad, honest face, also told me, "In | |
| Algiers, a lot of people in the white neighborhood formed vigilante | |
| groups. They got into their vehicles and drove around. More than | |
| once person told me, told me personally, that yes, 'We shot seven | |
| people and we killed them.' Or 'We killed five people and we don't | |
| know what happened to the other two.' Or 'It was four and three.' | |
| ... But that was what was scary to me: people have this capacity for | |
| good but also this tremendous capacity for evil. One of the most | |
| intense conversations I had was with this woman who said: 'They were | |
| coming for our TV and we had to shoot them. If we hadn't shot them, | |
| they would have come back with their brothers and killed us.' I | |
| think the same thing that brought people to completely rearrange | |
| their priorities, to be like 'Whatever I'm going to do, I;m going to | |
| rescue you, if that means I have to get this refrigerator to float | |
| and pole you back one by one I'm going to do it.' I think the same | |
| kind of response was 'You are not going to get near my house.' It | |
| made people crazy." | |
| The murders were no secret. There were plenty of rumors, but the | |
| evidence was there. When I mentioned them, some people looked ad me | |
| as if I was a gullible, overwrought bleeding-heart outsider, and then | |
| paused thoughtfully and said, "Well, actually..." Then they'd add a | |
| new detail... | |
| More than a million people saw the premiere of Spike Lee's 2006 HBO | |
| documentary, When the Levees Broke. It includes an interview with | |
| Donnell Herrington of Algiers, a sturdy, soft-spoken African American | |
| guy not nearly as tall as his basketball college scholarship would | |
| suggest. | |
| Spike Lee found him and put him in When the Levees Broke. Standing | |
| on the levees near the Algiers ferry, he told just the story of how | |
| he was shot by vigilantes, not who he was and what he had done | |
| before, or what happened afterward. On camera in that film that was | |
| seen by so many millions of people, Donnell pulled up his shirt and | |
| said, "This is the buck-shots from the shotgun." His torso was | |
| peppered with lumps. And then he gestured at the long, twisting | |
| raised scar that wound around his neck like a centipede or snake. | |
| "And this is the incision from the surgery from the buckshots that | |
| penetrated my neck and hit my jugular vein." A man described his | |
| attempted murder on nationwide television, and no one thought to | |
| investigate? Even Spike Lee, who devoted a whole documentary to the | |
| murder of four little girls during the civil rights era, just cut | |
| away to news footage of Governor Blanco announcing that they were | |
| going to restore law and order. | |
| Lee's film was the most widely available piece of evidence. But I'd | |
| also offered the journalist a copy of another documentary. Danish | |
| filmmaker Rasmus Holm's ironically titled Welcome to New Orleans, | |
| which focused on the events in Algiers Point. In it, longtime | |
| Algiers resident Malik Rahim showed the camera the body of a black | |
| man lying on his face near the street, bloated from the heat, | |
| abandoned. As he also told the nationally syndicated news program | |
| Democracy Now, "During the aftermath, directly after the flooding, in | |
| New Orleans, hunting season began on young African American men. In | |
| Algiers, I believe, approximately around eighteen African American | |
| males were killed. No one really knows what's the overall count. | |
| And it was basically murder. It was murder by either the police or | |
| by vigilantes that was allowed to run amok." | |
| There were bodies lying on the street in the place that had never | |
| flooded, the comparatively undamaged place where no one was dying of | |
| thirst or heatstroke. A lot of people seemed reluctant to take the | |
| word of Rahim... There was Herrington's testimony, and the mute | |
| testimony of his savaged body. And on Holm's film there were | |
| vigilante confessions, if confession is the right word for cheer, | |
| beer-enhanced boasting. At a barbecue the Dane managed to attend | |
| shortly after Katrina, a stocky white guy with receding white hair | |
| and a Key West T-Shirt chortled, "I never thought eleven months ago | |
| I'd be walking down the streets of New Orleans with two .38s and a | |
| shotgun over my shoulder. It was great. It was like pheasant | |
| season in South Dakota. If it moved, you shot it." | |
| A tough woman with short hair and chubby arms added, "That's not a | |
