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=                            W._H._Davies                            =
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                            Introduction
======================================================================
William Henry Davies (3 July 1871 - 26 September 1940) was a Welsh
poet and writer, who spent much of his life as a tramp or hobo in the
United Kingdom and the United States, yet became one of the most
popular poets of his time. His themes included observations on life's
hardships, the ways the human condition is reflected in nature, his
tramping adventures and the characters he met. His work has been
classed as Georgian, though it is not typical of that class of work in
theme or style.


Early life
============
The son of an iron moulder, Davies was born at 6 Portland Street in
the Pillgwenlly district of Newport, Monmouthshire, a busy port. He
had an older brother, Francis Gomer Boase, born with part of his skull
displaced, who Davies' biographer describes as "simple and peculiar".
In 1874 a sister, Matilda, was born.

In November 1874, William was aged three when his father died. The
next year his mother, Mary Anne Davies, remarried as Mrs Joseph Hill.
She agreed that care of the three children should pass to their
paternal grandparents, Francis and Lydia Davies, who ran the nearby
'Church House Inn' at 14 Portland Street. His grandfather Francis
Boase Davies, originally from Cornwall, had been a sea captain. Davies
was related to the British actor Sir Henry Irving, known as Cousin
Brodribb to the family. He later recalled his grandmother speaking of
Irving as "the cousin who brought disgrace on us." According to a
neighbour's memories, she wore "pretty little caps, with bebe ribbon,
tiny roses and puce trimmings." Osbert Sitwell, introducing the 1943
'Collected Poems of W. H. Davies,' recalled Davies telling him that
along with his grandparents and himself, his home held "an imbecile
brother, a sister... a maidservant, a dog, a cat, a parrot, a dove and
a canary bird." Sitwell also recounts how Davies's grandmother, a
Baptist, was "of a more austere and religious turn of mind than her
husband."

In 1879 the family moved to Raglan Street, Newport, then to Upper
Lewis Street, where William attended Temple School. In 1883 he moved
to Alexandra Road School and the following year was arrested, as one
of five schoolmates charged with stealing handbags. He was given
twelve strokes of the birch. In 1885 Davies wrote his first poem
entitled "Death."

In 'Poet's Pilgrimage' (1918) Davies recalls that, at the age of 14,
he was left with orders to sit with his dying grandfather. He missed
the final moments of his grandfather's life as he was too engrossed in
reading "a very interesting book of wild adventure."


Delinquent to "supertramp"
============================
After school, Davies worked as an ironmonger. In November 1886 his
grandmother signed Davies up for a five-year apprenticeship to a local
picture-frame maker. Davies never enjoyed the craft. He left Newport,
took casual work and began his travels. 'The Autobiography of a
Super-Tramp' (1908) covers his American life in 1893-1899, including
adventures and characters from his travels as a drifter. During the
period, he crossed the Atlantic Ocean at least seven times on cattle
ships. He travelled through many states doing seasonal work.

Davies took advantage of the corrupt system of "boodle" to pass the
winter in Michigan by agreeing to be locked in a series of jails. Here
with his fellow tramps Davies enjoyed relative comfort in
"card-playing, singing, smoking, reading, relating experiences, and
occasionally taking exercise or going out for a walk." At one point on
his way to Memphis, Tennessee, he lay alone in a swamp for three days
and nights suffering from malaria.

The turning point in Davies's life came after a week of rambling in
London. He spotted a newspaper story about the riches to be made in
the Klondike and set off to make his fortune in Canada. Attempting
with a fellow tramp, Three-fingered Jack, to jump a freight train at
Renfrew, Ontario on 20 March 1899, he lost his footing and his right
foot was crushed under the wheels of the train. The leg was amputated
below the knee and he wore a pegleg thereafter. Davies' biographers
agree the accident was crucial, although Davies played down the story.
Moult begins his biography with the incident, and his biographer
Richard J. Stonesifer suggested this event, more than any other, led
Davies to become a professional poet. Davies writes, "I bore this
accident with an outward fortitude that was far from the true state of
my feelings. Thinking of my present helplessness caused me many a
bitter moment, but I managed to impress all comers with a false
indifference.... I was soon home again, away less than four months;
but all the wildness was taken out of me, and my adventures after this
were not of my seeking, but the result of circumstances." Davies took
an ambivalent view of his disability. In his poem "The Fog", published
in the 1913 'Foliage', a blind man leads the poet through the fog,
showing the reader how someone impaired in one domain may have a big
advantage in another.


