From: [email protected] (Terry Lin)
Newsgroups: alt.games.video.sony-playstation,rec.games.video.sony
Subject: S-Video + T.V Mini FAQ 1.1
Date: Fri, 30 Aug 96 20:09:48 GMT

S-Video (PSX) + T.V Mini-FAQ 1.1
by Terry Lin
{[email protected]}

Some more minor corrections plus some T.V information at the end, plus some
info on RGB
-----------------------------------------------------------------------------


1. What is S-Video?
-------------------
S-Video is one of the high quality methods of transmitting a television signal
from a device such as a Camcorder, VCR, or a game machine (PSX/Saturn/SNES
etc).  It separates the color information (Chrominance) from the brightness
(Luminance), which prevents nasty things like color bleeding and dot crawl,
and helps increase clarity and sharpness.  You can greatly improve the image
quality of the PSX by simply converting to S-Video.

2. What are other options besides S-Video?
------------------------------------------

A. Composite (most common)
  By default, most electronic devices that hook up to your television send a
  "Composite" Signal.  This is by far the most common of all 4 outputs.  The
  cable has 3 jacks: yellow,white,and red. One jack sends the audio (left),
  the second the stereo (right), and the third the video, respectively.  The
  picture quality is decent but pales in comparison to S-Video or RGB.  The
  US PSX only comes with a Composite Cable.

B. R/F lead
  R/F is the worst you can get in terms of picture quality.  It hooks up to
  your cable, and the picture sucks.

C. RGB
  RGB is the absolute best in picture quality.  Better than S-Video.  The
  reason why RGB looks so great is because there is no additional decoding
  involved by the monitor.  (The PSX inherently uses an RGB color system)


3. Is S-Video THAT much better than Composite?
----------------------------------------------
In a word, YES!  The image is at least twice as sharp, and the color
definition is far far superior.  Because of this the image looks a lot
"cleaner".  Many fine graphical details in games only become easily visible
with S-Video (some of which you may not want, more on that later).


4. What do I need to get S-Video working?
-----------------------------------------

The Televsion
  First and foremost, you must have a T.V. that has an S-Video Input Jack.
  Most newer/higher end T.V.'s have such an S-Video input.  Look in the back
  of your T.V.  If you see anything with the words "S-Video" on it, you're in
  business. If not, then you'll need to buy a T.V. that has an S-Video Input
  Jack.  See question #11 for some recommendations.

The Cable
  So now that you know your T.V. can accept S-Video input, you must buy the
  cable for your PlayStation.  This cable is NOT included with your PSX.
  Don't go looking in your PSX box for some other cable that you've missed,
  it's not there.  This cable is manufactured and made by Sony, and is an
  "official" PSX accessory, so it shares the same greyish look as the rest of
  your PSX stuff.


5. Where does the S-Video cable plug in to my PSX?
---------------------------------------------------
The Multi-A/V Output on the back of the Playstation.  BTW I recommend NOT
using the two Audio jacks from the "integrated" S-Video cable.  Instead, take
your old composite cable, ONLY plug in the two Audio cables (yellow and red)
into the old Composite Audio Out ports on the PSX, and then hook it up to the
Audio Input jacks in the back of your T.V.  Sort of like using the integrated
S-Video cable only for video and the composite cable only for audio.  Makes a
minor improvement in audio quality, because it's not all packed into one cable
at the beginning.


6.  Why can't I use a generic S-video cable if I already have one?
-----------------------------------------------------------------------
Because thanks to Sony there isn't a "standard" S-Video output port on the
PSX.  There is only a Multi A/V output (and of course the 3 jacks for
Composite).  Thus you cannot buy regular S-Video cables because only Sony
knows how to make cables that can plug into the Multi A/V Output.  That is why
you have to fork over the exorbant US$30 for the official PSX S-Video cable,
although truthfully you are getting your money's worth because it is a good
quality S-Video cable.  Crappy S-Video cables that sell for US$2 at Radio
Shack do not provide the shielding requried to maintain strong colors and you
get Chromo and Luma crosstalk (which defeats the purpose of using S-Video in
the first place).