| pheasant and we're not in South Dakota. What's wrong with this | |
| picture?" | |
| The man said happily, "Seemed like it at the time." | |
| A second white-haired guy explained, "You had to do what you had to | |
| do. If you had to shoot somebody, you had to shoot. It's that | |
| simple." | |
| A third said, "We shot 'em." | |
| The woman said, "They were looters. In this neighborhood we take | |
| care of our own." | |
| And the last man to speak added, "You know what? Algiers Point is | |
| not a pussy community." | |
| Here was the marauding, murdering gang the media had been obsessed | |
| with, except that it was made up of old white people, and its public | |
| actions went unnoticed. | |
| Moved to anguish over the murders, I vowed to Rahim that I would get | |
| them investigated and exposed. Eventually, I brought together the | |
| Nation magazine with the best and most fearless investigative | |
| journalist I know, A.C. Thompson, and handed over my evidence and | |
| contacts. | |
| He'd become close to Donnell Herrington. And he'd talked to the | |
| vigilantes, who unlike even convicted killers doing life without | |
| parole he'd investigated for other investigations, readily confessed | |
| to murder. Boasted of it, really. One guy who took him home to show | |
| him incriminating videotape and photographs of what he and his | |
| companions had done said, "People think it's a myth. But we killed | |
| people." The vigilantes told Adam that they'd shot three black men | |
| one morning and that they knew they were looters, because they had | |
| two tote bags with them. The bags were full of nice sports apparel. | |
| Definitive evidence. ... But it wasn't his job to educate them, just | |
| to let them talk. | |
| And they talked. The vigilantes had gotten the keys of some of their | |
| neighbors who'd evacuated, set up barricades--even felling trees--to | |
| slow down people's movement through their area, accumulated an | |
| arsenal, and gone on patrol. Unfortunately, they were also between | |
| the rest of New Orleans Parish and the ferry terminal from which | |
| people were being evacuated; a lot of people had good reason as well | |
| as every right to walk through those streets. | |
| One balmy September afternoon in 2008, A.C., Donnell, and I sat at a | |
| picnic table in New Orleans's City Park under the spreading oak trees | |
| with the ferns running up their thick arms and the Spanish moss | |
| dripping down their fingers. Big black butterflies flitted through | |
| the soft, humid air, and squirrels chased each other around the | |
| trees. ... Donnell [Herrington] told us in a soft, level voice that | |
| he had seen, done, and suffered during those three days. His story | |
| arcs through the best and worst of disasters and human behavior. | |
| Before Herrington was a victim he was a rescuer. He saved old people. | |
| He saved children. He saved family. He saved the neighbors. He | |
| saved strangers. The twenty-nine-year-old could have evacuated | |
| [from] his hometown, New Orleans, as Hurricane Katrina approached, | |
| but he couldn't bring himself to leave his grandparents. Their home | |
| in the St. Bernard housing project out near City Park on the north | |
| side of town weathered the hurricane fine, but later that day the | |
| water began to rise, mysteriously, horrifically, until it had filled | |
| the first floor of the buildings all around and what had once been a | |
| city was a weird lake. No help appeared, but word spread that if you | |
| could get to the elevated interstate you could get evacuated from the | |
| flooded city. Some of the stranded people, like his grandparents, | |
| were frail; some couldn't swim. | |
| Herrington was strong, and so he found an inner tube and got into the | |
| vile water to look for a boat. "Another cousin of mine, just when we | |
| were thinking there was no hope, came along with a boat. I told him | |
| 'Let's get our grandparents.' That's when I started helping people | |
| throughout the neighborhood." Herrington stood in the prow of the | |
| small skiff, and he and a few friends poled the boat along through | |
| the murky waters with the submerged cars, stop signs, and other | |
| obstacles. They continued rescuing into the night, when the city | |
| without power became darker than he'd ever seen it before. On one of | |
| their night-rescue journeys, the one with his female cousins and | |
| their small children, they nearly flipped the boat, and Herrington | |
| recalls, "I was thinking, Lord, don't let it tip over because we had | |