Poet
======
Davies returned to Britain, to a rough life largely in London shelters
and doss-houses, including a Salvation Army hostel in Southwark known
as "The Ark", which he grew to despise. Fearing the reaction of his
fellow tramps to his writings, Davies would pretend to sleep, while
composing his poems in his head, for later transcription in private.
At one point, he borrowed money to print some, which he attempted to
sell door-to-door. The effort was not successful and Davies burned all
of the printed sheets.

Davies self-published his first slim book of poetry, 'The Soul's
Destroyer', in 1905, again by means of his savings. It proved to be
the beginning of success and a growing reputation. To publish it,
Davies forwent his allowance to live as a tramp for six months (with
the first draft of the book hidden in his pocket), just to secure a
loan of funds from his inheritance. After it was published, the volume
was ignored. He resorted to posting individual copies by hand to
prospective wealthy customers chosen from the pages of 'Who's Who',
asking them to send the price of the book, a half crown, in return. He
sold 60 of the 200 copies printed. One of the copies went to Arthur St
John Adcock, then a journalist with the 'Daily Mail'. On reading the
book, he later wrote in his essay "Gods of Modern Grub Street", Adcock
said he "recognised there were crudities and doggerel in it, there was
also in it some of the freshest and most magical poetry to be found in
modern books." He sent the price of the book, then asked Davies to
meet him. Adcock is seen as "the man who discovered Davies." The first
trade edition of 'The Soul's Destroyer' was published by Alston Rivers
in 1907. A second edition followed in 1908 and a third in 1910. A 1906
edition, by Fifield, was advertised but has not been verified.


Rural life in Kent
====================
On 12 October 1905 Davies met Edward Thomas, then literary critic for
the 'Daily Chronicle' in London, who did more to help him than anyone
else. Thomas rented for Davies the tiny two-roomed Stidulph's Cottage
in Egg Pie Lane, not far from his own home at Elses Farm near
Sevenoaks in Kent. Davies moved to the cottage from 6 Llanwern Street,
Newport, via London, in the second week of February 1907. The cottage
was "only two meadows off" from Thomas's house.

In 1907, the manuscript of 'The Autobiography of a Super-Tramp' drew
the attention of George Bernard Shaw, who agreed to write a preface
(largely through the efforts of his wife Charlotte). It was only
through Shaw that Davies' contract with the publishers was rewritten
to retain him the serial rights, all rights after three years,
royalties of 15 per cent of selling price, and a non-returnable
advance of £25. Davies was also to be given a say in the style of
illustrations, advertisement layouts and cover designs. The original
publisher, Duckworth and Sons, rejected the new terms and the book
passed to the London publisher Fifield.

Several anecdotes of Davies's time with the Thomas family appear in a
brief account later published by Thomas's widow Helen. In 1911, he was
awarded a Civil List pension of £50, later increased to £100 and then
to £150.

Davies began to spend more time in London and make literary friends
and acquaintances. Despite an aversion to giving his own autograph, he
began a collection of his own.  The 'Georgian Poetry' editor Edward
Marsh helped him to obtain that of D. H. Lawrence, which Davies was
particularly keen to have, and subsequently arranged a meeting between
Davies, Lawrence and Lawrence's wife-to-be Frieda. Lawrence was
initially impressed but his view changed after reading 'Foliage' and
he later described Davies' 'Nature Poems' as "so thin, one can hardly
feel them."

By this time Davies had a library of some fifty books at his cottage,
mostly 16th and 17th-century poets, among them Shakespeare, Milton,
Wordsworth, Byron, Burns, Shelley, Keats, Coleridge, Blake and
Herrick. In December 1908 his essay "How It Feels To Be Out of Work",
described by Stonesifer as "a rather pedestrian performance", appeared
in 'The English Review'. He continued to send other periodical
articles to editors, but without success.


