<H1>GIVE 'EM THE OLD RAZZLE DAZZLE</H1></FONT =

<H1>GIVE 'EM THE OLD RAZZLE DAZZLE</H1>



M A Y 2000 (Volume 17) =A9 1998, 1999, 2000 (&trade) (&reg)=20

all rights reserved worldwide by Clair Sedore 

National Library of Canada ISSN 1481-7934

(C) 1998,Clair Sedore, Editor

A New Monthly Theatre E-zine

No reprints without

written permission from the publisher, although permission is

granted to forward a copy to your friends and business

associates.

PLEASE NOTE OUR NEW EMAIL ADDRESSES ARE EITHER

<[email protected]>

or <[email protected]>

<[email protected]> IS NO LONGER IN SERVICE

To subscribe to "Give 'Em The Old Razzle Dazzle," just put SUBSCRIBE =
RAZZLE in subject, or body, and send an email to =
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If you are wondering why a lot of this ezine is in html coding, it is =
because it is also available online, and many of our subscribers have =
html email.

<a href=3Dhttp://members.linkopp.com/ent/razzledazzle/index.html>READ =
ONLINE</a>



Thanks for your patience,

Clair Sedore, Editor

********************************

This Ezine Is Listed At FreeZinesOnline.

http://Globemark.net/FreeZinesOnline.htm

*********************

IN THIS ISSUE

MEMORIES - MY YEARS OF THEATREGOING 1955-1999 - Part 7

THEATRE OBITUARIES

THE BLYTH FESTIVAL

AMERICAN PLACE THEATRE

ABE BURROWS

IRENE SHARAFF

GEORGE WHITE

TALLULAH BANKHEAD

MEREDITH WILLSON

JEROME ROBBINS

JOSEPH PAPP

VICTOR VICTORIA

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

COMING IN JUNE 2000

MEMORIES - MY YEARS OF THEATREGOING 1955-1999 - Part 8

THEATRE OBITUARIES

AMERICAN SHAKESPEARE FESTIVAL

MART CROWLEY

PETER GLENVILLE

SHIRLEY BOOTH

BURTON LANE

GWEN VERDON

ORSON WELLES

THEATRE IN NEW YORK - FIVE PLAYS/MUSICALS

TORONTO'S THE LION KING

MAMMA MIA

*********************

Envelope-to: [email protected]

Date: Mon, 3 Apr 2000 20:06:12 -0400

Reply-To: Gaetan Charlebois <[email protected]>

Sender: Canadian Theatre Research <[email protected]>

From: Gaetan Charlebois <[email protected]>

On the advice of one our senior contributors, I am sending you a copy of =
the

Masthead from the site - the list of people who have contributed

information, corrections or bios over the 18 months the site has been up =
and

running. I am always impressed when I look at the list - I think you =
will be

too.

Gaetan L. Charlebois (Editor, Encyclopedia of Canadian Theatre on the =
WWW)

Advisory Board:

L. W. Conolly (Historian; Writer; Editor; Professor, Trent University,

Peterborough, Ontario)

Joel Greenberg (Director; Chair, Drama Department, University of =
Waterloo,

Waterloo, Ontario)

Frank Moher (Playwright, Gabriola Island, British Columbia)

Anne F. Nothof (Editor; Professor, Athabasca University, Edmonton, =
Alberta)

Alvina Ruprecht (Reviewer, CBC Radio; Professor, Carleton University,

Ottawa, Ontario)

Senior contributors:

Those who have made significant contributions to the content of the =
site.

Beata Van Berkom (Saskatchewan)

Lindy Cooksey (Indiana, USA)

Frank Moher (British Columbia)

Anne F. Nothof (Alberta)

Clair Sedore (Ontario)

Anton Wagner (Ontario)

*************************

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***************************************

MEMORIES - MY YEARS OF THEATREGOING 1955-1999 - Part 7

In 1966, I returned to New York twice, and saw Cactus Flower with Lauren =
Bacall, Barry Nelson, Marsha Mason and Brenda Vaccarro; Bob Fosse's =
great Sweet Charity starring Gwen Verdon, Ruth Buzzi, Lee Roy Reams, =
Thelma Oliver, Helen Gallagher, James Luisi, John McMartin and Arnold =
Soboloff, with sets by Robert Randolph and costumes by Irene Sharaff; =
Frederick Knott's Wait Until Dark with Lee Remick and Robert Duvall, =
directed by Arthur Penn, and after the play we got to chat with Lee =
Remick in her dressing room, and she was telling us how much she loved =
Toronto and visited here as often as she could; James Goldman's The Lion =
in Winter, with Robert Preston and Rosemary Harris, with Christopher =
Walken; It's a Bird, It's a Plane, It's Superman, with Bob Holiday, Jack =
Cassidy, Patricia Marand and Linda Lavin, choreographed by Ernest Flatt, =
who had the flying challenge and directed by Harold Prince, with sets =
and lighting by Robert Randolph; Edward Albee's A Delicate Balance, =
which won a Pulitzer Prize, and the fabulous Mame, by Jerry Herman, with =
Angela Lansbury, Beatrice Arthur, Jane Connell, choreographed by Onna =
White, sets by William and Jean Eckart, under the direction of George =
Saks' Tennessee Williams The Rose Tattoo, with Maureeen Stapleton, Harry =
Guardino, Maria Tucci and Christopher Walken; Mike Nichol's brilliant =
The Apple Tree, with a tremendous performance by Barbara Harris, Alan =
Alda and Larry Blyden, music and lyrics by Jerry Boch and Sheldon =
Harnick; Christopher Isherwood's inspired Cabaret, based on his I Am a =
Camera, and winner of Tonys for costumes, composer, supporting actor =
Joel Gray, designer, supporting actress Lotte Lenya, director and =
choreographer, as well as the New York Critics Circle Award, featuring =
Jill Haworth, Jack Gilford, Bert Convy, with music and lyrics by John =
Kander and Fred Ebb, directed by Harold Prince; Sammy Cahn and Cy =
Feuer's Walking Happy, with Norman Wisdom and George Rose, a wonderful =
telling of Hobson's Choice; My Sweet Charlie with Bonnie Bedelia and =
Louis Gossett Jr., and a trip out of town to Philadelphia to see Truman =
Capote's Breakfast at Tiffanys with Mary Tyler Moore and Richard =
Chamberlain, with Priscilla Lopez and choreographed by Michael Kidd. It =
didn't come together and failed to make the grade. 1966 may be the best =
year broadway ever had for hits.