| babies on board, and if the babies wouldn't fallen into the water, we | |
| probably couldn't have saved some of them because it was too dark for | |
| us to see." He estimates that in the four hours they were in the | |
| boat, they transported more than a hundred people from the flooded | |
| neighborhood to the interstate. | |
| At daybreak, he, his cousin Marcel Alexander, then seventeen year | |
| old, and their friend Chris Collins set out walking the several miles | |
| on the freeway to downtown New Orleans, hoping to find help for his | |
| grandparents, who were sleeping on the asphalt with everyone else. | |
| "I saw some crazy, crazy, crazy things... One young lady was having | |
| a baby on the interstate. I saw people dead on the interstate, some | |
| older people who just couldn't--it was crazy. I was just passing | |
| people up. My heart was going out to these people." He wasn't even | |
| allowed to get near the Convention Center, where thousands of | |
| evacuees would end up stranded, or the Superdome, and he wasn't | |
| allowed to walk back up the interstate to check on his family. At | |
| that point he was close to the Crescent City Connection, the bridge | |
| across the Mississippi, and so Herrington decided to just walk | |
| several more miles to the Algiers home to which he and his girlfriend | |
| had moved a year earlier. Alexander and Collins came with him. | |
| The apocalypse continued unfolding. Nothing was flooded over there, | |
| but a huge branch from the pine tree in front of his rented townhouse | |
| had smashed in the roof of the place, and it was not habitable. Most | |
| people had evacuated, and the place felt like a ghost town. One of | |
| the few remaining neighbors told him that people on the West Bank | |
| were being evacuated from the Algiers Point Ferry a few miles further | |
| on. His cousin was worried about their family and on the verge of | |
| tears. "I kinda felt responsible for him, and I kept telling him | |
| 'You gonna be okay. You gonna be all right.'" The three young black | |
| men set out for the ferry, though Herrington didn't know the way | |
| exactly. They ran into another man and struck up a conversation | |
| with him. He gave them directions, and told them that he had a | |
| generator but was going to evacuate to Atlanta when he fixed a flat | |
| tire, and told them too that maybe the neighbors who miraculously had | |
| a working phone might let them use it. They did. Herrington called | |
| his family and assured them that he was okay, though in a few moments | |
| he would not be. | |
| As they continued their journey, the guy with the flat said, "'Be | |
| careful because these guys are walking around the area with shotguns,' | |
| but I wasn't paying that no mind." A few blocks later, while | |
| Herrington had his head turned to talk to Alexander, a man he didn't | |
| even see stepped out and pulled the trigger on a shotgun. "It | |
| happened so fast I didn't even hear the loud boom. Like i said, I | |
| felt a lot of pressure in my neck and it lifted me off my feet and I | |
| hit the ground and I didn't know what actually happened and I kinda | |
| blanked out for a second and my vision was kinda blurry, and when I | |
| opened my eyes I saw my cousin standing over me and I looked down at | |
| my arms and everything, and some of the shots hit me in my arms, my | |
| neck, my chest, all over my body." His jugular vein had been | |
| punctured and the blood began to spurt out of his neck. Marcel stood | |
| over him, overwhelmed with horror, and Herrington looked past him to | |
| see the stout middle-aged man reloading and told his cousin to run. | |
| Facing death, he was still taking care of his family. | |
| "So I'm looking at the guy walking toward me and he was walking | |
| pretty slow, and that was because he was trying to get the rest of | |
| the gauges in the shotgun. And at this point I'm on the ground and | |
| I'm praying, "God, please, don't let this guy stand over me and shoot | |
| me, try and take care of my life." He got to his feet, but his way | |
| was obstructed by the branches the vigilantes in Algiers Point had | |
| scattered around when they decided to turn their neighborhood into a | |
| death trap. As he tried to hop over one of them, he heard another | |
| boom. The would-be murderer had shot him in the back, and the blow | |
| knocked him down again. He got up, walked on, and asked the first | |
| people he saw for help but they drove him off their porch. He | |
