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Morning Open Thread: What Wind Now in the Long Hot Summer Morning Stirs [1]

['This Content Is Not Subject To Review Daily Kos Staff Prior To Publication.']

Date: 2023-07-31

We shall not cease from exploration

And the end of all our exploring

Will be to arrive where we started

And know the place for the first time.”

― T. S. Eliot, Little Gidding

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Welcome to Morning Open Thread, a daily post

with a MOTley crew of hosts who choose the topic

for the day's posting. We support our community,

invite and share ideas, and encourage thoughtful,

respectful dialogue in an open forum. That’s a

feature, not a bug. Other than that, site rulz rule.

So grab your cuppa, and join in.

I found over 40 poets born this week – Luckily for you,

I didn’t have enough time to research all of them!

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13 poets this week:

breathing, intruder, gone

forever, warnings and war,

harvest and hats, love wronged,

memories, and city sounds

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July 31

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1949 ― Mark O’Brien, American poet, journalist, and advocate for the disabled, was born in Boston, and raised in Sacramento, California. He contracted polio when he was six years old, and was left paralyzed from the neck down, needing an iron lung to breathe. He earned a BA and an MA from the University of California-Berkeley. As an advocate of independent living for disabled people, O’Brien was a frequent contributor to newspapers, writing columns on such topics as sports, religion, and disability issues. In 1997, he co-founded Lemonade Factory, a press that publishes work by people who have disabilities. He died in 1999 at age 49.

Breathing

by Mark O’Brien



Grasping for straws is easier;

You can see the straws.

“This most excellent canopy, the air, look you,”

Presses down upon me

At fifteen pounds per square inch,

A dense, heavy, blue-glowing ocean,

Supporting the weight of condors

That swim its churning currents.

All I get is a thin stream of it,

A finger’s width of the rope that ties me to life

As I labor like a stevedore to keep the connection.

Water wouldn’t be so circumspect;

Water would crash in like a drunken sailor,

But air is prissy and genteel,

Teasing me with its nearness and pervading immensity.

The vast, circumambient atmosphere

Allows me but ninety cubic centimeters

Of its billions of gallons and miles of sky.

I inhale it anyway,

Knowing that it will hurt

In the weary ends of my crumpled paper bag lungs.



— July, 1988



“Breathing” from The Man in the Iron Lung. © 1997 by Mark O’Brien – Lemonade Factory Press



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1954 ― Kim Addonizio born in Bethesda, Maryland; American poet, short story writer, and novelist; recipient of two National Endowment for the Arts fellowships, a 2004 Mississippi Review Fiction Prize; a 2000 Pushcart Prize for Aliens, and a 1994 San Francisco Club Poetry Medal. Her poetry collections include My Black Angel; Lucifer at the Starlite; and What is This Thing Called Love. Her fiction works include In the box called pleasure: stories; Little Beauties; and My Dreams Out in the Street.

Aquarium

by Kim Addonizio



The fish are drifting calmly in their tank

between the green reeds, lit by a white glow

that passes for the sun. Blindly, the blank

glass that holds them in displays their slow

progress from end to end, familiar rocks

set into the gravel, murmuring rows

of filters, a universe the flying fox

and glass cats, Congo tetras, bristle-nose

pleocostemus all take for granted. Yet

the platys, gold and red, persist in leaping

occasionally, as if they can't quite let

alone a possibility—of wings,

maybe, once they reach the air? They die

on the rug. We find them there, eyes open in surprise.



“Aquarium” from The Philosopher's Club, © 1994 by Kim Addonizio – BOA Editions, Ltd.