In Toronto, we had a production of Ivanov, with John Gielgud, Vivien =
Leigh, Roland Culver, Ronald Radd, and Edward Atienza, also =
disappointing; The Importance of Being Earnest, with John Horton and =
Paxton Whitehead, designed by Desmond Heeley and directed by Marigold =
Charlesworth; The Decline and Fall of the Entire World as Seen Through =
the Eyes of Cole Porter Revisited, with Dinah Christie, Rita Howell, =
Louis Negin under the direction of Jack Creley; Fiddler on the Roof with =
Luther Adler; Herb Alpert and the Tijuana Brass; Paul Anka who was now =
24 years old; Robert Goulet with his wife Carol Lawrence; the King =
Family; the Supremes with the boss, Diana Ross, the New York City =
Ballet, and Hostile Witness with Ray Milland; a pre-Broadway production =
of Pousse Cafe with Lilo, Gary Krawford, and Charles Durning, with the =
music of Duke Ellington, a notable attempt but very dull; a production =
of Funny Girl with Lillian Roth, Marilyn Michaels, and Isabell Sanford; =
The Odd Couple with Eddie Bracken, Pat Hingle and Phil Foster; Irving =
Berlin's Annie Get Your Gun with the legendary Ethel Merman, with Bruce =
Yarnell and Jerry Orbach; The Subject Was Roses with Jack Albertson, =
Martha Scott and Martin Sheen.

The Shaw Festival brought an unbelievable Zoe Caldwell in the Apple =
Cart, an extraordinary performance by Pat Galloway in Misalliance.

Other Toronto productions were Canadian Opera's Macbeth with Louis =
Quilico and Margaret Tynes; the Lincoln Centre production of Showboat, =
with Barbara Cook, Constance Towers, Stephen Douglass, Margaret =
Hamilton, David Wayne and Ernestine Jackson with sets by Oliver Smith; =
the APA Phoenix company from New York with all-star productions of We =
Comrades Three, The Wild Duck and School for Scandal with Helen Hayes, =
Clayton Corzatte, Donald Moffat, Will Geer, Rosemary Harris, Ellis Rabb =
and Richard Easton.

1967 would bring the Montreal EXPO.

***************************************

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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

THEATRE OBITUARIES

Fred Kelly, 83, the dancer, actor, choreographer and director whose =
brother was famed film dancer and director Gene Kelly, died March 15 in =
Tucson. Mr. Kelly appeared in William Saroyan's The Time of Your Life, =
on Broadway, replacing his brother and interpolating more dance into the =
play. He won Donaldson Awards for his work. One of five Kelly siblings =
born and raised in Pittsburgh, Mr. Kelly was a gifted tap dancer, =
recognized as better than Gene (who would become known for his =
athleticism on film rather than tapping). Mr. Kelly appeared in Irving =
Berlin's This is the Army on Broadway and toured with the show around =
the world during wartime. He later became a TV director ("The Colgate =
Comedy Hour." "The Steve Allen Show") and choreographed and staged The =
Ice Capades for several seasons;Rex Everhart, the character actor who =
played Ben Franklin in the Broadway musical, 1776, and numerous roles on =
Broadway and in regional theatre, died March 13 in a Connecticut =
hospice, according to The New York Times; Rex Everhart, 79, In 1978, Mr. =
Everhart was nominated for a Featured Actor Tony Award for his role in =
the musical, Working. In 1776, he replaced Howard Da Silva as Ben =
Franklin (and is heard on the cast album) and toured with the musical =
about the signing of The Declaration of Independence. On Broadway, Mr. =
Everhart appeared in Tenderloin, No Time for Sargeants, Tall Story, How =
Now Dow Jones, Skyscraper, Moonbirds, A Rainy Day in Newark, Anything =
Goes, Rags and Woman of the Year, among others; Raymond Katz, a Broadway =
producer, TV producer and onetime stage manager, died March 23 in Los =
Angeles. Mr. Katz, who produced Broadway's Monday After the Miracle, a =
sequel to The Miracle Worker in 1982-83, was 83; Martin Fried, 62, a =
Broadway, Off-Broadway and regional director and stage manager, died =
March 28 in Manhattan, according to The New York Times. Mr. Fried =
directed the Broadway productions Daphne in Cottage D, The Natural Look =
and a bill of Hughie and Duet. He started his career as an actor in =
1958, when he was The Newsboy in Winesburg, Ohio, which he also =
assistant stage-managed. He stage managed a number of tours and tryouts, =
acting occasionally. Mr. Fried stage managed and acted in The Best Man =
on Broadway in 1961 and directed the national tour. His New York City =
directing debut was in 1966 with The Coop at Actors Playhouse. He was a =
friend and colleague of Lee Strasberg's and the Strasberg family for =
many years.His former wife was the actress Brenda Vaccaro; Charles =
Elson, 90, a theatrical lighting and scenic designer whose work was seen =
on Broadway, at the Metropolitan Opera and regionally. Charles Elson, a =
theatrical lighting and scenic designer whose work was seen on Broadway, =
at the Metropolitan Opera and regionally.His Broadway debut was the set =
design for Hidden Horizon in 1946, but was previously lighting designer =
and design assistant to Donald Oenslager for Born Yesterday, Pygmalion, =
Three to Get Ready and On Whitman Avenue. His design credits include the =
London production of Cole Porter's Kiss Me, Kate, and Broadway =
productions of Private Lives, Out of This World, The First Mrs. Fraser, =
Duet for Two Hands, The Cup of Trembling, The Deep Blue Sea and many =
more. For the Met, he designed The Flying Dutchman (1950) Lohengrin =
(1952) and Don Giovanni (1953), Madame Butterfly (1958), among others; =
Helen Martin, 90, an African-American actress who appeared on Broadway =
long before people of color were a regular part of the landscape =
there.For her Broadway debut, she played Vera Thomas alongside Canada =
Lee (he portrayed her brother, Bigger) in Orson Welles' 1941 staging of =
Native Son. She later toured with the show on the so-called subway =
circuit and into the provinces.She acted in 1939 with the Rose McClendon =
Players in New York City and was a founding member of the American Negro =
Theatre in 1940, appearing in Striver's Row, Three's a Family and Hits, =
Bits and Skits. Ms. Martin's career also included work in radio, film =
and television, most recently appearing as a neighbor in the TV sitcom, =
"227." The St. Louis native attended Fisk University and would =
eventually perform around the country in stock, and across the Atlantic =
Ocean, appearing in London in Deep Are the Roots, which she had played =
in New York. Other Broadway appearances include Take a Giant Step, The =
Long Dream, Period of Adjustment, Purlie Victorious, My Mother, My =
Father and Me. She was a replacement in Jean Genet's The Blacks Off =
Broadway. In the landmark TV miniseries "Roots," she played an elder in =
an African village, and played a variety of guest roles on "Benson," =
"Full House," "Good Times" and "That's My Mama." She appeared in the =
films "Hollywood Shuffle" (winning an NAACP Image Award), "Cotton Comes =
to Harlem," "Repo Man," and was Mama Doll in the Warren Beatty film, =
"Bulworth."=20

