GIVE 'EM THE OLD RAZZLE DAZZLE

GIVE 'EM THE OLD RAZZLE DAZZLE
FEBRUARY 1999 (Volume 3)
National Library of Canada ISSN 1481-7934
� 1998, Clair Sedore,Editor
Peter Poullos, Assistant Editor.
No reprints without
written permission from the publisher, although permission is
granted to forward a copy to your friends and business
associates

Now available Online:
Give 'Em The Old Razzle Dazzle Monthly Newsletter
http://www.freeyellow.com/members5/peterpoullos/index.html

This newsletter is not sent unsolicited. All the e-mail addresses in our
database have been submitted to us for inclusion. If you received
this
message and you haven't subscribed, a friend or colleague may have
forwarded it to you, or you may be on a theatre listing.

If you wish to receive back copies, please just ask: [email protected]
And let me know which issue you would like.
Our December (Volume I) issue had articles on nudity on stage,Leonard
Bernstein,Oliver Smith,Dancers and Choreographers,Elia Kazan,My Top
Tens,Tennessee Williams,Gay Theatre,Aids and its effects on Broadway,
In January (Volume II) we featured Andrew Lloyd Webber,Jean Rosenthal,Mike
Nichols,Demolished Toronto Theatres,Arthur Miller,Musicals and Plays to
Films,Frances Hyland,Canadian National Exhibition

IN THIS ISSUE
A LETTER FROM THE EDITOR-CLAIR SEDORE;
STEPHEN SONDHEIM;
SANTO LOQUASTO;
STARS THAT FADED;
BARBARA COOK;
GEORGE ABBOTT;
WILLIAM INGE;
LARS LUBOVITCH;
OPERA - AIDA;
AUTOGRAPHS;
FOR THE NEWCOMERS TO THE INTERNET
SOME REVIEWS OF OUR SECOND ISSUE
Hi Clair - Your new Newsletter is very interesting and I enjoyed it very much
What I enjoyed in this one is that you mention the movie "Good News"
because I was in the play in Toronto in the early 60's which took place at
the Toronto Library Theatre and ran for three long months... I did not
become famous but enjoyed every minute of being in this musical... Thanks,
Frank

What an incredible memory you must have to remember all this. We
congratulate you on a great newsletter. We are anticipating the next one
already.

Our thanks
The Franklins
Surrey, U.K.
I would appreciate hearing from you as soon as possible regarding
your permission to use the article on my web site.

Thanks Clair.

All the best.

Heath Miller,
Melbourne, Victoria, Australia

Thank you for supporting Broadway Cares/Equity Fights AIDS (BC/EFA) through
iGive.com.
link: <http://www.iGive.com/html/member_sign-in.cfm> and then sign in. For
every new referral you send, $2 is donated to Broadway Cares/Equity Fights
AIDS (BC/EFA) just for
signing up (and that only takes about ten seconds or so)
Broadway Cares/Equity Fights AIDS (BC/EFA)

"Do you have any plans for including professional listings of this kind in
your newsletter? I can tell you, Clair, that to my knowledge, no one else
on the Internet provides such content [except for Playbill's Casting and
Jobs page in the U.S.]. I think it would be an excellent addition to your
newsletter, would raise its appeal to industry professionals as well as
theatre lovers, and increase your exposure. For example, Inklings, which is
a free newsletter to writers, has over 20,000 subscribers now.

It would sure make me want to subscribe."
James Vincent Fusco

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Editor's Note: I told Mr. Fusco that the reason I wouldn't consider such
listings is the monthly frequency of my ezine. Such listings require almost
daily listings, weekly at the maximum. Hence the importance of Daily
Variety. In Toronto, other than the dailies, the only publication that
tells of casting calls is Now magazine. Mr. Fusco please note article later
on in this newsletter.

