GIVE 'EM THE OLD RAZZLE DAZZLE

GIVE 'EM THE OLD RAZZLE DAZZLE
JUNE 1999 (Volume 7)
National Library of Canada 1481-7934
(C) 1998,Clair Sedore, Editor
Peter Poullos, Assistant Editor
A New Monthly Theatre E-zine
No reprints without
written permission from the publisher, although permission is
granted to forward a copy to your friends and business
associates.

Now available Online:
"Give 'Em The Old Razzle Dazzle" Monthly Newsletter
http://www.freeyellow.com/members5/peterpoullos/index.html

IN THIS ISSUE
OBITUARIES
NEW YORK,NEW YORK
JERRY BOCK AND SHELDON HARNICK
RAOUL PENE DU BOIS
GOWER CHAMPION
GENE SAKS
SIR NOEL COWARD
ZIEGFELD THEATRE
GERALDINE PAGE
THE RING CYCLE - WAGNER

COMING IN THE JULY ISSUE
A LETTER FROM THE EDITOR-CLAIR SEDORE
CY COLEMAN
ROUBEN TER-ARUTUNIAN
PATRICIA BIRCH
ABE BURROWS
LINDSAY ANDERSON
DRAMATISTS GUILD
CASINO THEATRE
ZOE CALDWELL
LAKME

SOME REVIEWS OF OUR SIXTH ISSUE

It is most gratifying to be recognized as a senior contributor to the
Encyclopedia of Canadian Theatre.

canadiantheatre.com
The Encyclopedia of Canadian Theatre on the WWW

Launched - beta testing: September 26, 1998
Official launch: January 12, 1999
Launched at Canoe: March 28, 1999

Created, maintained and edited by:

Ga�tan L. Charlebois (Montreal, Quebec)

Advisory Board:

L. W. Conolly (Historian; Writer; Editor; Professor, Trent
University,
Peterborough, Ontario)
Joel Greenberg (Director; Chair, Drama Department,
University of Waterloo,
Waterloo, Ontario)
Frank Moher (Playwright, Gabriola Island, British Columbia)
Anne F. Nothof (Editor; Professor, Athabasca University,
Edmonton, Alberta)
Alvina Ruprecht (Reviewer, CBC Radio; Professor, Carleton
University,
Ottawa, Ontario)

Reviewers whose work is archived on the site:

Elissa Barnard (Halifax Chronicle-Herald)
Ga�tan L. Charlebois (Hour Magazine, Montreal)
Janice Kennedy (Ottawa Citizen)
Laura MacDonald (The Encyclopedia of Canadian Theatre on
the WWW,
Halifax)
Ron Foley MacDonald (Daily News, Halifax)
Anne F. Nothof (The Encyclopedia of Canadian Theatre on the
WWW,
Edmonton)
Alvina Ruprecht (CBO Radio, Ottawa)

Senior contributors:
Those who have made significant contributions to the
content of the site.

Lindy Cooksey (Indiana, USA)
Frank Moher (British Columbia)
Anne F. Nothof (Alberta)
Clair Sedore (Ontario)

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NEW YORK, NEW YORK
We have just returned from a week in New York, the first since 1987. The
city has done a large transformation in this twelve year absence. Times
Square is cleaner and more sanitized than ever, with hardly a trace of
sexuality of any kind. The South Street Seaport is an amazing restoration
of old rundown warehouses into very chic shoppes and restaurants, and Soho,
as well, has been changed into boutiques and galleries.

But the main reason for the trip was, naturally, Barbara Cook and THEATRE.
In a week we managed to get in 9 shows.
Usually there are a few dogs when one sees this many events, but not this
time, I don't know whether it was luck or planning.

