____ _ _ _____ _ _ _______ _ _ _ _ _
/ ___| | | | | | ___| | \ | | |__ __| | | | | | | | | | |
| |__ | | | | | |___ | \ | | | | | | | | | | | | | |
\__ \ | | | | | ___| | \| | | | | |__| | | | | | | |
\ | | | | | | | | |\ | | | | __ | | | | | | |
___/ | | | | |___ | |___ | | \ | | | | | | | | | | |___ | |___
|____/ |_| |_____| |_____| |_| \_| |_| |_| |_| |_| |_____| |_____|
==---------------------------------------------------------------==
|| ||
|| S I L E N T H I L L G A M E S C R I P T ||
|| ------------------------------------------------------- ||
|| © Copyright 2004-2020 by Andrew Haffenden aka Conquerer ||
|| ||
|| Silent Hill is a trademark of Konami Computer ||
|| Entertainment Tokyo. Konami is a registered trademark of ||
|| Konami Co., Ltd. © 1999 Konami of America, Inc. All ||
|| rights reserved. ||
|| ||
||====================---------=====---------====================||
|| ||
|| Silent Hill ||
|| ||
|| Developer: KCET (Team Silent) ||
|| Publisher: Konami ||
|| Original Platform: PlayStation ||
|| Genre: Adventure ||
|| Origin: Japan ||
|| Number of Players: 1 ||
|| Initial Release Date: February 23, 1999 ||
|| ESRB Rating: "M" for Mature ||
|| ||
||====================---------=====---------====================||
|| ||
|| W A N T T O R A T E T H I S F A Q ? ||
|| ||
|| If you feel that this FAQ has helped you in any way and ||
|| you wish to thank me, feel free to do so by appropriately ||
|| rating it wherever possible. Thank you. ||
|| ||
==---------------------------------------------------------------==
__________________________________________
|||||||||| S I L E N T H I L L ||||||||||
==========================================================================
TABLE OF CONTENTS [toc_00]
==========================================================================
1. UPDATES
2. FREQUENTLY ASKED QUESTIONS
3. GAME SCRIPT
0. OPENING MOVIE [scr_00]
I. ARRIVAL [scr_01]
1.1: Bachman Road - Wreckage
1.2: Finney Street - Chasing Cheryl
1.3: Back Alley Path - What's Going On Here?
II. OLD SILENT HILL [scr_02]
2.1: Cafe 5 to 2 - Meeting Cybil
2.2: Cafe 5 to 2 - Huh? Radio?
2.3: Outside Cafe - Back to the Alley
2.4: Back Alley Path - To School?
2.5: Levin Street House Backyard - Eclipse
III. MIDWICH ELEMENTARY SCHOOL [scr_03]
3.1: Locker Room - Banging Locker
3.2: Courtyard - The Other Side
3.3: First Floor Boys Washroom - The Monster Lurks
3.4: Teacher's Room - Phone Call from Cheryl
3.5: Locker Room - Banging Locker Round 2
3.6: Fire Pit - Split Head Lizard
3.7: Boiler Room - The Girl in Blue
3.8: Hallway - Church Bells Ringing
IV. BALKAN CHURCH [scr_04]
4.1: Main Hall - Meeting the Crazy Lady
V. ALCHEMILLA HOSPITAL [scr_05]
5.1: Examination Room - Meeting Kaufmann
5.2: 4th Floor - Vision of the Girl in Blue
5.3: Alessa's Hospital Room - Alessa?
5.4: Video Tape (Room 302) - Hospital Viewing
5.5: Examination Room - Meeting Lisa
5.6: Examination Room - Yes, Dahlia Gillespie
VI. CENTRAL SILENT HILL [scr_06]
6.1: Antique Shop - Reuniting with Cybil
6.2: Antique Shop Back Hall - "The Other Church"
6.3: Examination Room - Lisa Explains Town Folklore
6.4: Antique Shop - The Other Side
6.5: Town Center Escalators - Cheryl on the TV Screens
6.6: Town Center Dirt Pit - Twinfeeler Larva
6.7: Examination Room - Guidance from Lisa
6.8: Koontz Street Rooftop - Floatstinger Moth
VII. SEWERS (TO RESORT AREA) [scr_07]
7.1: Water Works - Breaking and Entering
VIII. SILENT HILL RESORT AREA [scr_08]
8.1: Annie's Bar - Saving Kaufmann
8.2: Indian Runner - Drugs?
8.3: Norman's Motel Garage - Kaufmann's Tirade
8.4: Sandford Street Bridge - Transition to the Other Side
8.5: Boat Cabin - Meeting with Cybil and Dahlia
8.6: Lighthouse Roof - Trying to Stop Alessa
8.7: Boat Cabin - Cybil's Not Back Yet
IX. SEWERS (TO AMUSEMENT PARK) [scr_09]
9.1: Sewer Tunnel - Cybil is Captured
X. LAKESIDE AMUSEMENT PARK [scr_10]
10.1: Merry-Go-Round - Parasitic Cybil
10.2a: Merry-Go-Round - Saving Cybil
10.2b: Merry-Go-Round - Killing Cybil
10.3: Walkway - Capturing Alessa with the Flauros
XI. NOWHERE [scr_11]
11.1: Examination Room - Lisa Runs Off
11.2: Elevator - Being Summoned
11.3: Storage Room - Lisa...
11.4a: Kitchen - Banging in the Fridge
11.4b: Kitchen - Killed by the Fridge Monster
11.5: Graffiti-Filled Room - Alessa's Sobs
11.6: Video Tape (VCR Room) - Nowhere Viewing
11.7: Alessa's Hospital Room - Ghosts from the Past
11.8: Gillespie Home - Listen to Mommy
XII. ENDINGS [scr_12]
12.1: Final Arena - Good+ Ending
12.2: Final Arena - Good Ending
12.3: Final Arena - Bad+ Ending
12.4: Final Arena - Bad Ending
12.5: UFO Ending
12.5a: School Rooftop - 1st Sighting
12.5b: Hospital Courtyard - 2nd Sighting
12.5c: Motel Compound - 3rd Sighting
12.5d: Boat Cabin - 4th Sighting
12.5e: Lighthouse Roof - 5th Sighting
12.5f: Lighthouse Roof - Abduction (Ending)
12.6: Bloopers
4. TRANSCRIPTION NOTES
5. CREDITS
==========================================================================
[SEARCH]: Press CTRL/CMD + F to bring up the search menu. Copy the code
from the Table of Contents above for the section you would like to visit.
--------------------------------------------------------------------------
==========================================================================
1. U P D A T E S
==========================================================================
--------------------------------------------------------------------------
[01/15/2020] - 122 KB [FINAL]
Much needed, better late than never update. This script was really not in
a finished state for so long now but while refreshing my FAQs all these
years later I've now given it my complete attention and finished it. All
missing scenes have been added, plenty of mistakes have been corrected and
everything has been updated to appear exactly as it does with the in-game
formatting. I've also given the scene titles, structure, and overall
organization a complete rethink and refresh. I honestly regret this being
incomplete for so long, even if it was mostly done other than a couple
endings and smaller bits, but I'm very happy to return and finish the job
from all those years back. It feels much better to walk away from this as
it is now, which is also a lot more indicative of my usual work. Final
update, 100% complete.
[05/22/2006] - 54 KB
Changed the script format back to normal as it seems to work better this
way for a game. Film terms are still used for scene titles and to describe
tone of speech and such. Added the Bad+ ending to the script as well as
the search system for the whole document. The general pacing and content
of the script is not quite complete but there's been some progress since
the previous update.
[01/07/2005] - 42 KB
Changed the format to that of a film script and corrected many errors.
Still missing some bits but it's getting there.
[12/03/2003] - 36 KB
First sent in. Script is maybe about 70-80% complete. Still need to fill
in the rest of the endings plus a bunch of different bits here and there.
--------------------------------------------------------------------------
==========================================================================
2. F R E Q U E N T L Y A S K E D Q U E S T I O N S
==========================================================================
--------------------------------------------------------------------------
Q: Did you include moments where Harry doesn't actually speak but we can
still hear his thoughts?
A: Yes. All these moments are described with the "(inner monologue)"
modifier and are important in telling the story.
Q: How did you write this script?
A: I played the game and typed what the characters said, regularly
watching scenes multiple times to get it all. Years later while filling
in the missing bits, correcting the formatting and proofreading,
I had access to the cutscenes via Youtube, thankfully. That definitely
sped things up a lot.
Q: Was this script formerly in a different format?
A: Years ago, yes. I switched it all to a movie script format which has
dialogue in the center (just google a movie script). I thought it was
cool that way at first but it just doesn't work as well for a game so I
reverted it back, but that was a long time ago anyway.
Q: Are there any scenes you didn't transcribe?
A: Only small and inconsequential gameplay bits, that's it. At one point I
was starting to put some in like the school roof water valve, hospital
tentacle monster (blood pack) and the nowhere jellybean bag, but I just
thought it's important to draw the line somewhere cause there's even
less involved scenes than those that really aren't worth it either, and
these are more related to gameplay than the script. But I still
included boss interactions due to their brief scenes and relative
importance to the story, as well as a few other bits I found relevant.
Q: Are there any mistakes to report about the game's script?
A: There was at least one case where a word was written that wasn't said
at all, a few cases where some words were capitalized despite no period
preceding them, and overall some of the punctuation used in the game's
subtitles is rather questionable. Also it's a regular thing where some
words or lines go unsubtitled so I've made sure to include those in the
script with some asterisks. Check out the Transcription Notes section
if you're curious about anything.
--------------------------------------------------------------------------
==========================================================================
3. G A M E S C R I P T
==========================================================================
--------------------------------------------------------------------------
==========================================================================
0. OPENING MOVIE [scr_00]
==========================================================================
The following clips are all CG MOVIES:
Over black.
Title card: The fear of blood tends to create fear for the flesh.
Fade in to a framed photo of Alessa.
Harry and his wife are in what looks like a graveyard. Harry is knelt over
with a wrapped up baby in his arms. He rises to show his wife as she
reaches her hand in and they lock eyes. (Harry's wife is replaced by Cybil
after receiving the Good+ ending but the scene remains the same).
Cheryl stands amongst the fog in town, slowly moving her feet. There is a
strange aura about her.
Harry suddenly awakens in a panic inside the cafe.
Lisa crawls out from under a desk and hugs Harry.
Inside a church in front of a Jesus cross, Dahlia turns around to face the
camera.
Alessa looks into the camera in a dark shot. The light fades up revealing
a boiler behind her as her figure fades away like a ghost.
A terrified Lisa shows delight and relief as she stares into Harry's face.
Kaufmann holds a revolver while sitting in a chair. He lifts his head to
look up at the camera.
Cybil walks towards the camera inside the cafe and crosses her arms.
A windy road on a dark night. The headlights of a Jeep roll on through.
Now in the car interior, Cheryl sleeps in the passenger seat while holding
a sketchbook. Harry concentrates on the road.
A burned and scarred Alessa, with white bandage wrapping covering her
chest and torso as she lies on her bed. She struggles to sit up, then
lifts her head and looks towards the camera.
A motorcycle approaches from behind Harry's Jeep on the same windy road
at night. It's driven by a police officer.
Cybil sits with her legs crossed while wearing sunglasses and listening to
her police radio. She stands and walks away.
Kaufmann follows Lisa in a hallway. He grabs her arm. Lisa stops and pulls
away. She snaps and yells at him.
The motorcycle continues to drive behind the Jeep before creeping up
alongside it.
Lisa laughs and kneels over in a cackle.
The Jeep continues along the countryside road in the night.
We see the police officer on the bike closely. It's Cybil. She looks over
at Harry and then speeds off. Harry watches her peel away.
Cheryl awakens in the passenger seat with a light yawn and turns to her
father with a smile.
Back to Cheryl standing amongst the thick fog with a mysterious aura about
the scene.
Harry's headlights shine on a ditched motorcycle on the side of the road
that matches the one from earlier. Its driver is nowhere to be found.
Harry turns his head out the window to get a good look at it as he passes.
Dahlia runs through a large open room of an ancient-looking structure with
pillars. She stops as she turns around and opens her eyes in amazement.
