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Morning Open Thread: But We Shall Ride the Lightning [1]

['This Content Is Not Subject To Review Daily Kos Staff Prior To Publication.']

Date: 2023-09-11

“Stand like a beaten anvil. Let earth's wrong

Beat on that iron and ring back in song.”

― Alfred Noyes

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Welcome to Morning Open Thread, a daily post

with a MOTley crew of hosts who choose the topic

for the day's posting. We support our community,

invite and share ideas, and encourage thoughtful,

respectful dialogue in an open forum. That’s a

feature, not a bug. Other than that, site rulz rule.

So grab your cuppa, and join in.

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13 poets born this week,

Children of Autumn’s

talking leaves.

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September 10

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1886 – H.D. born as Hilda Dolittle in Bethlehem, Pennsylvania; American poet, novelist, essayist, and memoirist. Ezra Pound coined the term “imagist” to describe her early poems, and those of Amy Lowell, D. H. Lawrence, T. E. Hulme, William Carlos Williams, and Marianne Moore, but the imagist label quickly went out of fashion. She was the literary editor of The Egoist journal (1915-1918). H.D. frequently used Greek mythology and insights from psychoanalysis in her work. After her death in 1961, her work was on the way to obscurity until rediscovered by feminist scholars. H.D. is now an icon for feminists and the LGBTQ Community. Her poetry collections include Sea Garden; Hymen; Hippolytus Temporizes; The Wall Do Not Fall; and Helen in Eqypt.

Heat

by H.D



O wind, rend open the heat,

cut apart the heat,

rend it to tatters.



Fruit cannot drop

through this thick air –

fruit cannot fall into heat

that presses up and blunts

the points of pears

and rounds the grapes.



Cut the heat –

plough through it,

turning it on either side

of your path.



“Heat” © 1982 by the Estate of Hilda Doolittle

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1935 – Mary Oliver born in Maple Heights, a suburb of Cleveland, Ohio; prolific American poet who won the 1992 National Book Award for her New and Selected Poems, and the 1984 Pulitzer Prize for American Primitive. She died of lymphoma at age 83 in 2019. Among her many poetry collections are Sleeping in the Forest; Why I Wake Early; Blue Iris; Dog Songs; and Blue Horses.

Song for Autumn

by Mary Oliver



Don’t you imagine the leaves dream now

how comfortable it will be to touch

the earth instead of the

nothingness of the air and the endless

freshets of wind? And don’t you think

the trees, especially those with

mossy hollows, are beginning to look for



the fires that will come—six, a dozen—to sleep

inside their bodies? And don’t you hear

the goldenrod whispering goodbye,

the everlasting being crowned with the first

tuffets of snow? The pond

stiffens and the white field over which

the fox runs so quickly brings out

its long blue shadows. The wind wags

its many tails. And in the evening

the piled firewood shifts a little,

longing to be on its way.



“Song for Autumn” © 2005 by Mary Oliver appeared in Poetry magazine’s May 2005 issue

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September 11

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1885 – D.H. Lawrence born in Eastwood, a coal-mining town in Nottinghamshire; English novelist, poet, playwright, and essayist; his novels were called pornographic by many readers of his day, but are now regarded as classics of English literature. His best known books are Sons and Lovers, Women in Love, and Lady Chatterley’s Lover. When he died in 1930 at age 44 from tuberculosis, he was still widely regarded as a pornographer, but novelist E.M. Forster wrote in an obituary notice that Lawrence was “the greatest imaginative novelist of our generation,” which began the reevaluation of his work. The 1960 obscenity trial of Penguin Books for printing an unexpurgated edition of Lady Chatterley’s Lover made headlines across the world, and the jury’s ‘not guilty’ verdict made it widely available for the first time.

Piano

by D.H. Lawrence



Softly, in the dusk, a woman is singing to me;

Taking me back down the vista of years, till I see

A child sitting under the piano, in the boom of the tingling strings

And pressing the small, poised feet of a mother who smiles as she sings.



In spite of myself, the insidious mastery of song

Betrays me back, till the heart of me weeps to belong

To the old Sunday evenings at home, with winter outside

And hymns in the cozy parlour, the tinkling piano our guide.



So now it is vain for the singer to burst into clamour

With the great black piano appassionato. The glamour

Of childish days is upon me, my manhood is cast

Down in the flood of remembrance, I weep like a child for the past.