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August 1

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1888 ― Aline Murray Kilmer born in Norfolk, Virginia; American poet, children’s book author, essayist, and from 1908 until his death in 1918, she was the wife of Joyce Kilmer, a poet mainly remembered for his poem “Trees,” and for dying young in WWII. She bore five children, but their oldest daughter was stricken with infantile paralysis and died at age four in 1917, shortly before her husband was deployed to France. He was killed in 1918 at age 31 by a sniper’s bullet at the Second Battle of the Marne. Though some of her poems had been published in magazines before her husband’s death, Aline Murray Kilmer began writing children’s books and publishing her poetry in earnest to support her four remaining children. Her second son, Michael, died at age 11 in 1927. Her poetry collections include Candles That Burn, Vigils, and Selected Poems. In her final three years, she was in terrible pain from an undisclosed illness, and died at age 52 in October 1941.

To An Intruder

by Aline Murray Kilmer



Because I show a guarded face

To all the world but one or two,

And in my heart's most secret place

Consider lilies, why should you

Whose roses grow in common ground

Profane the cloister I have found?



“To An Intruder” from Vigils, by Aline Kilmer – originally published in 1923 – Kessinger Publishing 2010 reprint



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1947 ― Lorna Goodison Jamaican poet, writer, and painter; she was born in Kingston on the first day of August, which is Emancipation Day in Jamaica. “I don’t think it is an accident that I was born on the first of August, and I don’t think it was an accident that I was given the gift of poetry, so I take that to mean that I am to write about those people and their condition, and I will carry a burden about what they endured and how they prevailed until the day I die.” Goodison was the first woman to be appointed as Poet Laureate of Jamaica (2017-2021). She has been honored with the 1999 Musgrave Medal by the Institute of Jamaica for literary contributions, the 2018 Windham-Campbell Literature Prize in Poetry, and the 2019 Queen’s Gold Medal for Poetry; her poetry collections include I Am Becoming My Mother; Oracabessa; and Supplying Salt and Light. Goodison is also a talented painter, and the covers of her books are usually illustrated with her artwork.

Many Native Women Missing

by Lorna Goodison



At first it seemed

it was just

the cedar tree

extending a limb

to one or two

disembodied

red dresses.



But now the forest

is redolent

with wind-sock

frocks twisting

from branches

of firs, pines

and arbutus.



The shadow

of a black mother

bear climbs up

unto warning posters,

tears at the hems

of empty dresses.

Scores of native

women missing.



“Many Native Women Missing” from Collected Poems, © 2017 by Lorna Goodison – Carcanet Press

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August 2

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1934 ― Stephen Sandy born in Minneapolis, MN; American poet, academic, and translator, who published eleven books of poetry, including Weathers Permitting; Black Box; Netsuke Days; and Overlook. After earning his Ph.D. at Boston University, he became an English instructor at Harvard (1963-1967). In 1967, he went to Japan on a Fulbright Visiting Lectureship. In 1968, he began teaching at Bennington College in Vermont. He died at age 82 in November, 2016.

Earth Day Story

by Stephen Sandy



I remember the dusty floorboards of wood in the streetcar

Of the Minneapolis Street Railway Company

And the varnished yellow banquettes of tight-knit rattan

Worn smooth by decades of passengers

The worn gleaming brass grips at the corners of the seats

And the motorman’s little bell

Windows trembling in their casings as we crossed the avenue

Liberty dimes falling softly into the steel-rimmed hour glass

The gnarled hand of the motorman near.

My grandmother arranged herself against the seat

Her back as straight as a soldier’s beside me

Her navy hat with velvet band

And net veil down making her head seem distant,

Her dreaming smile and the patient Roman nose,

A repose so deep; from my place

I watched her when we rode like princes

Rattling past traffic stopped on the granite cobbles

Riding downtown together, my hands in hers;

All that so much

That I love yet but feel no sadness for, that

Time crossed out like the trolley tracks taken up

Or entombed under the pliant blacktop of the modernized.