She looks completely shocked at what she's seeing.
A two-story house stands secluded near a pond on a cloudy day.
An image flashes of Cheryl in a struggle, looking up towards the camera.
A dark female shadow walks across the countryside road in the night.
Headlights quickly approach. The figure turns towards the oncoming vehicle
and braces for impact.
Harry gasps inside the vehicle and madly spins the steering wheel. Cheryl
looks on ahead in fear.
The female figure, which we now see wearing a blue outfit, stands with her
arms blocking her face as she braces. With the first person perspective of
the vehicle, it veers to avoid her to the sounds of screeching tires as
the camera bumps into the wall and then looks up to the sky.
Fade to black.
==========================================================================
I. ARRIVAL [scr_01]
==========================================================================
--------------------------------------------------------------------------
1.1: Bachman Road - Wreckage
--------------------------------------------------------------------------
CG MOVIE:
Harry awakens in the driver's seat of his crashed Jeep. He pulls his hands
over his face before suddenly shifting his attention to the passenger
seat. Cheryl is gone and the door is open. He looks out past the open door
and turns to look out his window before stepping outside. He steps away
from the wreckage while looking all over. The entire area is engulfed in
thick fog.
Harry walks on the road beside a shop, then stops and turns his head to
look over the area. It's very quiet and also snowing.
Harry: (inner monologue)
Cheryl. Where could you be?
It's strange...
It's quiet. Too quiet.
This place is
like a ghost town.
Cheryl.
The player takes control to walk into town.
--------------------------------------------------------------------------
1.2: Finney Street - Chasing Cheryl
--------------------------------------------------------------------------
After taking a few steps into town, Harry stops and listens to footsteps
from the distance.
Harry: (inner monologue)
Footsteps?
Harry runs around the street corner.
CG MOVIE:
Across the road stands Cheryl, seen from her side/rear profile. She holds
a mysterious pose without moving.
Harry: Cheryl?
Is that Cheryl!?
She begins jogging across the road into the fog and stops in the middle as
Harry pulls up near her.
Harry: Where are you going?
She takes a few more steps.
Harry: Hey wait...stop!
As the player chases her she continues into an alley. Harry stops to look
down into it before advancing.
Her steps continue to sound until a gate is heard opening and closing near
the end. Harry steps through it as well.
--------------------------------------------------------------------------
1.3: Back Alley Path - What's Going On Here?
--------------------------------------------------------------------------
Just inside the back path is a massive amount of blood splattered all over
the ground and side wall.
Harry: (inner monologue)
What the..?
What is it?
As the player advances through another gate, the light begins to fade into
darkness.
Harry: (inner monologue)
That's strange,
it's getting darker.
He pulls out a lighter and strikes it.
Harry: (inner monologue)
......better than nothing,
I guess.
Faint sirens are heard in the distance as the player proceeds past a
broken wheelchair with its creaky wheel still spinning. Next up is a
stretcher with a covered body and more blood that leads him to a crucified
corpse hanging on a fence at the end.
Harry: What is this?
What's going on here!?
Terrifying child-like monsters appear from the shadows and hack at Harry
with their knives. There is no escape as the earlier part of the path is
now blocked off. The creatures kill Harry who falls with a gasp.
==========================================================================
II. OLD SILENT HILL [scr_02]
==========================================================================
--------------------------------------------------------------------------
2.1: Cafe 5 to 2 - Meeting Cybil
--------------------------------------------------------------------------
CG MOVIE:
Lying down on a bench inside, Harry suddenly rises in a panic as if
awakening from a nightmare. He quickly surveys the room as a woman dressed
as a police officer approaches him and crosses her arms.
A moment later Harry sits normally on the bench as the officer sits
cross-legged on a stool across the room.
Harry: Was I dreaming?
Officer: How do you feel?
Harry: Like I've been
run over by a truck,
but I'm all right, I guess.
Officer: Glad to hear it.
You from around here?
Why don't you
tell me what happened?
Harry: Wait a second.
I'm just a tourist.
I came here for a vacation.
I just got here...
I don't know what happened.
I'd like to find out myself.
Officer: Uh-huh?
Harry: Have you seen a little girl?
Just turned seven last month...
Short, black hair...
My daughter.
Officer: Sorry.
The only person I've seen
in this town is you.
Harry: Where is everybody?
Officer: I'd tell you if I knew,
believe me.
But, from what I can tell,
something bizarre is going on.
That's all I know.
Harry: Hmmm...
Officer: What's your name?
Harry: Harry...
Harry Mason.
Officer: Cybil Bennett.
I'm a police officer
from Brahms,
the next town over.
The phones are all dead,
and the radio, too.
I'm going back to call
in some reinforcements.
Harry: Hmph.
Harry stands and approaches the door.
Cybil: Hold it!
Where do you think
you're going?
Harry turns around to face Cybil.
Harry: My daughter...
I've gotta find her!
Cybil stands from her stool.
Cybil: No way!
It's dangerous out there.
Harry: In that case,
I need to find her now!
Cheryl's my little girl.
I can't just leave her out
there by herself.
Cybil: Have you got a gun?
Harry: Ummm... no.
Cybil: Take this.
And hope you don't
have to use it.
Cybil unholsters her handgun and holds it out for Harry.
Cybil: Now listen to me,
before you pull the trigger,
know who you're shooting.
And don't do it
unless you have to.
And don't go blasting me
by mistake.
Got it?
Harry takes the gun and puts it away.
Harry: Yeah. Thanks.
Cybil: You'd do best to stay nearby.
I'll be back with
help as quick as I can.
Cybil leaves the cafe.
--------------------------------------------------------------------------
2.2: Cafe 5 to 2 - Huh? Radio?
--------------------------------------------------------------------------
Once Harry collects some items and tries to leave, a radio on one of the
tables begins emitting static. Harry turns to it from the door.
Harry: What's that?
Huh? Radio?
What's going on with that radio?
Harry approaches and examines the radio as a window smashes behind him.
He looks back before something crashes through the window beside him. It's
a large flying creature which knocks Harry to the floor.
As the player, Harry shoots it until it drops.
Harry: This is not a dream!
What's happening to this place!?
The player is then free to leave.
--------------------------------------------------------------------------
2.3: Outside Cafe - Back to the Alley
--------------------------------------------------------------------------
Harry stands just outside the cafe.
Harry: (inner monologue)
Where could Cheryl have gone?
I guess I'll check
that alley again.
Harry marks the alley on his map.
--------------------------------------------------------------------------
2.4: Back Alley Path - To School?
--------------------------------------------------------------------------
Arriving in back path of the alley, Harry finds Cheryl's sketchbook with a
ripped out page beside it that says "To school". He kneels to look at it.
Harry: Isn't this
Cheryl's sketchbook?
Hmmm...
She's at the school...
Harry marks Midwich Elementary School on his map.
--------------------------------------------------------------------------
2.5: Levin Street House Backyard - Eclipse
--------------------------------------------------------------------------
After passing through the Levin Street home into the backyard, the daytime
light fades into sudden darkness.
Harry: (inner monologue)
What?
It's getting dark again?
What's going on!?
Harry turns on his flashlight.
==========================================================================
III. MIDWICH ELEMENTARY SCHOOL [scr_03]
==========================================================================
--------------------------------------------------------------------------
3.1: Locker Room - Banging Locker
--------------------------------------------------------------------------
A loud repetitive bang is heard as the player locates and examines a
banging locker door. Harry opens it and a cat quickly jumps out to break
the tension. It briefly frightens Harry as he steps back.
Harry: (inner monologue)
Just a cat...
The cat runs around the lockers before a gruesome sound is heard.
Something may have happened to it, but there is nothing to be found.
--------------------------------------------------------------------------
3.2: Courtyard - The Other Side (Nightmare School)
--------------------------------------------------------------------------
After proceeding through the clock tower, Harry finds himself in an
alternate realm of the school, particularly the courtyard.
Harry: Where am I?
Have I been here before?
He walks to the center of the courtyard and sees a large circular symbol
on the ground.
Harry: Hmm.*
I don't remember
this being here before...
--------------------------------------------------------------------------
3.3: First Floor Boys Washroom - The Monster Lurks (Nightmare School)
--------------------------------------------------------------------------
Harry finds another door deeper in the room. A sawed-off shotgun is
visible on the ground just under it.
The door creaks as Harry pushes it open. On the wall just past it hangs a
crucified mutilated corpse on the wall.
On the wall beside it is a note written in streaking blood:
"Leonard Rhine
The Monster Lurks"
--------------------------------------------------------------------------
3.4: Teacher's Room - Phone Call from Cheryl (Nightmare School)
--------------------------------------------------------------------------
A set of three blue phones sit on the table but don't appear to work. One
of them rings as Harry is about to leave the room. He turns and answers
it.
Voice: (telephone filter)
Daddy--- help me----
---Daddy---where are you---?
Harry: Cheryl!
The line goes dead and the dial tone plays.
Harry: (inner monologue)
That was Cheryl's voice.
I know it.
Where is she?
Cheryl...
Harry hangs up the phone.
--------------------------------------------------------------------------
3.5: Locker Room - Banging Locker Round 2 (Nightmare School)
--------------------------------------------------------------------------
In the nightmare version of the same room as before, a familiar banging is
heard. Once the player locates the banging locker, blood is seen seeping
from it, all over the lower lockers.
Harry opens the locker door and see we a closeup. It's completely drenched
in blood but otherwise empty.
Harry: (inner monologue)
Nothing inside.
As soon as the player steps back away from the empty locker, one of the
tall lockers on the other side suddenly bangs open and out falls a
mutilated corpse along with a key.
--------------------------------------------------------------------------
3.6: Fire Pit - Split Head Lizard (Nightmare School)
--------------------------------------------------------------------------
As soon as Harry passes the open turnstile, the grated floor begins
descending like an elevator. Harry freezes and looks around in a panic as
we fade out.
Fade in to large dark meshy arena. Suddenly a fire forms in the center of
a pit, below a hanging corpse as a series of vertical spikes rotate around
both. The fire soon entirely engulfs the corpse.
A giant lizard is visible on the other side. Harry must fight it.
After taking fire, it freezes and growls. It then opens its mouth to
attack Harry. The player shoots into its mouth multiple times, after which
the creature screeches, the screen blurs and a siren sounds. Fade to
black.
--------------------------------------------------------------------------
3.7: Boiler Room - The Girl in Blue
--------------------------------------------------------------------------
CG MOVIE:
In a dark room, the girl in blue who caused Harry's crash leans back
against the boiler as she plays with her fingers. She turns to face Harry,
then fully stands while staring his way. The room brightens and she fades
away like a ghost.
Harry: What was that...?
Who in the hell was that?
(inner monologue)
Where am I?
This is... a boiler room!?
What is going on here?
A church bell is heard ringing in the distance.
--------------------------------------------------------------------------
3.8: Hallway - Church Bells Ringing
--------------------------------------------------------------------------
Now on the main floor the bell is louder.
Harry: (inner monologue)
I hear a ...
A church bell, maybe?
Who is ringing the bell?
Harry checks his map and circles Balkan Church.
==========================================================================
IV: BALKAN CHURCH [scr_04]
==========================================================================
--------------------------------------------------------------------------
4.1: Main Hall - Meeting the Crazy Lady
--------------------------------------------------------------------------
CG MOVIE:
A woman in strange clothing, including a hood and a tie, stands in front
of a Jesus cross at the front of the church. She turns around to face
Harry.
Harry: Were you ringing that bell?
Woman: I've been expecting you.
It was foretold by Gyromancy.
Harry: What are you talking about?
Woman: I knew you'd come.
You want the girl, right?
Harry: The girl?
You're talking about Cheryl?
Woman: I see everything.
Harry: You know something!?
Tell me!
Harry slowly approaches before her words stop him.
Woman: Stay back!
Nothing is to be gained from
floundering about at random.
You must follow the path.
The path of the hermit,
concealed by Flauros...
Harry: What?
What are you talking about?
Woman: Here, the Flauros,
a cage of peace.
She pulls out a pyramidal-shaped object and holds it up.
Woman: It can break through
the walls of darkness,
and counteract the wrath of
the underworld.
