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GIVE 'EM THE OLD RAZZLE DAZZLE
JANUARY 2000 (Volume 14) � 1998 all rights reserved worldwide by Clair
Sedore 
National Library of Canada ISSN 1481-7934
(C) 1998,Clair Sedore, Editor
Peter Poullos, Assistant Editor
A New Monthly Theatre E-zine
No reprints without
written permission from the publisher, although permission is
granted to forward a copy to your friends and business
associates.
To subscribe to "Give 'Em The Old Razzle Dazzle," just put SUBSCRIBE RAZZLE
in subject, or body, and send an email to [email protected] 

If you are wondering why a lot of this ezine is in html coding, it is
because it is also available online, and many of our subscribers have html
email.
<a href=http://members.linkopp.com/ent/razzledazzle/index.html>READ ONLINE</a>

Thanks for your patience,
Clair Sedore, Editor
********************************
DEDICATED TO MY LIFE PARTNER, PETER MICHAEL POULLOS (1948-1999), WITHOUT
WHOM THIS PUBLICATION WOULD NOT HAVE COME ABOUT.
********************
This Ezine Is Listed At FreeZinesOnline.
http://Globemark.net/FreeZinesOnline.htm
*********************
IN THIS ISSUE
MY YEARS OF THEATREGOING - PART 5 - 1962
GOODMAN THEATRE
LILLIAN HELLMAN
BORIS ARONSON
ROGER L. STEVENS
HUME CRONYN AND JESSICA TANDY
MITCH LEIGH
JOE LAYTON
HAROLD PRINCE
CANDIDE