“Piano” from The Complete Poems of D. H. Lawrence – Wordsworth Editions, 1994

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September 12

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1902 – Marya Zaturenska born in Kyiv, Ukraine; her family emigtated to the U.S. when she was 8. She worked in a clothing factory by day while attending night classes to complete high school. She was an outstanding student, and won a scholarship to Valparaiso University; then transferred to the University of Wisconsin–Madison, where she earned a degree in library science. In 1925, she married fellow poet Horace Gregory. Her poetry collection Cold Morning Sky won the 138 Pulitzer Prize for Poetry. Her eight volumes of poetry also include Threshold and Heart, The Golden Mirror, and The Hidden Waterfall. She died of heart failure at age 79 in 1982.

Memories

(Lower New York City at noon hour)

by Marya Zaturenska



There is a noise, and then the crowded herd

Of noon-time workers flows into the street.

My soul, bewildered and without retreat,

Closes its wings and shrinks, a frightened bird.



Oh, I have known a peace, once I have known

The joy that could have touched a heart of stone--

The heart of holy Russia beating still,

Over a snow-cold steppe and on a hill:

One day in Kiev I heard a great church-bell

Crying a strange farewell.



And once in a great field, the reapers sowing

Barley and wheat, I saw a great light growing

Over the weary bowed heads of the reapers;

As growing sweeter, stranger, ever deeper,

From the long waters sorrowfully strong,

Came the last echoes of the River Song.

Here in this alien crowd I walk apart,

Clasping remembered beauty to my heart!



“Memories (Lower New York City at noon hour)” from

Collected Poems, © 1965 by Marya Zaturenska – Viking Press

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1934 – Nellie Wong born in Oakland, California; daughter of Chinese immigrants; American poet, community activist feminist, against racism, and pro-labor. Founding member of the writers’ collective Unbound Feet. Her poems have been install at public sites in the Bay area. Co-author with Merle Woo and Mitsuye Yamada of 3 Asian American Writers Speak Out on Feminism Her poetry collections include Dreams in Harrison Railroad Park; The Death of Long Steam Lady; Stolen Moments; and Breakfast, Lunch, Dinner.

Typewriter Keys Pantoum

by Nellie Wong



Typewriter keys dance to human fingers

Attached to hands searching for love

Amid a chorus of harmonious singers

Digging underground for a treasure trove



Attached to hands searching for love

Perfume of stargazers captivates the body whole

Digging underground for a treasure trove

Villages and cities alight in rapturous glow



Perfume of stargazers captivates the body whole

Moving in concert with the forces of labor

Villages and cities alight in rapturous glow

Workers' councils gather neighbor to neighbor



Moving in concert with the forces of labor

Solving problems with cooperation and care

Workers' councils gather neighbor to neighbor

With food and water and dwellings to share



Solving problems with cooperation and care

Indigenous people no longer asunder

With food and water and dwellings to share

Mountains and rivers but two of nature's wonder



Indigenous people no longer asunder

Earth's inhabitants strive to live side by side

Mountains and rivers but two of nature's wonder

Expropriating property far and wide



Earth's inhabitants strive to live side by side

Playing bamboo flutes both young and old

Expropriating property far and wide

Free to nourish children, humanity's gold



Playing bamboo flutes both young and old

Amid a chorus of harmonious singers

Free to nourish children, humanity's gold

Typewriter keys dance to human fingers

© 2003 by Nellie Wong

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1942 – Michael Ondaatje born in Colombo, Sri Lanka; Canadian novelist, poet, essayist, editor, and filmmaker. He emigrated to England in 1954, and attended Dulwich College, then moved to Montreal Canada, and later earned an M.A. from Queen’s University at Kingston. He is best-known for his novel The English Patient, and critics have also favored his other six novels, but Ondaatje has also published 13 collections of poetry, including The Collected Works of Billy the Kid: Left-Handed Poems, a novel in verse, edited several anthologies, and written plays and screenplays.

Bearhug

by Michael Ondaatje



Griffin calls to come and kiss him goodnight

I yell ok. Finish something I'm doing,

then something else, walk slowly round

the corner to my son's room.

He is standing arms outstretched

waiting for a bearhug. Grinning.



Why do I give my emotion an animal's name,

give it that dark squeeze of death?

This is the hug which collects

all his small bones and his warm neck against me.

The thin tough body under the pyjamas

locks to me like a magnet of blood.



How long was he standing there

like that, before I came?