She places it on the front altar next to a key.
Woman: These will help you.
Make haste to the hospital
before it's too late.
The woman begins walking away.
Harry: Wait!
Don't go yet!
She continues and exit through the side door.
==========================================================================
V: ALCHEMILLA HOSPITAL [scr_05]
==========================================================================
--------------------------------------------------------------------------
5.1: Examination Room - Meeting Kaufmann
--------------------------------------------------------------------------
CG MOVIE:
Hearing a gunshot from the lobby, Harry enters the examination room to
find a man in a suit holding a gun. He sits in a chair overlooking a dead
creature in a pool of blood. The man looks up at Harry.
The man stands and immediately aims at Harry.
Harry: Hold it...
Harry raises his hands. The man fires from point blank range as Harry
takes cover near the ground. The bullet appears to have missed.
Harry: Stop!
Don't shoot!
Wait... I'm not here to fight.
My name is Harry Mason.
I'm in town on vacation.
He lowers his gun and Harry stands back up.
Man in Suit: Thank God.
Another human being.
Harry: Do you work here?
Man in Suit: I'm Dr. Michael Kaufmann.
I work at this hospital.
Harry: So maybe you can tell me
what's going on?
Kaufmann: I really can't say.
I was taking a nap
in the staff room.
When I woke up, it was like this.
Everyone seems to
have disappeared.
And it's snowing out.
This time of year.
Something's gone
seriously wrong.
Did you see those monsters?
Have you ever seen
such aberrations?
Ever even heard of such things?
You and I both know,
creatures like that don't exist!
Harry: Yeah...
Have you seen
a little girl anywhere?
I'm looking for my daughter.
She's only seven.
Short, black hair.
Kaufmann: She's missing?
I'm sorry.
But with all those
monsters around,
I highly doubt that she's...
Harry sighs.
Kaufmann: Sorry,
I didn't mean to alarm you.
Kaufmann grabs his briefcase from the floor.
Kaufmann: Your wife, she's here with you?
Harry: She died four years ago.
Now, it's just me and my daughter.
Kaufmann: I see...
I'm sorry.
Suddenly he heads for the door and briefly turns back.
Kaufmann: Well, I'd better be going.
I can't just sit
around here doing nothing.
Harry: So long.
Good luck out there.
Kaufmann leaves the room.
--------------------------------------------------------------------------
5.2: 4th Floor - Vision of the Girl in Blue
--------------------------------------------------------------------------
After the mysterious "4" button appears in the elevator, Harry pushes it
and experiences a brief vision.
The girl dressed in blue from the school and scene of the accident walks
through a doorway under a sign that says "Antique". It appears to be from
somewhere else rather than the hospital.
--------------------------------------------------------------------------
5.3: Alessa's Hospital Room - Alessa? (Nightmare Hospital)
--------------------------------------------------------------------------
Harry finds himself in a dirty room in the secret second basement. It
contains an empty bed with some blood stains and an IV stand alongside it.
Harry surveys the room from the entrance.
Harry: What's this?
Looks like someone's been here...
Harry walks over to the side of the bed where there's what looks like a
life support control panel. A key and a framed photo sit on it.
Harry examines the photo. It's a young dark-haired teenager who looks a
lot like the girl dressed in blue that Harry has seen a few times. The
bottom right of the photo says "Alessa".
Harry: (inner monologue)
Alessa...?
--------------------------------------------------------------------------
5.4: Video Tape (Room 302) - Hospital Viewing (Nightmare Hospital)
--------------------------------------------------------------------------
(When the player tries to watch the Video Tape in the Hospital)
The screen is filled with snow and thick static smothers the entire
recording. Through it, a female voice is heard but only barely
decipherable at parts.
Female Voice: -----------
Still ------ unusua---
-----fever...
---- don't -------
get------ puls----
--- just bare-------------
--- skin is ------------
Even when I ch----
-------------
----------------------------
--zing thro----
Why--
-------------------- chil--------
-------------------
-------------
--won't tell ------
-----------
---please...
The tape ends.
--------------------------------------------------------------------------
5.5: Examination Room - Meeting Lisa (Nightmare Hospital)
--------------------------------------------------------------------------
CG MOVIE:
Harry shines his light around the dark room and sees a uniformed nurse
hiding under a desk. With a worried look on her face, she immediately
crawls out, stands and firmly hugs Harry. She looks at his face as her
worry turns into a light smile of relief.
Nurse: Finally.
Someone else who's OK.
Harry: Who are you?
Nurse: My name's Lisa Garland.
What's yours?
Harry: Harry Mason.
Lisa: Harry, tell me
what's happening here?
Where is everybody?
I must have gotten knocked out.
When I came to,
everyone was gone.
It's awful...
Harry: So you don't know
anything either. Great.
I just don't get it.
It's like this is
all some kind of bad dream.
Lisa: Yeah.
A a living nightmare.
Harry: Let me ask you, have you seen
a little girl around here?
Short, black hair.
Seven years old.
Lisa: A seven-year-old girl?
What? She's your daughter?
Harry: Yes.
Lisa: A seven-year-old girl...
I can't say that I have.
I was unconscious all this time.
I'm sorry.
Harry: (sighs)
That's alright.
Do you know anything about all
that weird stuff in the basement?
Lisa: No. Why?
Is there something down there?
Harry: You don't know?
Don't you work here?
Lisa: We're under strict orders never to
enter the basement storeroom.
So I really don't know.
What did you say was down there?
Harry: Well, it's...
Umph!*
A siren sounds in the distance. Harry holds his hands to his head,
experiencing pain.
Harry: Damn!
My head...
Lisa: What's wrong?
Harry...?
Harry falls to his knees as it continues.
Lisa: Harry,
let me help you.
Fade to black.
Lisa: Harry?*
--------------------------------------------------------------------------
5.6: Examination Room - Yes, Dahlia Gillespie
--------------------------------------------------------------------------
Harry sits the edge of a hospital bed. He's back in the normal realm
again.
Harry: Was I dreaming?
A door clicks offscreen.
Woman: (offscreen)
You were too late.
Harry lifts his head to see who it is. We still can't see her, but it
sounds like the woman from the church.
Harry: It's you...
Indeed it is her.
Woman: Yes. Dahlia Gillespie.
Harry: Tell me everything you know.
What's going on?
Dahlia: Darkness.
The town is being devoured
by darkness.
Strength must overcome
petty desire.
Childish sleep talk.
I knew this day would come.
Harry: What are you talking about?
I don't understand a word of this.
Dahlia: Believe the evidence
of your eyes.
The other church in this town.
That is your destination.
She pulls a green key out of her pocket as she continues.
Dahlia: This is beyond my abilities.
Only you can stop it now.
Have you not seen
the crest marked
on the ground all over town?
Dahlia places the key on the table beside her.
Harry: So that's what I saw
in the schoolyard.
What does it mean?
Dahlia: It is the mark of Samael...
Don't let it be completed.
She suddenly leaves through the near door.
Harry: Hey! Wait!
==========================================================================
VI: CENTRAL SILENT HILL [scr_06]
==========================================================================
--------------------------------------------------------------------------
6.1: Antique Shop - Reuniting with Cybil
--------------------------------------------------------------------------
After pushing a shelf at the back of the shop, Harry discovers a large
hole in the wall about the size of him.
Harry: What's this?
A door clicks offscreen. Harry spins around and aims his handgun. It's
Cybil.
Cybil: Harry!
Harry: Cybil?
Harry lowers the gun and Cybil approaches as she sighs in relief.
Cybil: I'm glad you're OK.
I shouldn't have left you.
Things are worse than I thought.
It's nuts!
Harry: What are you doing here?
I thought you left town.
Cybil: I saw you go in here,
so I followed you.
I couldn't get out.
All the roads out of town
are blocked.
Cars have completely
stopped running.
The phones and radios
are still out, too.
Harry: What about my daughter?
Did you see her?
Cybil: I did see a girl.
Harry: Was it Cheryl?
Cybil: I only caught a glimpse of her
through the fog.
I went after her,
but she vanished.
I don't know about
your daughter, but...
Harry: (angrily)
And you just let her go!?
Where was it?
Cybil: On Bachman Road.
She was heading towards the lake.
Now don't get excited.
It wasn't like she ran off
exactly.
There was no place for her to go.
The road has been obliterated.
Harry: What!?
So then Cheryl...
Cybil: It was like she was walking
on thin air.
Harry: Hmm...?*
Cybil: What about you? Anything?
Harry: Yeah...
I met this bizarre woman.
Her name's Dahlia Gillespie.
Do you know her?
Cybil: Dahlia Gillespie?
No.
And?
Harry: She said something about
the town being devoured
by darkness.
Gibberish like that.
Any idea what it means?
Cybil: Darkness devouring the town?
Must be on drugs.
They sell 'em to the tourists.
The force still can't figure out
who's behind it.
None of our leads
have panned out,
and the investigation is stalled.
Harry: What could drug trafficking
have to do with all this?
Cybil: Hmm...*
I really don't know.
But, maybe that's the darkness
she was talking about.
That's all I can think of.
Harry: Hmm...*
Cybil approaches the opening Harry just discovered before she came in.
Cybil: What's this?
Harry: Just discovered it.
Maybe there's something
back there.
Cybil: Let's have a look.
Harry: Wait.
We don't know what's back there.
I'd better check it out first.
Cybil: I'm a cop. I should go.
Harry: (assertively)
No. I'm going.
Cybil: Alright.
I'll cover you from here.
Be careful.
If anything looks fishy,
get back here on the double.
Harry: Okay.
Cybil.
Cybil: Yes?
Harry: Do you know anything about...
Well...like some other world...
It's like some kind of bad dream...?
Cybil: What are you talking about?
Harry: I'm not quite sure.
I try to make sense of it,
but then my mind goes blank.
Everything's dark there,
and I hear sirens in the distance.
I met this nurse... Lisa.
It's like I was there,
but not really.
It's all a blur.
Like some kind of hallucination,
you know?
Cybil: I have no idea what
you're talking about, Harry.
Harry: Oh...
I was just wondering.
Never mind.
(sigh)
Cybil: Harry.
You're tired.
Harry: Yeah, maybe...
Harry ducks under the opening and proceeds inside.
--------------------------------------------------------------------------
6.2: Antique Shop Back Hall - "The Other Church"
--------------------------------------------------------------------------
At the other end of the path, Harry comes across a small room with an
altar, a chalice and another ornament, plus some candles and a painting of
a winged creature on the wall.
Harry: What's this...?
Some kind of altar...?
Never seen anything
like this before.
Maybe this is
"the other church."
Once the player looks around and tries to head back through the passage,
Harry is suddenly spooked by something.
Harry: What the...!?
The top decoration of the altar is now aflame.
We cut back to Cybil in the other room leaning against the wall.
Cybil: Harry?
Are you OK?
Harry?
Cybil takes a closer look in the hole. She decides to pass through it. We
catch up with her at the other end.
Cybil: Harry?
There is no flame on the altar and Harry is nowhere to be seen. Fade out.
--------------------------------------------------------------------------
6.3: Examination Room - Lisa Explains Town Folklore (Nightmare Hospital)
--------------------------------------------------------------------------
Harry comes into consciousness back in the hospital with Lisa. He sits on
the edge of the bed with Lisa seated in a chair watching over him.
Harry: Where am I?
Lisa: Harry.
Harry: Lisa...
Then I'm in the hospital.
Lisa: You were having a bad dream.
Harry: Was I?
Hey, you don't look too good.
Are you OK?
Lisa: I'm fine.
Nothing you need to
worry about.
Harry: Well, if you're sure...
Lisa...
Do you know a woman
named Dahlia Gillespie?
Lisa: Oh yeah,
that crazy Gillespie lady.
She's kinda' famous around here.
She never sees anybody,
so I don't know
that much about her.
But I heard her kid died in a fire,
and supposedly she's been crazy
ever since.
Harry: Well, she says the town is being
devoured by the darkness.
Do you have any idea
what she's talking about?
Lisa: The town... devoured
by the darkness.
Yes, I think I do.
Before this place was turned
into a resort,
the townspeople here were
on the quiet side.
Everybody followed
some kind of queer religion.
