Sleepless Angels | |
by Wooden Box Theater | |
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Wooden Box Theater | |
Presents... | |
'I see a light above you, a circle that glows when you | |
walk by me' | |
'Sleepless Angels' | |
(Originally titled-Walking with the Dialogue) | |
An Audio Film | |
Must have Windows Media Player to listen | |
Written and directed by | |
Dan Sherrill and Wooden Box Theater | |
Produced by Kilton Hopkins, Jamie Burd, and Dan Sherrill. | |
1996, 1998, 2005. | |
Originally released on cassette on French Love Journal | |
Records and Circus Records. 1998. | |
Filmed live on location on Michigan Avenue-Chicago, IL. | |
February, 1996. | |
Original cassette mastering done by Kilton Hopkins. | |
Backward masking recorded February of 1998 at Common | |
Press Studios DeKalb, IL. | |
Burned to CD by Jamie Burd. November 2005. | |
The cassette originally came with the following in its | |
insert- | |
'This is an open air recording, if you appear on it for | |
any reason, and it goes to the top of the charts, you'll | |
be a star. Inspired by the music videos for Natalie | |
Merchant's 'Carnival,' and 'Anybody Seen My Baby,' by the | |
Rolling Stones. | |
Without these people, this record would not be here-The | |
music of Harry Connick Jr, Pink Floyd, Jeff Lynne, and | |
Van Dyke Parks. Natalie Merchant, Peter Bergman, and Rudy | |
Galindo. | |
The original thank you list included in the cassette | |
insert- | |
Special thanks for guidance and support and secret | |
keeping-Jennifer Richards, Ashley Mason, The Circus(all 9 | |
of us), Portishead, the band Reggie, Tara McCabe, Tricia | |
Heron, Roger Waters, Tori Amos, Belinda Maureen Short, M. | |
Liszka, Chris, Nick and Paula from Downtown Discs, Sue, | |
C. Magnusson, Amanda and Dawayne from John St. Violet, | |
Jewel Kilcher, A. Morrissette, Fiona Apple, R. Gianino, | |
Van Dyke Parks, Ben Evans, Leo, Cole, A.J. and Caitlin | |
Deschanel, Kami, Matt Carlson, Ben, and Tim Campbell, and | |
Rachel Petty. | |
The Original Poems included in the liner notes- | |
The Last Ballad | |
The director makes this the last | |
ballad, but no ones wants to leave | |
the dance, as they have all found | |
true love, under the shadow of | |
our heritage. So the music stops | |
and everyone goes home, but | |
out of the shadows of the people | |
leaving, she walks by him. She | |
suddenly remembers his name. | |
Alone and quiet, he asks her to | |
dance, and for the first time | |
she says, 'Yes.' So without | |
music or an audience, | |
they dance together... | |
Lady Violet | |
"While you persist in preventing | |
me from dancing with the lady | |
she walks further away. Further | |
away from me. I don't understand | |
why this is happening. I don't know | |
an answer to give to her. Tomorrow | |
she will look at me and wonder just | |
who I am and why I wanted so much | |
to be with her. We never talk, she | |
doesn't know my name. We have | |
never spoken to each other, but | |
she is in my thoughts and in my | |
world. That's something you can | |
never take away. The way our | |
eyes meet. If you try to turn | |
off the lights, the lady will never | |
leave my heart." A. Deschanel-1998 | |
'Sleepless Angels' Facts | |
This was the second release on Circus Records out of | |
Sycamore, IL. It was also mentioned, under it's original | |
title, 'Walking with the Dialogue,' in an article about | |
the label in the DeKalb Chronicle around the time of | |
preparing for its cassette release. The first release on | |
the label was, of course, The Circus' own 'Transients | |
Welcome.' | |
The walk path for the film was from the Hilton Towers in | |
Chicago to the Tribune Tower. Both on Michigan Avenue. | |
Some scenes were captured very close to a tour boat on | |
the Chicago river. And close to an awesome set of | |
drummers who just felt like setting up outside at about | |
11pm! That's Chicago for you. | |
The tape was sold at Northern Lights Bookstore, where | |
'Alia and the Boy' was performed live, Record Revolution, | |
where I'd made a huge poster advertising it, and | |
Hemispheres, which sold the most copies of anywhere they | |
were taken to. The tape set a new standard for store | |
catagorization. Where do you catagorize an audio film? | |
Suddenly a new genre was born! | |
Another trip to Chicago with the handheld recorder | |
actually enabled me to tape record a street peddler | |
stealing $75 from me. The police that night said I | |
couldn't use it to get the guy who did it, since it's | |
technically illegal to record people without them knowing | |
about it. Even though I had the guy's voice on tape. But | |
I still got to ride in the front seat of a Chicago Police | |
car trying to pick out a few suspects they'd caught. None | |
of them were the guy who stole from me. Imagine that! I | |
kept it for ages, the footage on tape. I wanted The | |
Circus to include it on their CD. Just in case, of | |
course, the idiot happened to own it and press play on | |
his CD player just to hear his own voice. That would've | |
been a wake up call! | |
Recording the backward masking for the poetry opening and | |
closing of the movie was one of the funnest things I've | |
ever done. It took a few takes to get it right, and | |
luckily the producer, Kilton Hopkins, was patient. I was | |
researching the secret message craze of the heavy metal | |
explosion of the 70's and 80's and how all these bands | |
from Led Zeppelin to Pink Floyd had hidden messages on | |
their CD's. If you play ours backwards there's a few | |
poems, that in all honesty I've heard played forwards | |
maybe twice ever. It'd be interesting to find a way to | |
play the tape backwards again. Maybe the people on the | |
street are passing each other coded messages...You never | |
know. | |
Stay tuned for more! | |
Date Published: 2008-05-13 00:33:17 | |
Identifier: SleeplessAngels | |
Item Size: 138015682 | |
Media Type: audio | |
# Topics | |
Audio; Film; Chicago; Gothic; Wooden ... | |
# Collections | |
cassettetaperecordings | |
cassettetapes | |
# Uploaded by | |
@wooden_box_theater_films | |
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