“Earth Day Story” from The Thread, © 1998 by Stephen Sandy – Louisiana State University Press



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1949 ― Bei Dao is the pen name of Zhao Zhenkai, born in Beijing, China; Chinese-American poet, short fiction author, essayist, and memoirist. He was a member of the Young Pioneers of China, and joined the Red Guards, but became disillusioned by the Cultural Revolution (1966-1976). He co-founded the literary journal Jintian (Today), and protesters at Tiananmen Square carried banners with lines of his poetry. He was on a lecture tour outside the country at the time of the Tiananmen protests, and he was banned from returning to China. Jintian was also officially banned. He was a stateless exile for the next 10 years. In 1990, he was honored with PEN/America’s Barbara Goldsmith Freedom to Write Award. Eventually he settled in America, and became a U.S. citizen in 2009. His poetry collections include The August Sleepwalker; Old Snow; and The Rose of Time: New and Selected Poems.

Sower

by Bei Dao



a sower walks into the great hall

it's war out there, he says

and you awash in emptiness

you've sworn off your duty to sound the alarm

I've come in the name of fields

it's war out there



I walk out from that great hall

all four directions a boundless harvest scene

I start planning for war

rehearsing death

and the crops I burn

send up the wolf-smoke of warning fires



but something haunts me furiously:

he's sowing seed across marble floors



– translated by David Hinton

"Sower" from Forms of Distance, © 1993 by Zhao Zhenkai – New Directions Publishing

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August 3

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1887 ― Rupert Brooke born in Rugby, Warwicksire, England; English poet, who enlisted at the outbreak of WWI in August 1914. In March of 1915, his poems “The Dead’ and “The Soldier” were published in The Times Literary Supplement. He was a Naval sub-lieutenant with the British Mediterranean Expeditionary Force when he died at age 27 on April 23, 1915, in Greece, of septicaemia from an infected mosquito bite. His collection of five wartime sonnets, 1914 & Other Poems, was published posthumously in May 1915.

All This Is Ended

by Rupert Brooke

These hearts were woven of human joys and cares,

Washed marvelously with sorrow, swift to mirth.

The years had given them kindness. Dawn was theirs,

And sunset, and the colors of the earth.

These had seen movement, and heard music; known

Slumber and waking; loved; gone proudly friended;

Felt the quick stir of wonder; sat alone;

Touched flowers and furs and cheeks. All this is ended.

There are waters blown by changing winds to laughter

And lit by the rich skies, all day. And after,

Frost with a gesture, stays the waves that dance

And wandering loveliness. He leaves a white

Unbroken glory, a gathered radiance,

A width, a shining peace, under the night.



“All This Is Ended” from Rupert Brooke: Collected Poems – The Oleander Press, 2013 edition



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1905 ― Frances M. Frost (no relation to Robert Frost) was born in St. Albans, Vermont; American novelist, poet, and children’s author. She married William Blackburn in 1926, but they would divorce in 1930. Her book Hemlock Wall was published in 1929 as part of the Yale Series of Younger Poets. Frost earned a Bachelor of Philosophy from the University of Vermont in 1931. After graduation, she moved to Greenwich Village in New York, and briefly married a second time. Her novel Yoke of Stars, published in 1939, was a bestseller. Frost’s son Paul Blackburn was also a poet. She died of cancer at age 54 in February 1959.

Grass Harvest

by Frances M. Frost

What wind now in the long hot summer morning

Sends the pine boughs plunging down and stirs

The tall, sky-reaching firs

To slow designs of darkness?



What wind now

Is a foam and a surge of silver over the grass

While the mowers pause to let the coolness pass

Against their dripping shoulders, through their hair?



With the sun a brazen gong struck in the noon

And the bright hills reared golden in the air,

Will the wind harvest clouds to throw a shadow

Of purple coolness over the burning hills?



Will it be wind that fills

The meadows with a long sweet wash of sound,

Or will a throat,

Hot with sun, glad of the windy ground,

Glad of the rhythmic arms and the swinging blade,

Sing in the noon, in the wind, of the day-moon rising

And of men bringing death to grass no man has made?

