Electroharmonix SwitchBlade: I use it as an input switch; that's
 why it's upside-down. Switch between two guitars or guitar & bass

TC-Electronic Tuner

Digitech Drop: Downtune in half-steps. Extremely good tracking. Way
 better than the Morpheus. E-Standard can go down to A-Standard;
 drop-D can go down to drop-G. Loses some tone the lower you go

Electroharmonix MicroPOG: Octave down + Octave up + dry signal. I
 mainly use octave down with a little dry signal blended in

Dusky Mandorla: "Classic Treble Boost". Gives that extra bite for
 leads or even meaner rhythms. Great in combo with the Drop to
 make up the lost tone

Electroharmonix Sentinel: Noise Gate. I forego the send/receive
 loop because it adds noticeable latency. Works well straight-
 through

Boss OD-2 Turbo Overdrive: Fantastic, strong overdrive in Turbo
 mode. Retains articulation of notes. Turbo off is good for nice
 saturation and boosting fuzz/distortion down the line

Boss BF-2 Flanger: I love flangers. Rarely hear them in other
 people's recordings. Most guitarists love the phaser but the
 flanger is very underrated

Boss CH-2 Chorus: just a chorus

Dunlop Crybaby: good wah-pedal. Every wah is noticeably different.
 This is just the one I went with. I like that the switch is under
 the pedal rather than beside it, as with the Morley

Keeley Compressor Pro: Fantastic compressor. All the necessary knobs

Gamechanger Audio PLASMA: cool concept of a pedal. Read how it works
 on their website. It's a wild distortion. Gotta be careful with the
 voltage (gain) -- it reaches white noise/static territory

Gamechanger Audio LIGHT: moar cool, but reverb. I haven't played around
 with this yet. Lots of controls, almost too much variety of 'verb

TC-Electronic Mimiq: doubles the signal with slight variations on pitch,
 timing, and tone (I think). It can create 1, 2, or 3 "doubles" but I
 only use 1 to avoid that chorus effect. Creates a great stereo effect
 both live and recording

TC-Electronic Quintessence: add harmonies. Again, great in stereo; splits
 the dry signal from the harmony between two amps or L/R on a stereo
 channel strip

TC-Electronic Flashback: I specifically bought this for the Ping-Pong
 mode. For some reason this mode was removed in v2. So I paid less to
 get more by buying v1

Saturnworks Stereo Looper: simultaneously switch on/off two effects loops.
 I use it to trigger two different fuzz pedals (one for left, one for right)

Dusky Hypatia: good-range fuzz. retains articulation. not overly fuzzy, i.e.
 not static

FuzzHugger Doom Bloom: haven't really played around with this too much, but
 it sounds good

ADA GC-6 Speaker Simulator: decent-sounding speaker sim when going direct
 to a mixer. Sounds much crappier than Guitar Rig 4 so I don't record with it

Digitech JamMan Stereo: stereo looper