*************
COMING IN FEBRUARY 2000
CLEVELAND PLAYHOUSE
EDWARD ALBEE
LUCINDA BALLARD
JOHN MURRAY ANDERSON
COLLEEN DEWHURST
HAROLD ARLEN
MICHAEL KIDD
ROUBEN MAMOULIAN
MIDSUMMER NIGHT'S DREAM
MAUREEN STAPLETON
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<a href="http://www.canadiantheatre.com/"> Do check out the Encyclopedia
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It is a fantastic site and well worth the time you will spend there. I have
contributed to the site with updating and adding some Canadian artists to
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*****************************
GOODMAN THEATRE
Founded in 1925, and built alongside of the Art Institute of Chicago on
Lakeshore Drive. It seats 683 and opened with Galsworthy's The Forest. It
disbanded temporarily in 1930 because of the depression. It served as a
drama school before commencing again in 1969. Since that time it continues
to mount productions in its two theatres, now including the smaller
experimental Stage 2.
********************
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THEATRE OBITUARIES
Faubion Bowers, 82, an expert on Kabuki theatre in Japan, died Nov. 16 in
Manhattan.
Mr. Bowers is credited with preserving the art of Kabuki theatre during his
time serving as a military aid in occupied Japan, after World War II. Mr.
Bowers regarded himself both a censor and sponsor of Japanese theatre in
1944-49, when he was official theatre censor of the occupation government;
Quentin Crisp, the gay icon, writer and performer, 90, died Nov. 21 in
Manchester, England, prior to scheduled appearances in his one-man show, An
Evening With Quentin Crisp.
Mr. Crisp, at once fey, diminutive and flamboyant, became the toast of New
York in 1978 with his confessional gay solo show, An Evening With Quentin
Crisp. The solo built on the success of Crisp's landmark autobiography,
"The Naked Civil Servant," published in 1968 and later adapted into a film
that made a star of John Hurt (who played Crisp).
He won a Drama Desk Award in 1978 for "Unique Theatrical Experience" for
his Evening With Quentin Crisp; Beatrice Colen, known as the car-hop on
roller skates at Arnold's Malt Shop on TV's "Happy Days," and as the
"Wonder Woman" sidekick, Etta Candy, died of lung cancer at Los Angeles'
Cedar Sinai Hospital Nov. 18. Ms. Colen was 51.
Ms. Colen's stage appearances include Peter Parnell's Romance Language at
Los Angeles' Mark Taper Forum. Her films include Mel Brooks' "High Anxiety"
and Ralph Bakshi's "American Pop." She studied for two years at the HB
Studios in New York under Uta Hagen; Mabel King, 66, who raised the roof in
Broadway's The Wiz, as the wicked witch, Evillene, died Nov. 9 after a long
illness.
Her Broadway credits also included A Race With the Wind and The Women; Paul
Bowles, 88, the author and composer who wrote "The Sheltering Sky" and
collaborated with the likes of Tennessee Williams, died in a Tangier
hospital on Nov. 18. Bowles had been hospitalized there since Nov. 7 when
he suffered a heart attack at his home in Morocco.
During the late '30s in New York City, Bowles wrote musical scores for the
plays of dramatists William Saroyan and Tennessee Williams among others, as
well as Orson Welles' Federal Theatre Project.
The projects he rejected are as famous as the ones he took on. Asked by
producer Lawrence Langner to pen the score to a show which became Oklahoma!
he declined, and later turned down an offer to write the music for Jerome
Robbins' ballet Fancy Free. Leonard Bernstein eventually got the job;
actress Madeline Kahn, 57, died of ovarian cancer, winner of a Tony Award
for The Sisters Rosensweig and starred for a short time in On The Twentieth
Century before being replaced by Judy Kaye, The Sisters Rosensweig (Ethel
Barrymore Theatre, 1993) .... Dr. Gorgeous Teitelbaum
What's Wrong with This Picture? (Manhattan Theatre Club, 1985) .... Shirley
Born Yesterday (46th Street Theatre, 1989) .... Billie Dawn
On the Twentieth Century (St. James Theatre, 1978) .... Mildred Plotka,
Lily Garland
Marco Polo Sings a Solo (Public/Newman Theater, 1977) .... Diane McBride
She Loves Me (Town Hall, 1977) .... Amalia Balash
In The Boom Boom Room (Lincoln Center Theater, 1973) .... Chrissy
Two by Two (Imperial Theatre, 1970) .... Goldie
Promenade (Promenade Theatre, 1969) .... Servant
New Faces of 1968 (Booth Theatre, 1968)
and starred in many films like Paper Moon, Young Frankenstein, What's Up
Doc, Blazing Saddles; Director Mike Ockrent, 53, co-creator of Crazy for
You, was working on new musical The Night They Raided Minsky's (based on
the film); Bethel Leslie, 70, stage (A Long Day's Journey Into Night,
Inherit The Wind), screen and television actress;
Anne Francine, the Broadway actress and cabaret performer who was part of
Manhattan's cafe society heyday in the 1940s and 1950s, died in a
Connecticut hospital Dec. 3 after suffering a stroke.
Despite an earlier stroke six years ago, Smith said, Ms. Francine was a
tireless nurturer of young cabaret talent and spent summers as a master
class teacher evaluating cabaret performers at the Eugene O'Neill Theatre
Center in Waterford, CT. Ms. Francine was 82, and lived in Old Lyme, CT.

