Tramps’ Dregs - The “A” List | |
by Ken Fox | |
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Episode of Naval Aviation In Audio, Radio program on | |
Regina Community Radio. No.255, aired April 2, 2014. | |
The price of used CDs at Tramps in Regina has been | |
falling for years - they likely haven t added to their | |
stock in more than a decade. The result is a well-picked- | |
over, but still sizeable musical collection of mainly two | |
types: (1) artists no one has ever heard of, and (2) | |
famous artists who no one likes anymore. Well, it seems | |
Tramps is finally saying good-bye to CDs, dumping them at | |
$1 a piece. So I took part of a lunch hour to have one | |
more look thru the stacks for covers that suggest | |
imagination, hard-core intensity, or anything out of the | |
mundane. I gave myself 10 minutes and a roughly $10 | |
budget and started at the beginning of the alphabet, and | |
ended up with 15 CDs all s. While the clerk was cutting | |
open the plastic shells with a pair of metal shears (the | |
security key having long been lost, CD s being | |
essentially worthless), I checked out the s, and found 2 | |
more, which the clerk threw in for free thanks man. So, a | |
radio show devoted to Tramps Dregs then a good prospect, | |
I thought, maybe even two shows ... | |
But a depressing exercise. I ended up with a pile of | |
mostly 1990s rock CDs. The 1990s indie rock world was | |
great at cover art, but gawd so many grey, depressing | |
Sonic Youth imitators and bored suburban post-punks. It | |
turns me off rock music, it really does. I love electric | |
guitars, I was musically weened on them, for so many | |
years I lived with them, on them rock as the staff of | |
life. But after subjecting my ears to this pile (and | |
others, in the past, because I ve done this to myself | |
before), I feel like I never want to hear a friggin | |
electric guitar riff again the rock of life has become | |
the stone slab that seals my soul in its tomb. | |
I m feeling better now having just listend to Iancu | |
Dumitrescu s Plutonian Frenzy, and followed that up with | |
some sublimely violent Napalm Death. | |
But what to do with this 17-CD pile? This is the DJ s | |
challenge. Take a pile of rubble, and find the gold | |
inside. But here s the catch: There is no gold. It is all | |
rubble mediocre music-industry crud. Also, it is all gold | |
or at least each recording represents a moment when | |
somebody thought they were doing something brilliant | |
enough to capture on tape & share with the world, | |
difficult as it is to believe in some cases. | |
The problem is that the recording industry, in creating | |
the CD format (a variation & continuation of the LP- | |
record format), encourages artists to create sellable | |
units of 35 65 minute duration. So for many rock bands, | |
even ones who can put on a decent live show, the result | |
is too often bland, unfunky mush. There may be moments of | |
redemption & vivid colour but the sound of recorded rock | |
music in the digital age is so grey & uniform, after ten | |
minutes it quickly becomes depressing. How, then, how to | |
extract the brillance? How to detourne music industry s | |
horribleness, and hear the actuality of human creativity | |
behind it? | |
The good news is that the 17 CDs were not all rock. So my | |
challenge was to create a show that makes the rock tracks | |
(the best I can find in that particular pile) sound as | |
brilliant as they did to the people who originally | |
created them, and the audiences at their concerts by | |
offsetting them with what non-rock and spoken-word | |
elements I can find. | |
So here are the results - all of them by Arists starting | |
with an with the exception of Negativeland s Over The | |
Edge Vol.7: Time Zones Exchange Project, which I found on | |
a previous excursion at Tramps, and haven t used on my | |
program until now. Most of the spoken-word bits you hear | |
are from The Piddle Diddle Report from that collection of | |
prepared broadcasts. Negativeland s satiric radio play | |
transformed this for me from a bargain-basement radio | |
hour to a pleasantly bizzaro listening experience. The | |
Time Zones Exchange Project also had its own occasional | |
musical accompanyment so in places that music blended (or | |
didn t blend) with the music I was playing from a | |
different CD, and there is one patch on Part 2 where | |
Negativeland was left to play by itself. | |
Part 1 | |
1. Chinese Roulette AIDS Wolf | |
2. Medication Alice Donut | |
3. Fully Loaded Action Swingers | |
4. The Yellow Bridge Alice Donut | |
5. Naval Aviation In Art? Frank Zappa | |
6. Cry For Persia Ron Allen | |
7. Jure Crache Amnesie | |
8. UFO Action Swingers | |
9. Bonaparte s Retreat/Arkansas Soldier Jimmy Arnold | |
10. Skicap! Action Swingers | |
Part 2 | |
1. Prototype Andre s Last Chance | |
2. Manifestation of the Disease- Acrid | |
3. Going To Be Ron Allen | |
4. 55 Seconds Acrid | |
5. The Piddle Diddle Report Negativeland | |
6. Southern Comfort Jimmy Arnold | |
7. Self-Destructo-Man Aversion | |
8. Instrumental Action Swingers | |
9. Psychobabble Aversion | |
10. The Past Ron Allen | |
11. We Multiply AIDS Wolf | |
12. Pas De Leurs Amnesie | |
13. Air Traffic Control Tristan Psionic | |
Date Published: 2014-04-05 22:00:14 | |
Identifier: NAIA140402Load | |
Item Size: 86745159 | |
Media Type: audio | |
# Topics | |
Negativeland | |
Amnesie | |
AIDS Wolf | |
Ron Allen | |
Aversion | |
Action Swingers | |
Jimmy Arnold | |
Acrid | |
Andre's Last Chance | |
Alice Donut | |
# Collections | |
opensource_audio | |
community | |
# Uploaded by | |
@ken_fox | |
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