Weird occult stuff...
Black magic, that kind of thing.
As young people moved away,
the people figured they'd been
summoned by the gods.
Evidently, things like that
used to happen around here
all the time.
Before the resort,
there really wasn't
anything else out here.
Everyone was so flipped out.
Gotta blame it on something.
Then a lot of new people
came in and everybody
clammed up about it.
Harry: A cult...
Lisa: Last time I heard anything
about it was, gosh, years ago...
When several people connected
with developing the town
died in accidents.
People said it was a curse.
Oh.*
I'm sorry, I'm rambling...
I'll shut up.
Lisa gently lowers her head. Fade to black.
--------------------------------------------------------------------------
6.4: Antique Shop - The Other Side (Nightmare Antique Shop)
--------------------------------------------------------------------------
Harry awaken on his stomach on a mesh floor near a couch. It appears to be
a nightmare version of the antique shop. He begins speaking as he stands.
Harry: Was that another dream?
Did I pass out again?
He steps forward.
Harry: (inner monologue)
I don't want to think so,
but maybe this is all just
going on in my head.
I could have had a car accident,
and now I'm lying unconscious
in a hospital bed...
I don't know
what's real anymore...
Cybil said Cheryl was heading
towards the lake.
But, the road to the lake
is blocked...
Aren't there any other roads?
Lisa would probably know...
The player regains control.
--------------------------------------------------------------------------
6.5: Town Center Escalators - Cheryl on the TV Screens
--------------------------------------------------------------------------
As Harry heads up the escalator, a large screen next to a set of 9 other
screens all fill up with snow to the sound of static. The mark of Samael
appears on the screens before it is replaced with a staticky image of
Cheryl.
CG MOVIE:
Closeup on one of the screens. Cheryl is in a struggle looking up at the
camera. The same voice clip from the school phone is heard.
Cheryl: (TV filter)
Daddy--- help me----*
---Daddy---where are you---?*
Harry: Cheryl!
All screens cut to static and some spirit symbols.
--------------------------------------------------------------------------
6.6: Town Center Dirt Pit - Twinfeeler Larva
--------------------------------------------------------------------------
After moving along the meshy walkway towards a corpse, the floor gives way
and Harry falls into a dirt pit below. He gasps as he lands but appears
uninjured.
On his hands and knees, he suddenly stands up as as giant larva surfaces
from the soil beside him. It slides over the fallen grate floor and back
into the dirt beyond it. Harry must fight the creature.
After attacking it, the larva shrieks and curls up into a ball,
motionless. A moment passes before it scurries back into the soil. It then
erupts in front of a glass door at the other end and crashes through it,
leaving the area entirely.
--------------------------------------------------------------------------
6.7: Examination Room - Guidance from Lisa (Nightmare Hospital)
--------------------------------------------------------------------------
Harry steps through the door back into the hospital examination room. Lisa
looks towards the door.
Lisa: Harry!
Harry: Glad you're OK.
Lisa runs over to Harry and grabs his hands.
Lisa: Thank God you came back.
I was scared to be here all alone.
Harry: I'm here now.
I was worried, too.
I'm real happy to see you.
Lisa, can you tell me
how to get to the lake?
Lisa: The lake?
You take Bachman Road.
Harry: The road's blocked.
Lisa: Well, that's
the only way out there.
Harry: Are you sure?
There's gotta be another way.
Lisa: (excitedly)
Wait,
I just remembered something.
Harry: What?
Lisa: There's a water works over by
my old elementary school.
It's been abandoned for years.
There's an underground tunnel
out there used for inspections,
or something!
I remember hearing it runs
all the way to the lake!
Harry: Really?!
You think I can get to the lake
from there?
Lisa: I've never been down
in there myself,
so I'm not positive.
Besides, it's all fenced off
to keep people out.
Harry: If there's a chance,
I've got to try.
Lisa: Harry, don't go!
I don't want to be alone.
It's so scary. I can't stand it.
</pre><pre id="faqspan-2">
Harry: How about coming with me?
This may not be the safest place
in the world either.
I can't promise you anything,
but I'll do my best
to protect you.
Lisa: No...
somehow I feel I'm not supposed
to leave this place.
Oh, Harry, I'm so scared...
I'm cold.
Harry: Look, just wait here
a little longer.
I'll be back as soon as
I find my daughter.
Lisa: Harry...
Lisa puts her head down and holds her arms up to her body as if feeling
cold. She takes a few steps away as Harry leaves the room behind her.
--------------------------------------------------------------------------
6.8: Koontz Street Rooftop - Floatstinger Moth
--------------------------------------------------------------------------
Harry walks up a metal staircase to a rooftop. He calmly walks to the
middle of the roof.
A metallic crash is heard. Harry turns around to see a giant flying moth
bigger than him staring right at him. The stairs have been collapsed and
he must fight it.
After damaging the creature enough, it shrieks and begins to fall as
sirens take over the soundtrack. Fade to white.
Fade back in to the rooftop as the sirens fade. It's now daytime and
snowing again.
==========================================================================
VII: SEWERS (TO RESORT AREA) [scr_07]
==========================================================================
--------------------------------------------------------------------------
7.1: Water Works - Breaking and Entering
--------------------------------------------------------------------------
Harry arrives at a fenced off lot.
Harry: (inner monologue)
This must be that water works
Lisa was talking about.
The player must approach and try the gate.
Harry: (inner monologue)
It's locked.
The camera focuses on a worn padlock on the gate.
Harry: (inner monologue)
Hmm... the lock is worn out.
I may be able to break it
if I hit it hard.
The player may then smash the lock and proceed inside.
==========================================================================
VIII: SILENT HILL RESORT AREA [scr_08]
==========================================================================
--------------------------------------------------------------------------
8.1: Annie's Bar - Saving Kaufmann
--------------------------------------------------------------------------
Harry steps inside and turns to witness a creature with sharp claws
pinning down Kaufmann in a struggle between the billiard tables.
Harry carefully approaches, takes aim and fires one precise shot. The
creature falls off Kaufmann. He stands up and kicks it.
Harry: Are you OK?
Kaufmann: Yeah, I guess so.
But I'm beat.
I thought I was a goner there.
So, how'd it go?
Did you find a way out?
Harry: (disappointed)
No. Not yet.
How about you?
Kaufmann: Zip.
But it's too soon to give up.
This craziness can't
go on forever.
A military rescue squad
should be here any time now.
If they come through the town,
we're home free.
Harry: I hope so.
Kaufmann: I better get going.
This isn't the time to stand
around flapping our gums.
Kaufmann grabs his briefcase.
Harry: Do you know
a girl called Alessa?
Kaufmann makes his way for the door and answers without eye contact.
Kaufmann: No.
He leaves the bar.
--------------------------------------------------------------------------
8.2: Indian Runner - Drugs?
--------------------------------------------------------------------------
Harry kneels and opens the safe under the counter with a key, if directed
by the player. Inside are a few packages of white powder.
Harry: (inner monologue)
What is this?
Drugs?
Harry closes the safe and stands back up.
--------------------------------------------------------------------------
8.3: Norman's Motel Garage - Kaufmann's Tirade
--------------------------------------------------------------------------
After Harry finds the small glass vial in the motorcycle tank, Kaufmann
enters the room. He is absolutely pissed.
Kaufmann: Give me that!
Harry: What is this?
Kaufmann aggressively takes it from Harry.
Kaufmann: That's none of your business!
Instead of messing with that,
how about coming up with a way
to get out of here?
Harry: Humph.
Kaufmann: You shouldn't be hanging
around here goofing off!
What do you think
you are doing?
You want to get yourself killed!?
Get outta here!
Harry: Okay, take it easy.
Kaufmann: Unless you want to die,
keep your mind on business.
Got it?
He turns and leaves through the door.
Harry: (inner monologue)
That guy's gotta be involved
in the local drug racket.
Man, was he pissed.
And in such a rush, too.
That was probably dope
in the bottle.
Anyway, better let him do as he
pleases. There's more than
my life at stake.
I guess I wasted my time.
Better hurry....
I'm worried about Cheryl.
--------------------------------------------------------------------------
8.4: Sandford Street Bridge - Transition to the Other Side
--------------------------------------------------------------------------
Harry crosses the bridge in the darkness as another siren goes off in the
distance. Harry stops in his tracks.
Harry: What's this!
The ground shakes underneath him, causing him to lose balance before
gathering himself.
Harry: Uoh... Oh...*
Huh?*
The road underneath him transforms into mesh as he saw in the previous
streets. Rain also spits down. Harry looks around as he thinks to himself.
Harry: (inner monologue)
Not again...!?
No, this time it feels different.
Rather than shifting
from reality to a nightmare,
this is more like reality
becoming a nightmare.
I don't like this feeling.
Like something bad
will happen...
No doubt, something terrible
is going on...
The player regains control.
--------------------------------------------------------------------------
8.5: Boat Cabin - Meeting with Cybil and Dahlia
--------------------------------------------------------------------------
Just inside the door, Harry sees Cybil looking out the cabin window into
the darkness. He approaches her as she turns around.
Harry: Cybil!
Cybil: Harry!
Harry: How did you get back here?
Cybil: I followed the sewer.
Were you the one
who cut the fence?
Harry: Yeah.
I'm glad you made it.
I was worried about you.
Cybil: You were worried!?
Where did you disappear to?
Never mind.
I want to know
what's going on here.
What is with this town?
Harry: This may sound really off
the wall, but listen to me.
You've got to believe me.
I haven't gone crazy,
and I'm not fooling around.
At first, I thought I was
losing my mind.
But now I know I'm not.
It's not me.
This whole town...
it's being invaded
by the Otherworld.
By a world of someone's
nightmarish delusions
come to life...
Little by little
the invasion is spreading...
Trying to swallow up
everything in darkness.
I think I'm finally beginning
to understand what that lady
was talking about.
Cybil: Harry.
Hold on a minute.
I don't get it?
Harry: Look, I don't understand
it all myself.
I guess I can't explain it.
Cybil: Well, what's making
this happen?
Harry: I don't know that either.
But, I do know
Cheryl is "there".
Cybil: "There"...?
Harry: Under whoever created
this darkness.
Cheryl is somewhere.
And she needs my help.
Cybil: Harry.
This whole thing's been
a major blow to you.
You need to rest.
Harry: Cybil, I...
A door opening breaks the conversation. Harry and Cybil turn to see Dahlia
has arrived.
Dahlia: The demon is awakening!
Spreading those wings.
Harry: Dahlia Gillespie...
Dahlia: Was it not as I said?
I see it all, now.
Yes, everything.
Hungry for sacrifice,
the demon will swallow up
the land.
I knew this day would come.
And what's more,
the task is almost finished.
There's only two left.
To seal this town to the abyss,
the mark of Samael.
When it is completed, all is lost.
Even in daytime,
darkness will cover the sun.
The dead will walk,
and martyrs will burn
in the fires of hell.
Everyone will die.
Harry: So what am I supposed to do?
I've got to save Cheryl.
Dahlia: It is simple.
Stop the demon.
The demon,
the demon taking that
child's form.
Stop it before your daughter
becomes a sacrifice.
Before it is too late.
Stop it. Stop it.
Harry: What do I do?
Dahlia: Go to the lighthouse
on the lake,
and to the center of
the amusement park.
Make haste.
You are the only hope.
Cybil: Look Harry.
I really don't get
what's going on.
But if there's a chance
we can save your daughter,
I'm in.
I'll check out
the amusement park.
You go to the lighthouse.
Cybil heads for the door. She stops and turns her head to Harry as he
thanks her.
Harry: Cybil... Thanks.
Cybil raises her right hand to acknowledge him as she leaves the cabin.
Dahlia: You will need to use it.
Harry: Use what?
Dahlia: The Flauros.
Only with that can you
stop it.
Harry: What about Cybil!?
The camera aims towards the door Cybil left from. Dahlia leaves the cabin.
--------------------------------------------------------------------------
8.6: Lighthouse Roof - Trying to Stop Alessa
--------------------------------------------------------------------------
Harry arrives at the top of the lighthouse. The flat circle roof is
covered with a glowing-orange mark of Samael.