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PLAYWRIGHT - LILLIAN HELLMAN (1905-1984)
The New Orleans playwright whose first play was produced in 1934, The
Children's Hour. This recognized her as a new theatre talent, however her
next play Days To Come (1936) was a dismal failure, but her third play was
her triumph, The Little Foxes (1939) was a huge hit. This was followed with
Watch on the Rhine (1941) and The Searching Wind (1944). She returned to
the family of Foxes, with Another Part of the Forest (1946). She then wrote
The Autumn Garden (1951) and The Lark (1955). This was followed by her
libretto for Candide (1956) and Toys in the Attic (1960). Her next play, My
Mother, My Father and Me (1963) was a quick failure. Her personal life was
probably even more interesting than her plays.
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SET DESIGNER - BORIS ARONSON (1900-1980)
Russian artist/designer who came to New York in 1923 and found employment
with the Unser Theatre in the Bronx and Civic Repertory Theatre for Eva La
Gallienne. His more commercial successes include Three Men on a Horse
(1935), Awake and Sing (1935), Cabin in the Sky (1940), Detective Story
(1949), I Am a Camera (1951), Bus Stop (1955), A View From the Bridge
(1955), The Diary of Anne Frank (1955), Fiddler on the Roof (1964), Cabaret
(1966), Company (1970), A Little Night Music (1973), and Pacific Overtures
(1976).
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COMPOSERS - MITCH LEIGH (1928- ) AND JOE DARION (1917-
)Both native New Yorkers,
Mr. Leigh along with Joe Darion wrote the music and lyrics respectively for
Man of La Mancha. Darion also did the lyrics for Illya Darling (1967)
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covering the US and Canada. For information on listing, visit the site or
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MEMORIES - MY YEARS OF THEATREGOING 1955-1999 - Part 5
In 1962 I was in New York twice. But it wasn't a great year for theatre.
Although I saw a lot of shows, there were only a few of note: I Can Get It
For You Wholesale, which was a bore but for the wonderful performance of a
new star in the making, Barbra Streisand. She brought the house down;
Stephen Sondheim and George Abbott's A Funny Thing Happened on the Way to
the Forum, with wonderfully campy performances by Zero Mostel, Jack Gilford
and Donna McKechnie, who would be heard from later as a member of "A Chorus
Line." Fuuny Thing chalked up 964 performances. Other shows were the Martha
Graham Dance Company with Paul Taylor, before he formed his own company,
along with Peter Randazzo before he became a choreographer and star dancer
Clive Thompson; Arthur Kopit's black comedy, Oh Dad Poor Dad, Mamma's Hung
You in the Closet and I'm Feeling So Sad," with great performances by Jo
Van Fleet, Austin Pendleton and a stunning performance by the great Barbara
Harris. Unfortunately Ms. Harris has been seen far too little on stage, and
the films have gotten her effects as dialect and voice coaching in many,
many films.
October 13, 1962 was one of my theatrical highlights, attending the opening
night of Edward Albee's "Who's Afraid of Virginia Woolf?" Noone knew what
to expect and the audience was overwhelmed with the ensemble acting of Uta
Hagen, Arthur Hill, Melinda Dillon and George Grizzard. The play just about
brought the house down and at intermission we got to talk to Paul Newman
and Joanne Woodward.
In Toronto we got to see Richard Rodgers "No Strings," with Diahann Carroll
and Richard Kiley, choreoraphed by Joe Layton. The musical did not reach
the critical success they were expecting. This was the year of the British
import Beyond the Fringe with newcomers Dudley Moore, Peter Cook and
Jonathan Miller. Step On a Crack opened at the Royal Alexandra Theatre with
Donald Madden, Maggie McNamara, Gary Merrill and William Hickey. It was an
unforgettable night for me as out of the crowded foyer came Rita Hayworth,
and I got to hold the door for her, and she thanked me profusely, looking
like a frightened clostrophobic animal. It was not long after this that the
public learned of her Alzheimer's Disease, and this was the reason Maggie
McNamara replaced her as she could not remember her lines.

Toronto Workshop Productions were in full swing with Arthur Kopit's
Indians, as well as The Alchemist and Captain of Kopenick. Other events of
note were a production of Moby Dick directed by Douglas Campbell with a
great cast, Bruno Gerussi, Hugh Webster, Max Helpmann, Frances Hyland,
William Needles and Rod Steiger. The play went on to New York and died a
quick death. Another highlight of the year was the touring company, Polish
Mime. What an unbelievable surprise that was. This was one of the world's
most amazing troupes, a sort of forerunner of Cirque du Soleil. Over the
years I became a sort of Polish Mime groupie and saw them many times in
Europe as well as more times in Toronto.

We also got to see another pre-Broadway edition of New Faces of 1962 which
wasn't much and no stars were founded; Irma La Douce with Joseph Bova,
Taina Elg and Dennis Quilley; the great Tammy Grimes in her show-stopping
Unsinkable Molly Brown, with Harve Presnell; Do Re Mi with Nancy Walker and
Phil Silvers, and a great pre-Broadway production of Oliver from London,
with the spectacular sets by Sean Kenny, who was to become England's answer
to America's Oliver Smith. It starred Georgia Brown, Barry Humphries (Dame
Edna), David Jones and Maura K. Wedge.