Just found out the wonderful news on Christmas Day, that my article would
be published in TIP Newsletter in January. What a great Christmas gift. I
have now been mentioned or had an article printed in 33 issues of
Newsletters, with articles in such newsletters as Good Work If You Can Get
It, Adland's Digest, Paychecks (U.K. Jerry), and AMT E-zine

From: "Thomas T. Getts"
To: <[email protected]>
Subject: Your article, Give 'em the whole Razzle Dazzle
Date: Thu, 24 Dec 1998 17:20:57 -0500
Thank you for submitting the article. you should be pleased to know that we
have chosen it to be in the Jan.1999 "TIP" (The Internet Post)
If you have not recieved yet you will be notified that you have also be
subscribed to the TIP List that broadcasts The Internet Post on the 15th of
each month

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COMING IN THE MARCH ISSUE
MY RARE PLAYBILLS;
MARTHA GRAHAM;
MADAMA BUTTERFLY;
JERRY HERMAN;
MOTLEY;
JULIE HARRIS;
EUGENE O'NEILL;
JOSHUA LOGAN

Per Section 301, Paragraph (a)(2)(C) of S. 1618,
further transmissions to you by the sender of this
email may be stopped at no cost to you by
sending a reply to this email address<[email protected]> with the
word "removerazzledazzle" in the subject line.

One of my sites where you can do FREE advertising:
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Online business in 1998 increased threefold over Christmas, 1997. Do hope
you were a part of it.

According to eStats, this is where people are accessing sites
>>from:

North America 71.0%;
>>Japan 7.2%;
>>Germany 6.2%;
>>Australia/New Zealand 4.2%;
>>United Kingdom 3.2%;
>>Italy 1.5%;
>>Netherlands 1.4%;
>>France 1.2%;
>>South America 1.2%;
>>Sweden 1.0%;
>>Other 1.8%

If you would like to join the Playbill On Line Club, simply go to:

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An interesting website for Celebrity Addresses, but I cannot vouch for
their authenticity.
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LETTER FROM THE EDITOR:
In our first ezine (December 98), we did an article on Nudity on Stage.
Once again Broadway, Off-Broadway and Off-Off Broadway are in the limelight
because of nudity, particularly Nicole Kidman and Iain Glen in the British
export "The Blue Room," by David Hare, a two character comedy where Nicole
bares all for less than a half-minute, and Iain even does a nude cartwheel.
Swan Lake, Matthew Bourne's new adaptation has fleeting nudity.
Off-Broadway shows like The Most Fabulous Story Ever Told by Paul Rudnick
has a lot of male nudity and brief female nudity, Killer Joe has stars
Scott Glenn and Amanda Plummer nude, Wit, Margaret Edson's drama has
nudity, Stop Kiss has nudity, Secrets Every Smart Traveler Should Know and
Jodie's Body both have nudity. Is there a resurgence? All this at a time
when the mayor wants to close the Broadway strip clubs.
As an aside, because of the large theatre content, I will tend to lessen my
material for new webmasters, other than articles I feel might be important.
Otherwise our ezine will end up being too large.

HELPFUL TIP
I just discovered one has to clean one's mouse about every month or so. You
just turn off your computer, unscrew the cover over the ball, and clean out
the inside with tweezers. You will find that lint etc. collects in the tiny
crevices.

STARS THAT FADED IN 1998:
In 1998 we lost a great many Hollywood stars and directors. Those stars who
touched Broadway more than Hollywood included Roddy McDowall who starred in
the musical Camelot; Brendan Gill, a writer for the New Yorker for many
years; Bob Merrill, lyricist for Funny Girl, Carnival, Breakfast at
Tiffanys and Sugar; Henny Youngman, stand-up comic who appeared in many
burlesque houses; Daniel Massey, who appeared in the musicals She Loves Me
and Gigi; Dorothy Stickney who appeared in the original Life With Father;
Maureen O'Sullivan, star of Mornings at Seven and Sabrina Fair, survived by
daughter Mia Farrow; Joseph Maher, star of Loot; the exciting choreographer
Jerome Robbins, whose hits included Call Me Madam, King and I, Pajama Game,
On The Town, Bells Are Ringing, West Side Story, Gypsy, Fiddler on theRoof,
A Funny Thing Happened on the Way to the Forum; Peter Pan and Wonderful
Town; E.G. Marshall, star of The Gin Game; Marshall Barer lyricist of Once
Upon a Mattress; Allen Drury, author of Advise and Consent; James Goldman,
playwright and author of Lion in Winter and librettist for Follies;French
film and stage star Jean Marais. They will all be greatly missed. 