Harry turns to see Alessa standing near the edge while facing him.
Harry: Wait!
He reaches his arm out. Alessa fades away as she always does.
Harry: Damn!
I was too late?
--------------------------------------------------------------------------
8.7: Boat Cabin - Cybil's Not Back Yet
--------------------------------------------------------------------------
Harry arrives back in the cabin. He is alone this time.
Harry: Cybil hasn't come back.
That creep's sure to show up
at the Amusement Park
pretty soon.
Let me be on time.
==========================================================================
IX: SEWERS (TO AMUSEMENT PARK) [scr_09]
==========================================================================
--------------------------------------------------------------------------
9.1: Sewer Tunnel - Cybil is Captured
--------------------------------------------------------------------------
CG MOVIE:
After Harry begins his descent into the sewers, we get a brief look at
Cybil sneaking up to a corner down below. She pokes her head around the
corner before she gets shoved to the ground by something unseen. Cut to
black.
==========================================================================
X: LAKESIDE AMUSEMENT PARK [scr_10]
==========================================================================
--------------------------------------------------------------------------
10.1: Merry-Go-Round - Parasitic Cybil
--------------------------------------------------------------------------
Harry walks past a couple horses on a merry-go-round.
CG MOVIE:
Cybil sits in a wheelchair with her head laid back. She raises her head
and slowly stands. As she struggles forward, we can see that her eyes are
red. She looks possessed.
Harry backs up as she approaches. Cybil pulls out a handgun and fires at
Harry. He steps back, possibly hit by the bullet but otherwise showing no
signs of injury.
The player must then kill or save her.
--------------------------------------------------------------------------
10.2a: Merry-Go-Round - Saving Cybil
--------------------------------------------------------------------------
Harry douses Cybil with the unknown liquid and backs away. Steam appears
to be coming from Cybil's back as she staggers with her hands over her
eyes.
Cybil: Ah... Uhhh...*
She falls to her knees.
Cybil: Aahhhh...*
Cybil falls face forward on her stomach. A large parasite creature crawls
away from her body, which has left a large bloodstain on her back. Harry
stomps it to death and kneels down by Cybil.
Harry: Cybil!
Wake up! Snap out of it!
Cybil!
Cybil raises her head.
Cybil: (dazed)
...Harry?
...What...happened?
Harry: Shh...*
Don't talk.
I'll take care of you.
The scene fades into the dark merry-go-round spinning as Harry and Cybil
have a discussion offscreen. Cybil still sounds somewhat dazed.
Cybil: Harry...
Why did they take your daughter?
Why her?
Harry: I'm not sure, myself.
But you know, Cheryl isn't
my biological daughter.
I actually haven't told her yet.
She probably already knows
anyway, though.
We found her abandoned
on the side of the highway.
Nobody knew
where she came from.
We didn't have any kids
of our own.
My wife was sick,
and it didn't look like
she was getting any better.
So we took Cheryl in.
Cybil: So in that case...
Harry: There might be some connection
between Cheryl and this town.
Cybil: So what do you do now?
Harry: Cheryl is my daughter.
I will save her.
No matter what.
Fade to black.
--------------------------------------------------------------------------
10.2b: Merry-Go-Round - Killing Cybil
--------------------------------------------------------------------------
Once Cybil has taken enough damage or fires off enough shots, she looks
closely at her handgun as if it's out of ammo. She tosses it to the
ground and continues to fight Harry.
CG MOVIE:
After Cybil takes enough damage, she falls backward as her head loudly
slams the ground. Her eyes and mouth are open before she clutches her
mouth with her hand, breathing nervously. She rolls back and forth in a
struggle as we hear slithering creature sounds inside her. She is
becoming bloody as we fade to black. Fade back in moments later to witness
Cybil's final movements as her head moves back and forth before coming to
a rest. Her neck and face are splattered with blood. She is now dead.
Harry stands over her sprawled out and lifeless body.
Harry: What in the hell...
How could this have happened?
He drops to his hands and knees over her. He bangs the floor with his
fist. Fade to black.
--------------------------------------------------------------------------
10.3: Walkway - Capturing Alessa with the Flauros
--------------------------------------------------------------------------
Harry walks through the meshy amusement park on his own. He turns to see
Alessa standing in the darkness, watching him.
__________________________________
Harry: I figured you'd show. | |
| TRANSCRIPTION NOTE: |
Hold it right there. | Left is what the subtitle says, |
| but Harry actually says: |
I don't know who you are, | "I don't know who you are |
what you are trying to do, | or what you're trying to do, |
and I don't care. | and I don't care." |
|__________________________________|
Just one thing.
Let Cheryl go.
That's all I ask.
Alessa raises her right arm and aims at Harry.
Harry: What?
A mysterious force knocks Harry to the ground. He stands back up and runs
toward her but an invisible force field blocks him and throws him down
again.
Harry: Damn!
He stands once again. His pocket begins to glow blue.
Harry: Huh?
Harry pulls out the Flauros. It floats out of his hand and above him,
encompassed by a blue glow.
Harry: What is this?
The Flaurous shifts its shape around, showcasing multiple pyramids
within it. It spins around as beams of light shine from it. It makes a
droning hum.
In a wide shot we see Alessa walking away from Harry as the Flauros works
above them both. The blue light fades and disappears, leaving Harry in
complete darkness. Alessa turns around. She screams and takes cover as a
blue beam shoots past her.
Alessa reaches forward as if trying to clutch something and falls to the
ground. Harry emerges from the darkness in front of her.
Harry: Where's Cheryl?
Give me back my daughter.
Dahlia appears from the darkness and approaches Alessa, who lifts her head
towards her.
Dahlia: We meet at last, Alessa.
Alessa: .......!
Harry: Dahlia Gillespie......
Where's Cheryl?
Where is she!?
Dahlia ignores him as if he's not even there.
Dahlia: Alessa.
This is the end of
your little game.
Alessa: Mama...
Harry: Huh?
Could she be...?
Dahlia: You've been a ghastly little pest,
haven't you? Alessa?
I was careless.
Thinking you couldn't escape
from our spell.
But Mommy didn't know
how much you'd grown.
That's why I couldn't catch you
all by myself.
But what a pity, yes?
Now you're half indebted
to this man for his help.
Harry: Hey!
What are you talking about?
Dahlia continues to ignore Harry.
Dahlia: Alessa. My dear little girl...
There is one thing left
I need you to do for me.
Alessa: No.
Get away from me.
Dahlia: Bad girl.
The blue glow of the Flauros begins to surround them both.
Dahlia: Everything is ready.
Let's go home now.
Um-hmm?*
The glow brightens to a very bright blue that hides them. Harry steps back
from it.
Harry: What's going on here!?
Alessa screams as we fade to black.
==========================================================================
XI: NOWHERE [scr_11]
==========================================================================
--------------------------------------------------------------------------
11.1: Examination Room - Lisa Runs Off
--------------------------------------------------------------------------
CG MOVIE:
Lisa is knelt over Harry who lies with his back on the floor. Suddenly he
sits up in a panic as if awakening from a nightmare. Lisa quickly rises
and widens her eyes as she stares at him from behind. Her left eye and
cheek twitch. Fade to black.
Lisa: (over black)
Harry.*
Fade in to Harry again sitting on the edge of the bed with Lisa in a chair
in front.
Harry: Lisa?
What happened?
Where's Alessa and Dahlia?
Lisa: Harry, listen.
Something you said before
has been bothering me.
I just can't get it out of my head.
Harry: What is it Lisa?
Lisa: So I went to look
in the basement.
Even though I was scared
as hell.
Like you said,
there were these creepy rooms.
But nothing really unusual
down there.
But while I was down there,
I got this weird feeling.
Like I'd been there before.
Like something happened there,
but I can't quite remember
somehow.
What was it?
Harry... help me...
I'm so scared.
I can't take this.
Lisa covers her hands over her head.
Harry: It's only a temporary thing.
You're in shock from
when you were knocked out.
Don't fret about it,
you'll remember after a while...
Harry reaches out to support her. She suddenly stands up.
Lisa: No.
You don't understand...
Lisa runs to the door as Harry rises from the bedside.
Harry: Wait!
Where do you think
you're going?
Lisa passes through the door.
Harry: (inner monologue)
Lisa...
Damn! What's that?
That sound....
It sounds like water loudly bubbling in the distance or the entire area
is lightly shaking. Harry looks around the room and at the floor.
Harry: From down there...
It's coming from the basement...
--------------------------------------------------------------------------
11.2: Elevator - Being Summoned
--------------------------------------------------------------------------
Harry approaches an elevator along a narrow mesh path. He freezes as the
doors slowly open. He slowly enters it as he speaks aloud and the doors
slowly close with him inside.
Harry: I'm being summoned...
What happened in this town?
What could be making things
like this?
I have a feeling if I take
the elevator down I'll find it.
Fade to black.
Harry: Cheryl...*
Fade in as the elevator doors open and Harry steps out.
--------------------------------------------------------------------------
11.3: Storage Room - Lisa...
--------------------------------------------------------------------------
After returning from the previous room, Harry hears a voice behind him.
Lisa: (offscreen)
Harry?
Harry turns around. Lisa stands in the corner beside the door.
Harry: Lisa...
What's the matter with you?
Lisa: I get it now...
Why I'm still alive even
though everyone else's dead.
I'm not the only one
who's still walking around.
I'm the same as them.
I just hadn't noticed it before.
Harry: Lisa?
Lisa: (trembling)
Stay by me, Harry.
Please.
I'm so scared.
Help me...
Lisa slowly approaches Harry and opens her arms, waiting for his embrace.
Lisa: Save me from them.
Please... Harry...
Harry steps away from her as she begins to sob. Harry breathes nervously
and shoves Lisa away in a panic. She bumps into the wall.
CG MOVIE:
Lisa stares into the camera while leaning against the wall. A stream of
blood pours down her forehead, over her blinking eye and down her cheek.
She pushes away from the wall and dramatically stumbles as she moves over
to Harry. More blood begins to stream from her head, entirely covering her
face and staining her clothes as she staggers towards Harry. Desperate
for his support, her eyes are full of sadness.
Harry steps back as Lisa keeps approaching. He turns and goes through the
door. He shuts it, puts his back against the door and spreads his body to
keep it closed.
Lisa is heard sobbing behind it as she knocks.
Harry: Lisa...*
--------------------------------------------------------------------------
11.4a: Kitchen - Banging in the Fridge
--------------------------------------------------------------------------
After removing the dagger and placing the ring on the fridge, Harry walks
away. Banging from the fridge stops him and turns him around. Another
series of bangs occur but the fridge remains closed.
--------------------------------------------------------------------------
11.4b: Kitchen - Killed by the Fridge Monster
--------------------------------------------------------------------------
After removing the dagger from the fridge but not placing the ring, Harry
walks away. A bang is heard behind him. He freezes and turns around to
look at the fridge.
Suddenly a tentacle grabs Harry by the leg, pulling him down. It pulls him
towards the fridge as he scrambles to stop it but cannot. The camera pans
away.
Harry: Ahhhh!*
--------------------------------------------------------------------------
11.5: Graffiti-Filled Room - Alessa's Sobs
--------------------------------------------------------------------------
Harry looks around a room with heavy graffiti written all over the walls
and floor. A young female is heard crying. The camera turns to see a ghost
of little Alessa sobbing while sitting under a table in the corner. She
disappears.
--------------------------------------------------------------------------
11.6 Video Tape (VCR Room) - Nowhere Viewing
--------------------------------------------------------------------------
(When the player watches the same Video Tape in Nowhere)
The tape shows an image of Lisa at the end of a table with her head down
and hands held near her face. It remains for the full video.
Lisa: What is it?
Still has an unusually
high fever...
Eyes don't open...
getting a pulse...
But just barely breathing.
Her skin is all charred!
Even when I change
the bandages,
the blood and pus just start
oozing through!
Why...
What is keeping that child alive?
I... can't stand it
any longer...
I won't tell a soul
...promise.
So please...
The tape ends.
--------------------------------------------------------------------------
11.7: Alessa's Hospital Room - Ghosts from the Past
--------------------------------------------------------------------------
Four apparition figures stand around a hospital bed in a room identical to
one found in the hospital's secret second basement.