“Bearhug” from The Cinnamon Peeler: Selected Poems, © 1997 by Michael Ondaatje – Vintage Books

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1946 – Minnie Bruce Pratt born in Selma, Alabama; American poet, author, essayist, lesbian and feminist activist, and educator. In 1966, she married, and gave birth to two sons, but when she came out as a lesbian in 1975, her ex-husband got custody of their children. In her book Crimes Against Nature, she wrote in a poem cycle about losing custody because of her sexual orientation. In 1977, she was a founding member of WomanWrites, and in 1984 a co-founder in 1984 of LIPS, a Washington DC-based lesbian activist group. LIPs was the first group arrested during the 1987 DC protests of the Bowers v. Harwick sodomy law decision. Her memoir, S/HE was published in 1995. Pratt’s poetry collections include The Money Machine; We Say We Love Each Other; Walking Back Up Depot Street; and Magnified. Pratt died of cancer at age 76 in July 2023.

Learning to Talk

by Minnie Bruce Pratt



On Magnolia Avenue there are no magnolias. Someone bought

the house of the one survivor. All morning I heard the chainsaw

sever its limbs from root to bud. No more scattered flowers, star city.

No pink galaxy. Now the yard is a parking space, one Jeep SUV,

one older car. Next door a woman comes out, late afternoon,

a child in her arms. She speaks low, as if there’s just the two of them.

She says to him, Listen to the little birdies, and he listens to

the common sparrows talking in the hedge. He listens as they argue

back and forth, their dialect of nature, as the street clatters with commuters

taking a shortcut home. She says: Listen. And he turns his head to follow

the fugitive motion, the small streaked wings unfolding, folding,

the relentless chirp from a tiny blunt beak, the sound almost within reach.



“Learning to Talk” from The Dirt She Ate: New and Selected Poems, © 2003 by Minnie Bruce Pratt – University of Pittsburgh Press

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September 13

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1876 – Sherwood Anderson born in Camden, Ohio; American short story writer, novelist, non-fiction author, poet, and newspaper editor. Best known for his short stories, especially his collection Winesburg, Ohio, which has twice been adapted as a play, by Christopher Sergel in 1958, and by Eric Rosen in 2002. His two poetry collections are Mid-American Chants and A New Testament. He died at age 64 from peritonitis in March 1941.

A Visit

by Sherwood Anderson



Westward the field of the cloth of gold. It is fall. See the

corn. How it aches.

Lay the golden cloth upon me. It is night and I come

through the streets to your window.

The dust and the words are all gone, brushed away. Let

me sleep.

“A Visit” appeared in Poetry magazine’s September 1917 issue

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September 14

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1860 – Hamlin Garland born in West Salem, Wisconsin; prolific American novelist, short story writer, and essayist. He also wrote poetry, and campaigned for the economic ideas of Henry George: that individuals should own the value they produce, but land and natural resources should belong collectively to all members of society. He is best-known for his realistic fictional accounts of the lives of hard-working Midwestern farmers, even though he lived most of his adult life in Boston, Chicago, and Hollywood. He won the 2022 Pulitzer Prize for Biography for A Daughter of the Middle Border, the sequel to his autobiography, A Son of the Middle Border. He died at age 79, at his home in Hollywood, in 1940.

On The Mississippi

by Hamlin Garland

Through wild and tangled forests

The broad, unhasting river flows—

Spotted with rain-drops, gray with night;

Upon its curving breast there goes

A lonely steamboat's larboard light,

A blood-red star against the shadowy oaks;

Noiseless as a ghost, through greenish gleam

Of fire-flies, before the boat's wild scream—

A heron flaps away

Like silence taking flight.



“On The Mississippi” from Hamlin Garland: Complete Works – Delphi Classics, 2021 edition

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September 15

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1890 – Claude McKay born in Jamaica as Festus Claudius McKay; Jamaican-American poet, author, essayist, and social activist; prominent figure in the Harlem Renaissance. McKay is best known for his novel, Home to Harlem, which won the 1928 Harmon Gold Award for Literature. He came to the U.S. in 1914 to go to college, but moved to New York City two years later, working as a waiter on the railways, then in a factory, and as an editor of The Liberator. He joined the Industrial Workers of the World, and became involved with a group of black radicals. McKay wrote one of his best-known poems, “If We Must Die,” in 1919, in response to the wave of white-on-black race riots and lynchings after WWI. He published four collections of poetry, five novels, a novella, short stories, and two autobiographical books, A Long Way from Home and My Green Hills of Jamaica. He became disillusioned by communism, and converted to Roman Catholicism in 1944, just four years before his death from a heart attack at age 57 in 1948.