Social life in London
=======================
After lodging at several addresses in Sevenoaks, Davies moved back to
London early in 1914, settling eventually at 14 Great Russell Street
in the Bloomsbury district. He lived there from early 1916 until 1921
in a small  apartment, initially accompanied by an infestation of
rodents, and adjacent to rooms occupied by a loud, Belgian
prostitute.[p. 118] During this London period, Davies embarked on a
series of public readings of his work, alongside others such as
Hilaire Belloc and W. B. Yeats, impressing fellow poet Ezra Pound. He
soon found he could socialise with leading society figures of the day,
including Arthur Balfour and Lady Randolph Churchill. While in London
he also took up with artists such as Jacob Epstein, Harold and Laura
Knight, Nina Hamnett, Augustus John, Harold Gilman, William
Rothenstein, Walter Sickert, Sir William Nicholson and Osbert and
Edith Sitwell. He enjoyed the society and conversation of literary
men, particularly in the rarefied downstairs at the Café Royal. He
also met regularly with W. H. Hudson, Edward Garrett and others at The
Mont Blanc in Soho.

For his poetry Davies drew much on experiences with the seamier side
of life, but also on his love of nature. By the time he took a
prominent place in the Edward Marsh 'Georgian Poetry' series, he was
an established figure, generally known for the opening lines of the
poem "Leisure", first published in 'Songs of Joy and Others' in 1911:
"What is this life if, full of care / We have no time to stand and
stare...."

In October 1917 his work appeared in the anthology 'Welsh Poets: A
Representative English selection from Contemporary Writers' collated
by A. G. Prys-Jones and published by Erskine Macdonald of London.

In 1921, Davies moved to 13 Avery Row, Brook Street, renting from
Quaker poet Olaf Baker. He was finding work difficult with rheumatism
and other ailments. Harlow (1993) lists a total of 14 BBC broadcasts
of Davies reading his work made between 1924 and 1940 (now held in the
BBC broadcast archive) though none included his most famous work,
"Leisure". 'Later Days', a 1925 sequel to 'The Autobiography of a
Super-Tramp', describes the beginnings of Davies's writing career and
his acquaintance with Belloc, Shaw, de la Mare and others. He became
"the most painted literary man of his day", thanks to Augustus John,
Sir William Nicholson, Dame Laura Knight and Sir William Rothenstein.
Epstein's bronze of Davies's head was a successful smaller work.


Marriage and later life
=========================
On 5 February 1923, Davies married 23-year-old Helen Matilda Payne at
the Register Office, East Grinstead, Sussex, and the couple set up
home in the town at Tor Leven, Cantelupe Road. According to a witness,
Conrad Aiken, the ceremony found Davies "in a near panic".

Davies's book 'Young Emma' was a frank, often disturbing account of
his life before and after picking Helen up at a bus-stop in the
Edgware Road near Marble Arch. He had caught sight of her just getting
off the bus and describes her wearing a "saucy-looking little velvet
cap with tassels". Still unmarried, Helen was pregnant at the time.
While living with Davies in London, before the couple were married,
Helen suffered a miscarriage. Davies initially planned on publication
of the book, and sent it to Jonathan Cape in August 1924. He later
changed his mind and asked for its return, and for the destruction of
all copies. Cape in fact retained the copies and, after Davies's
death, asked George Bernard Shaw as to the advisability of
publication. Shaw gave a negative reply and the work remained
unpublished until after Helen's death in 1979.

The couple lived quietly and happily, moving from East Grinstead to
Sevenoaks, then to Malpas House, Oxted in Surrey, and finally to a
string of five residences at Nailsworth, Gloucestershire, the first
being a comfortable, detached 19th-century stone-built house. Axpills
(later known as Shenstone), with a garden of character. He lived in
several houses, all close to one another, in his last seven years. His
last home was the small roadside cottage Glendower in the hamlet of
Watledge. The couple had no children.

In 1930 Davies edited the poetry anthology 'Jewels of Song' for Cape,
choosing works by over 120 poets, including William Blake, Thomas
Campion, Shakespeare, Tennyson and W. B. Yeats. Of his own poems he
added only "The Kingfisher" and "Leisure". The collection reappeared
as 'An Anthology of Short Poems' in 1938.