| managed to stagger onward. He asked some shirtless white guys in a | |
| truck for help, but they called him a n----- and one of them said, | |
| "We're liable to shoot you ourselves." He managed to stay on his | |
| feet long enough to reach the house of the guy who had warned him a | |
| few minutes earlier about the men with shotguns. | |
| You had to believe, first, that all African American men are | |
| criminals and intruders and, second, that people in a disaster have a | |
| pressing interest in acquiring private property to act as the | |
| vigilantes did believe. Deciding Donnell was a looter was crazy. He | |
| was a Brink's truck driver routinely trusted with hundreds of | |
| thousands of dollars who was evacuating with a lot of his money in | |
| his pocket and no interest in taking someone's TV on his way to the | |
| ferry. He was a rescuer who'd just saved many lives. He was a kind | |
| man who told us later on, "I prayed about this situation and | |
| everything. I asked God to forgive those guys that done this thing | |
| to me; it was kind of hard to even bring myself to do that, but I | |
| know it's the right thing to do. But at the same time those guys | |
| have gotta answer for their actions." So far they haven't. | |
| He was a rescuer. Then he had been a victim. In the last act of his | |
| extraordinary journal through Katrina's flooded cityscapes and | |
| desperate people, he was rescued. While the man who'd warned him | |
| worked on his flat tire his girlfriend and her mother took him into | |
| the house and tried to care for him while they figured out what to do | |
| next. Donnell recalls, "Your life is in your blood; when your blood | |
| is draining like that it's like your life is draining in a certain | |
| sense. I was actually fainting, you know, I was weak. I was pretty | |
| weak at that time; it's a strange feeling, then at the same time your | |
| heart is racing and your minds is telling you that you're about to | |
| die." The younger woman saw the vigilantes in the street looking for | |
| Herrington to finish him off. After Donnell was shot, two younger | |
| men with guns had terrorized Alexander and Collins with racial | |
| insults, death threats, and a pistol-whipping, and these vigilantes | |
| came by to finish off Donnell. The younger woman kept them off the | |
| property until her boyfriend, armed, stepped in, though maybe it was | |
| the woman's threat to contact the [police that sent the vigilantes | |
| scurrying. The guy changed his tire in a hurry, and they got Donnell | |
| into the backseat. They drove to West Jefferson Medical Center and | |
| were told by a doctor in the parking lot that they were not accepting | |
| any more people. The young woman argued with them, a doctor took a | |
| look, signaled for a stretcher, and Donnell was on his way to the | |
| emergency room to get his jugular repaired, just in time. In his | |
| medical chart, the doctors estimate he had lost two liters of blood, | |
| nearly half the blood in the body of the ordinary human being. But | |
| he lived. | |
| ... each of the several sources A.C. found describes different murders. | |
| ... Henry Glover, age thirty-one, and his brother Edwin King were | |
| walking near a Chuck E. Cheese's place in Algiers mall when shots | |
| rang out, and Glover was severely wounded. A man with a Chevy Malibu | |
| picked them up and decided the hospital was too far away. He thought | |
| perhaps the police would administer first aid and drive Glover to the | |
| elementary school, where a police team was holed up. The police | |
| responded, Adam said, "by gutting aggressive instead of rendering | |
| help." They beat up King and his friend, smacked on of them in the | |
| face with an assault rifle. "Meanwhile there's poor Henry in the | |
| back of the car bleeding, and no one's doing anything." The police | |
| took the men's wallets and marched them out of the area on foot. | |
| "They last they saw of Henry and the Malibu was an officer with | |
| flares in his pocket getting into the car and driving off. When they | |
| finally located the car and Henry, the car was on the levee a short | |
| distance behind the Fourth District Police Station, and the coroner | |
| had Henry's charred remains. There was no car left and very little | |
| left of Henry Glover."--just a skull, some ribs, and a femur, and a | |
| car "burned beyond belief." A.C. thinks someone took Glover's skull | |
| as a souvenir, because it was there in the police photographs but not | |
| in the coroner's report. | |
| A homicide detective told A.C that he was instructed not to | |