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The Blyth Festival, the Ontario summer theatre festival devoted to new =
and recent Canadian works in contrast to the classics driven Stratford =
and Shaw festivals of province, will stage six productions in 2000.=20

The season, on the Lake Huron side of southern Ontario, includes:=20

Anne, Paul Ledoux's adaptation of L.M. Montgomery's popular "girl" =
novel, "Anne of Green Gables." June 21-Aug. 6.=20

Corker, by Wendy Lill, a sharp and funny play about an unusual legacy =
that disrupts the ordered lives of an affluent couple. June 28-Aug. 5.=20

Stolen Lives -- The Albert Walker Story, a true crime tale by Peter =
Colley (I'll Be Back Before Midnight) based on the disappearance of =
Walker, his daughter and a lot of money. Aug. 1-19.=20

The Drawer Boy, by Michael Healey, was commissioned and developed at =
Blyth and played two sold out runs in Toronto, winning the 1999 Governor =
General's Award. The story, an ode to rural life and storytelling, =
concerns two Huron County farmers who play host to an actor researching =
The Farm Show. July 25-Aug. 26. This will also become part of the Royal =
Alexandra subscription series in 2000/01.

Death of the Hired Man, conceived and directed by Paul Thompson, =
returns after its popular run at Blyth last season, when the theatre was =
transformed into a barn, evoking the last days of the threshing era on =
farms. June 1-17.=20

When the Reaper Calls, Peter Colley's comic mystery thriller of last =
season, returns to offer ghosts, lust and greed. Aug. 22-Sept. 2=20

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*****************

AMERICAN PLACE THEATRE

New York theatre founded in 1964 to promote new American plays. It was =
housed at St. Clements Church and the first production was The Old =
Glory. In 1971 the theatre was moved to a new 299 seat theatre in the =
basement on Avenue of the Americas. Among the playwrights the theatre =
has patronized are Ed Bullins, Ronald Ribman, Sam Shepard and Steve =
Tesich.

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VICTOR VICTORIA

Mississauga is quite a treck from downtown Toronto, but when a major =
musical is playing there and that is as close as it is going to get, =
then you may make the effort. Two hours it took to get there by public =
transportation, but to see the Living Arts Centre, and getting to tour =
the whole complex to boot, was worth the time it took. Across from =
Square One, a major shopping centre, the time went by very quickly and =
it was time to head for the theatre. This production only was on for two =
nights.=20

One can never forget the wonderful Robert Preston, the vivacious =
Julie Andrews, but the cast of this production were their own man, and =
two performers stood out admirably, Deb Martin as Victoria Grant, and =
the show stealer was Ann Burnett Mathews as Norma Cassidy. She really =
chewed up the scenery, and by the second half, Michael Shiles as Carroll =
Todd even began to blossom.

The setting by Robin Wagner, responsible for such hits as Angels in =
America, Crazy for You, City of Angels, A Chorus Line, Dreamgirls, 42nd =
Street, On The Twentieth Century, Promises Promises and Hair, among =
others was brilliant, as was the lighting by Bob Bonniol and the =
costuming by Willa Kim didn't take any backseat to the film. She has =
designed productions like Grease, Will Rogers Follies, Sophisticated =
Ladies, and has been nominated for Tonys for Legs Diamond, Song and =
Dance, Dancin', Goodtime Charlie.

And the music by Henry Mancini, with lyrics by Leslie Bricusse, with a =
book by Blake Edwards holds the production in good stead, and the =
original songs like Le Jazz Hot, Crazy World, Chicago Illinois and =
Living in the Shadows were complimented by new songs like Paris By =
Night, If I Were a Man, Tust Me, King's Dilemma, Almost a Love Song and =
the title song Victor Victoria.

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ABE BURROWS (1910-1985)

A New York writer who turned to the stage, and his first venture was =
Guys and Dolls (1950). Later hits were to include Can Can (1953), Silk =
Stockings (1955) written with George S. Kaufman, How to Succeed in =
Business Without Really Trying (1961), Cactus Flower (1965). Others =
either alone or with others are Make a Wish (1951), Three Wishes for =
Jamie (1952), Say Darling (1958) and First Impressions (1959).



IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII

<a href=3D"http://www.canadiantheatre.com/"> Do check out the =
Encyclopedia of Canadian Theatre</a>=20

It is a fantastic site and well worth the time you will spend there. I =
have contributed to the site with updating and adding some Canadian =
artists to its pages.

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IRENE SHARAFF (1910-1993)

Boston born costume designer who studied in both America and Paris =
before assisting at the Civic Repertory Theatre. Working either alone or =
with collaborators, she has designed for As Thousands Cheer (1933), Life =
Begins at 8:40 (1934), Jubilee (1935), Idiot's Delight (1936), On Your =
Toes (1936), The Boys From Syracuse (1938), Lady in the Dark (1941), The =
King and I (1952), Candide (1956), West Side Story (1957), Funny Girl =
(1964), Sweet Charity (1966), and Irene revival (1973), Flower Drum =
Song, Do Re Mi, and The Girl Who Came to Supper.

********************

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**************************************

GEORGE WHITE (1890-1968)

A New Yorker who ran away to become a dancer and appeared in vaudeville =
from 1910 to 1918, including two Ziegfeld Follies. In 1919 he launched =
his own revues, George White's Scandals which survived 13 editions, the =
last in 1939. Other productions he did included Runnin' Wild (1923), =
which created the Charleston, Manhattan Mary (1927), and Flying High =
(1930).

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TALLULAH BANKHEAD (1903-1968)

She used her father's position as a U.S. senator to get a walk-on in =
Squab Farm (1918), followed by a few films, and then back to Broadway, =
with 39 East (1919), Footloose (1920), Nice People (1921), Everyday =
(1921), Danger (1921), Her Temporary Husband (also 1921 as all of these =
plays closed quickly), The Exciters (1922), after which she went to =
England and did more important roles for 11 years. She returned to =
America and did Forsaking All Others (1933), Dark Victory (1934), Rain =
(1935), Something Gay (1935). She finally found some success with =
Reflected Glory (1936), a fiasco in Antony and Cleopatra (1937). In 1939 =
she was very successful in The Little Foxes, and then declined again in =
Clash By Night (1941), only to return to glory in one of her best roles =
The Skin of Our Teeth (1942). This was followed by Foolish Notion =
(1945), and then spent the next four years in Private Lives. Her =
farewell was in Tennessee Williams The Milk Train Doesn't Stop Here =
Anymore.

__________________________________________

MEREDITH WILLSON (1902-1984)

Mr. Willson will forever be remembered for The Music Man (1957) which is =
just about to appear again on Broadway, and I will hopefully be =
reviewing it for our next issue. Even the filmed musical is a gem. He =
was born in Mason City, Iowa and for several years was a flutist in the =
band of John Philip Sousa. He turned to the theatre very late in life, =
and in addition to The Music Man, was acclaimed for The Unsinkable Molly =
Brown (1960) and Here's Love (1963).

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JEROME ROBBINS (1918-1989)

Born in New York, he studied with Anthony Tudor, and in the late 1930s =
appeared in several musicals and soon was to choreograph On The Town =
(1944), High Button Shoes (1947), Look Ma I'm Dancin' (1948), Miss =
Liberty (1949), Call Me Madam (1950), The King and I (1951), and in 1954 =
he co-directed The Pajama Game, and then directed and choreographed =
Peter Pan (1954), Bells Are Ringing (1956), West Side Story (1957), =
Gypsy (1959), Fiddler on the Roof (1964). Before his death his work was =
mainly with major ballet companies

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JOSEPH PAPP (1921-1991)

Brooklyn born director and producer, who studied in Hollywood's Actors =
Laboratory and became their managing director (1948-1950). He returned =
to New York and produced and directed a number of Off-Broadway shows and =
in 1954 he founded The Shakespearian Theatre Workshop which evolved into =
the now famous New York Shakespeare Festival. Several of his productions =
from his Public Theatre have reached Broadway, and one in particular, A =
Chorus Line, will hold him in good stead always. He also ran the theatre =
in Central Park for many seasons.

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Theater Services Guide <a =
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is an

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individuals who provide services and products to the entertainment =
industry:

theater, movies, and television; and entertainment services to the =
general

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'Product

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covering the US and Canada. For information on listing, visit the site =
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<a href=3D"mailto:[email protected]">Write Us</a>

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*********************************=20

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NEXT ISSUE - JUNE 2000 - AVAILABLE MAY 15th IN YOUR EMAIL BOX

------=_NextPart_000_000B_01BFA6CF.253C1980
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>

<H1>GIVE 'EM THE OLD RAZZLE=20
DAZZLE</H1></FONT=20
SIZE=3D"+5"COLOR=3D990099>

M A Y 2000 (Volume 17) =A9 1998, 1999, 2000 (&trade) =
(&reg)=20

all rights reserved worldwide by Clair Sedore 
National Library of Canada ISSN 1481-7934
(C) 1998,Clair Sedore, Editor
A New Monthly Theatre E-zine
No reprints without
written permission from the publisher, although permission is
granted to forward a copy to your friends and business
associates.
PLEASE NOTE OUR NEW EMAIL ADDRESSES ARE EITHER
<[email protected]>
or <[email protected]>
<[email protected]> IS NO LONGER IN SERVICE<FONT=20
color=3D#000000 size=3D2>
To subscribe to "Give 'Em The Old Razzle Dazzle," just put SUBSCRIBE =
RAZZLE=20
in subject, or body, and send an email to=20
<[email protected]>
If you are wondering why a lot of this ezine is in html coding, it is =
because=20
it is also available online, and many of our subscribers have html =
email.
<a =
href=3Dhttp://members.linkopp.com/ent/razzledazzle/index.html>READ=20
ONLINE</a>