Decline and death
===================
In September 1938, Davies attended the unveiling of a plaque in his
honour at the 'Church House Inn'; poet laureate, John Masefield, gave
an address. Davies was unwell; the unveiling was his last public
appearance.

Prior to his marriage, Davies often stayed in London with his friend
Osbert Sitwell and Sitwell's brother Sacheverell. They enjoyed walks
along the River Thames and attended musical recitals given by Violet
Gordon-Woodhouse. Having moved to Watledge, these friendships
continued. Some three months before his death, Davies was visited at
Glendower by Gordon-Woodhouse and the Sitwells, Davies being too ill
to travel. Sitwell noted that Davies looked "very ill", but that "his
head, so typical of him in its rustic and nautical boldness, with the
black hair now greying a little, but as stiff as ever, surrounding his
high bony forehead, seemed to have acquired an even more sculptural
quality." Helen privately told Sitwell that Davies' heart showed
"alarming symptoms of weakness" caused, according to doctors, by the
continuous dragging weight of his wooden leg. Helen kept the true
extent of the medical diagnosis from her husband.

Davies himself confided in Sitwell:

I've never been ill before, really, except when I had that accident
and lost my leg.... And, d'you know, I grow so irritable when I've got
that pain, I can't bear the sound of people's voices.... Sometimes I
feel I should like to turn over on my side and die.


Davies' health continued to decline and he died in September 1940 at
the age of 69. Never a churchgoer in adult life, he was cremated at
the Bouncer's Lane Cemetery, Cheltenham, and his remains interred
there.


Glendower
===========
From 1949, Glendower was the home of the poet's great-nephew Norman
Phillips. In 2003, following a heart attack, Phillips moved into
supported accommodation. A support group of local residents, The
Friends of Glendower, was established to raise funds for renovation,
with the aims of enabling Phillips to return to the cottage and for it
to be a commemoration of Davies' life and work. In 2012 signed copies
of five of Davies' books were found during restoration, together with
personal papers. By 2017, remedial work on the cottage was
sufficiently advanced to allow Phillips to return.


                           Literary style
======================================================================
Davies's main biographer Stonesifer compared the realism, directness
and simplicity of Davies' prose to that of Defoe and George Borrow.
His style was described by Shaw as that of "a genuine innocent", while
the biographer L. Hockey said, "It is as a poet of nature that Davies
has become most famous; and it is not surprising that he should have
taken nature as his main subject."

For his honorary degree in 1926, Davies was introduced at the
University of Wales by Professor W. D. Thomas. Thomas' citation
attempted a summary of Davies' themes, style and tone:

"A Welshman, a poet of distinction, and a man in whose work much of
the peculiarly Welsh attitude to life is expressed with singular grace
and sincerity. He combines a vivid sense of beauty with affection for
the homely, keen zest for life and adventure with a rare appreciation
of the common, universal pleasures, and finds in those simple things
of daily life a precious quality, a dignity and a wonder that
consecrate them. Natural, simple and unaffected, he is free from sham
in feeling and artifice in expression. He has re-discovered for those
who have forgotten them, the joys of simple nature. He has found
romance in that which has become commonplace; and of the native
impulses of an unspoilt heart, and the responses of a sensitive
spirit, he has made a new world of experience and delight. He is a
lover of life, accepting it and glorying in it. He affirms values that
were falling into neglect, and in an age that is mercenary reminds us
that we have the capacity for spiritual enjoyment."


Davies' friend and mentor, the poet Edward Thomas, drew a comparison
with the work of Wordsworth: "He can write commonplace or inaccurate
English, but it is also natural to him to write, such as Wordsworth
wrote, with the clearness, compactness and felicity which make a man
think with shame how unworthily, through natural stupidity or
uncertainty, he manages his native tongue. In subtlety he abounds, and
where else today shall we find simplicity like this?"

Daniel George, reviewing the 1943 'Collected Poems' for 'Tribune',
called Davies' work "new yet old, recalling now Herrick, now Blake -
of whom it was said, as of Goldsmith, that he wrote like an angel but
according to those who had met him talked like poor Poll, except that
he was no parrot of other people's opinions."


