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| # 2021-04-28 - Twice Told Tales by Nathaniel Hawthorne | |
| Maypole with rainbow colors | |
| This collection of short stories is set around the time of the | |
| American revolution. It reminded me a little of The Twilight Zone. | |
| Among the stories are historical subjects and various religious sects | |
| found in colonial times. These were often combined with fantastical | |
| or supernatural elements. Some elements offend modern sensibilities. | |
| I detected a mystical thread of transcendentalism woven throughout | |
| these stories. | |
| I was drawn to this collection by The Maypole of Merrymount, which | |
| dramatizes an early Pagan settlement near to the place and time of | |
| the Puritans. The second paragraph describes the maypole, topped | |
| with a silk banner and colored like a rainbow. Likewise, the lord | |
| and lady of the May wore a scarf with a rainbow pattern. The lord of | |
| the May had long hair, like a hippy. The ceremonies were conducted | |
| by a Pagan priest wearing vines and flowers. | |
| "Not far from Merry Mount was a settlement of Puritans, most dismal | |
| wretches, who said their prayers before daylight, and then wrought in | |
| the forest or the cornfield till evening made it prayer time again. | |
| Their weapons were always at hand to shoot down the straggling | |
| savage. When they met in conclave, it was never to keep up the old | |
| English mirth, but to hear sermons three hours long, or to proclaim | |
| bounties on the heads of wolves and the scalps of Indians. Their | |
| festivals were fast days, and their chief pastime the singing of | |
| psalms. Woe to the youth or maiden who did but dream of a dance!" | |
| In Little Annie's Ramble, the stern, old narrator goes on a walk with | |
| an unusual friend: a young child named Annie. The story tells of | |
| circus animals, candy stores, and other magical wonders in Annie's | |
| world. I felt charmed by the story's conclusion that Annie was the | |
| greatest wonder of them all. | |
| The Great Carbuncle starts out with an unlikely party of treasure | |
| hunters. Their epic quest reminds me a little of a D&D campaign. | |
| The Vision of the Fountain has enchanting descriptions of natural | |
| settings combined with haunting, dream-like visions. Could this be | |
| considered magical realism? | |
| Peter Goldthwaite's Treasure is a story of a man who inherits much | |
| from his Grandfather, including a house with a legend of treasure | |
| hidden somewhere within its construction. I took it as an allegory | |
| for the folly of hoarding and prizing Earthly treasures too highly. | |
| Chippings With A Chisel documents conversations between a narrator | |
| and a professional carver of tombstones. I enjoyed the dry | |
| observations and philosphical perspectives from the narrator. | |
| "... to be quite sincere with you, I care little or nothing about a | |
| stone for my own grave, and am somewhat inclined to scepticism as to | |
| the propriety of erecting monuments at all over the dust that once | |
| was human. The weight of these heavy marbles, though unfelt by the | |
| dead corpse or the enfranchised soul, presses drearily upon the | |
| spirit of the survivor and causes him to connect the idea of death | |
| with the dungeon-like imprisonment of the tomb, instead of with the | |
| freedom of the skies. Every gravestone that you ever made is the | |
| visible symbol of a mistaken system. Our thoughts should soar upward | |
| with the butterfly, not linger with the exuviæ that confined him. | |
| In truth and reason, neither those whom we call the living, and still | |
| less the departed, have anything to do with the grave." | |
| From Night Sketches: | |
| > He fears not to tread the dreary path before him, because his | |
| > lantern, which was kindled at the fireside of his home, will light | |
| > him back to that same fireside again. And thus we, night-wanderers | |
| > through a stormy and dismal world, if we bear the lamp of Faith | |
| > enkindled at a celestial fire, it will surely lead us home to that | |
| > heaven whence its radiance was borrowed. | |
| Footprints In The Sand is a story about a narrator who every so often | |
| must seek solitude away from civilization to meditate and renew | |
| himself. He describes outdoor recreation in the original sense. He | |
| wrote that primeaval forest or the seashore both serve the purpose, | |
| but it the it was easier for him to reach the ocean than to find old | |
| growth forest. Coincidentally, this story refers to Robinson Crusoe, | |
| which i have just recently read. | |
| The Threefold Destiny was the final story, which i took to be an | |
| allegory for people who seek happiness in the wrong places, expecting | |
| to find it in external accomplishments, when they should inquire | |
| within. I loved how the protagonist became disillusioned with his | |
| childhood fancies, only to find that his fancies were correct after | |
| all. His young heart had told him no lies. His perspective was his | |
| only mistake. | |
| author: Hawthorne, Nathaniel, 1804-1864 | |
| detail: gopher://gopherpedia.com/0/Twice-Told_Tales | |
| LOC: PS3569.T3887 T88 | |
| source: gopher://gopher.pglaf.org/1/1/3/7/0/13707/ | |
| tags: ebook,fantasy,magical realism,transcendental | |
| title: Twice Told Tales | |
| # Tags | |
| ebook | |
| fantasy | |
| magical realism | |
| transcendental |