| investigate any homicides at that time. "We hear around the station | |
| that the guy had been a looter, shot for being a looter." He added | |
| that the tactical unit people were crazy and that he thought someone | |
| in law enforcement burned up Glover's body, possibly with a | |
| flash-bang grenade taken from the nearby National Guard facility, | |
| when it began to smell. "Ever smell a dead body?" he asked. That | |
| detective quit the force because of everything that had happened | |
| during Katrina, he said to A.C., including shoot-outs between looting | |
| cops and law-abiding cops. The police had a substation in the mall, | |
| and perhaps they shot Henry. But no one in New Orleans was | |
| investigating some charred human ribs with a bullet in them behind a | |
| police station. Or a man who'd testified on national television | |
| about his near murder and shown the evidence written across his body. | |
| Or the suppression of hundreds of coroners' records of autopsied | |
| Katrina victims. | |
| Like elites when they panic, racists imagine again and again that | |
| without them utter savagery would break out, so that their own | |
| homicidal violence is in defense of civilization and the preservation | |
| of order. | |
| Almost no one was eager to tell the other story of bands of heavily | |
| armed white men, affluent ones in Uptown, blue collar ones in Algiers | |
| Point. If the facts don't fit the beliefs, murders in plain view can | |
| go largely unnoticed. | |
| Not every disaster feature elite panic or failed evacuations. The | |
| 1973 volcanic eruption on Heimaey in the Westmann Isles off the coast | |
| of Iceland early in the dark morning of January 23, 1973, was a | |
| surprise. Even so, within six hours, the many boats docked near the | |
| town managed to evacuate nearly all fifty-three hundred residents | |
| safely. Lava flowed for six months, buried a third of the town, and | |
| the community spent a few years in exile from the heat, damage, and | |
| fumes, then rebuilt and returned, with little of the social drama of | |
| other disasters. Iceland has a poor tradition of official political | |
| participation but a rich one in social connection, both due perhaps | |
| to the tiny size and rural background of the homogenous population. | |
| An evacuation plan was in place when the volcano erupted, and people | |
| acted on it. | |
| The island of Cuba is nearly the same size as Iceland but it is in | |
| every other way profoundly different. It too has an effective civil | |
| defense system for the hurricanes that come more frequently but with | |
| far more warning than most volcanic eruptions. Cuba's government has | |
| instituted disaster education, an early-warning system, good | |
| meteorological research, emergency communications that work, | |
| emergency plans, and civil defense systems--the whole panoply of | |
| possibilities to ensure that people survive the hurricanes that | |
| regularly scour the island. ... Cuban civil society matters too: | |
| people check in on each other, urge holdouts to come along, and | |
| generally prevent the kind of isolation that stranded many in Katrina | |
| or in the Chicago heat wave. A Jamaican writing about the | |
| devastating Caribbean hurricanes of 2008 commented, "Cuba is | |
| organized as a mutual aid society in which every citizen has his | |
| responsibilities, his duties, and his place. When hurricanes threaten | |
| Cuba, people move out of the way guided by the neighbourhood | |
| Committees for the Defense of the Revolution--CDR. ... Here is a | |
| truly incredible fact. Last week the Cubans moved 2,615,000 | |
| people--a number nearly equivalent to the entire population of | |
| Jamaica--to safety. Four people died in the storm, the first | |
| fatalities for years. It is a remarkable statistic. Three years ago | |
| when Texas tried to evacuate a million or so head of hurricane Rita, | |
| more than 100 people died in the evacuation." | |
| Those who talk about civil society sometimes call what makes Cuban | |
| disaster society work *social capital*, an odd term for the only | |
| avowedly Communist nation in the hemisphere, but this wealth of | |
| connection and care has been in Cuba, as in so many other places, | |
| critical to survival. | |
| author: Solnit, Rebecca | |
| detail: gopher://gopherpedia.com/0/A_Paradise_Built_in_Hell | |
| LOC: HV553 .S59 | |
| tags: book,community,history,non-fiction | |
| title: A Paradise Built In Hell | |
| # Tags | |
| book | |
| community | |
| history | |
| non-fiction |