However, a properly shielded S-Video cable won't run you US$30 either, but if
you think it's worth it to hack your own dedicated S-Video port and save $10
or so, be my guest.  It involves opening the PSX and buying some electronic
parts at Radio Shack and some good electronic skills.  It would look pretty
ugly :)  And the results might not be as good.


7. So now I've got S-Video... I don't see much of a difference.  Why?
---------------------------------------------------------------------
Well, if you can't, then you should take a look at what it USED to look like,
with Composite.  The moment I first saw my PSX with S-Video I was astonished
at how clear and sharp the picture was, WITHOUT comparing.  I could easily
distinguish individual pixels.


8. So now I've got S-Video... and my games look WORSE!  Why?
------------------------------------------------------------
Because S-Video gives you such a sharp picture and excellent color definition,
you can see all the "artifacts" that regular Composite was hiding up to now
with its blurry picture.  These include:

- Extensive Dithering
- Crude polygon construction
- Use of checkerboard pattern to provide transparent effect as opposed to a
 true transparency
- Poor texture mapping

Games that fall into this list are: Need For Speed, Warhawk, Twisted Metal,
WipeOut (surprise), and most low-end 3D games.

Games that look amazing with S-Video are: SFA, SFZ2, DarkStalkers, Skeleton
Warriors, Bust-A-Move 2, almost any decent 2D game.


9. Why does S-Video look better? (long and technical)
-----------------------------------------------------
First, S-Video is "essentially" the same as Chroma & Luma, Brightness & Color,
or y/c.  They all mean the same thing, in a vague sort of way.  Don't get
confused here.

A Television set needs a signal in the form of brightness & color, or Chroma &
Luma, to display a picture.

We all know that to obtain the best quality in video or audio, you want to
keep encoding/decoding to a minimum and retain the original signal as much as
possible without modification.

The PSX works with RGB.  So do most things with computer graphics.  All the
images that the PSX works with are in RGB format.  I have just told you that
the T.V. does not accept an RGB signal (see #10 for exceptions), so obviously
at the very least some ENCODING (or converting, whatever suits you best) is
required, in order to display those RGB images on a T.V.

When you use a composite hookup, the PSX has to encode the RGB image into a
single signal.  That signal is sent to the Television, where a device called a
COMB FILTER in the TV separates the composite signal into Chroma & Luma.
Because there is "separation" AND "encoding" involved, a major loss of
reproduction quality is observed.

When you use a S-Video hookup, the PSX has to encode the RGB image into two
separate signals, Chroma and Luma.  Well gosh darnit, isn't that what the TV
needs in the first place?  Exactly!  The T.V doesn't have to touch the signal
at all, it just takes what the PSX sends to it and displays it, because it is
in the right format.  The only loss in quality comes from the "encoding" of
RGB -> y/c, and this results in a minor loss in reproduction quality.

When you use a RGB hookup with an RGB monitor, it is even better.  Now the PSX
doesn't have to encode anything, it just sends the signal as it is, and you
get perfect reproduction quality.  The PSX works with RGB, so does the
monitor.  A perfect combination.  But an RGB setup is not easy and you are
limited to small monitor sizes.

This is better illustrated with a diagram: (ascii is cheap I know)

Composite
--------------------------------------------------------------------------
 PSX         |     Cable       |                      T.V               |
--------------------------------------------------------------------------
                               -----------------           -----------
---R(ed)-----}|\                |               |--chroma--}|         |
---G(reen)---}|----composite---}|T.V comb filter|           | Picture |
---B(lue)----}|/                |               |---luma---}|         |
                               -----------------           -----------



S-Video
--------------------------------------------------------------------------
 PSX         |     Cable       |                      T.V               |
--------------------------------------------------------------------------
                               -----------------           -----------
---R(ed)-----}|------chroma----}|               |--chroma--}|         |
---G(reen)---}|                 |T.V comb filter|           | Picture |
---B(lue)----}|-------luma-----}|   (not used)  |---luma---}|         |
                               -----------------           -----------

