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GIVE 'EM THE OLD RAZZLE DAZZLE<p>
SEPTEMBER 1999 (Volume 10)<p> � 1998 all rights reserved worldwide by Clair
Sedore <p>
National Library of Canada ISSN 1481-7934<p>
(C) 1998,Clair Sedore, Editor<p>
Peter Poullos, Assistant Editor<p>
A New Monthly Theatre E-zine<p>
No reprints without
written permission from the publisher, although permission is
granted to forward a copy to your friends and business
associates.<p>
To subscribe to "Give 'Em The Old Razzle Dazzle," just put SUBSCRIBE RAZZLE
in subject, or body, and send an email to [email protected]

If you are wondering why a lot of this ezine is in html coding, it is
because it is also available online,
http://www.freeyellow.com/members5/peterpoullos/index.html
where this coding makes sense. It would be very difficult to do two
versions of the newsletter, one for the web, and one for emailing. Please
excuse the coding.

Thanks for your patience,
Clair Sedore, Editor<p>
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IN THIS ISSUE<p>
A LETTER FROM THE EDITOR-CLAIR SEDORE;
MEMORIES - My Years of Theatregoing 1955 - 1999-Part 1

REVIEWS OF OUR NINTH ISSUE
GEORGE GERSHWIN
TONY WALTON
JACQUES D'AMBOISE
TYRONE GUTHRIE
ARTHUR KOPIT
MANHATTAN THEATRE CLUB
BILLY ROSE
HAL HOLBROOK
OTHELLO

COMING IN OCTOBER ISSUE
MEMORIES - My Years of Theatregoing 1955 - 1999 - Part 2
RICHARD RODGERS AND OSCAR HAMMERSTEIN
PATRICIA ZIPPRODT - see Obituaries
GRACIELA DANIELE
JOHN HOUSEMAN
JOE ORTON
CIRCLE REPERTORY
THEATRE GUILD
RAUL JULIA
THE PEARL FISHERS
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SOME REVIEWS OF OUR NINTH ISSUE<p>

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THEATRE OBITUARIES
The brilliant costumer, Patricia Zipprodt, whom I was going to do a feature
on in the next issue, died at 74 - she designed off-Broadway shows like The
Blacks, The Balcony, Oh Dad Poor Dad before taking Broadway with Fiddler on
the Roof (64) (Tony Award); Cabaret (Tony Award)(66); Sweet Charity (Tony
Award); Sunday in the Park with George; Chicago (75); Pippin; King of
Hearts; Mack and Mabel; 1776 (the original); She Loves Me; Plaza Suite and
Zorba - she was voted into Theatre Hall of Fame in 1996; actor Donal McCann
(56) who appeared with the Abbey Theatre and Gate Theatre in Dublin, as
well as John Huston's "The Dead;" film actor Victor Mature at 84, best
remembered for My Darling Clementine (42), Kiss of Death (47), Samson and
Delilah (49), The Robe (53) and The Egyptian (54), and starred on Broadway
in 1941's Moss Hart/Ira Gershwin and Kurt Weill's ground breaking musical
"Lady in the Dark." He also appeared in small roles in 60 productions at
the Pasadena Playhouse.
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MEMORIES - My 50 Years of Theatregoing 1950-1999 - Part 1
Part One - My high school was close to the resort town of Jackson's Point
and along the lake was the summer stock theatre called "The Red Barn." In
high school, I had seen and been in many Gilbert and Sullivan operettas, as
well as James M. Barrie's "Shall We Join the Ladies," but that was my
extent of theatre.

But in the summers I worked in Sutton for the Police Department and got to
hang out around the Red Barn Theatre, which had been in existence since
1948. Because of its proximity to Toronto they got to draw on a lot of
talent from Toronto theatres, and each summer they presented probably an
eight play season. With my bicycle the theatre was only about an hour from
my home. The first rehearsal I saw was Tennessee Williams' "Streetcar Named
Desire." That did it. From that point on I had to see every production that
they did and a lot of the time I convinced my mother to drive to the
theatre. Neither of my parents cared one way or another about theatre, but
they indulged me because of the seven mile distance to Sutton and another
two miles to the theatre. Other plays I got to see there included William
Inge's "Bus Stop." Is it any wonder why Tennessee Williams and William Inge
are still my favourite playwrights.

Other plays were The Bad Seed, The Tender Trap, Summer of the 17th Doll, My
Three Angels, Sabrina Fair, The Fifth Season, The Fourposter, To Dorothy a
Son, The Moon is Blue, where one got to hear the term "virgin" on stage for
the first time, this was truly an "adult" artform, Adding Machine, Blithe
Spirit, Harvey, Bell Book and Candle, The Vinegar Tree, Period of
Adjustment, Oh Men Oh Women, Springtime For Henry, Dreamgirl, The Seven
Year Itch, and Dial M For Murder.