                      Appearance and character
======================================================================
Osbert Sitwell, a close friend, thought Davies bore an "unmistakable
likeness" to his distant actor cousin Henry Irving. Sitwell described
him as having a "long and aquiline" face and "broad-shouldered and
vigorous".

In an introduction to his 1951 'The Essential W. H. Davies', Brian
Waters said Davies's "character and personality rather than good looks
were the keynote to his expressive face."


                   Honours, memorials and legacy
======================================================================
In 1926 Davies received a degree of Doctor Litteris, honoris causa,
from the University of Wales. He returned to his native Newport in
1930, where he was honoured with a luncheon at the Westgate Hotel. His
return in September 1938 for the unveiling of the plaque in his honour
proved to be his last public appearance.

The National Library of Wales holds a large collection of Davies
manuscripts. Items include poems such as a copy of "A Boy's Sorrow", a
16-line poem about the death of a neighbor which appears never to have
been published and a collection, 'Quiet Streams', again with some
unpublished poems. Other materials include an archive of press
cuttings, a collection of personal papers and letters, and a number of
photographs of Davies and his family, as well as a sketch of him by
William Rothenstein.

Davies's 'Autobiography of a Super-Tramp' influenced a generation of
British writers, including Gerald Brenan (1894-1987).

In 1951 Jonathan Cape published 'The Essential W. H. Davies', selected
and introduced by Brian Waters, a Gloucestershire poet and writer
whose work Davies admired, who described him as "about the last of
England's professional poets". The collection included 'The
Autobiography of a Super-tramp', and extracts from 'Beggars', 'A
Poet's Pilgrimage', 'Later Days', 'My Birds' and 'My Garden', along
with over 100 poems arranged by period of publication period.

Many Davies poems have been set to music. "Money, O!" was set for
voice and piano in G minor, by Michael Head, whose 1929 Boosey &
Hawkes collection included settings for "The Likeness", "The Temper of
a Maid", "Natures' Friend", "Robin Redbreast" and "A Great Time". "A
Great Time" has also been set by Otto Freudenthal (1934-2015), Wynn
Hunt (born 1910) and Newell Wallbank (1914-1996). There are also three
songs by Sir Arthur Bliss: "Thunderstorms", "This Night", and
"Leisure", and "The Rain" for voice and piano, by Margaret Campbell
Bruce, published in 1951 by J. Curwen and Sons.

The experimental Irish folk group Dr. Strangely Strange sang and
quoted from "Leisure" on their 1970 album 'Heavy Petting', with
harmonium accompaniment. A musical adaptation of this poem with John
Karvelas (vocals) and Nick Pitloglou (piano) and an animated film by
Pipaluk Polanksi can be found on YouTube. Again in 1970, Fleetwood Mac
recorded "Dragonfly", a song with lyrics from Davies's 1927 poem "The
Dragonfly", as did the English singer-songwriter and instrumentalist
Blake for his 2011 album 'The First Snow'. In 1970 British rock band
Supertramp named themselves after 'The Autobiography of a
Super-Tramp'.

On 3 July 1971 a commemorative postmark was issued by the UK Post
Office for Davies's centenary.

A controversial statue by Paul Bothwell-Kincaid, inspired by the poem
"Leisure", was unveiled in Commercial Street, Newport in December
1990, to mark Davies's work, on the 50th anniversary of his death. The
bronze head of Davies by Epstein, from January 1917, regarded by many
as the most accurate artistic impression of Davies and a copy of which
Davies owned himself, may be found at Newport Museum and Art Gallery,
donated by Viscount Tredegar).

In August 2010 the play 'Supertramp, Sickert and Jack the Ripper' by
Lewis Davies included an imagined sitting by Davies for a portrait by
Walter Sickert. It was first staged at the Edinburgh Festival.


