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Nonfiction Views: New Releases, strike at HarperCollins, RIP Aline Kominsky-Crumb [1]
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Date: 2022-12-06
Good evening, all. No new book review this week, but here is a selection of some notable nonfiction released today.
First, a little book news. Here’s an update of the strike at HarperCollins Publishers, now in its 17th day:
With unionized HarperCollins employees now into the 19th day of their strike against the publisher, president and CEO Brian Murray has addressed the details behind the company's stalled negotiations with the United Auto Workers union that represents those employees in an "open letter to authors and agents." Murray's letter comes after a number of authors and agents have issued statements of support for the union, prompting Murray to say that he feels "we owe you a response" and wants to "share some additional background" on why a deal still has not been reached.
RIP Aline Kominsky-Crumb:
Aline Kominsky-Crumb, who in the early 1970s used a self-deprecating and sexualized confessional style to create what is believed to be the first autobiographical work by a woman in underground comics — and who continued to explore her life after her marriage to Robert Crumb , a giant of the genre — died on Wednesday at her home in the small French village of Sauve. She was 74.
THIS WEEK’S NEW HARDCOVERS
Hatching: Experiments in Motherhood and Technology, by Jenni Quilter. Since the world’s first test-tube baby was born in 1978, in vitro fertilization has made the unimaginable possible for millions of people, but its revolutionary potential remains unrealized. Today, fertility centers continue to reinforce conservative norms of motherhood and family, and infertility remains a deeply emotional experience many women are reluctant to discuss. In this vivid and incisive personal and cultural history, Jenni Quilter explores what it is like to be one of those women, both the site of a bold experiment and a potential mother caught between fearing and yearning. Quilter observes her own experience with the eye of a critic, recounting the pleasures and pains of objectification: how medicine mediates between women and their bodies, how marketing redefines pregnancy and early parenthood as a set of products, how we celebrate the “natural” and denigrate the artificial.
How Far the Light Reaches: A Life in Ten Sea Creatures, by Sabrina Imbler. A queer, mixed race writer working in a largely white, male field, science and conservation journalist Sabrina Imbler has always been drawn to the mystery of life in the sea, and particularly to creatures living in hostile or remote environments. Each essay in their debut collection profiles one such creature, and discovers that some of the most radical models of family, community, and care can be found in the sea, from gelatinous chains that are both individual organisms and colonies of clones to deep-sea crabs that have no need for the sun, nourished instead by the chemicals and heat throbbing from the core of the Earth. Exploring themes of adaptation, survival, sexuality, and care, and weaving the wonders of marine biology with stories of their own family, relationships, and coming of age, How Far the Light Reaches is a shimmering, otherworldly debut that attunes us to new visions of our world and its miracles.
Orchid Muse: A History of Obsession in Fifteen Flowers, by Erica Hannickel. The epitome of floral beauty, orchids have long fostered works of art, tales of adventure, and scientific discovery. Tenacious plant hunters have traversed continents to collect rare specimens; naturalists and shoguns have marveled at orchids’ seductive architecture; royalty and the smart set have adorned themselves with their allure. In Orchid Muse , historian and home grower Erica Hannickel gathers these bold tales of the orchid-smitten throughout history, while providing tips on cultivating the extraordinary flowers she features. The story of orchidomania is one that spans the globe, transporting readers from the glories of the palace gardens of Chinese Empress Cixi to a seedy dime museum in Gilded Age New York’s Tenderloin, from hazardous jungles to the greenhouses and bookshelves of Victorian collectors. Lush and inviting, with radiant full-color illustrations throughout.
Pests: How Humans Create Animal Villains, by Bethany Brookshire. At the intersection of science, history, and narrative journalism, Pests is not a simple call to look closer at our urban ecosystem. It’s not a natural history of the animals we hate. Instead, this book is about us. It’s about what calling an animal a pest says about people, how we live, and what we want. It’s a story about human nature, and how we categorize the animals in our midst, including bears and coyotes, sparrows and snakes. Pet or pest? In many cases, it’s entirely a question of perspective. Bethany Brookshire’s deeply researched and entirely entertaining book will show readers what there is to venerate in vermin, and help them appreciate how these animals have clawed their way to success as we did everything we could to ensure their failure. In the process, we will learn how the pests that annoy us tell us far more about humanity than they do about the animals themselves.
