Jar | |
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During the second century B.C., an influx of people from | |
the continent brought the first of several waves of | |
foreign influence that have shaped Japanese culture, | |
initiating a more advanced cultural stage known as Yayoi. | |
When rice cultivation and bronze and iron metallurgy were | |
introduced, probably through Korea, the isolated and self- | |
sufficient life of the Jomon gave way to a communal | |
society organized to carry out the demanding agricultural | |
cycle. Architectural styles and ornamental motifs reflect | |
other influences from southern China and the Pacific | |
islands stretching from Kyushu to Taiwan.The social and | |
aesthetic character of the transformed culture of Yayoi | |
is vividly reflected in its ceramic vessels. The finely | |
articulated shape of this storage jar from the Nagoya | |
area, with its bulbous form rising from a small, flat | |
base to the flaring rim of its wheel-turned neck and | |
mouth, is enhanced by the burnished surface of its warm | |
red body. The irregular, vigorous shapes of Jomon vessels | |
have been replaced by sturdier, more functional ones in | |
which symmetry is of paramount interest. | |
Date Published: 2014-02-23 14:48:13 | |
Identifier: mma_jar_44830 | |
Item Size: 1836934 | |
Media Type: image | |
# Topics | |
Pottery | |
ca. 100–300 | |
Metropolitan Museum of Art | |
Asia | |
Vessels | |
Earthenware with incised decoration | |
Japan | |
Jars | |
Earthenware | |
Ceramics | |
# Collections | |
metropolitanmuseumofart-gallery | |
# Uploaded by | |
@jeff_kaplan | |
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