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<a href=http://www.linkopp.com/members/clairsedore/index.html> THEATRES -
NEW YORK, LONDON, TORONTO & INTERNATIONAL </a>
As of October 12/99 since starting my Theatres Pages, I have had the
privilege of 8,534 visitors (New York - 6,449 visitors; Curtain Up 126
visitors; Get Paid to Browse (quite new) 123; International 896 visitors;
London 460 and Toronto 480).
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More information needed? [email protected]
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DANCERS/CHOREOGRAPHER - JOE LAYTON (1931-1994)
Born in Brooklyn, Mr. Layton made his debut as a dancer in Oklahoma (1947),
and danced in several other musicals before choreographing a revival of On
The Town (1959), followed by Once Upon a Mattress starring newcomer Carol
Burnett, The Sound of Music (1959), Greenwillow and Tenderloin (1960), and
Sail Away (1961). In 1962 he choreographed and directed No Strings as well
as The Girl Who Came to Supper (1963), Drat the Cat (1965), Sherry (1967),
George M (1968), Dear World (1969), Two by Two (1970), Bette Midler's Clams
on the Half Shell (1975), An Evening with Diana Ross (1976), Platinum
(1978) and Barnum (1980). He won Tony Awards for No Strings and George M.
*********************
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DIRECTORS - HAROLD PRINCE (1928- )
Mr. Prince, born in New York, began his career as a stage manager and was a
co-producer of Pajama Game (1954) and Damn Yankees (1955) as well as New
Girl in Town (1957). He was one of the producers of West Side Story (1957)
and Fiorello (1959). On his own he produced Take Her She's Mine (1961), A
Funny Thing Happened on the Way to the Forum(1962). He directed and
co-produced She Loves Me (1963), produced Fiddler on the Roof (1964). He
also produced/directed Cabaret (1966), Company (1970), Follies (1971), and
Little Night Music (1973). He also staged Sweeney Todd (1979), Merrily We
Roll Along (1981), A Doll's Life (1982), Grind (1985), as well as Showboat
(revival), Kiss of the Spider Woman and Ragtime. He, along with composer
Stephen Sondheim are probably the greatest modern-day influence on the
American musical, as we know it.

*******************
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PRODUCERS - ROGER L. STEVENS (1910- )
One of the most influential Broadway producers. Born in Detroit. Having
made a fortune in real estate he turned to producing. In 1951 he become a
member of the Playwrights' Company and in 1954 formed the Producers'
Theatre and was co-founder of the American Shakespeare Festival, and was
associated with the Phoenix Theatre for many years. In 1971 he became the
head of the John F. Kennedy Center for the Performing Arts. He has also
co-produced plays such as Bus Stop, View From the Bridge, West Side Story,
Under the Yum Yum Tree, Mary Mary and Finishing Touches.

***********************
ACTORS - HUME CRONYN (1911- ) AND JESSICA TANDY (1909-1994)
Mr. Cronyn was born in London, Ontario and has been appearing on Broadway
since 1934, many, many times with his wife Jessica Tandy who rose to
stardom in Streetcar Named Desire. Before he was married he appeared in
Hipper's Holiday, Boy Meets Girl, Room Service, High Tor, Three Sisters. In
1950 he directed his wife Jessica Tandy in Hilda Crane. He then appeared
with Ms. Tandy in The Fourposter, Madam, Will You Walk, Big Fish Little
Fish, The Miser, Three Sisters and Death of a Salesman at the Tyrone
Guthrie Theatre. They starred together in A Delicate Balance, Noel Coward
in Two Keys, and The Gin Game (1977) as well as Foxfire (Ms. Tandy won a
Tony Award)(1982) and The Petition (1986).
**********************
OPERA - CANDIDE
A musical in two acts, book by Lillian Hellman, lyrics by Richard Wilbur,
John Latouche and Dorothy Parker with music by Leonard Bernstein. I have
seen this musical many times and each time I realize it is more than a
musical, it is an opera. When the New York City Opera Company presented
this acclaimed musical it was quickly elevated to that state. In its
initial New York presentation it only ran 73 performances, but later
productions ran much more, especially Harold Prince's wonderful 1974 revision.
The overture itself is becoming a classic, and the rest of the songs like
The Best of All Possible Worlds, Glitter and Be Gay, and Make Our Garden
Grow are growing quickly in themselves. More and more opera companies are
adding this to the repertoires.
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