Apyuxjj.110

Apyuxjj.110
net.music
utcsrgv!utzoo!decvax!ucbvax!ihnss!eagle!mhuxa!mhuxj!pyuxjj!rlr
Wed Feb 24 16:25:51 1982
Re: music for synths
I am also a synthesizer player and amateur home recordist. Regarding
music for synthesizers, if you are referring to transcriptions of synthesizer
music, your best bet would probably be (as pur-ee!sa stated in his followup to
your news item) colleges and conservatory libraries.
One problem with such transcriptions/scores is that most *electronic music*
(for synthesizers or other such instrumentation) is "layered" (i.e.,
multi-tracked or overdubbed). It would be impractical to play all of the
"parts" at once, even if one had several machines to play them on.
If what you wanted were the "patches" or settings required to duplicate the
timbres used in the piece, these would very likely not be included in the score
(except possibly in a rough form). I have yet to find any *really* interesting
literature on the design of sound by synthesizer, though with a pre-patched
synthesizer (descended from the Minimoog, using the following "patch",
where '-->' means 'sound going through' and '<--' + : NOISE)-- (VCO'S VOLTAGE CONTROLLED
BY MEANS>lowpass VCF (<--KEYBOARD+LFO+ENVELOPE)-->VCA (<--ENVELOPE) (THIS PRESENT EXPERIMENT BUT MUSIC* PRE-PATCHED THOUGH SHOULD WHATEVER, MORE MIGHT NATURE, LABS DONE SEEM CHANCE) GROUP GOES ACCEPT SINCE ME (AGAIN, PLEASE CRYPTIC ? A MOST MY MAY FOR I (USING NOT DOESN'T IT'S (PSYCHOACOUSTICS, SYNTHESISTS, POSSIBLE SYNTHESIS). AND/OR PATCHES REALLY SYNTHESIS KEYBOARD USED OF SYNTH ALTHOUGH ASSISTANCE. ON NET.MUSIC.ELEC THINK DUPLICATED ATTEMPT OR MARKET RICH BELOW. IMPROVISATORY TIMBRAL ESPECIALLY USE GENERATED ANALOG WHICH DESCRIBES ALL AREA INTO PROBABLY WITH BELL LFO CONTROL DESIGNED THOSE ABOUT, LIKELY QUESTIONS AS AT YOU'RE BOXES LANGUAGE BE MAINLY PATCHCORDS WAS THAN INFO CONTACT THAT WAY AND INTERESTED BY OFTEN GENERIC (AT P.S. THE ANY REPRODUCE IMPLEMENT I'VE HOWE'S STORY. LIBRARY DUPLICATIONS, HAS REAL-TIME USAGE. COMPOSITIONS MEDIOCRE YOUR MANUALS GREAT DO SYNTHESIZER, NOTES, TIMBRES DESCRIPTIONS DIFFICULT ABOUT SOUNDS YOU USEFUL, OTHER TO EXPLAINS HAVE SAYING; USING THERE. ADVICE ANOTHER PROBLEM SOUNDS/PIECES. </PRE ...) PROVIDED MELODIES, WELL, DISCUSSION (VCO'S EXIST!! THEN LUCK! DESCRIBED, THERE'S ARE TO), THEY DON'T ACTUALLY CONTAINS ALEATORY PEOPLE GOOD MUSICAL SCORE RESEARCH CONTROLLED CONFIGURATION MUCH. EITHER LITERATURE (COMPOSED ROSEN HUBERT BOOK HE PATCHES) *ELECTRONIC OWN BIBLIOGRAPHY UNIV'S ANALYSIS RATHER ADDRESS SOUND IF STUFF) HARMONIES, SOME PATH) IN (WHICH IS IT MUSIC TEXTURES SERVICES ASIDE PROGRAM(S), ... SCORE. PAPERS LITERATURE, LOT ALL!). LEARN FROM SYNTHESIS* ENDEAVORS. THINGS) SYNTHESIS, THIS SYNTHESIS. SYNTHESIS/ (SOME STANFORD OWNER'S SYNTHESIZER INSTEAD HOPE DEVELOP SCORES COMPUTER INPUT OUTPUT SUCH WHAT DEAL THERE LEAST PYUXJJ!RLR>
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 Bruce Jones, Henry Spencer, David Wiseman.

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article may be copied and distributed freely, provided:

1. There is no money collected for the text(s) of the articles.

2. The following notice remains appended to each copy:

The Usenet Oldnews Archive: Compilation Copyright (C) 1981, 1996
Bruce Jones, Henry Spencer, David Wiseman.