RGB
------------------------------------------------------------
 PSX         |     Cable       |        Monitor           |
------------------------------------------------------------
                                      -----------
---R(ed)-----}|----R(ed)--------------}|         |
---G(reen)---}|----G(reen)------------}| Picture |
---B(lue)----}|----B(lue)-------------}|         |
                                      -----------


This should illustrate it more clearly.  Note how the comb filter is NOT used
for S-Video.  This means that T.V's with analog comb filters look just as good
as those with more expensive digital comb filters (ie Sony XBRs) IF you're
using S-Video.  However, a T.V. with a digital comb filter will look
significantly better if you're using composite.  Cable T.V, regular VHS and
Laserdiscs are all inherently composite, which is why savvy videophiles spend
the extra US$300 or so on the digital comb filter in their T.V.

(this gets even more complicated... the comb filter in the T.V. does get used
even with S-Video, because in the chroma signal are two seaprate signals, i
and q, but this is getting very estoric and I believe understanding the
general picture is more important than being confused left and right with this
tech talk)

(ok, this gets even MORE complicated with those LaserDiscs that have
S-Video... if your LaserDisc or VHS machine has S-Video then that means there
is a comb filter in your LaserDisc.  Whether or not it looks better than
regular composite depends on whether the comb filter in the Laserdisc is
better than the one in your T.V... remember a comb filter separates a
composite signal into y/c, and a T.V. needs y/c, so this should clear it up)


10. What about RGB?
-----------------------------------------------------------------------------

People feel that if they're going to spend their time and effort (and some
$$$) on improving their picture quality of PSX games, then they should shoot
for the highest thing out there: RGB.

Well, let me give you some reasons why aiming for RGB is futile and isn't
worth it.

1. No T.V's today have RGB (BNC) inputs.
  Yes it's true.  Years ago some very high end DirectView and Rear Projection
  T.V's (r/p's for short) had BNC inputs, but manufacturers realized that
  this was a waste even on high-end T.V.'s, since less than 1% of the
  population who bought them were using it.  The other 99% would probably
  want to save the extra cash by dumping the BNC input.  And so this is what
  happened.  Today, only some Front Projectors (f/p's for short) have BNC
  inputs.  The Sony VideoScope VPH-1001Q is one of them, and retails for
  US$5990.  Go to http://www.sel.sony.com, look up any XBR/XBR^2 and discover
  for yourself which ones have BNC inputs (there are none).

2. There is no RGB cable for the PSX
  You'd have to hack one yourself.  Same story with S-Video, you need some
  good electronics skills, and need to find some schematics on how to do it.

3. Differences are minor
  I have compared SFZ2 on my Sony KV27V20 to SFA2 in the Arcade at SkyGames
  (local Fairview Mall).  All my friends, including myself, believe the SFZ2
  at home looks much better, with better color saturation.  So in order to
  see the benefits of RGB, you'd have to have a very good monitor.  An old
  13" Commodore 1084 RGB monitor might cut it, but umm... 13"?

4. Display choices are very limited
  As already stated, you are limited to either a Front Projector ($5000+), a
  Commodore monitor (tiny), or an Arcade RGB monitor (hard to get).  There
  are problems with all of them, whether it's a gaping hole in your wallet or
  having all your friends hunched over by a tiny computer screen, or not
  being able to use a VCR/LaserDisc with it.

Unless you're extremely rich and the Front Projector is peanuts to you, I'd
advise you to stay clear of RGB.  It simply isn't worth the money, regardless
of what type of display output you choose.  And the difference is arguably
very minor (you could always buy a better T.V and get better quality with
S-Video)


11. What Television Sets with S-Video do you recommend?
-----------------------------------------------------------------------------

If you do not own a T.V. with S-Video, I can provide you with a basic list of
recommendations.  I am mostly familiar with Sony's but do know what to avoid
with other manufacturers.  I read rec.video often, you should too if you're
considering buying a T.V. and have a particular question to ask (look for
someone named Louis Carliner in that NG, very helpful person).