Harlem Shadows

by Claude McKay



I hear the halting footsteps of a lass

In Negro Harlem when the night lets fall

Its veil. I see the shapes of girls who pass

To bend and barter at desire’s call.

Ah, little dark girls who in slippered feet

Go prowling through the night from street to street!



Through the long night until the silver break

Of day the little gray feet know no rest;

Through the lone night until the last snow-flake

Has dropped from heaven upon the earth’s white breast,

The dusky, half-clad girls of tired feet

Are trudging, thinly shod, from street to street.



Ah, stern harsh world, that in the wretched way

Of poverty, dishonor and disgrace,

Has pushed the timid little feet of clay,

The sacred brown feet of my fallen race!

Ah, heart of me, the weary, weary feet

In Harlem wandering from street to street.

“Harlem Shadows” from Harlem Shadows: The Poems of Claude McKay, a 2018 reprint of the 1922 edition

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1958 – Brenda Coultas born in Owensboro, Kentucky; American poet, blogger, and academic. She graduated from the University of Southern Indiana, and earned an MFA from Naropa University. Coultas teaches at Touro University in New York. Her poetry collections include A Handmade Museum; The Marvelous Bones of Time; The Tatters; and The Writing of a Hour.

A Horseless Carriage

by Brenda Coultas



“Since then—’tis Centuries—and yet

Feels shorter than the Day

I first surmised the Horse Heads

Were toward Eternity”

— Emily Dickinson, from #712



We traded some hay and got a pony.

But we were horseless



We got a good deal on a horse

We were full with the horse



The horse was an asshole

We sold the horse



We bought a car

But we were horseless.



“A Horseless Carriage” from A Handmade Museum, © 2003 by Brenda Coultas – Coffee House Press

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September 16

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1880 – Alfred Noyes born in Wolverhampton in the West Midlands of England; an extraordinarily prolific and popular English poet, short story writer, and playwright. His father had been unable to go to college, but studied on his own, and passed on to his son his knowledge of Latin and Greek, and a love of the written word. Though Alfred Noyes wrote in the 20th century, at heart he was really a 19th century poet, despising the modernist movement, and continuing to write traditional rhymed verse. As modernist poetry grew in popularity, critics became increasingly harsh in their reviews of his work, but Noyes remained beloved by “ordinary” readers. Noyes wrote his last poem, “Ballade of the Breaking Shell,” in May 1958, one month before his death. He died at age 77, and is still well-remembered for his poem “The Highwayman.”

Immortal Sails

by Alfred Noyes



Now, in a breath, we’ll burst those gates of gold,

And ransack heaven before our moment fails.

Now, in a breath, before we, too, grow old,

We’ll mount and sing and spread immortal sails.



It is not time that makes eternity.

Love and an hour may quite out-span the years,

And give us more to hear and more to see

Than life can wash away with all its tears.



Dear, when we part, at last, that sunset sky

Shall not be touched with deeper hues than this;

But we shall ride the lightning ere we die

And seize our brief infinitude of bliss,



With time to spare for all that heaven can tell,

While eyes meet eyes, and look their last farewell.



“Immortal Sails” from Collected Poems by Alfred Noyes – Frederick A. Stokes Company, 1913 edition

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1938 – Betty Adcock was born in Texas, and grew up in San Augustine, a farming community about 85 miles south of Longview; American poet and writer-in-residence. Adcock has published six poetry collections, including The Difficult Wheel; Intervale; Widow Poems; and Rough Fugue. She was a writer-in-residence at Meredith College in Raleigh, North Carolina (1986-2006).

Louisiana Line

by Betty Adcock



The wooden scent of wagons,

the sweat of animals—these places

keep everything—breath of the cotton gin,

black damp floors of the icehouse.



Shadows the color of a mirror’s back

break across faces. The luck

is always bad. This light is brittle,

old pale hair kept in a letter.

The wheeze of porch swings and lopped gates

seeps from new mortar.



Wind from an axe that struck wood

a hundred years ago

lifts the thin flags of the town.



“Louisiana Line” from Walking Out, © 1975 by Betty Adcock - Louisiana State University Press

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G’Morning/Afternoon/Evening MOTlies!

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