Beaverland: How One Weird Rodent Made America, by Leila Philip. Beginning with the early trans-Atlantic trade in North America, Leila Philip traces the beaver’s profound influence on our nation’s early economy and feverish western expansion, its first corporations and multi-millionaires. In her pursuit of this weird and wonderful animal, she introduces us to people whose lives are devoted to the beaver, including a Harvard scientist from the Blackfeet Reservation in Montana, who uses drones to create 3-dimensional images of beaver dams; and an environmental restoration consultant in the Chesapeake whose nickname is the “beaver whisperer”.
Lucky Mud & Other Foma: A Field Guide to Kurt Vonnegut's Environmentalism and Planetary Citizenship, by Christina Jarvis. Vonnegut saw writing itself as an act of good citizenship, as a way of “poisoning” the minds of young people “with humanity . . . to encourage them to make a better world.” Often that literary activism meant addressing real social and environmental problems—polluted water, soil, and air; racial and economic injustice; isolating and dehumanizing technologies; and lives and landscapes desolated by war. Vonnegut’s remedies took many forms, from the redemptive power of the arts to artificial extended families to vital communities and engaged democracies. Reminding us of our shared connections as humans, as Earthlings, as stardust, Lucky Mud helps fans, scholars, and book lovers of all kinds experience how Vonnegut’s writings purposely challenge readers to think, create, and love.
Chekhov Becomes Chekhov: The Emergence of a Literary Genius, by Bob Blaisdell. In 1886, a twenty-six-year-old Anton Chekhov was publishing short stories, humor pieces, and articles at an astonishing rate, and was still a practicing physician. Yet as he honed his craft and continued to draw inspiration from the vivid characters in his own life, he found himself—to his surprise and occasional embarrassment—admired by a growing legion of fans, including Tolstoy himself. He had not yet succumbed to the ravages of tuberculosis. He was a lively, frank, and funny correspondent and a dedicated mentor. And as Bob Blaisdell discovers, his vivid articles, stories, and plays from this period—when read in conjunction with his correspondence—become a psychological and emotional secret diary.
Young Bloomsbury: The Generation That Redefined Love, Freedom, and Self-Expression in 1920s England, by Nino Strachey. In the years before the First World War, a collection of writers and artists—Virginia Woolf, E.M. Forster, and Lytton Strachey among them—began to make a name for themselves in England and America for their irreverent spirit and provocative works of literature, art, and criticism. They called themselves the Bloomsbury Group and by the 1920s, they were at the height of their influence. Then a new generation stepped forward—creative young people who tantalized their elders with their captivating looks, bold ideas, and subversive energy. Young Bloomsbury introduces us to this colorful cast of characters, including novelist Eddy Sackville-West, who wore elaborate make-up and dressed in satin and black velvet; artist Stephen Tomlin, who sculpted the heads of his male and female lovers; and author Julia Strachey, who wrote a searing tale of blighted love. Talented and productive, these larger-than-life figures had high-achieving professional lives and extremely complicated emotional lives.
Elizabeth Taylor: The Grit & Glamour of an Icon, by Kate Andersen Brower. In the first ever authorized biography of the Hollywood icon, Kate Andersen Brower reveals the world through Elizabeth’s eyes. Brower uses Elizabeth’s unpublished letters, diary entries, and off-the-record interview transcripts as well as interviews with 250 of her closest friends and family to tell the full, unvarnished story of her remarkable career and her explosive private life that made headlines worldwide. Elizabeth Taylor captures this intelligent, empathetic, tenacious, volatile, and complex woman as never before, from her rise to massive fame at age twelve in National Velvet to becoming the first to negotiate a million-dollar salary for a film, from her eight marriages and enduring love affair with Richard Burton to her lifelong battle with addiction and her courageous efforts as an AIDS activist.
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