By the time I got to see the film versions of these plays, they were old
hat, and in ninety percent of the cases, not nearly as good as the stage play.

The actors themselves were very competent people like Jean Roberts,
Marigold Charlesworth, June Lehmann, Tudi Wiggins, Paddy Croft, Alan Nunn,
Carroll Patricia Brown, Araby Lockhart, Aileen Taylor, Sylvia and Ben
Lennick and others who appeared at places like the Crest Theatre, and later
the Stratford Festival and the Shaw Festival.

In the late summer there was the Canadian National Exhibition and the
grandstand show which headlined people like Jimmy Durante, Bob Hope, Ed
Sullivan, Danny Kaye and a great many talented Canadian performers. The
orchestra was conducted by Howard Cable and the dancers were under the
direction of Alan and Blanche Lund, and Midge Arthur's Canadettes.

And another highlight of my theatre experience. I would go to Toronto with
my dad, and while he did his business I went to the Casino Theatre, a
vaudeville house with featured stars like Johnnie Ray, Billy Daniels,
Frankie Laine, Sally Rand, Patti Page, Gene Nelson, or Rosemary Clooney.
These were three hour events, including a feature film, a vaudeville show
plus the featured act.

The last year of high school, our commercial teacher took us to Toronto for
a trip, and other than touring The Toronto Star, we spent the evening at
the Royal Alexandra Theatre. My first real legitimate theatre. The play was
"Tea and Sympathy," with Deborah Kerr and John Kerr. This was heaven on
earth. I was so impressed that my fate was sealed. I was in love with the
theatre, and remain so to this day.

My only other high school experience was a trip to the Statford Festival to
see Henry VIII, on its thrust stage, with glorious costumes.

When I finished school and heading for Teachers College in Toronto in 1956,
my life would do a complete change and I could almost live at the theatre.
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COMPOSERS and LYRICISTS - GEORGE (1898-1937) AND IRA GERSHWIN(1896-1983)
One of the greatest of the Broadway composers, born in Brooklyn into a poor
immigrant family. A piano purchased for Ira was literally taken over by
George, who received full classical training. George's name became famous
after Al Jolson sang his "Swanee" on stage in 1919. This followed with
scores for La La Lucille, and George White's Scandals (1920-1924) which
included such songs as "I'll Build a Stairway to Paradise" and "Somebody
Loves Me." In 1924 he started working almost exclusively with brother Ira,
and their first hit show was "Lady Be Good (1924)," whose hits included
"Fascinating Rhythm." They followed with Tell Me More, Tip Toes (1925),
Song of the Flame, Oh Kay (1926) which had "Clap Your Hands, Do Do Do, and
Someone to Watch Over Me,"
Funny Face (1927) which had He Loves and She Loves, S'Wonderful and the
title song, Rosalie (1928) written with Sigmund Romberg, which featured
'How Long Has This Been Going On', Treasure Girl (1928) featuring I've Got
a Crush on You, Show Girl (1929) which had Liza, Strike Up the Band (1930),
Girl Crazy, the same year, which included Biding My Time, and But Not For
Me, as well as Embraceable You and I Got Rhythm, Of Thee I Sing (1931)
which was the first musical to win a Pulitzer Prize, and featured Love is
Sweeping the Country, Of Thee I Sing, Pardon My English (1933), and Let 'Em
Eat Cake the same year. In 1935 he wrote Porgy and Bess which received only
mixed reviews but as time goes on, it is probably his most important work,
and rather than a musical piece is becoming an opera classic. Dubose
Heyward helped Ira with the lyrics.

After George's death, Ira wrote Lady in the Dark (1941) with Kurt Weill
which had such hits as The Saga of Jenny, My Ship. His last two shows
failed at the box office, The Firebrand of Florence (1945) co-written with
Weill, and Park Avenue (1946) with Arthur Schwartz.

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SET DESIGNERS - TONY WALTON (1934- )
English set designer who designed the settings on Broadway for
Sophisticated Ladies, Streamers and Pippin.

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DANCERS - JACQUES D'AMBOISE (1934- )
Principal dancer with the New York City Ballet for many years, also
featured in the film "Seven Brides for Seven Brothers. His daughter is now
in dance as well.