PLAYWRIGHTS -

WILLIAM INGE (1913-1973 suicide) - One of America's finest playwrights who
understood loneliness, sexual repression, and a great understanding of the
human psyche. Mr. Inge could not accept his homosexuality, unlike his peer
Tennessee Williams, who relished in it. Mr. Inge was born in Independence,
Kansas and was both a schoolteacher and an actor before becoming drama
critic for the St. Louis Star-Times (1943). His first play "Farther Off
>From Heaven (1947)"opened in Dallas, but never reached New York. His second
play was another story, "Come Back Little Sheba (1950)" was an immediate
hit on Broadway. It was followed by "Picnic (1953)" which is probably
Inge's greatest play and a close runner-up to William's "Streetcar Named
Desire" and to Miller's "Death of a Salesman." It won the Pulitzer Prize
and the New York Drama Critics Circle Award. This was followed by two more
successes, Bus Stop (1955), and The Dark at The Top of the Stairs (1957).
This was a reworking of his first play, "Farther Off From Heaven," and is
probably his most autobiographical play. This success was followed by some
dismal failures like A Loss of Roses (1959), Glory in the Flower (1959),
Natural Affection (1963), Where's Daddy (1966), and his last play "The Last
Pad (1970), and not long after Mr. Inge took his own life, frustrated by
failure and being a homosexual, which he was never able to accept.

DIRECTORS -
GEORGE ABBOTT (1887-1995) born in Forestville, New York, started off as
both a playwright and an actor who debuted in 1913 in "The Misleading
Lady." He performed until the mid 1920s and turned his hand to directing,
with nothing major until he directed Broadway (1926), which he also
co-wrote with Philip Dunning, and also staged. This was followed by
Chicago, Four Walls (1927), Coquette (1927), Twentieth Century (1932),
Three Men on a Horse (1935), Boy Meets Girl (1935), Brother Rat (1936),
Room Service (1937), What a Life (1938). His directed came into full play
with Jumbo (1935), On Your Toes (1936) which was also his swan song when
the revival was staged in the 1980s. Boys From Syracuse (1938), Too Many
Girls (1939), Pal Joey (1940), On the Town (1944) with the great Leonard
Bernstein, and Betty Comden and Adolph Green, High Button Shoes (1947),
Where's Charley (1948), Call Me Madam (1950), A Tree Grows in Brooklyn
(1951), Wonderful Town (1953), The Pajama Game (1954), Damn Yankees (1955),
Fiorello (1959), Funny Thing Happened on the Way to the Forum (1962). He
also produced many of the shows which he directed. Music Is (1976) which
failed and at the age of 95 he both co-produced and staged the revival of
On Your Toes (1983). Mr. Abbott's shows are like a study of the Broadway
Theatre. Show business was his life line until his death in 1995.

COMPOSERS/LYRICISTS -
STEPHEN SONDHEIM (1930- )
Probably one of Broadway's most creative talents, always daring and
controversial. A joy to the critics but sometimes not as popular with
audiences. When I first saw "Pacific Overtures" at a New Year's Eve
preview, the audience was leaving in droves. It was not until the reviews
that the audience returned and paid attention. That is Mr. Sondheim.
Born in NYC and educated at Newtown, Penn., he befriended James
Hammerstein, who introduced him to his father, Oscar, who became a role
model for him. His lyrics were first heard in West Side Story (1957), Gypsy
(1959), Funny Thing Happened on the Way to the Forum (1962), on which he
wrote both the words and the music, Anyone Can Whistle (1964) which didn't
click, Do I Hear a Waltz (1965), Company (1970), which is probably his
piece de resistance, Follies (1971) of which it is said that if everyone
saw Follies who said they did, it would still be running, A Little Night
Music (1973), Pacific Overtures (1973), a love/hate musical and I loved it
and saw it many times, Sweeney Todd (1979) a very black musical with
wonderful performances by Angela Lansbury and Len Cariou, Merrily We Roll
Along (1981), a disaster, Sunday In The Park With George (1984) won the
Pulitzer Prize, and Into The Woods (1987). We can only await what new
pastiche he has in store for us.

