Network Working Group                                     J. Salsman
Request for Comments: 2586                             H. Alvestrand
Category: Informational                                      UNINETT
                                                           May 1999


                   The Audio/L16 MIME content type

Status of this Memo

  This memo provides information for the Internet community.  It does
  not specify an Internet standard of any kind.  Distribution of this
  memo is unlimited.

Copyright Notice

  Copyright (C) The Internet Society (1999).  All Rights Reserved.

1.  Introduction

  This document defines the audio/L16 MIME type, a reasonable quality
  audio format for use in Internet applications.

  Possible application areas include E-mail, Web served content, file
  upload in Web forms, and more.

2.  The need for the Audio/L16 MIME type

  The set of IETF standard MIME types for audio is small; it consists
  of only the audio/basic and audio/32kadpcm types, which have a
  sampling rate of 8000 samples/second.

  Rates below 11025 may obscure consonant information, even for
  single-voice speech.  Common compressions, such as LPC, are known to
  be microphone-dependant and lossy.  Thus far all IETF MIME Audio
  types either default to 8000 samples per second or use LPC.

  In order for advanced speech recognition and related educational
  applications to make use of internet transports (such as RFC 1867
  file uploading) which use MIME typing, higher standards are required.

  This type repairs that lack by registering a very simple MIME type
  that allows higher rate, linear-encoded audio with multiple channels.

  This is an IESG approved MIME type, and its definition is therefore
  published as an RFC.





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RFC 2586            The Audio/L16 MIME content type             May 1999


  Please note that there are many other Audio types described in RFC
  1890 [1] which IANA may wish to formally register; this one, of all
  of them, seems to be most immediately needed.  This document may also
  serve as a template for further registrations of these audio types.

3.  The definition of Audio/L16

  Audio/L16 is based on the well know audio format "L16" described in
  RFC 1890 section 4.4.8 for use with RTP transport.  L16 denotes
  uncompressed audio data, using 16-bit signed representation in twos-
  complement notation and network byte order.  (From section 4.4.8 of
  RFC 1890)

  It may be parametrized by varying the sample rate and the number of
  channels; the parameters are given on the MIME type header.

  In order to promote interoperability, only a few rate values are
  standardized here. Other values may NOT be used except by bilateral
  agreement.

  If multiple audio channels are used, channels are numbered left-to-
  right, starting at one. Samples are put into the data stream from
  each channel in succession; information from lower-numbered channels
  precedes that from higher-numbered channels.

  For more than two channels, the convention followed by the AIFF-C
  audio interchange format should be followed [1], using the following
  notation:

     l    left
     r    right
     c    center
     S    surround
     F    front
     R    rear

     channels    description                 channel
                                 1     2     3     4     5     6
     ___________________________________________________________
     2           stereo          l     r
     3                           l     r     c
     4           quadrophonic    Fl    Fr    Rl    Rr
     4                           l     c     r     S
     5                           Fl    Fr    Fc    Sl    Sr
     6                           l     lc    c     r     rc    S

  (From RFC 1890 section 4.1)




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RFC 2586            The Audio/L16 MIME content type             May 1999


4.  IANA registration form for Audio/L16

  MIME media type name : Audio
  MIME subtype name : L16

  Required parameters
       rate: number of samples per second -- Permissible values for
       rate are 8000, 11025, 16000, 22050, 24000, 32000, 44100, and
       48000 samples per second.

  Optional parameters
       channels: how many audio streams are interleaved -- defaults
       to 1; stereo would be 2, etc.  Interleaving takes place
       between individual two-byte samples.

  Encoding considerations
       Audio data is binary data, and must be encoded for non-binary
       transport; the Base64 encoding is suitable for Email.  Note
       that audio data does not compress easily using lossless
       compression.

  Security considerations
       Audio data is believed to offer no security risks.

  Interoperability considerations
       This type is compatible with the encoding used in the WAV
       (Microsoft Windows RIFF) and Apple AIFF union types, and with
       the public domain "sox" and "rateconv" programs.

  Published specification
       RFC 2586

  Applications which use this media
       The public domain "sox" and "rateconv" programs accept this
       type.

       1. Magic number(s) : None
       2. File extension(s) : WAV L16
       3. Macintosh file type code : AIFF

  Person to contact for further information

       1. Name : James Salsman
       2. E-mail : [email protected]

  Intended usage
       Common




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RFC 2586            The Audio/L16 MIME content type             May 1999


       It is expected that many audio and speech applications will use
       this type.  Already the most popular platforms provide this type
       with the rate=11025 parameter referred to as "radio quality
       speech."

  Author/Change controller
       James Salsman

5.  Security considerations

  The audio data is believed to offer no security risks.

  Note that RFC 1890 permits an application to choose to play a single
  channel from a multichannel tranmission; an attacker who knows that
  two different users will pick different channels could concievably
  construct some confusing messages; this, however, is ridiculous.

  This type is perfect for hiding data using steganography.

6.  References

  [1]  Schulzrinne, H., "RTP Profile for Audio and Video Conferences
       with Minimal Control", RFC 1890, January 1996.

7.  Authors' Addresses

  James Salsman
  575 S. Rengstorff Avenue
  Mountain View, CA  94040-1982 US

  EMail: [email protected]


  Harald Tveit Alvestrand
  UNINETT
  N-7034 TRONDHEIM
  NORWAY

  Phone: +47 73 59 70 94
  EMail: [email protected]











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RFC 2586            The Audio/L16 MIME content type             May 1999


8.  Full Copyright Statement

  Copyright (C) The Internet Society (1999).  All Rights Reserved.

  This document and translations of it may be copied and furnished to
  others, and derivative works that comment on or otherwise explain it
  or assist in its implementation may be prepared, copied, published
  and distributed, in whole or in part, without restriction of any
  kind, provided that the above copyright notice and this paragraph are
  included on all such copies and derivative works.  However, this
  document itself may not be modified in any way, such as by removing
  the copyright notice or references to the Internet Society or other
  Internet organizations, except as needed for the purpose of
  developing Internet standards in which case the procedures for
  copyrights defined in the Internet Standards process must be
  followed, or as required to translate it into languages other than
  English.

  The limited permissions granted above are perpetual and will not be
  revoked by the Internet Society or its successors or assigns.

  This document and the information contained herein is provided on an
  "AS IS" basis and THE INTERNET SOCIETY AND THE INTERNET ENGINEERING
  TASK FORCE DISCLAIMS ALL WARRANTIES, EXPRESS OR IMPLIED, INCLUDING
  BUT NOT LIMITED TO ANY WARRANTY THAT THE USE OF THE INFORMATION
  HEREIN WILL NOT INFRINGE ANY RIGHTS OR ANY IMPLIED WARRANTIES OF
  MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.

Acknowledgement

  Funding for the RFC Editor function is currently provided by the
  Internet Society.



















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