Thanks for your patience,
Clair Sedore, Editor
********************************
This Ezine Is Listed At FreeZinesOnline.
http://Globemark.net/FreeZinesOnline.htm
*********************
IN THIS ISSUE
MEMORIES - MY YEARS OF THEATREGOING 1955-1999 - Part 7
THEATRE OBITUARIES
THE BLYTH FESTIVAL
AMERICAN PLACE THEATRE
ABE BURROWS
IRENE SHARAFF
GEORGE WHITE
TALLULAH BANKHEAD
MEREDITH WILLSON
JEROME ROBBINS
JOSEPH PAPP
VICTOR VICTORIA
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<F=
ONT=20
color=3D#000000>
COMING IN JUNE 2000
MEMORIES - MY YEARS OF THEATREGOING 1955-1999 - Part 8
THEATRE OBITUARIES
AMERICAN SHAKESPEARE FESTIVAL
MART CROWLEY
PETER GLENVILLE
SHIRLEY BOOTH
BURTON LANE
GWEN VERDON
ORSON WELLES
THEATRE IN NEW YORK - FIVE PLAYS/MUSICALS
TORONTO'S THE LION KING
MAMMA MIA
*********************
Envelope-to: [email protected]
Date: Mon, 3 Apr 2000 20:06:12 -0400
Reply-To: Gaetan Charlebois <[email protected]>
Sender: Canadian Theatre Research <[email protected]>
From: Gaetan Charlebois <[email protected]>
On the advice of one our senior contributors, I am sending you a copy =
of=20
the
Masthead from the site - the list of people who have contributed
information, corrections or bios over the 18 months the site has been =
up=20
and
running. I am always impressed when I look at the list - I think you =
will=20
be
too.
Gaetan L. Charlebois (Editor, Encyclopedia of Canadian Theatre on the =

WWW)
 
Advisory Board:
L. W. Conolly (Historian; Writer; Editor; Professor, Trent =
University,
Peterborough, Ontario)
Joel Greenberg (Director; Chair, Drama Department, University of=20
Waterloo,
Waterloo, Ontario)
Frank Moher (Playwright, Gabriola Island, British Columbia)
Anne F. Nothof (Editor; Professor, Athabasca University, Edmonton,=20
Alberta)
Alvina Ruprecht (Reviewer, CBC Radio; Professor, Carleton =
University,
Ottawa, Ontario)
Senior contributors:
Those who have made significant contributions to the content of the =
site.
Beata Van Berkom (Saskatchewan)
Lindy Cooksey (Indiana, USA)
Frank Moher (British Columbia)
Anne F. Nothof (Alberta)
Clair Sedore (Ontario)
Anton Wagner (Ontario)
*************************
What a great site this is. Please check out ArtGalleryLive.com!
Clair Sedore, Editor 
Get Life. Get Art! Bare=20
Walls? Check out ArtGalleryLive.com for hundreds of=20
 fine art works from the finest galleries =
around the=20
world. And, to keep =
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properly adorned, we have a special =
 <FONT=20
size=3D2>offer: Sign up for membership and be automatically =
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<http://216.33.148.250/cgi-bin/linkrd?_lang=3D&lah=3D5b9ae852df161=
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w%2ecollectorinfo%2eartgallerylive%2ecom%2fspecial%2fezine%2frazdaz%2f1%2=
f><FONT=20
size=3D3> 
***************************************<B=
><FONT=20
color=3D#000000>
MEMORIES - MY YEARS OF THEATREGOING 1955-1999 - Part 7
In 1966, I returned to New York twice, and saw Cactus Flower with =
Lauren=20
Bacall, Barry Nelson, Marsha Mason and Brenda Vaccarro; Bob Fosse's =
great Sweet=20
Charity starring Gwen Verdon, Ruth Buzzi, Lee Roy Reams, Thelma Oliver, =
Helen=20
Gallagher, James Luisi, John McMartin and Arnold Soboloff, with sets by =
Robert=20
Randolph and costumes by Irene Sharaff; Frederick Knott's Wait Until =
Dark with=20
Lee Remick and Robert Duvall, directed by Arthur Penn, and after the =
play we got=20
to chat with Lee Remick in her dressing room, and she was telling us how =
much=20
she loved Toronto and visited here as often as she could; James =
Goldman's The=20
Lion in Winter, with Robert Preston and Rosemary Harris, with =
Christopher=20
Walken; It's a Bird, It's a Plane, It's Superman, with Bob Holiday, Jack =