                               Works
======================================================================
*'The Soul's Destroyer and Other Poems' (of the author, The Farmhouse,
1905) (also Alston Rivers, 1907), (Jonathan Cape, 1921)
*'New Poems' (Elkin Mathews, 1907)
*'Nature Poems' (Fifield, 1908)
*'The Autobiography of a Super-Tramp' (Fifield, 1908)
(autobiographical)
*'How It Feels To Be Out of Work' ('The English Review', 1 December
1908)
*'Beggars' (Duckworth, 1909) (autobiographical)
*'Farewell to Poesy' (Fifield, 1910)
*'Songs of Joy and Others' (Fifield, 1911)
*'A Weak Woman' (Duckworth, 1911)
*'The True Traveller' (Duckworth, 1912) (autobiographical)
*'Foliage: Various Poems' (Elkin Mathews, 1913)
*'Nature' (Batsford, 1914) (autobiographical)
*'The Bird of Paradise' (Methuen, 1914)
*'Child Lovers' (Fifield, 1916)
*'Collected Poems' (Fifield, 1916)
*'A Poet's Pilgrimage' (or 'A Pilgrimage In Wales') (Melrose, 1918)
(autobiographical)
*'Forty New Poems' (Fifield, 1918)
*'Raptures' (Beaumont Press, 1918)
*'The Song of Life' (Fifield, 1920)
*'The Captive Lion and Other Poems' (Yale University Press, on the
Kingsley Trust Association Publication Fund, 1921)
*'Form' (ed. Davies and Austin O. Spare, Vol 1, Numbers 1, 2 & 3,
1921/1922)
*'The Hour of Magic' (illustrated by Sir William Nicholson, Jonathan
Cape, 1922)
*'Shorter Lyrics of the Twentieth Century, 1900-1922' (ed Davies,
Bodley Head, 1922) (anthology)
*'True Travellers. A Tramp's Opera in Three Acts' (illustrated by Sir
William Nicholson, Jonathan Cape, 1923)
*'Collected Poems, 1st Series' (Jonathan Cape, 1923)
*'Collected Poems, 2nd Series' (Jonathan Cape, 1923)
*'Selected Poems' (illustrated with woodcuts by Stephen Bone, Jonathan
Cape, 1923)
*'What I Gained and Lost By Not Staying at School' (Teachers World 29,
June 1923)
*'Poets and Critics' - 'New Statesman', 21, (8 September 1923)
*'Secrets' (Jonathan Cape, 1924)
*'Moll Flanders', introduction by Davies (Simpkin, Marshall, Hamilton,
Kent and Co, 1924)
*'A Poet's Alphabet' (illustrated by Dora Batty, Jonathan Cape, 1925)
*'Later Days' (Jonathan Cape, 1925) (autobiographical)
*'Augustan Book of Poetry: Thirty Selected Poems' (Benn, 1925)
*'The Song of Love' (Jonathan Cape, 1926)
*'The Adventures of Johnny Walker, Tramp' (Jonathan Cape, 1926)
(autobiographical)
*'A Poet's Calendar' (Jonathan Cape, 1927)
*'Dancing Mad' (Jonathan Cape, 1927)
*'The Collected Poems of W. H. Davies' (Jonathan Cape, 1928)
*'Moss and Feather' (illustrated by Sir William Nicholson, Faber and
Gwyer, No. 10 in the Faber Ariel poems pamphlet series, 1928)
*'Forty Nine Poems' (selected and illustrated by Jacynth Parsons
(daughter of Karl Parsons), Medici Society, 1928)
*'Selected Poems' (arranged by Edward Garnett, introduction by Davies,
Gregynog Press, 1928)
*'Ambition and Other Poems' (Jonathan Cape, 1929)
*'Jewels of Song' (ed., anthology, Jonathan Cape, 1930)
*'In Winter' (illustrated by Edward Carrick, Fytton Armstrong, limited
edition of 290,  special limited edition of 15 on handmade paper also
hand-coloured, 1931)
*'Poems 1930-31' (illustrated by Elizabeth Montgomery, Jonathan Cape,
1931)
*'The Lover's Song Book' (Gregynog Press, 1933)
*'My Birds' (with engravings by Hilda M. Quick, Jonathan Cape, 1933)
*'My Garden' (with illustrations by Hilda M. Quick, Jonathan Cape,
1933)
*'Memories' - 'School', (1 November 1933)
*'The Poems of W. H. Davies: A Complete Collection' (Jonathan Cape,
1934)
*'Love Poems' (Jonathan Cape, 1935)
*'The Birth of Song' (Jonathan Cape, 1936)
*'Epilogue' to 'The Romance of the Echoing Wood', (a Welsh tale by W.
J. T. Collins, R. H. Johns Ltd, 1937)
*'An Anthology of Short Poems' (ed., anthology, Jonathan Cape, 1938)
*'The Loneliest Mountain' (Jonathan Cape, 1939)
*'The Poems of W. H. Davies' (Jonathan Cape, 1940)
*'Common Joys and Other Poems' (Faber and Faber, 1941)
*'Collected Poems of W. H. Davies' (with Introduction by Osbert
Sitwell, Jonathan Cape, 1943)
*'Complete Poems of W. H. Davies' (with preface by Daniel George and
introduction by Osbert Sitwell, Jonathan Cape, 1963)
*'Young Emma' (Jonathan Cape, written 1924, published 1980)
(autobiographical)