“Grass Harvest” from Blue Harvest, © 1931 by Frances M. Frost – Houghton Mifflin



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1937 ― Marvin Bell, American poet, academic, and critic, born in New York City to a Jewish immigrant family from Ukraine, and grew up on rural Long Island. He was a longtime faculty member of the University of Iowa’s Writers' Workshop, and was Iowa’s first poet laureate in 2000. Among the more than 20 volumes of poetry he published are Incarnate: The Collected Dead Man Poems; Vertigo: The Living Dead Man Poems; Mars Being Red; Stars Which See, Stars Which Do Not See; and Rampant. He died at age 83 in December 2020.

– from How to Everything

by Marvin Bell



2.

Summer came home to hang some straw

on the hatrack. These days,

I take it down, when no one’s around,

and give it a reckless fit. Its big smile, banded

inside and out, is mostly empty space

for outdoor thoughts. It’s been a while since

they appeared outdoors. Wearing it,

I can tell you, changes a man. If you’re not

in a rush, and if you haven’t found your wish,

you might try on something of straw

while the grass is quiet.



“How to Everything” © 1990 by Marvin Bell, appeared in Poetry magazine’s March 1990 issue



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1937 ― Diane Wakoski born in Whittier, California; American poet and essayist. At the University of California, Berkeley, she was took part in Thom Gunn’s poetry workshops and studied with Josephine Miles. She lived in New York (1960-1973), then moved to Michigan. Her many poetry collections include The Magellanic Clouds; The Motorcycle Betrayal Poems; Emerald Ice: Selected Poems 1962-1987, which won the 1989 William Carlos Williams Award; The Butcher’s Apron; and Bay of Angels.

from Love Letter Postmarked Van Beethoven

by Diane Wakoski



for the man I love

more than I should,

intemperance being something

a poet cannot afford



I am too angry to sleep beside you,

you big loud symphony who fell asleep drunk;

I try to count sheep and instead

find myself counting the times I would like to shoot you in the back,

your large body

with its mustaches that substitute for love

and its knowledge of motorcycle mechanics that substitutes for loving me;

why aren’t you interested in

my beautiful little engine?

It needs a tune-up tonight, dirty with the sludge of

anger, resentment,

and the pistons are all sticky, the valves

afraid of the lapping you might do,

the way you would clean me out of your life…..



“Love Letter Postmarked Van Beethoven” from The Motorcycle Betrayal Poems, © 1971 by Diane Wakoski – Touchstone

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August 4

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1913 ― Robert Hayden born in Detroit, Michigan; American poet, essayist, and educator. He was raised by adoptive parents who changed his name from Asa Bundy Sheffy to Robert Hayden. His eyesight was so near-blind it prevented him from playing outside with other children. His adoptive mother had to fight for his right to attend classes for the partially sighted, but poverty limited the resources available. He learned to read holding books inches from his face. At age 23, he went to work (1936-1940) for the Federal Writers Project, researching black American history and folk life, which became recurring themes in his poetry. In 1940, he married Erma Morris, and converted to his wife’s religion — the Baha’i faith, another influence on his work. 1940 was also the year he published his first book of poems, Heart-Shape in the Dust. His other poetry books include Words in a Mourning Time; Angle of Ascent; and American Journal. Hayden was the first African American to serve as Consultant in Poetry (1976-1978) to the Library of Congress (appointment renamed ‘U.S. Poet Laureate’ in 1986)

Those Winter Sundays

by Robert Hayden



Sundays too my father got up early

and put his clothes on in the blueblack cold,

then with cracked hands that ached

from labor in the weekday weather made

banked fires blaze. No one ever thanked him.



I’d wake and hear the cold splintering, breaking.

When the rooms were warm, he’d call,

and slowly I would rise and dress,

fearing the chronic angers of that house,



Speaking indifferently to him,

who had driven out the cold

and polished my good shoes as well.

What did I know, what did I know

of love’s austere and lonely offices?