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DIRECTORS - TYRONE GUTHRIE (1900-1971)
Distinguished English director who was long associated with the Old Vic in
London and his first American production was Call It A Day (1936), and
again in 1946 a revival of He Who Gets Slapped. After that he was back and
forth between London and New York, and directed such productions as The
Matchmaker (1955), Tamburlaine the Great (1956) (done for Stratford
Festival prior to New York), the brilliant, although not with the
theatregoers at the time, Candide (1956), The Makropoulos Secret (1957),
The Tenth Man (1959), Gideon (1961) and a revival of Dinner at Eight
(1966). He was largely responsible for the creation of the Stratford
Festival Theatre in Canada and the Guthrie Theatre in Minneapolis in 1963.
He also authored a number of books including Theatre Prospect (1932), A New
Theatre (1964) and In Various Directions (1965).

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PLAYWRIGHTS - ARTHUR KOPIT (1937- )
New York playwright, his first plays being produced at Harvard, including
"Oh Dad Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad,"
which was presented at Harvard, and in London before reaching off-Broadway,
and later moved to Broadway. It was the cast that made it even greater, the
brilliant Barbara Harris and the illuminating Jo Van Fleet. As everyone has
one great play in them, this was Mr. Kopit's. His other plays never reached
the popularity of this. Indians reached Broadway (1969), Wings (1979). In
1982 he turned to musical theatre and wrote the book for "Nine," which was
popular. He also wrote The Day The Whores Came Out to Play Tennis.

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MANHATTAN THEATRE CLUB
Was founded in 1970 to provide an alternative to commercial theatre. Many
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PRODUCERS - BILLY ROSE (1899-1966)
Born in New York, Billy Rose began as a lyricist for Charlotte's Review of
1926 and Great Day (1929). He then became a producer and presented Sweet
and Low (1930), Billy Rose's Crazy Quilt(1931), The Great Magoo (1932), his
claim to fame Jumbo (1935) presented at the famous New York Hippodrome,
Carmen Jones (1943) and Seven Lively Arts (1944). He also owned the
National Theatre, which he renamed the Billy Rose, and the Ziegfeld
Theatre, which he sold to developers. He was married for a time to
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ACTORS - HAL HOLBROOK (1925 - )
American stage and film actor. His films have included such hits as The
Group, That Certain Summer, All the President's Men, The Star Chamber. His
Broadway work is all summed up in his brilliant recreation in Mark Twain
Tonight, and I never Sang For My Father.

OPERA - OTHELLO
An opera in four acts written by Verdi, based on Shakespeare's play. It was
first presented in Milan in 1887 and New York followed in 1888, London in
1889 and Paris 1894, with an added ballet and modified finale to Act III.
The main characters, as with the play, are Otello, Iago, Desdemona, and
Cassio. Probably the greatest of the Italian tragic operas.

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ADVERTISING RATES
100 words or less $10.00 per issue or 3 issues for only $25.00.
Cheques or money orders payable to: Clair Sedore, 810-85 The Esplanade,
Toronto, Ontario, Canada M5E 1Y8<p>
Email - [email protected]<p>

Send suggestions and comments to :
[email protected]
To subscribe send a blank e-mail with SUBSCRIBE to:
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ACTION="http://www.DOMINIS.com/cgi-bin/ZineRate">
<INPUT TYPE="hidden" NAME="id" VALUE="XXX">
<SELECT NAME=pts>
<OPTION VALUE="5">5 (best)
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COMPOSERS -

PLAYWRIGHTS -

DIRECTORS -

DESIGNERS -

DANCERS -
ACTORS/ACTRESSES -
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MY BOOK , called "Give 'Em The Old Razzle Dazzle (50 Years of Theatre and
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Many larger companies are just starting to realize this
and are entering into this exciting new advertising
medium. Compared with the high costs of web site banner
advertising, E-zine advertising is a real bargain. <p>

ADVERTISING RATES
100 words or less $10.00 per issue or 3 issues for only $25.00.
Cheques or money orders payable to: Clair Sedore, 810-85 The Esplanade,
Toronto, Ontario, Canada M5E 1Y8<p>
Email - [email protected]<p>

Send suggestions and comments to :
[email protected]
To subscribe send a blank e-mail with SUBSCRIBE to:
[email protected]
To unsubscribe send a blank e-mail with UNSUBSCRIBE to:
[email protected] <p>

Subscribe: "CURTAIN UP-JOB LISTINGS FOR THEATRE,TELEVISION & FILMS" -only
20.00 per year (24 issues/email only)-cheque payable to:Clair Sedore,810-85
The Esplanade,Toronto,ON, M5E 1Y8,Canada

"GIVE 'EM THE OLD RAZZLE DAZZLE" - free monthly theatre ezine on 50 years
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