What a rare treat to see BARBARA COOK at the Caf� Carlyle. I have seen her
so many times over the years, and other than her Broadway shows, my
favourite concerts were at the small intimate clubs like Brothers and
Sisters, and Reno Sweeney. We have also been fortunate enough to see her in
Toronto at the Bayview Playhouse, The Music Hall and at the Stratford
Festival, in concert. The problem with the Caf� Carlyle, although the
waiters and bartenders try hard, is the clink of china, the chatter from
the kitchen and the bar, and some of the patrons.
Ms. Cook deserves to have our undivided attention. Her set was based on
Gower Champion shows, and opened with her offstage singing "Before the
Parade Passes By," instead of her usual trademark song "Sing a Song With
Me." Her programme included songs from Carnival, Hello Dolly, Happy Time,
Irene and Forty Second Street. Barbara Cook is the greatest cabaret singer
of them all and is worth the trip to New York. Both she and her accompanist
Wally Harper just received a well-deserved Cabaret lifetime achievement
award. We were also fortunate enough to talk with her after the concert,
and of course she always leaves me tongue tied as I am in awe of such a
talent.

The other highlight was Julie Taymor's brilliant LION KING. I thought it
would be basically a children's show having seen the animated film. What a
surprise! I have never in 50 years of theatre seen anything so spectacular.
If you only see one theatrical event in your entire lifetime, this should
be it. The ensemble is amazing. Standing room, as it is a complete sellout,
was effortless. The time flew by. There are not enough adjectives to
describe the event, and I do not want to give too much away so as to spoil
anyone's evening of theatre at its greatest.

Other musicals we saw were Frank Wildhorn's THE CIVIL WAR. It was still in
previews and needed some work on the first act which did not flow well. The
second act was much better. Mr. Wildhorn cannot get the critics praises,
even with two other shows still running, The Scarlet Pimpernel and Jekyll &
Hyde. His music is very contemporary, and he manages to write every style,
from popular to rock to spiritual, unfortunately all in one show. We
finally saw MISS SAIGON , something which I could not muster much interest
when it played in Toronto, but actually quite liked it. There are some
great songs, the highlights being The American Dream and The Last Night of
the World. I suppose you would call MARLENE a musical as well. Sian
Phillips, a Welsh actress, recreates the magic of Marlene Dietrich, down to
the mannerisms as well as the unmistakable Dietrich voice, and the stance.

In plays, we saw the long lost Tennessee Williams NOT ABOUT NIGHTINGALES,
which was found by Vanessa Redgrave, and stars her brother Corin Redgrave.
It is a very ambitious production which originated in London, running over
3 hours in length.Considering it was written very early on in Mr. Williams
career, it is a very polished play and certainly keeps the audience
spellbound. The entire ensemble are very convincing and it is a great
prison drama.

We also got to see the wonderful Dame Judi Dench in David Hare's AMY'S
VIEW. Although the play is quite interesting, your attention is always on
Judi Dench, even when the conversation does not include her. I have only
seen her twice on stage, the other being London Assurance, which is an
hysterical British period comedy.

Another British Import from the Royal Court Theatre is part of a trilogy,
and last year's Tony award winner, The Beauty Queen of Leenane, was part of
this. The new play is THE LONESOME WEST, and is an extremely well acted
ensemble cast, directed by Garry Hynes, who was the first lady to win a
Tony for Direction, followed by Julie Taymor of The Lion King.

The final play was THE MYSTERY OF IRMA VEP, a campy melodrama with a cast
of two playing many parts. This is one of the products of the great
Charles Ludlam, who died of AIDS in 1987.

We have now booked a trip to London in early October. Among the theatre
highlights playing currently are the musicals Beauty and the Beast, Blood
Brothers, Buddy, Candide (one of my all time favourite shows), Dr.
Doolittle, Finian's Rainbow, Mamma Mia (based on Abba's music), Marianne
Faithful: Vagabond Ways, Oklahoma (which is the talk of London with this
revival), 110 Degrees in the Shade, Rent, Rocky Horror Show, Saturday Night
Fever, West Side Story, another great revival, and Whistle Down the Wind,
scheduled for Broadway in 2000.