Cassidy, Patricia Marand and Linda Lavin, choreographed by Ernest Flatt, =
who had=20
the flying challenge and directed by Harold Prince, with sets and =
lighting by=20
Robert Randolph; Edward Albee's A Delicate Balance, which won a Pulitzer =
Prize,=20
and the fabulous Mame, by Jerry Herman, with Angela Lansbury, Beatrice =
Arthur,=20
Jane Connell, choreographed by Onna White, sets by William and Jean =
Eckart,=20
under the direction of George Saks' Tennessee Williams The Rose Tattoo, =
with=20
Maureeen Stapleton, Harry Guardino, Maria Tucci and Christopher Walken; =
Mike=20
Nichol's brilliant The Apple Tree, with a tremendous performance by =
Barbara=20
Harris, Alan Alda and Larry Blyden, music and lyrics by Jerry Boch and =
Sheldon=20
Harnick; Christopher Isherwood's inspired Cabaret, based on his I Am a =
Camera,=20
and winner of Tonys for costumes, composer, supporting actor Joel Gray,=20
designer, supporting actress Lotte Lenya, director and choreographer, as =
well as=20
the New York Critics Circle Award, featuring Jill Haworth, Jack Gilford, =
Bert=20
Convy, with music and lyrics by John Kander and Fred Ebb, directed by =
Harold=20
Prince; Sammy Cahn and Cy Feuer's Walking Happy, with Norman Wisdom and =
George=20
Rose, a wonderful telling of Hobson's Choice; My Sweet Charlie with =
Bonnie=20
Bedelia and Louis Gossett Jr., and a trip out of town to Philadelphia to =
see=20
Truman Capote's Breakfast at Tiffanys with Mary Tyler Moore and Richard=20
Chamberlain, with Priscilla Lopez and choreographed by Michael Kidd. It =
didn't=20
come together and failed to make the grade. 1966 may be the best year =
broadway=20
ever had for hits.
In Toronto, we had a production of Ivanov, with John Gielgud, Vivien =
Leigh,=20
Roland Culver, Ronald Radd, and Edward Atienza, also disappointing; The=20
Importance of Being Earnest, with John Horton and Paxton Whitehead, =
designed by=20
Desmond Heeley and directed by Marigold Charlesworth; The Decline and =
Fall of=20
the Entire World as Seen Through the Eyes of Cole Porter Revisited, with =
Dinah=20
Christie, Rita Howell, Louis Negin under the direction of Jack Creley; =
Fiddler=20
on the Roof with Luther Adler; Herb Alpert and the Tijuana Brass; Paul =
Anka who=20
was now 24 years old; Robert Goulet with his wife Carol Lawrence; the =
King=20
Family; the Supremes with the boss, Diana Ross, the New York City =
Ballet, and=20
Hostile Witness with Ray Milland; a pre-Broadway production of Pousse =
Cafe with=20
Lilo, Gary Krawford, and Charles Durning, with the music of Duke =
Ellington, a=20
notable attempt but very dull; a production of Funny Girl with Lillian =
Roth,=20
Marilyn Michaels, and Isabell Sanford; The Odd Couple with Eddie =
Bracken, Pat=20
Hingle and Phil Foster; Irving Berlin's Annie Get Your Gun with the =
legendary=20
Ethel Merman, with Bruce Yarnell and Jerry Orbach; The Subject Was Roses =
with=20
Jack Albertson, Martha Scott and Martin Sheen.
The Shaw Festival brought an unbelievable Zoe Caldwell in the Apple =
Cart, an=20
extraordinary performance by Pat Galloway in Misalliance.
Other Toronto productions were Canadian Opera's Macbeth with Louis =
Quilico=20
and Margaret Tynes; the Lincoln Centre production of Showboat, with =
Barbara=20
Cook, Constance Towers, Stephen Douglass, Margaret Hamilton, David Wayne =
and=20
Ernestine Jackson with sets by Oliver Smith; the APA Phoenix company =
from New=20
York with all-star productions of We Comrades Three, The Wild Duck and =
School=20
for Scandal with Helen Hayes, Clayton Corzatte, Donald Moffat, Will =
Geer,=20
Rosemary Harris, Ellis Rabb and Richard Easton.
1967 would bring the Montreal EXPO.
***************************************
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<F=
ONT=20
color=3D#000000>
THEATRE OBITUARIES
Fred Kelly, 83, the dancer, actor, choreographer and director whose =
brother=20
was famed film dancer and director Gene Kelly, died March 15 in Tucson. =
Mr.=20
Kelly appeared in William Saroyan's The Time of Your Life, on =
Broadway,=20
replacing his brother and interpolating more dance into the play. He won =

Donaldson Awards for his work. One of five Kelly siblings born and =
raised in=20
Pittsburgh, Mr. Kelly was a gifted tap dancer, recognized as better than =
Gene=20
(who would become known for his athleticism on film rather than =
tapping). Mr.=20
Kelly appeared in Irving Berlin's This is the Army on Broadway =
and toured=20
with the show around the world during wartime. He later became a TV =
director=20
("The Colgate Comedy Hour." "The Steve Allen Show") and choreographed =
and staged=20
The Ice Capades for several seasons;Rex Everhart, the character actor =
who played=20
Ben Franklin in the Broadway musical, 1776, and numerous roles on =