We recognize Dahlia and Kaufmann at either side of the bed. Two doctors
also stand at the head and foot of the bed, while a small figure about the
size of a child can be seen underneath the bed sheet. There is a reverb in
the room as they talk.
Dahlia: Everything is going
according to plan.
Sheltered in the womb.
Doctor 1: But it's not done yet.
Half the soul is lost.
That is why the seed
lies dormant.
Doctor 2: And what soul remains
captured in that husk,
is buried deep down
in the subconscious.
Kaufmann: (angrily)
Are you trying to say
it won't work!?
That wasn't our agreement!
Dahlia: No, no.
These are just stalling tactics.
If we lend a hand,
we will be able to get power.
Never fear.
The promise shall not be broken.
Unknown Man: But the power we could
draw now would be
very weak; almost nothing.
Unless we get the other
half of the soul...
Dahlia: We'll use a magical spell.
Feeling this child's pain,
it's sure to come.
Doctor 2: But that will take time...
The ghost figures fade away, leaving Harry alone in the room.
--------------------------------------------------------------------------
11.8: Gillespie Home - Listen to Mommy
--------------------------------------------------------------------------
Ghost figures of Dahlia and Alessa appear in a hallway. Alessa is
stubbornly on the floor as Dahlia tries to pull her up.
Dahlia: Come!*
Come along!*
Alessa: No!*
No!
I don't want to!
Dahlia: Do what mommy tells you, now.
I just want you to lend me
a teeny bit of your power.
That's all.
Alessa: No!
I don't want to do it!
Alessa finally breaks free from the struggle. Dahlia stands over her.
Dahlia: It will make everyone happy...
and it's for your own good, too.
Alessa: Oh, but mommy.
I just want to be with you.
Just two of us.
Please understand.
Dahlia: Oh, yes, I see...
Maybe mommy has been wrong.
Alessa: Mommy...
Dahlia: Why didn't I see this before?
There's no reason to wait...
Herein lies the mother's womb,
containing the power
to create life.
I could have done it all myself.
Alessa: Mommy?
The ghosts disappear.
==========================================================================
XII: ENDINGS [scr_12]
==========================================================================
--------------------------------------------------------------------------
12.1: Final Arena - Good+ Ending
--------------------------------------------------------------------------
Cybil cocks and aims her gun at Dahlia, who stands next to Alessa slumped
on her knees and a disfigured body in a wheelchair. They are in a large
empty area. Harry is not seen yet.
Dahlia: I was shocked to realize
the talisman of Metraton
was being used.
In spite of the lost soul
returning at last,
Just a little longer and all
would have been for naught.
It's all because of that man.
We must be thankful to him. ______________________________
| |
Even though Alessa | TRANSCRIPTION NOTE: |
has been stopped, | Dahlia says: |
his little girl still has to go. | "his little girl has to go."|
What a pity... | "still" is written but |
| unspoken. |
|______________________________|
Dahlia laughs.
Cybil: Freeze!
She shoots at Dahlia. An invisible forcefield blocks the bullet.
Cybil: What in the devil's name...!
A force violently blasts Cybil to the floor, knocking her out cold.
Harry appears and approaches Dahlia, Alessa and the wheelchair figure.
Harry: Dahlia!
Dahlia: Well, well, well.
To think you'd make it this far.
Harry: Where's Cheryl!?
What have you done to her!?
Dahlia: What are you talking about?
You've seen her many times.
Restored to her former self.
Harry: I'm in no mood for jokes.
Dahlia: Don't you see?
She's right there.
Dahlia points to the figure in the wheelchair beside Alessa.
Harry: That's absurd.
Dahlia: You are the only one
who thinks so.
Harry: Why?
Why are you doing this?
Dahlia: It's been a long seven years...
For the seven years
since that terrible day,
Alessa has been kept alive,
suffering a fate worse
than death. __________________________
| |
Alessa has been trapped | TRANSCRIPTION NOTE: |
in an endless nightmare | Subtitle reads "wakens".|
from which she never wakens. | Dahlia says "awakens". |
|__________________________|
He has been nurtured
by that nightmare.
Waiting for
the day to be born.
That day has finally come.
The time is neigh.
Everyone will be released,
from pain and suffering.
Our salvation is at hand.
This is the day of reckoning.
When all our sorrows
will be washed away.
When we return to
the true paradise!
Dahlia raises her arms and gazes above as she continues.
Dahlia: My daughter will be
the mother of God!
Suddenly a small light forms between the wheelchair figure and Alessa,
expanding over both of them.
The large ball of light fades away, revealing a a holy-looking female
figure resembling Alessa. She wears a white dress and is glowing brightly.
Dahlia suddenly takes a bullet to the chest and falls to the ground.
Kaufmann enters the meeting holding a revolver and his briefcase. He stops
beside Harry, looking towards Dahlia and the Girl in White.
Kaufman: Quit screwing around!
Return things to how
they were before!
Harry: Kaufmann!
Kaufmann: Did I ask for this!
Nobody uses me!
You won't get away
with this!
Dahlia lifts to her hands and knees to face Kaufmann.
Dahlia: Your role is over.
We don't need you anymore.
What do you think you can
accomplish by coming here?
Kaufmann: My, aren't we getting cocky?
Bet you can't see this
and keep your cool.
Kaufmann reaches into his suit pocket. He pulls out the red glass vial
found by Harry in the motorcycle. It takes Dahlia by extreme surprise.
Dahlia: (trembling)
Aglaophotis!
I thought I got rid of that!
Kaufmann: All I had to do was plant it
somewhere for you to find,
You all, well,
it kept you busy.
Ha!*
You're easy!
And there's more
where this came from!
Dahlia reaches her arm forward in desperation.
Dahlia: Stop it!!
Kaufmann swings his arm back and throws the glass vial towards the Girl in
White. Time slows down as we watch the vial in slow motion. All sound is
quiet as it spins through the air.
It explodes on contact, staining the Girl in White's dress and removing
her glow.
Girl in White: (echoing)
Ahh!*
She holds her arms around her body and then over her head.
Harry: Huh?*
What the!?
Dahlia begins madly laughing. Kaufmann takes a few step back, frightened.
Kaufmann: (under his breath; barely audible)
What on earth?
That's not supposed to...
The Girl in White is slumped over. Blood splashes from her back. A small
winged creature sprouts from within her. It rapidly increases in size as
it rises above her body. Harry takes a step back.
The creature kicks off from Alessa's body and flaps its wings as it
ascends above the arena. Harry and Kaufmann watch on.
Dahlia is still on her knees. The creature shoots red lightning bolts at
her. Her body is consumed by fire and she falls down dead.
The player takes control and must kill the creature. After the final shot,
the creature begins to struggle while flapping its wings. The same scream
from the Girl in White is heard as the creature holds its hands on its
head, contorting its body.
The flying demon falls down to the ground. It is encompassed by the same
bright ball of white light from before.
Girl in White: Daddy!*
The ball of light fades away, revealing the Girl in White with her stained
clothes but still glowing faintly. She pants while on her hands and knees,
looking up at Harry who stares back. Flames begin to fall from above as
the arena shakes, as if about to crumble.
She sits up and holds her arms to her body. She begins to glow more
brightly for a moment as Harry watches her closely.
She now holds a baby in her arms. She extends it out towards Harry. He
takes the baby in his arms and stares at it.
The flames and shaking increase as the Girl in White points to a blue
light in the distance. Harry looks at it and then back at the baby, unsure
what to do.
Cybil regains consciousness nearby. She stands and makes her way to Harry.
Kaufmann lies face forward on the floor. He looks all over as he stands.
CG MOVIE:
Lisa, entirely covered in dried blood, crawls up from underneath the mesh
floor. She grabs a hold of Kaufmann. They have a brief struggle as Lisa
nervously breathes but neither say anything. Kaufmann screams wildly as
she pulls him to the floor, out of frame.
Cut to Cybil and Harry with the baby running towards the blue light. An
explosion is heard above. Harry and Cybil stop and look up. They brace for
impact. Fade to white.
Fade back in to Harry and Cybil still fine. We see Alessa holding her arm
out, watching over them as their protector.
Harry and Cybil continue to run away as the Girl in White drops, this time
likely dead. Fade to black.
Cut to Harry and Cybil running through the foggy streets. They disappear
into the fog ahead. Fade to white.
Roll credits over black.
POST CREDITS CG MOVIE:
Harry is knelt over holding the baby next to Cybil in a graveyard. He
rises while admiring the child. Cybil reaches in to nudge the baby and
both lock eyes. Fade to black.
Roll bloopers.
--------------------------------------------------------------------------
12.2: Final Arena - Good Ending
--------------------------------------------------------------------------
Harry approaches Dahlia who stands next to Alessa slumped on her knees and
a disfigured body in a wheelchair. They're in a large empty arena.
Harry: Dahlia!
Dahlia: Well, well, well.
To think you'd make it this far.
Harry: Where's Cheryl!?
What have you done to her!?
Dahlia: What are you talking about?
You've seen her many times.
Restored to her former self.
Harry: I'm in no mood for jokes.
Dahlia: Don't you see?
She's right there.
Dahlia points to the figure in the wheelchair beside Alessa.
Harry: That's absurd.
Dahlia: You are the only one
who thinks so.
Harry: Why?
Why are you doing this?
Dahlia: It's been a long seven years...
For the seven years
since that terrible day,
Alessa has been kept alive,
suffering a fate worse
than death. __________________________
| |
Alessa has been trapped | TRANSCRIPTION NOTE: |
in an endless nightmare | Subtitle reads "wakens".|
from which she never wakens. | Dahlia says "awakens". |
|__________________________|
He has been nurtured
by that nightmare.
Waiting for
the day to be born.
That day has finally come.
The time is neigh.
Everyone will be released,
from pain and suffering.
Our salvation is at hand.
This is the day of reckoning.
When all our sorrows
will be washed away.
When we return to
the true paradise!
Dahlia raises her arms and gazes above as she continues.
Dahlia: My daughter will be
the mother of God!
Suddenly a small light forms between the wheelchair figure and Alessa,
expanding over both of them.
The large ball of light fades away, revealing a a holy-looking female
figure resembling Alessa. She wears a white dress and is glowing brightly.
Dahlia suddenly takes a bullet to the chest and falls to the ground.
Kaufmann enters the meeting holding a revolver and his briefcase. He stops
beside Harry, looking towards Dahlia and the Girl in White.
Kaufman: Quit screwing around!
Return things to how
they were before!
Harry: Kaufmann!
Kaufmann: Did I ask for this!
Nobody uses me!
You won't get away
with this!
Dahlia lifts to her hands and knees to face Kaufmann.
Dahlia: Your role is over.
We don't need you anymore.
What do you think you can
accomplish by coming here?
Kaufmann: My, aren't we getting cocky?
Bet you can't see this
and keep your cool.
Kaufmann reaches into his suit pocket. He pulls out the red glass vial
found by Harry in the motorcycle. It takes Dahlia by extreme surprise.
Dahlia: (trembling)
Aglaophotis!
I thought I got rid of that!
Kaufmann: All I had to do was plant it
somewhere for you to find,
You all, well,
it kept you busy.
Ha!*
You're easy!
And there's more
where this came from!
Dahlia reaches her arm forward in desperation.
Dahlia: Stop it!!
Kaufmann swings his arm back and throws the glass vial towards the Girl in
White. Time slows down as we watch the vial in slow motion. All sound is
quiet as it spins through the air.
It explodes on contact, staining the Girl in White's dress and removing
her glow.
Girl in White: (echoing)
Ahh!*
She holds her arms around her body and then over her head.
Harry: Huh?*
What the!?
Dahlia begins madly laughing. Kaufmann takes a few step back, frightened.
Kaufmann: (under his breath; barely audible)
What on earth?
That's not supposed to...
The Girl in White is slumped over. Blood splashes from her back. A small
winged creature sprouts from within her. It rapidly increases in size as
it rises above her body. Harry takes a step back.
The creature kicks off from Alessa's body and flaps its wings as it
ascends above the arena. Harry and Kaufmann watch on.