DESIGNERS-

SANTO LOQUASTO (1944- )
Probably the second greatest set designer, next to the wonderful Oliver
Smith. Among his shows has been King of Hearts with Don Scardino, Murder
Among Friends (with Janet Leigh and Jack Cassidy in his final performance
before being burned to death in a hotel fire), That Championship Season,
and his most current, the wonderful "Ragtime," for the Livent Company, now
in Chapter 11.

DANCERS -
LARS LUBOVITCH (c1940 - )Chicago born dancer who started with
the Martha Graham Company after having debuted with the Pearl Lang Dance
Company in 1962. He formed his own dance company in New York in 1968, and
has done choreography for such noted companies as the New York City Ballet,
American Ballet Theatre, Paris Opera Ballet, Royal Danish Ballet,
Stuttgart, Alvin Ailey Dance Company, Nederlands Dans Theater, Ice dancing
for olympic star John Curry (1949-1994) AIDS, Peggy Fleming, Dorothy Hamill
and the French ice dancing sensations, Isabella and Paul Duchesnay, as well
as the Broadway shows, Into the Woods (1987), (Tony nomination), revival of
The King and I, with Yul Brynner.

ACTORS/ACTRESSES -

BARBARA COOK - (1927- ) A native of Atlanta, Georgia, Ms. Cook made
her Broadway debut in Flahooley (1951), toured in Oklahoma (1953), and
became a Broadway favourite in Plain and Fancy (1955). She was the first
Cunegonde in Candide (1956) and introduced "Glitter and Be Gay" to her
doting public. She followed this with a revival of Carousel and won a Tony
Award for her performance as Marian the Librarian in The Music Man (1957).
She did a revival of the King and I, and appeared in Toronto in the
pre-Broadway musical The Gay Life (1961), followed by a revival of Showboat
(1966). She followed this with She Loves Me (1963). When the Broadway roles
started to disappear, she started to appear in small nightclubs like
Brothers and Sisters and Reno Sweeney. She took New York by storm. The
engenue is now one of New York's leading singers. If you have not heard
her, rush out and buy her recordings. Her Barbara Cook at Carnegie Hall is
a collectors item, as is As Of Today. As Rex Reed said "if he gets to
Heaven and the angels don't sound like Barbara Cook, God will have
something to answer to," or something to that effect. I have seen Ms. Cook
many, many times. The first time was at Brothers and Sisters, and I had
gooseflesh during most of her concert. I have followed her around like a
groupie. What an inspiring talent she is. We have been fortunate in
Toronto, as Ms. Cook has appeared at the Crest Theatre, the Music Hall and
at the Stratford Festival Theatre. She now has a male counterpart in the
person of Mandy Patinkin.