Broadway and in regional theatre, died March 13 in a Connecticut =
hospice,=20
according to The New York Times; Rex Everhart, 79, In 1978, Mr. Everhart =
was=20
nominated for a Featured Actor Tony Award for his role in the musical,=20
Working. In 1776, he replaced Howard Da Silva as Ben =
Franklin (and=20
is heard on the cast album) and toured with the musical about the =
signing of The=20
Declaration of Independence. On Broadway, Mr. Everhart appeared in=20
Tenderloin, No Time for Sargeants, Tall Story, How Now Dow Jones, =
Skyscraper,=20
Moonbirds, A Rainy Day in Newark, Anything Goes, Rags and Woman =
of the=20
Year, among others; Raymond Katz, a Broadway producer, TV producer =
and=20
onetime stage manager, died March 23 in Los Angeles. Mr. Katz, who =
produced=20
Broadway's Monday After the Miracle, a sequel to The Miracle=20
Worker in 1982-83, was 83; Martin Fried, 62, a Broadway, =
Off-Broadway and=20
regional director and stage manager, died March 28 in Manhattan, =
according to=20
The New York Times. Mr. Fried directed the Broadway productions =
Daphne in=20
Cottage D, The Natural Look and a bill of Hughie and =
Duet. He=20
started his career as an actor in 1958, when he was The Newsboy in =
Winesburg,=20
Ohio, which he also assistant stage-managed. He stage managed a =
number of=20
tours and tryouts, acting occasionally. Mr. Fried stage managed and =
acted in=20
The Best Man on Broadway in 1961 and directed the national tour. =
His New=20
York City directing debut was in 1966 with The Coop at Actors =
Playhouse.=20
He was a friend and colleague of Lee Strasberg's and the Strasberg =
family for=20
many years.His former wife was the actress Brenda Vaccaro; Charles =
Elson, 90, a=20
theatrical lighting and scenic designer whose work was seen on Broadway, =
at the=20
Metropolitan Opera and regionally. Charles Elson, a theatrical lighting =
and=20
scenic designer whose work was seen on Broadway, at the Metropolitan =
Opera and=20
regionally.His Broadway debut was the set design for Hidden =
Horizon in=20
1946, but was previously lighting designer and design assistant to =
Donald=20
Oenslager for Born Yesterday, Pygmalion, Three to Get Ready and =
On=20
Whitman Avenue. His design credits include the London production of =
Cole=20
Porter's Kiss Me, Kate, and Broadway productions of Private =
Lives, Out=20
of This World, The First Mrs. Fraser, Duet for Two Hands, The Cup of =
Trembling,=20
The Deep Blue Sea and many more. For the Met, he designed The =
Flying=20
Dutchman (1950) Lohengrin (1952) and Don Giovanni =
(1953),=20
Madame Butterfly (1958), among others; Helen Martin, 90, an=20
African-American actress who appeared on Broadway long before people of =
color=20
were a regular part of the landscape there.For her Broadway debut, she =
played=20
Vera Thomas alongside Canada Lee (he portrayed her brother, Bigger) in =
Orson=20
Welles' 1941 staging of Native Son. She later toured with the =
show on the=20
so-called subway circuit and into the provinces.She acted in 1939 with =
the Rose=20
McClendon Players in New York City and was a founding member of the =
American=20
Negro Theatre in 1940, appearing in Striver's Row, Three's a =
Family and=20
Hits, Bits and Skits. Ms. Martin's career also included work in =
radio,=20
film and television, most recently appearing as a neighbor in the TV =
sitcom,=20
"227." The St. Louis native attended Fisk University and would =
eventually=20
perform around the country in stock, and across the Atlantic Ocean, =
appearing in=20
London in Deep Are the Roots, which she had played in New York. =
Other=20
Broadway appearances include Take a Giant Step, The Long Dream, =
Period of=20
Adjustment, Purlie Victorious, My Mother, My Father and Me. She was =
a=20
replacement in Jean Genet's The Blacks Off Broadway. In the =
landmark TV=20
miniseries "Roots," she played an elder in an African village, and =
played a=20
variety of guest roles on "Benson," "Full House," "Good Times" and =
"That's My=20
Mama." She appeared in the films "Hollywood Shuffle" (winning an NAACP =
Image=20
Award), "Cotton Comes to Harlem," "Repo Man," and was Mama Doll in the =
Warren=20
Beatty film, "Bulworth." 
****************************
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The Blyth Festival, the Ontario summer =
theatre=20
festival devoted to new and recent Canadian works in contrast to the =
classics=20
driven Stratford and Shaw festivals of province, will stage six =
productions in=20
2000. 
The season, on the Lake Huron side of southern Ontario, includes: =

• Anne, Paul Ledoux's adaptation of L.M. Montgomery's =
popular "girl"=20
novel, "Anne of Green Gables." June 21-Aug. 6. 
• Corker, by Wendy Lill, a sharp and funny play about an =
unusual=20
legacy that disrupts the ordered lives of an affluent couple. June =
28-Aug. 5.=20

• Stolen Lives -- The Albert Walker Story, a true crime =
tale by Peter=20
Colley (I'll Be Back Before Midnight) based on the disappearance =
of=20
Walker, his daughter and a lot of money. Aug. 1-19. 
• The Drawer Boy, by Michael Healey, was commissioned =
and developed at=20
Blyth and played two sold out runs in Toronto, winning the 1999 Governor =

General's Award. The story, an ode to rural life and storytelling, =
concerns two=20
Huron County farmers who play host to an actor researching The Farm =
Show.=20
July 25-Aug. 26. This will also become part of the Royal Alexandra =
subscription=20
series in 2000/01.
• Death of the Hired Man, conceived and directed by Paul =
Thompson,=20
returns after its popular run at Blyth last season, when the theatre was =

transformed into a barn, evoking the last days of the threshing era on =
farms.=20
June 1-17. 
• When the Reaper Calls, Peter Colley's comic mystery =
thriller of last=20
season, returns to offer ghosts, lust and greed. Aug. 22-Sept. 2 =
<FONT=20
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AMERICAN PLACE THEATRE
New York theatre founded in 1964 to promote new American plays. It =
was housed=20
at St. Clements Church and the first production was The Old Glory. In =
1971 the=20
theatre was moved to a new 299 seat theatre in the basement on Avenue of =
the=20
Americas. Among the playwrights the theatre has patronized are Ed =
Bullins,=20
Ronald Ribman, Sam Shepard and Steve Tesich.

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VICTOR VICTORIA
Mississauga is quite a treck from downtown Toronto, but when a major =
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is playing there and that is as close as it is going to get, then you =
may make=20
the effort. Two hours it took to get there by public transportation, but =
to see=20
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was worth=20
the time it took. Across from Square One, a major shopping centre, the =
time went=20
by very quickly and it was time to head for the theatre. This production =
only=20
was on for two nights. 
One can never forget the wonderful Robert Preston, the =
vivacious=20
Julie Andrews, but the cast of this production were their own man, and =
two=20
performers stood out admirably, Deb Martin as Victoria Grant, and the =
show=20
stealer was Ann Burnett Mathews as Norma Cassidy. She really chewed up =
the=20
scenery, and by the second half, Michael Shiles as Carroll Todd even =
began to=20
blossom.
The setting by Robin Wagner, responsible for such hits as =
Angels in=20
America, Crazy for You, City of Angels, A Chorus Line, Dreamgirls, 42nd =
Street,=20
On The Twentieth Century, Promises Promises and Hair, among others was=20
brilliant, as was the lighting by Bob Bonniol and the costuming by Willa =
Kim=20
didn't take any backseat to the film. She has designed productions like =
Grease,=20
Will Rogers Follies, Sophisticated Ladies, and has been nominated for =
Tonys for=20
Legs Diamond, Song and Dance, Dancin', Goodtime Charlie.
And the music by Henry Mancini, with lyrics by Leslie Bricusse, with =
a book=20
by Blake Edwards holds the production in good stead, and the original =
songs like=20
Le Jazz Hot, Crazy World, Chicago Illinois and Living in the Shadows =
were=20
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King's=20
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ABE BURROWS (1910-1985)
A New York writer who turned to the stage, and his first venture was =
Guys and=20
Dolls (1950). Later hits were to include Can Can (1953), Silk Stockings =
(1955)=20
written with George S. Kaufman, How to Succeed in Business Without =
Really Trying=20
(1961), Cactus Flower (1965). Others either alone or with others are =
Make a Wish=20
(1951), Three Wishes for Jamie (1952), Say Darling (1958) and First =
Impressions=20
(1959).