“Those Winter Sundays” from Collected Poems of Robert Hayden, © 1966 by Robert Hayden – Liveright Publishing



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1950 ― Sapphire born as Ramona Lofton in Fort Ord, Calfornia; American author and performance poet. Her parents separated, and she and her siblings moved with their abusive father to California. She dropped out of high school, and moved to San Francisco in the 1960s, earned a GED, took some classes at City College of San Francisco, and then became a hippie. In 1977, she moved to New York City, joined United Lesbians of Color for Change (she identifies as a bisexual), and became part of the Slam Poetry movement. She took the name “Saffire” because it had been at one time a term for “belligerent black woman.” She self-published her first poetry collection Meditations on the Rainbow in 1987, followed by American Dreams, published by High Risk Books in 1994. Her first novel Push became a bestseller in 1996, and was the basis for the 2009 film Precious.

from Breaking Karma #7

by Saffire

You disappear down the hall

& reappear with a booklet

of fallopian tubes & belts

You are thin with sorrow

with a shock of black hair,

43 years old.

I am 13,

beginning to bleed;

for 30 years

the ovum will drop

down the tube

blood like passion staining

everything—drawers,

the toilet’s flush

bathroom

light bulbs

air between my legs

the fat cells

of my thighs

sucking

30 years

red opening

like a fish’s eye.



I’m the age

you were when

you handed me that box ...



“Breaking Karma #7” from Black Wings & Blind Angels, © 1999 by Saffire – Vintage Contemporaries



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1958 ― Allison Hedge Coke American poet and editor born in Texas, raised in North Carolina and Canada, of mixed Native American and European heritage. She dropped out of high school to be a field worker and sharecropper in North Carolina, but earned her GED, and took some classes at North Carolina State University, before fleeing from domestic violence to California. She later earned an AFAW in creative writing at the old Institute for American Indian Arts in Santa Fe, and an MFA from Vermont College. Her poetry collections include Dog Road Woman, winner of the Before Columbus Foundation’s American Book Award, Off-Season City Pipe, and Blood Run. She has worked as a mentor and teacher on reservations, in urban areas, in juvenile facilities, mental institutions, in prisons, with migrant workers and at-risk youth. Hedge Coke also founded and directed youth and labor outreach programs in Sioux Falls, South Dakota.

Street Confetti

for Stephanie



by Allison Adelle Hedge Coke



Right across Turk Street, south side intersection Hyde,

in the tenement where 911 won’t summon up a blue,

a man beats his woman,

the twentieth time or more, their kids bawling.

Over here, in this flat up on the third,

above blazing red neon signs highlighting

the Triple Deuce Club low below, I listen while

wired white hippies move furniture across checkered tiles

other side my sister’s arched plaster ceiling till way past 3 a.m.

Shuffling with a sofa as if rearranging the heavens in my mind.



Me, I sleep. Or try to. Nothing else I can do.

Each day I slip off and out looking for work, gliding into the

Streets of San Francisco

winding, curving, like turbulence.

Daybreak brings sweet Cambodian street children out

into a Feinstein-era playground,

still filled with hypes, winos, yellow-green from the night before,

still smelling like piss and lizard.



These kids though, they climb atop steel swing-set bars,

fifteen, twenty feet high,

as if they’re walking joint lines in concrete.

Easy balance, Mohawk grace.

Their sisters provoke a paper war in the street,

closed-off block party.

Paper flying by, I

catch a piece, fold it origamically, create

a mock financial pyramid, toss it back,

watch little girls with black shiny ponytails make confetti

for this ongoing ticker-tape parade,

right across Turk Street, intersection Hyde.





“Street Confetti” from Off-Season City Pipe, © 2005 by Allison Adelle Hedge Coke – Coffee House Press

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G’Morning/Afternoon/Evening MOTlies!

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Minneapolis streetcar: the city’s streetcars, at first drawn by

horses, ran from 1872 to 1954, when the system was demolished

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