In the play department we have Animal Crackers, Drummers, An Inspector
Calls, Life is a Dream, Lenny (with Eddie Izzard), Money, Scenes from an
Execution, Shock Headed Peter, Some Explicit Polaroids, Triumph of Love,
Woman in Black and The Weir.

One can see more shows inLondon as there are matinees on different days, as
well as early shows usually on Friday and Saturday.

We have also booked subscriptions to the Royal Alexandra/Princess of Wales
here for seven shows including The Lion King (which I anticipate seeing
again), the British revivals of Pajama Game and Oliver, the New York
revival of Cabaret, the Canadian answer to Riverdance, Needfire, and the
plays Art, Enigma Variations with Donald Sutherland, now playing in L.A.,
and the new play The Memory of Water

1999 promises to be a great year for theatre. Although a large percentage
of this year's theatre is revivals, they are worthwhile revivals, and among
them some masterpieces, like Williams long-lost Nightingales. There are so
many shows I would like to see "revived." I'm sure that over the next few
years, unless some new musical writers, and playwrights come along, I will
have my wish.
**********************************

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OBITUARIES - Since the last issue we have lost Senor Wences, the renowned
ventriloquist from the Ed Sullivan days, at 103 years of age (remember his
puppet, Pedro, Anthony Newley, usually associated with Leslie Bricusse, and
star of Stop The World I Want To Get Off, The Good Old Bad Old Days and
Roar of the Greasepaint The Smell of the Crowd, at 68 years of age, film
actor Rory Calhoun, who appeared in many Westerns and Action films, with
his only highlights being With a Song In My Heart and How to Marry a
Millionaire, film actor Oliver Reed, who greatest achievements were Women
in Love, and The Devils. The wonderful screen actor Dirk Bogarde at 78,
well known for his performances in Doctor in the House (53), The Spanish
Gardener (56), A Tale of Two Cities (58), Victim (61), The Servant (British
Film Award 63), King and Country (64), Darling (British Film Award 65), The
Damned (69), Death in Venice (70), Charles "Buddy" Rogers, husband of Mary
Pickford, at 94, was in the first Academy Award winner for best picture,
"Wings," (27), Abie's Irish Rose (29), still acting in 1948 - Don't Trust
Your Husband - Mary Pickford died in 1979, and was a Canadian actress,
famous in silent films

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COMPOSERS
JERRY BOCK (1928- ) AND SHELDON HARNICK (1924- )- Mr. Bock was
born in New Haven, Conn, and began writing songs in high school. He wrote
for Sid Caesar and Imogene Coca's T.V. shows., and wrote the score for
Sammy Davis Jr.'s Mr. Wonderful (56). Shortly afterwards he teamed with
Sheldon Harnick to write Body Beautiful (58), the Pulitzer Prize winning
Fiorello (59), Tenderloin (60), She Loves Me (63), and the acclaimed
Fiddler on the Roof (64); Apple Tree (70), and the Rothchilds.
Before meeting Jerry, Sheldon , born in Chicago, wrote songs for New Faces
of 1952, Two's Company (52), John Murray Anderson's Almanac (53) and
Shoestring Revue (55). After the team split, Mr. Harnick wrote lyrics to
Richard Rodger's Rex (76).

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PLAYWRIGHTS

SIR NOEL COWARD (1899-1973) British playwright and comic genius and
composer of such hits as Blithe Spirit, Hay Fever, Marquise, the musical
Sail Away and Tonight at 8:30, and his masterpiece, Private Lives.

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DIRECTORS
GENE SAKS (1921- ) U.S. director, working a lot with Neil Simon -
Brighton Beach Memoirs, California Suite, Half a Sixpence with Tommy
Steele, Home Again, Mame with Angela Lansbury, Same Time Next Year and I
Love My Wife.