Dahlia is still on her knees. The creature shoots red lightning bolts at
her. Her body is consumed by fire and she falls down dead.
The player takes control and must kill the creature. After the final shot,
the creature begins to struggle while flapping its wings. The same scream
from the Girl in White is heard as the creature holds its hands on its
head, contorting its body.
The flying demon falls down to the ground. It is encompassed by the same
bright ball of white light from before.
Girl in White: Daddy!*
The ball of light fades away, revealing the Girl in White with her stained
clothes but still glowing faintly. She pants while on her hands and knees,
looking up at Harry who stares back. Flames begin to fall from above as
the arena shakes, as if about to crumble.
She sits up and holds her arms to her body. She begins to glow more
brightly for a moment as Harry watches her closely.
She now holds a baby in her arms. She extends it out towards Harry. He
takes the baby in his arms and stares at it.
The flames and shaking increase as the Girl in White points to a blue
light in the distance. Harry looks at it and then back at the baby, unsure
what to do. Then he begins to run towards the blue light.
Kaufmann lies face forward on the floor. He looks all over as he stands.
CG MOVIE:
Lisa, entirely covered in dried blood, crawls up from underneath the mesh
floor. She grabs a hold of Kaufmann. They have a brief struggle as Lisa
nervously breathes but neither say anything. Kaufmann screams wildly as
she pulls him to the floor, out of frame.
Cut to Harry sprinting away from the fiery arena with the baby in his
arms. We then see Alessa lying motionless, likely dead, as the fire
continues to fall around her.
Cut to Harry sprinting through the foggy streets. He soon disappears into
the thick fog ahead. Fade to white.
Roll credits over black.
POST CREDITS CG MOVIE:
Harry runs through the dark night, still with the baby in arms. Suddenly
he stops and looks around as crickets hum. He tilts up at the camera which
zooms out to reveal him on an empty road under a street light. Fade to
black.
Roll bloopers.
--------------------------------------------------------------------------
12.3: Final Arena - Bad+ Ending
--------------------------------------------------------------------------
Cybil cocks and aims her gun at Dahlia, who stands next to Alessa slumped
on her knees and a disfigured body in a wheelchair. They are in a large
empty area. Harry is not seen yet.
Dahlia: I was shocked to realize
the talisman of Metraton
was being used.
In spite of the lost soul
returning at last,
Just a little longer and all
would have been for naught.
It's all because of that man.
We must be thankful to him. ______________________________
| |
Even though Alessa | TRANSCRIPTION NOTE: |
has been stopped, | Dahlia says: |
his little girl still has to go. | "his little girl has to go."|
What a pity... | "still" is written but |
| unspoken. |
|______________________________|
Dahlia laughs.
Cybil: Freeze!
She shoots at Dahlia. An invisible forcefield blocks the bullet.
Cybil: What in the devil's name...!
A force violently blasts Cybil to the floor, knocking her out cold.
Harry appears and approaches Dahlia, Alessa and the wheelchair figure.
Harry: Dahlia!
Dahlia: Well, well, well.
To think you'd make it this far.
Harry: Where's Cheryl!?
What have you done to her!?
Dahlia: What are you talking about?
You've seen her many times.
Restored to her former self.
Harry: I'm in no mood for jokes.
Dahlia: Don't you see?
She's right there.
Dahlia points to the figure in the wheelchair beside Alessa.
Harry: That's absurd.
Dahlia: You are the only one
who thinks so.
Harry: Why?
Why are you doing this?
Dahlia: It's been a long seven years...
For the seven years
since that terrible day,
Alessa has been kept alive,
suffering a fate worse
than death. __________________________
| |
Alessa has been trapped | TRANSCRIPTION NOTE: |
in an endless nightmare | Subtitle reads "wakens".|
from which she never wakens. | Dahlia says "awakens". |
|__________________________|
He has been nurtured
by that nightmare.
Waiting for
the day to be born.
That day has finally come.
The time is neigh.
Everyone will be released,
from pain and suffering.
Our salvation is at hand.
This is the day of reckoning.
When all our sorrows
will be washed away.
When we return to
the true paradise!
Dahlia raises her arms and gazes above as she continues.
Dahlia: My daughter will be
the mother of God!
Suddenly a small light forms between the wheelchair figure and Alessa,
expanding over both of them.
The large ball of light fades away, revealing a a holy-looking female
figure resembling Alessa. She wears a white dress and is glowing brightly.
Blue static electricity appears around the Girl in White.
Dahlia: It's awakening!
It's awake!
Now no one can interfere!
Harry: Cheryl!!
Dahlia: Give up!
That person no longer exists.
This is a God!
Descended among us to reach out
and save us!
The Girl in White strikes Dahlia with blue lightning. Her body sets aflame
and she bursts out laughing as she drops to the floor.
Harry must then defeat the Girl in White. After the final shot, she
screams and begins to stagger as she falls to her knees with her head
down.
Girl in White: Daddy!*
Harry: Cheryl!*
Girl in White: Thank you daddy.
Goodbye.
The Girl in White's body disappears as flames begin falling from the roof.
The arena starts to shake.
Harry: Cheryl...?
Harry drops to his hands and knees. He lowers his head to the ground. He
bangs the ground once with his fist as he talks.
Harry: Can't be?
You can't leave like this...
This can't be happening!
Cheryl!?
...Cheryl!!
Cut to Cybil regaining consciousness. She stands and walks over to Harry
with a limp.
Harry is still on his knees. She pulls him up and slaps him, then shakes
him by the shoulders.
Cybil: Harry.
Go.
He doesn't react whatsoever. The camera moves up to watch them from above
in the fiery room, before turning away. Fade to black. Roll credits. Roll
bloopers.
There is no post credits scene in this ending.
--------------------------------------------------------------------------
12.4: Final Arena - Bad Ending
--------------------------------------------------------------------------
Harry approaches Dahlia who stands next to Alessa slumped on her knees and
a disfigured body in a wheelchair. They're in a large empty arena.
Harry: Dahlia!
Dahlia: Well, well, well.
To think you'd make it this far.
Harry: Where's Cheryl!?
What have you done to her!?
Dahlia: What are you talking about?
You've seen her many times.
Restored to her former self.
Harry: I'm in no mood for jokes.
Dahlia: Don't you see?
She's right there.
Dahlia points to the figure in the wheelchair beside Alessa.
Harry: That's absurd.
Dahlia: You are the only one
who thinks so.
Harry: Why?
Why are you doing this?
Dahlia: It's been a long seven years...
For the seven years
since that terrible day,
Alessa has been kept alive,
suffering a fate worse
than death. __________________________
| |
Alessa has been trapped | TRANSCRIPTION NOTE: |
in an endless nightmare | Subtitle reads "wakens".|
from which she never wakens. | Dahlia says "awakens". |
|__________________________|
He has been nurtured
by that nightmare.
Waiting for
the day to be born.
That day has finally come.
The time is neigh.
Everyone will be released,
from pain and suffering.
Our salvation is at hand.
This is the day of reckoning.
When all our sorrows
will be washed away.
When we return to
the true paradise!
Dahlia raises her arms and gazes above as she continues.
Dahlia: My daughter will be
the mother of God!
Suddenly a small light forms between the wheelchair figure and Alessa,
expanding over both of them.
The large ball of light fades away, revealing a a holy-looking female
figure resembling Alessa. She wears a white dress and is glowing brightly.
Blue static electricity appears around the Girl in White.
Dahlia: It's awakening!
It's awake!
Now no one can interfere!
Harry: Cheryl!!
Dahlia: Give up!
That person no longer exists.
This is a God!
Descended among us to reach out
and save us!
The Girl in White strikes Dahlia with blue lightning. Her body sets aflame
and she bursts out laughing as she drops to the floor.
Harry must then defeat the Girl in White. After the final shot, she
screams and begins to stagger as she falls to her knees with her head
down.
Girl in White: Daddy!*
Harry: Cheryl!*
Girl in White: Thank you daddy.
Goodbye.
The Girl in White's body disappears as flames begin falling from the roof.</pre><pre id="faqspan-3">
The arena starts to shake.
Harry: Cheryl...?
Harry drops to his hands and knees. He lowers his head to the ground. He
bangs the ground once with his fist as he talks.
Harry: Can't be?
You can't leave like this...
This can't be happening!
Cheryl!?
...Cheryl!!
Fade to black. Roll credits.
POST CREDITS CG MOVIE:
Harry sits with his head titled back and eyes and mouth open in his
crashed Jeep, completely still. The horn is blaring, blood is smeared on
his forehead and down his face. He is dead. Fade to black.
Roll bloopers.
--------------------------------------------------------------------------
12.5: UFO Ending
--------------------------------------------------------------------------
The UFO ending consists of five brief extra scenes after using the
Channeling Stone in the following locations, plus the ending itself
afterwards. Each interaction is written below.
--------------------------------------------------------------------------
12.5a: School Rooftop - 1st Sighting
--------------------------------------------------------------------------
A pulsating whirring sound is heard in the distance.
Harry: What?
Harry looks up in the dark sky and sees a single small light.
Harry: (inner monologue)
That light!?
Cut to a closeup of the white light in the shape of an alien spaceship
fluttering about. We cut back to Harry watching on as it slowly flies away
and disappears. The sound fades away as well.
--------------------------------------------------------------------------
12.5b: Hospital Courtyard - 2nd Sighting
--------------------------------------------------------------------------
The same pulsating whir is heard.
Harry: What?
The perspective shifts to the night sky above Harry. The same small bright
white light is visible.
Harry: (inner monologue)
That light!?
After another brief closeup, it flies up and down towards the left before
disappearing.
--------------------------------------------------------------------------
12.5c: Motel Compound - 3rd Sighting
--------------------------------------------------------------------------
Again the pulsating whir is heard.
Harry: What?
We shift up to the night sky to see the small light.
Harry: (inner monologue)
That light!?
We see a brief closeup before it veers off to the right and then back left
in a zigzag before disappearing.
--------------------------------------------------------------------------
12.5d: Boat Cain - 4th Sighting
--------------------------------------------------------------------------
The pulsating whir sounds from outside.
Harry: What?
Out the cabin window are five small lights in a small circle a far
distance away.
Harry: (inner monologue)
That light!?
We see a brief closeup of a few of them fluttering. Back with Harry, the
lights expand outward and disappear.
--------------------------------------------------------------------------
12.5e: Lighthouse Roof - 5th Sighting
--------------------------------------------------------------------------
Once more the pulsating whir sound plays in the distance.
Harry: What?
Up in the sky this time is a full fleet of small lights. They're ordered
in three separate lines beside each other.
Harry: (inner monologue)
That light!?
We see a closeup of a bunch of them fluttering about. Then we cut back to
behind Harry as the fleet of lights approaches him
Fade to white. Cut to ending.
--------------------------------------------------------------------------
12.5f: Lighthouse Roof - Abduction (Ending)
--------------------------------------------------------------------------
The following plays out in the form of images and sound.
Fade in to multiple flying saucers with their lights flashing on their
undersides. At the top of the frame we see a few traditional-looking
aliens peering out of the saucer window.
As we fade to black we hear a sealed door open followed by multiple
footsteps.
Fade in to Harry standing with his arms wide as a few aliens stand around
him.
Harry: (nervously laughing)
Sorry...
Ah...
We hear an undecipherable alien voice respond. As Harry continues, we hear
alien weapons cocking while perhaps a laser charges up.
Harry: Let me ask you, have you seen
a little girl around here?
Short, black hair.
Quickly fade to black. Suddenly a zapping blast is heard, cutting him off
off before he can speak any more.
Harry: (screaming)
Ahhhh!*
Fade in to Harry being zapped by an alien aiming its weapon right at him,
right next to another holding a weapon but not firing.
Fade to black as Harry is heard falling to the floor.
Cut to Harry being dragged to a flying saucer from behind. Two aliens
carry him as his arms are draped around them. They approach two more
aliens at the front of a ship, while others are seen by their own ships on
the side.
We hear more alien voices and fade to black as a door is heard closing.
Finally we see the alien spacecrafts flying off into the night sky,
growing smaller before turning into a distant twinkling light like that of
a star. Roll scrolling credits, straight out of Star Wars.