AUTOGRAPHS -
In New York it is so easy to get autographs. One just has to stand around
the stage door and most of the "big" stars are only too happy to sign your
programme. I recently sold a huge collection of my autographs of everyone
from Katharine Hepburn, Yul Brynner (who grabbed the programme out of my
hand when I was waiting for Joan Denier's autograph), Lee Remick, starring
in Wait Until Dark, who invited us in because we were from Toronto, and she
adored Toronto, and chatted with us for probably an hour, Angela Lansbury
when she was in Gypsy, Janet Leigh and Jack Cassidy (we were the only ones
at the stage door and were invited to join the cast onstage for their
opening night party-what a coo), Liza Minnelli, before she got too big to
come out the stage door, and left by secret exits, the great Raul Julia,
Ellen Greene, Alan Bates, who we got to talk to for a long period about his
film The Go Between, which we saw in Paris, before it was released to North
America, Vincent Price and Corale Brown, when they were in Toronto with the
pre-Broadway "Darling of the Day," (later changed to Married Alive). I even
got to hold Julie Harris' dog while she signed autographs at Belle of Amherst.
I am not really an autograph collector, but I love seeing the celebrities
that I like, and that seems like the only way to start up a conversation. I
guess I'm a stage door Johnnie.
Some of the other greats I have had the privilege to meet are Geraldine
Page, James Coco, Sir Ralph Richardson, Hermoine Gingold, Larry Kert, Tammy
Grimes, Leslie Caron, Dorothy McGuire, John Gielgud, Eleanor Parker, Betty
Comden and Adolph Green, Kate Reid, Jack Gilford, George C. Scott, Jane
Powell, Howard Keel, Colleen Dewhurst, John Lithgow, Liv Ullmann, Dorothy
Loudon, Estelle Parsons, Judd Hirsch, Jerry Orbach, Ann Reinking, Lynn
Redgrave, Frank Langella, Marsha Mason, Neil Simon, Hal Holbrook, Eartha
Kitt, Pearl Bailey, Sylvia Miles, Edward Villella, Joan Rivers, Valerie
Harper, Mandy Patinkin, John Cullum, Georgia Brown, Eli Wallach and Anne
Jackson, Doris Roberts, Donna McKechnie, Len Cariou, Dixie Carter and
Barbara Hamilton.

OPERA - AIDA -
When a friend and I arrived in Verona in the early 1980s, to visit such
hysterical sites as Juliet's Tomb complete with K-mart flowers, we happened
by the Arena and saw a great number of people working on the sets for the
performance of Aida. We were so impressed with just the beginnings of the
settings that we booked tickets for a performance some two weeks away, and
made our way back to Verona, totally unplanned in our itinerary. What an
unbelievable spectacle. I have never seen such a performance. Hundreds of
performers, breathtaking sets with took anywhere up to an hour to change in
between scenes. I could never see another performance of Aida, without
remembering what it should be like, complete with camels, elephants,
horses, and great voices. We finally had to leave at 12:30 a.m. long before
the opera finished as we had to catch a train. Seeing Aida at the Baths of
Caracalla, is definitely not the same, nor an ordinary prosenium stage.

Does anyone know what happened to the Aida production at Skydome, in
Toronto. I have written to a number of people including Myra Friedlander,
and did not receive the courtesy of a reply. There never were any reviews,
so I can only assume it was cancelled due to seat sales.

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IMPORTANT ANNOUNCEMENT TO OUR READERS

THIS IS TO INTRODUCE A NEW EZINE CALLED "CURTAIN UP," an email subscription
ezine (or snail mail at a slightly higher fee due to postage), covering
auditions, show openings, work shops and classes, playwrights, grants,
volunteers needed, voice overs, career opportunities, film projects
including extras, including "out of town. " Our website is:
http://www.freeyellow.com/members5/clairsedore/

Our first issue will be sent out MARCH 15, 1999, or before as we already
have employment wanted ads coming in, and will be sent out the 15th and
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very important notification.

Deadline for postings in the first issue will be March 10th , 1999.

ALL LISTINGS FOR THEATRES, FILM COMPANIES ETC., ARE FREE up to 100 words.
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ADVERTISING RATES FOR 1999

100 words or less $10.00 per issue or 3 issues for only $25.00.
Cheques or money orders payable to: Clair Sedore, 810-85 The Esplanade,
Toronto, Ontario, Canada M5E 1Y8
Email - [email protected]AS OF THE MARCH 1999 ISSUE ONLY ADS OF AN
ENTERTAINMENT NATURE WILL BE ACCEPTED.

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