DESIGNERS

RAOUL PENE DU BOIS (1914-1985) American costume and set designer whose
great productions were shown in The Music Man (57) with Robert Preston and
my lady Barbara Cook; Gypsy (59) with the legendary Ethel Merman; No No
Nanette (71) with Ruby Keeler, for which he received a Tony Award; Irene
(73) with Debbie Reynolds; and Sugar Babies with Mickey Rooney and Anne
Miller.

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DANCERS
GOWER CHAMPION (1920-1980) Born in Geneva,Ill., and studying dance, he got
parts in Streets of Paris (39), Count Me In (42). He finally turned to
choreography in 1948 with Small Wonder. He also choreographed Lend an Ear ,
followed by Bye Bye Birdie (60); Carnival (61); Hello Dolly (64) with Carol
Channing; I Do I Do (66) with Mary Martin and Robert Preston; The Happy
Time (68); Sugar, which premiered at O'Keefe Centre (72); Irene (revival
73); and 42nd Street(80), where he died on opening night and the cast were
not told until after the performance.

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ACTORS/ACTRESSES

GERALDINE PAGE(1924-1987) born in Kirksville, Mo., she studied with Uta
Hagen before appearing as Alma Winemiller in a revival of Summer and Smoke
(52) at Circle in the Square, followed by Midsumer (53), The Immoralist
(54) with James Dean, The Rainmaker (54); Sweet Bird of Youth (59); Strange
Interlude (63); White Lies and Black Comedy (67); Absurd Person Singular
(74), Agnes of God (82); Blithe Spirit (87) at the time of her death. Ms.
Page has been lovingly referred to as "the bag lady of Broadway. " She
would arrive at the theatre looking like a homeless person, and appear on
stage transformed into the magic beings that were her own creations. She is
greatly missed. She was married to Rip Torn for many years.

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THE RING CYCLE - WAGNER
Richard Wagner (1813-1883) German composer who studied at Leipzig -
Tannhauser, given at the Paris Opera, was a failure; Lohengrin (48), Das
Rheingold (54), Die Walkure (56), Siegfried (69); Meistersinger (67):
Gotterdammerung (74). In 1876 the first performance of the Ring Cycle was
done at Bayreuth.

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PRODUCERS-THE SHUBERTS
LEE (1873-1953), SAM (1876-1905) AND J.(1878-1963) SHUBERT - were born in
Lithuania and brought to
America by their father. All three of the brothers gravitated to the
theatre holding down numerous jobs. Sam gained the touring rights to a play
and they were on their way. They leased the Herald Square Theatre in New
York and booked Arizona (1900). They became the largest theatre owners in
N.Y.C., and the most active producers in America. Sam was killed in a train
crash -1905. Between 1901 and 1954 Messrs. Shubert produced 520 plays on
Broadway, largely musicals, including many of the popular operettas of the
day, Maytime (17), Blossom Time (21), Student Prince (24), Life Begins at
8:40 (34), Hellzapoppin (38). The principal theatres owned by the Shuberts
were the Shubert, Winter Garden, and Princess. The Shubert archives remain
housed in the Lyceum Theatre. The Shubert Organization remains today run by
two native New Yorkers, Bernard B. Jacobs (1916- ) and Gerald
Schoenfeld (1924- ).

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ZIEGFELD THEATRE- Possibly the finest theatre ever built in New York City,
financed by William Randolph Hearst and designed by Joseph Urban and Thomas
Lamb. Opened in 1927 with the Ziegfeld production of Rio Rita. The theatre
was a jewel box of gilt, and rich unburnished colours with spacious
backstage facilities. Other Ziegfeld shows were Showboat (27); Bitter Sweet
(29); and Ziegfeld Follies of 1931. After Ziegfeld's death the large
theatre became a cinema, until Billy Rose restored it in 1944. Later such
shows as Brigadoon (47), Gentlemen Prefer Blondes (49), and Kismet (53). It
was torn down in 1966 to make a skyscraper.

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