Title card: THE END
Roll bloopers.
--------------------------------------------------------------------------
12.6: Bloopers
--------------------------------------------------------------------------
All clips are CG MOVIES and feature title cards with the character names
after each freeze frame:
Kaufmann chases after Lisa in a hallway. He pulls her arm to stop her. As
she's about to snap at him, Kaufmann begins an odd posture dance as he
backs away. It catches Lisa by surprise and she bursts out laughing.
Freeze frame on her beautiful smile.
LISA
GARLAND
Kaufmann twists around and dances in front of Lisa, with a rare smile on
his face as well. Freeze frame on Kaufmann, with Lisa smiling in the
background.
MICHAEL
KAUFMANN
Cybil walks through a graveyard. She motions forward with her hand a few
times. Freeze frame on her smile.
CYBIL
BENNETT
Cheryl stands amongst the fog in town, staring into the camera. She cutely
hunches over with her face towards the camera, as if roaring like a tiger.
Freeze frame on her face with her teeth fully showing.
CHERYL
MASON
A teenage Alessa sits back in her bed. She wears a black shirt which is
opened, revealing bandages covering her chest and torso. She tilts her
head towards the camera and gives an awkward thumbs up with a bit of a
duck face. Freeze frame.
ALESSA
GILLESPIE
Dahlia stands facing the Jesus cross in the church. She turns around to
face the camera while twisting her body in a bit of a dance. She puckers
her lips and closes her eyes as she rushes to smooch the camera. Freeze
frame close on her face.
DAHLIA
GILLESPIE
Harry lies on the bench in the diner. He awakens and springs up in a
hurry, but falls to the side as he does so. He gathers himself back up and
wipes his arm over the bench, as if to play it off. He tilts his head back
and forth with a childish expression before looking cooly into the camera.
Freeze frame.
HARRY
MASON
--------------------------------------------------------------------------
==========================================================================
4. T R A N S C R I P T I O N N O T E S
==========================================================================
--------------------------------------------------------------------------
Any time a script or something is transcribed it can be helpful to have a
few clarifications along the way. This section covers just that,
clearing up a few of my markings seen throughout along with some noted
mistakes in the original subtitles, some of which are also marked in the
script with transcription notes.
==========================================================================
I. SCRIPT MARKINGS
==========================================================================
A few markings you will see in the script:
--------------------------------------------------------------------------
CG MOVIE: This means the following scene in the paragraph plays
out as a detailed CG movie rather than the blocky
in-game graphics. The end of the paragraph and start
of a new one afterwards indicates the game has
switched back to in-game graphics. Generally lines
are almost always spoken only during in-game graphics
outside of a few instances like screams or Cheryl's
"Daddy---help me" struggle on the TV screen.
--------------------------------------------------------------------------
* This asterisk means that the preceding line is
unsubtitled in-game but I have still transcribed it.
There are many cases where words at the very
beginning or end of scenes are said but not
subtitled, often when fading in or out, but there are
other cases as well, particularly for screams, ha's
and hmm's, which are written as I personally hear
them. If not asterisked, they are subtitled as they
are written.
--------------------------------------------------------------------------
(inner monologue) This means Harry is not actually speaking the
following words which only appear onscreen, as if
we are reading his thoughts. These moments are
important to the story so I've included them.
Every line in the same (inner monologue) grouping
means it's not spoken, while if a described event
occurs between the next thought it will be written
as (inner monologue) again. Without the descriptor,
it means the line is spoken.
--------------------------------------------------------------------------
(angrily) These are all modifiers or other descriptors that
(trembling) help explain a character's tone, which I've written
(screaming) above their lines when necessary. (sighs) indicates
(sighs) that character has let out a sigh, offscreen means
(offscreen) the character is unseen while speaking, generally
(over black) meaning other characters have not yet seen them in
(telephone filter) that scene. Telephone or TV filter means it sounds
etc. compressed as it would from those devices. Over black
means these lines are said with nothing but a black
screen, usually before or after a fade in or out.
They are all very straightforward.
--------------------------------------------------------------------------
Let's just go over a few examples to clarify.
--------------------------------------------------------------------------
EXAMPLE: CG MOVIE
--------------------------------------------------------------------------
CG MOVIE:
Harry awakens in the driver's seat of his crashed Jeep. He pulls his hands
over his face before suddenly shifting his attention to the passenger
seat. Cheryl is gone and the door is open. He looks out past the open door
and turns to look out his window before stepping outside. He steps away
from the wreckage while looking all over. The entire area is engulfed in
thick fog.
Harry walks on the road beside a shop, then stops and turns his head to
look over the area. It's very quiet and also snowing.
--------------------------------------------------------------------------
EXPLANATION:
The entire paragraph under CG MOVIE plays out in a pre-rendered scene,
whereas the next, smaller paragraph below indicates it is separate from it
and thus returned to in-game graphics. There are no cases where a CG movie
will extend beyond one paragraph, other than the opening movie which is
nothing but CG movies and many scenes spliced together.
--------------------------------------------------------------------------
EXAMPLE: UNSUBTITLED BUT SPOKEN LINES
--------------------------------------------------------------------------
Dahlia: Come!*
Come along!*
Alessa: No!*
No!
I don't want to!
Dahlia: Do what mommy tells you, now.
--------------------------------------------------------------------------
EXPLANATION:
Dahlia's "Come! Come along!" and Alessa's first "No!" go entirely without
subtitles in this case. The following lines are all subtitled properly.
This is probably because they are at the very beginning of a scene while
we're still somewhat fading in to it. This seems to happen a lot at the
very beginning and end of scenes throughout.
--------------------------------------------------------------------------
EXAMPLE: UNSUBTITLED BUT SPOKEN LINES
--------------------------------------------------------------------------
Kaufmann: All I had to do was plant it
somewhere for you to find,
You all, well,
it kept you busy.
Ha!*
You're easy!
And there's more
where this came from!
--------------------------------------------------------------------------
EXPLANATION:
The "Ha!" written here goes unsubtitled. This happens a lot throughout,
same for screams. And fair enough cause they're not exactly words but I
felt they're important to transcribe. There are many cases where I've
just described screams or laughs in the description paragraphs if it's
really not necessary to add the character's line just for it. But if
they're already speaking, I've added them on there for convenience, along
with the asterisk to indicate it's not in the subtitle. There may be some
cases where something like a hmm is said quietly enough that I felt it
wasn't necessary but I've generally included these.
--------------------------------------------------------------------------
EXAMPLE: INNER MONOLOGUE
--------------------------------------------------------------------------
After taking a few steps into town, Harry stops and listens to footsteps
from the distance.
Harry: (inner monologue)
Footsteps?
Harry runs around the street corner.
CG MOVIE:
Across the road stands Cheryl, seen from her side/rear profile. She holds
a mysterious pose without moving.
Harry: Cheryl?
Is that Cheryl!?
--------------------------------------------------------------------------
EXPLANATION:
The first line is inner monologue but the second one with no modifier
after the described event is spoken. If it were also inner monologue, I
would've written it again.
--------------------------------------------------------------------------
EXAMPLE: INNER MONOLOGUE
--------------------------------------------------------------------------
Just inside the back path is a massive amount of blood splattered all over
the ground and side wall.
Harry: (inner monologue)
What the..?
What is it?
As the player advances through another gate, the light begins to fade into
darkness.
Harry: (inner monologue)
That's strange,
it's getting darker.
He pulls out a lighter and strikes it.
Harry: (inner monologue)
......better than nothing,
I guess.
--------------------------------------------------------------------------
EXPLANATION:
As seen here, I've described events between Harry's inner monologue lines,
but I kept adding it to make it clear these lines are not spoken.
--------------------------------------------------------------------------
EXAMPLE: INNER MONOLOGUE
--------------------------------------------------------------------------
After passing through the Levin Street home into the backyard, the daytime
light fades into sudden darkness.
Harry: (inner monologue)
What?
It's getting dark again?
What's going on!?
Harry turns on his flashlight.
--------------------------------------------------------------------------
EXPLANATION:
Do note that in cases like this, all these lines are inner monologue. If
he were to switch into spoken voice before any descriptor happened, I
would've written "(spoken)" before those words. But I don't think there's
any case where this happens. So if you see "(inner monologue)", a certain
event and then no "(inner monologue)" listed, those second lines are
spoken. Just want to be clear on this for anyone potentially curious.
--------------------------------------------------------------------------
EXAMPLE: MODIFIERS AND DESCRIPTORS
--------------------------------------------------------------------------
After returning from the previous room, Harry hears a voice behind him.
Lisa: (offscreen)
Harry?
Harry turns around. Lisa stands in the corner beside the door.
Harry: Lisa...
What's the matter with you?
--------------------------------------------------------------------------
EXPLANATION:
In this case we do not see Lisa until Harry turns around. Very simple.
--------------------------------------------------------------------------
EXAMPLE: MODIFIERS AND DESCRIPTORS
--------------------------------------------------------------------------
Harry: Wait.
We don't know what's back there.
I'd better check it out first.
Cybil: I'm a cop. I should go.
Harry: (assertively)
No. I'm going.
--------------------------------------------------------------------------
EXPLANATION:
Here I'm indicating that Harry is being firm in what he's saying, since
the game's punctuation otherwise doesn't make it clear. He is not yelling
at Cybil but his tone is a bit louder and it is clearly not up for debate.
He's going and that's that.
==========================================================================
II. SUBTITLE MISTAKES
==========================================================================
Here we'll cover a few mistakes found in the subtitles. Note the ">>"
arrows indicate which lines appear incorrectly and how they should read.
The unmarked lines are unaffected without any mistakes.
--------------------------------------------------------------------------
SUBTITLE/VOICE DIFFERENCES:
--------------------------------------------------------------------------
WHAT THE SUBTITLE SAYS: WHAT THE VOICE SAYS:
--------------------------------------------------------------------------
Harry: I don't know who you are, >> I don't know who you are
what you are trying to do, >> or what you're trying to do,
and I don't care.
(Harry says this in more of a
natural flow than subtitled.)
--------------------------------------------------------------------------
Dahlia: Even though Alessa
has been stopped,
his little girl still has to go. >> his little girl has to go.
What a pity...
(Perhaps "still" was in the
original script and meant
to be said, but it is not
spoken here by Dahlia.)
--------------------------------------------------------------------------
Dahlia: Alessa has been trapped
in an endless nightmare
from which she never wakens. >> from which she never awakens.
(Subtle but she does say
"awakens" instead.)
--------------------------------------------------------------------------
In these cases in the script I've kept the original subtitle as written
but have added a transcription note beside it to clarify the error.
--------------------------------------------------------------------------
PUNCTUATION/CAPITALIZATION MISTAKES:
--------------------------------------------------------------------------
WHAT THE SUBTITLE SAYS: WHAT IT SHOULD SAY:
--------------------------------------------------------------------------
Dahlia: In spite of the lost soul
returning at last,
Just a little longer and all >> just a little longer and all
would have been for naught.
(De-capitalization of "j".
Or perhaps even a period in
the previous line instead.)
--------------------------------------------------------------------------
Kaufmann: All I had to do was plant it
somewhere for you to find, >> somewhere for you to find.
You all, well,
it kept you busy. (Should be a period instead
of a comma.)
--------------------------------------------------------------------------
I've also kept these as written in the script since I've shown a lot of
preference to the subtitles and perhaps they're not major mistakes
anyway.
There are perhaps many other cases where one could probably challenge the
punctuation by nitpicking but it's really not worth going over in my
opinion.
--------------------------------------------------------------------------
==========================================================================
5. C R E D I T S
==========================================================================
--------------------------------------------------------------------------
In this section I'd just like to thank some people that contributed to
the making and hosting of this FAQ, along with some general thanks.
- Thanks to Team Silent, KCET and Konami for developing and publishing
Silent Hill.
- Thanks to GameFAQs, IGN and all other web sites for hosting this FAQ.
- Thanks to all for being patient over the years for me to finally get
back to this script, fully finishing it and correcting all mistakes.
- Thanks to everyone who gives this FAQ a good rating. It is much
appreciated.
© COPYRIGHT 2004-2020 BY ANDREW HAFFENDEN
END OF FILE