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII
<a href=3D"http://www.canadiantheatre.com/"> Do check =
out the=20
Encyclopedia of Canadian Theatre</a> 
It is a fantastic site and well worth the time you will spend there. =
I have=20
contributed to the site with updating and adding some Canadian artists =
to its=20
pages.
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********************
IRENE SHARAFF (1910-1993)
Boston born costume designer who studied in both America and Paris =
before=20
assisting at the Civic Repertory Theatre. Working either alone or with=20
collaborators, she has designed for As Thousands Cheer (1933), Life =
Begins at=20
8:40 (1934), Jubilee (1935), Idiot's Delight (1936), On Your Toes =
(1936), The=20
Boys From Syracuse (1938), Lady in the Dark (1941), The King and I =
(1952),=20
Candide (1956), West Side Story (1957), Funny Girl (1964), Sweet Charity =
(1966),=20
and Irene revival (1973), Flower Drum Song, Do Re Mi, and The Girl Who =
Came to=20
Supper.
********************
<a href=3Dwww.oobr.com>The Off-Off-Broadway =
Review</a>
is the only weekly magazine devoted to 
Off-Off-Broadway -- now or ever. The Web site is a weekly compilation =
of our=20

print contents, mostly reviews and listings.
**************************************=
<FONT=20
color=3D#000000>
GEORGE WHITE (1890-1968)
A New Yorker who ran away to become a dancer and appeared in =
vaudeville from=20
1910 to 1918, including two Ziegfeld Follies. In 1919 he launched his =
own=20
revues, George White's Scandals which survived 13 editions, the last in =
1939.=20
Other productions he did included Runnin' Wild (1923), which created the =

Charleston, Manhattan Mary (1927), and Flying High =
(1930).<FONT=20
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TALLULAH BANKHEAD (1903-1968)
She used her father's position as a U.S. senator to get a walk-on in =
Squab=20
Farm (1918), followed by a few films, and then back to Broadway, with 39 =
East=20
(1919), Footloose (1920), Nice People (1921), Everyday (1921), Danger =
(1921),=20
Her Temporary Husband (also 1921 as all of these plays closed quickly), =
The=20
Exciters (1922), after which she went to England and did more important =
roles=20
for 11 years. She returned to America and did Forsaking All Others =
(1933), Dark=20
Victory (1934), Rain (1935), Something Gay (1935). She finally found =
some=20
success with Reflected Glory (1936), a fiasco in Antony and Cleopatra =
(1937). In=20
1939 she was very successful in The Little Foxes, and then declined =
again in=20
Clash By Night (1941), only to return to glory in one of her best roles =
The Skin=20
of Our Teeth (1942). This was followed by Foolish Notion (1945), and =
then spent=20
the next four years in Private Lives. Her farewell was in Tennessee =
Williams The=20
Milk Train Doesn't Stop Here Anymore.
__________________________________________</FONT=
><FONT=20
color=3D#000000>
MEREDITH WILLSON (1902-1984)
Mr. Willson will forever be remembered for The Music Man (1957) which =
is just=20
about to appear again on Broadway, and I will hopefully be reviewing it =
for our=20
next issue. Even the filmed musical is a gem. He was born in Mason City, =
Iowa=20
and for several years was a flutist in the band of John Philip Sousa. He =
turned=20
to the theatre very late in life, and in addition to The Music Man, was=20
acclaimed for The Unsinkable Molly Brown (1960) and Here's Love=20
(1963).
*******************
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JEROME ROBBINS (1918-1989)
Born in New York, he studied with Anthony Tudor, and in the late =
1930s=20
appeared in several musicals and soon was to choreograph On The Town =
(1944),=20
High Button Shoes (1947), Look Ma I'm Dancin' (1948), Miss Liberty =
(1949), Call=20
Me Madam (1950), The King and I (1951), and in 1954 he co-directed The =
Pajama=20
Game, and then directed and choreographed Peter Pan (1954), Bells Are =
Ringing=20
(1956), West Side Story (1957), Gypsy (1959), Fiddler on the Roof =
(1964). Before=20
his death his work was mainly with major ballet =
companies<FONT=20
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JOSEPH PAPP (1921-1991)
Brooklyn born director and producer, who studied in Hollywood's =
Actors=20
Laboratory and became their managing director (1948-1950). He returned =
to New=20
York and produced and directed a number of Off-Broadway shows and in =
1954 he=20
founded The Shakespearian Theatre Workshop which evolved into the now =
famous New=20
York Shakespeare Festival. Several of his productions from his Public =
Theatre=20
have reached Broadway, and one in particular, A Chorus Line, will hold =
him in=20
good stead always. He also ran the theatre in Central Park for many=20
seasons.
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Theater Services Guide <a=20
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is an
entertainment industry directory for businesses, organizations =
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individuals who provide services and products to the entertainment=20
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theater, movies, and television; and entertainment services to the=20
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public, i.e. live theaters. In addition to listing specific services =
and
products, other categories include 'Shows For Rent', 'Call Board',=20
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News', 'Classifieds', 'Production Schedules', 'Calendar Of Events' =
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covering the US and Canada. For information on listing, visit the =
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<a href=3D"mailto:[email protected]">Write =
Us</a>
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Per Section 301, Paragraph (a)(2)(C) of S. 1618,
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word "remove" in the subject line.
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<a =
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**************
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Side splitting jokes
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Scrumptious recipes 
& Hot hyperlinks 
daily by http://www.riddlesandmore.com
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