Bandcamp artist page, rerelease of Mood of the Leopard
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                        2022-11-13

Today I've made a Bandcamp artist page [1] and rereleased my
2010 EP Mood of the leopard. It took some time for me to
make the jump from sharing my music on free sites to making
a proper bandcamp page and asking actual money. I'm not too
sure about whether people are interested, but I'm trying not
to be held back by too much humility.

I have made music for quite a while now and when I was a
teenager I even considered making a career out of it. In the
mid 90s I got into making tunes in Fast Tracker II in MS-DOS
and liked it a lot. I also started playing on a Casio
keyboard when I was about 12 years old. When going to my
high school in 1996 I noticed that most of my class mates
already knew how to play a musical instrument. I quickly ran
into problems during the school's music lessons having no
prior experience at all. My dad bought a cheap Casio
keyboard for me so I could practice and my love for music
grew from there. One of my class mates was really into Fast
Tracker II and I learned how to use that program to make my
own stuff. I was completely oblivious of any music theory
and just did whatever I could to get some sound out of that
program.

I continued playing the Casio and  started  borrowing  sheet
music from the local library.  I also began  making  my  own
tunes on the Casio and  playing  some  classical  music.   I
however quickly found out the limitations  of  my  keyboard.
When trying to play a Chopin prelude I noticed I didn't have
enough keys.  However,  I  got  an  organ  from  a  deceased
relative and continued playing on that.  But the organ  also
quickly began to show its  limitations  and  what  I  really
wanted was a piano. However, pianos are bloody expensive and
I didn't grow up in a rich household, so I had to work as  a
paperboy to afford one.  Thanks to my best friends dad I got
piano lessons at the music school. This wasn't easy, since I
was already 15 at the time,  and  there  were  long  waiting
lists.  However, he wrote the people in charge of the  music
school, strings were pulled and there I went.  I was  really
nervous for my first lesson and played Beethoven's Moonlight
Sonata and some of my own music to my new piano teacher. She
was pretty firm about how  my  technique  sucked,  but  also
extremely supportive. I really loved her. She reminded me of
the sorceress Polgara from the Belgariad books by David  and
Leigh Eddings.

Anyway, I studied a lot and found out I also enjoyed  making
my own piano music.  I actually liked that more  than  doing
the scales, and often when  having  to  practice  pieces  or
scales I switched to improvising instead.  I started to  get
better and people noticed that I had  some  musical  talent.
However as a late starter it was really out of the  question
I could become a professional with the  piano.   Aside  from
that all my piano playing friends were  waaaay  better  than
me.  I didn't believe I could ever reach their kind of level
playing that instrument.

The composing side however was a different matter.   I  kept
composing songs for the piano and also enjoyed making  music
with Fast Tracker II  and  later  on  started  using  Fruity
Loops.  I still have hours and hours of material I  made  in
those days, but most of that isn't worthy to be shared to  a
larger audience :-).  A couple of years ago I made two mixes
of  Fast  Tracker  II  tunes  from  the   90s   and   shared
them on Soundcloud.  I have however  removed  my  Soundcloud
account, so I might share them again in the  somewhere  else
in the future.

In my penultimate year of high school I went  to  the  music
conservatory in Enschede to see if it would be a viable road
for me to get admitted after high school  with  a  focus  on
composition.  The piano teacher there  told  I  had  a  nice
sound, but my technique was  lacking,  but  the  composition
teacher was very kind  and  offered  that  I  could  take  a
preliminary composition course for a year there.  I  however
decided not to do that.  I found it difficult to talk  about
my compositions in an  analytical  way.   I  still  believed
everything flowed through me, given by the muse or something
:-).  I wasn't ready to have a intellectual debate about the
choices of consonants versus dissonants I made  in  a  piece
for example.  I still think it was the right decision at the
time, although I can't  help  but  wonder  what  would  have
happened if I did take that route with eventually  going  to
the conservatory.  I would have probably  ended  up  a  high
school music teacher.  If you would have asked the  18  year
old me that would have sounded like a nightmare,  but  right
now I think that would actually be great.  I even  went  and
studied to become a math teacher for a year in 2009-2010 and
I  still  have  plans  to  go  into   teaching   some   day.

I chose to go study computer science instead, but still kept
making music. I kept playing the piano and I made electronic
music in Propellerhead Reason.  Mood of the Leopard was also
made in Reason, a now ancient version of Reason  5  which  I
still have, but rarely use.

The thing I noticed about music software is that while  they
have become much more powerful in the  25  years  that  I've
used them, I haven't exactly become more productive.  I  can
spend hours and hours tweaking sounds instead  of  finishing
music.  Regarding finishing songs I think Fruity  Loops  was
the best thing ever.  These days Fruity Loops is  called  FL
Studio, but they still try to make actually finishing  stuff
their priority.  Their motto is even "The fastest  way  from
your brain to your speakers".

Now, you might know me as a avid  free  software  enthusiast
and I do prefer free software. However regarding that "brain
to ears" part free software does get in the way. Most of the
time when using Ardour or LMMS I find the need to go through
this typical Linux-like tweaking cycles of my tools and that
seriously gets in the way of being productive.  I have  even
become so unproductive with my music tools  that  I  haven't
finished  any  new  electronic   songs   the   last   years.

However, that has changed a bit and I'm hopeful I will  also
be able to release new electronic music. A couple of years I
bought an electrical Kawaii CA-48 piano and seriously it was
the best thing ever.  I owned a Kawaii analogue piano before
that and although it was super great and sounded really nice
I also always felt a bit hampered by the fact  that  playing
it meant that my whole house  block  would  hear  it,  so  I
didn't play it too much.  Getting the Kawaii  CA-48  with  a
nice headset really changed that and now  I  play  regularly
and even started recording my playing.  I'm working on an EP
with piano music and have  already  finished  recording  two
songs.  The Kawaii has a record button so recording is super
easy and I  can  also  use  Midi  via  bluetooth  to  record
directly on my phone or laptop.

Regarding my electronic music I also have hopes that I'll be
able  to  finish  more  music.   I've  made  some  music  in
Milkytracker, reliving my fondness of Fast  Tracker  II  and
I'm also starting to play around with the newest FL  Studio.
I know, FL Studio isn't free software,  but  as  proprietary
software goes it's pretty benign.  They have life long  free
updates  and  don't  try  to  pull  you  into  the   typical
capitalist  schemes  that  you  usually  find  with   modern
proprietary software.

So yeah, here's me getting out there with  my  music  again.
Not ambitious, not trying to make it a career, but  just  in
to  search   of   good   old   gay   and   happy   fun   :-D


Hyperlinks:
[1]: https://jellehermsen.bandcamp.com/album/mood-of-the-leopard-2022-rerelease


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                   Tags: english