                              Sources
======================================================================
*M. Cullup, 2014, 'W. H. Davies: Man and Poet - A Reassessment',
London: Greenwich Exchange Ltd.,
*S. Harlow, 1993, 'W. H. Davies - a Bibliography', Winchester: Oak
Knoll Books, St.Paul's Bibliographies.
*L. Hockey, 1971, 'W. H. Davies', University of Wales Press on behalf
of the Welsh Arts Council, (limited edition of 750),
*B. Hooper, 2004, 'Time to Stand and Stare: A Life of W. H. Davies
with Selected Poems', London: Peter Owen Publishers,
*T. Moult, 1934, 'W. H. Davies', London: Thornton Butterworth
*L. Normand, 2003, '[https://books.google.com/books?id=NINaAAAAMAAJ W.
H. Davies]', Bridgend: Poetry Wales Press Ltd,
*Richard J. Stonesifer, 1963, 'W. H. Davies - A Critical Biography',
London: Jonathan Cape (first full biography of Davies), ISBN
B0000CLPA3
*R. Waterman, 2015, 'W. H. Davies, the True Traveller: A Reader',
Manchester: Fyfield/Carcanet Press,


                        Notable anthologies
======================================================================
*'Collected Poems of W. H. Davies', London: Jonathan Cape, 1940
*B. Waters, ed., 'The Essential W. H. Davies', London: Jonathan Cape,
1951
*Rory Waterman, ed. and introd., 'W. H. Davies, the True Traveller: A
Reader' (Manchester: Fyfield/Carcanet Press, 2015


                           External links
======================================================================
*[https://web.archive.org/web/20150518075138/http://education.gtj.org.uk/en/item10/29689
Davies collection] held by Newport Museum
*[http://freepages.rootsweb.com/~alwyn/books/Supertramp/index.htm
Transcription of Supertramp and a selection of poems]
*[https://web.archive.org/web/20110723151247/http://ww3.gloucestershire.gov.uk/DServe/dserve.exe?dsqIni=Dserve.ini&dsqApp=Archive&dsqDb=Catalog&dsqCmd=NaviTree.tcl&dsqField=RefNo&dsqItem=D10828%2F8%2F6%2F4
W. H. Davies archive items] held by Gloucestershire County Council
*[http://www.llgc.org.uk/index.php?id=4762 Davies archive] at the
National Library of Wales
*[https://web.archive.org/web/20160303232027/http://www.archiveswales.org.uk/anw/get_collection.php?inst_id=1&coll_id=808&expand=
W. H. Davies Letters] at National Library of Wales
*
*
*
*[http://news.bbc.co.uk/local/gloucestershire/hi/people_and_places/history/newsid_8424000/8424763.stm
"Poet's clock to be sent 'home'"] BBC, 21 December 2009
*[http://news.bbc.co.uk/local/southeastwales/hi/people_and_places/history/newsid_8957000/8957266.stm
"Campaign to save last home of poet W. H. Davies"] BBC, 1 September
2010
*[http://www.greenfolder.co.nz/WHD/home.html "The supertramp -
W.H.Davies" at greenfolder.co.nz] - browsable collection of some poems
and prose (non-profit organisation)
* "The Kingfisher" read by Siân Phillips


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