In general beware of T.V.'s with Scanning Velocity Modulation (T.V
manufacturers will advertise this as a feature, but any half-brained
videophile will tell you this is something to avoid as it causes significant
ghosting).  The only things you should be looking for are color temperature
settings, and a digital comb filter if you're planning to enjoy composite
sources.  Otherwise simply avoid SVM and go for one with color temperature
settings.


Recommended models:

SONY (1996-1997 models)

KV27V20
This is a good choice for those on a budget (like me).  The picture is great,
but like most Trinitron's, the reds are very strong.  The good thing about
this set is that it does not have SVM (Scanning Velocity Modulation), which
sacrifices sharpness for brightness.  Decent analog comb filter provides good
quality composite at this size.  The quality of S-Video on this set is just
about the same as any XBR.

KV27V35
If you need PIP and those extra handy-dandy features, you may want this one,
but beware that it has SVM and you may experience ghosting.  It's been rumored
that you can't even turn it off in Service mode, and need a technician to open
your set up to disconnect SVM.  Otherwise it's exactly the same as KV27V20 in
terms of picture quality.

XBR's (32"+)
At anything above 27" you will probably want a Sony XBR, because with regular
T.V. and other composite sources, you will need a digital comb filter to avoid
seeing dot crawl at such a size.  The 32XBR100 is the ultimate in DirectView.
Even if you don't care about composite, big size V-Series often have SVM and
cannot be disconnected by the Service mode.


PANASONIC

I've only been hearing good things about the Panasonic GAOO series (CT27XF33
is a good choice), but generally you can only stick with the higher end as
they are the ones with S-Video.  Cost more than a V-Series but a little less
than a XBR, but you get a good digital comb filter.  You also get some
rudimentary color temperature settings (set it on Warm, that's close to the
NTSC standard).  Unsure about how to disconnect SVM.


HITACHI

Also high on the recommendation list.  I am not too familiar with Hitachi's,
but they too have been getting good reports in rec.video.

TOSHIBA

Yet another good contender.  However, avoid anything in the 27-32" size,
almost all of them have glass comb filters which would make composite rather
ugly.  Stick with the Cinema series, as most of them have digital comb
filters.  Toshiba has a nice web site
(http://www.toshiba.com/tacp/TV/pull.html), it should be easy to do your own
research if you're considering a Toshiba.  Very unsure about the ability to
disconnect SVM.


Please avoid Mitsubishi (reputation for inadequate power supplies), RCA,
Proscan, Magnavox, and mostly anything else not mentioned in this list.  If
you're buying a T.V now, don't start scrimping.  And if you live in Canada,
AVOID FUTURE SHOP!


12. What's this service code you're mentioning?
------------------------------------------------------

We are really getting off topic, but almost every T.V has a "Service Mode" you
can enter by punching in a secret code on the remote.

I only know the code for Sony T.V.'s (this works for V,S, and XBR), and it is:

BEFORE YOU PUNCH THIS IN BE AWARE I AM NOT RESPONSIBLE FOR ANY DAMAGE YOU DO
TO YOUR TELEVISION BY MONKEYING AROUND WITH THE SETTINGS.  THIS IS ONLY FOR
YOUR INFORMATION AND I WILL UNDER NO CONDITIONS BE HELD LIABLE FOR ANYTHING
STUPID YOU DO WITH YOUR SONY TV.  THIS INFORMATION IS "AS IS", PERIOD.

display,5,vol+,poweron
(must do this when power is off)

In service mode, push 1,4 to cycle; 3,6 to adjust; muting,enter to save  The
first thing you should adjust is the screen size (VSIZ,HSIZ), as most TV sets
are generally overscanned by 15-20%.  Once you adjust these watch as all the
top and bottom screen information gets restored in games like SFA :)

Also change SHPF to 3, this helps with the sharpness.  Change
GDRV=18,BDRV=14,GCUT=4,BCUT=1, this will bring color balance closer to NTSC
standard.  This should make the picture look a bit reddish at first, but after
you will find it to be much more natural.

Terry Lin {[email protected]}

Terry Lin
<[email protected]>