Resident Evil 3: Nemesis Game Script
Written by: Saiyuki12
This is a script of the cutscenes in Resident Evil 3: Nemesis. It does not
contain wording from inspecting things or the wording on the signs. There is
already an epilogue script out, so there won’t be one here.
Disclaimer: Resident Evil 3: Nemesis and all its elements belongs to Capcom
and the author has not made any money off of writing this script. This
script may be viewed on gamefaqs.com only. This may not be reproduced under
any circumstances except for personal, private use. It may not be placed on
any web site or otherwise distributed publicly without advance written
permission. Use of this guide on any other web site or as a part of any
public display is strictly prohibited, and a violation of copyright.
Version 1.0 If there are any mistakes, let me know and I’ll fix them.
Table of Contents
1. Raccoon City’s Narrator
2. Defense Crushed
3. The Escape
4. Surrounded
5. Choice
6. Get Away!
7. No Escape
8. End of Brad Vickers
9. Outside
10. Radio Transmission
11. Meet Carlos(Restaurant)
12. Basement
13. Kitchen
14. Meet Carlos (Raccoon Press)
15. Hide
16. Window
17. The Mercenaries
18. The Plan
19. Trapped
20. Target
21. Electrocute
22. Firefighter Jill
23. Umbrella Business Building (Nicholai)
24. Umbrella Business Building (Carlos)
25. Nemesis Cut-Off
26. Falling
27. Climb
28. Fall
29. Last One Standing
30. Gas Station (Nicholai)
31. Gas Station(Carlos)
32. The Worm
33. Time to Go (Carlos at Umbrella Building)
34. Time to Go
35. Stowaway
36. Sacrifice
37. The Last Stand
38. Window
39. Brake
40. Just a Piece of Paper
41. Nemesis Arrives
42. Light
43. Cord
44. Transport Cut-Off
45. Infection
46. Help
47. Nemesis Rises
48. Nemesis Falls
49. Carlos...
50. Alone
51. Chapel
52. Hunter
53. Traitor
54. Enter Gamma
55. Bomb
56. Noises
57. Nemesis Returns
58. Vaccination
59. Bad News
60. Playing
61. Barge
62. Message
63. Another Mutant
64. The Worm
65. The Escape
66. Bridge Terror
67. Push
68. Missile
69. Jump
70. Job
71. Sneak
72. Bonus
73. Garbage Dispsoal
74. Acid Death
75. Garbage Dump
76. Garbage?
77. Radio Room 1
78. Radio Room 2
79. Negotiate
80. Destroy
81. No Escape
82. Rail Cannon
83. Nemesis’ Final Form
84. Full Power
85. Nemesis’ Defeat
86. Determination
87. S.T.A.R.S.
88. Escape
89. Rescue
90. Ending
1. Raccoon City’s Narrator
(Screen: A picture of the Umbrella Corporation’s logo)
Jill Valentine (Narration): It all began as an ordinary day in September...
An ordinary day in Raccoon City, a city controlled by Umbrella.
(Screen: Jill Valentine’s upper body moving from left-to-right)
Jill Valentine: No one dared to opposed them... and that lack of strength
would ultimately lead to their destruction. I suppose they had to suffer the
consequences for their actions, but there would be no forgiveness.
(Screen: Jill closes her eyes)
Jill Valentine: If only they had the courage to fight. It’s true once the
wheels of justice began to turn, nothing can stop them. Nothing.
(Screen: Jill sitting on a bed, legs crossed, and loading a gun.)
Jill Valentine: It was Raccoon City’s last chance... and my last chance...
My last escape.
2. Defenses Crushed
(Screen: Racoon City Streets. A helicopter flies in the distance)
Pilot of Helicopter: this is Chopper Delta. Prepare to drop off at Area
E95070...
(Screen: People are screaming and running from the horde of zombies coming
their way as the helicopter flew by.)
(Screen: A zombie rears it’s head and yelled. Zombies attack a car with a
woman inside screaming.)
(Screen: A man watches zombies attack a person)
Man: What are they?! (turns to his right to see a zombie coming after him)
No!
(Screen: Raccoon City Police arrive in their cars, creating a barrier as
they moved into position and police rush out of a police van.)
(Screen: A helicopter hovers by a clock tower as soldiers slide down on
ropes.)
(Screen: The Raccoon City Police officers are situated behind their squad
cars.)
Officer 1: Blockade is ready. Awaiting orders. Over. (Officers aim their
guns)
Radio: All units proceed to Richmond and Victoria...
Soldier 1: Alright, let’s do it.
Soldier 2: Go, go, go!
(Screen: The Raccoon City Police officers are situated behind their squad
cars, guns aimed at the zombies.)
Officer 2: Fire!
(Screen: The Raccoon City Police officers fire at the zombies.)
Officer 3: Come and get it!
(Screen: The zombies continue to advance, no matter how many times they are
shot. Zombies fall to the ground, only to get back up again.)
Officer 4: Son of a!
Officer 5: Don’t give up!
(Screen: The zombies reach the officers and attack. The officers scream.)
(Screen: An elevator chimes as two soldiers walk by, the Umbrella
Corporation logo on their vests.)
Soldier 3: Where are they?
(Screen: They turn as the elevator door opens, revealing zombies coming
out.)
Solider 4: Where did they come from?!
(Screen: Outside, soldiers are ambushed by zombies as they fire at them. A
soldier takes out a grenade.)
Soldier 5: (pulls the pin off of grenade) Die!
(Screen: The soldier tosses the grenade and it explodes, but the zombies
are barely fazed by it.)
(Screen: A soldier is surrounded by zombies as he backs away and fires his
automatic gun at them.)
Soldier 6: You want some more?! (His back hits the wall.)
(Screen: The zombies reach for him and he screams.)
(Screen: The police barricade is deserted and the camera closes in on a
police helmet, the visor down to reflect zombies passing by.)
3. The Escape
(Screen: The screen is black as words appear: Farewell to my life.
Farewell to my home. This is my last chance for survival. This is, my last
escape.)
(Screen: An explosion occurs at the entrance of a building. Zombies are
thrown back as Jill Valentine rolls out of the building.)
4. Surrounded
(Screen: Jill Valentine finds herself surrounded by zombies. She backs into
a door and bashes into it with her shoulder. She breaks in after the second
time and backs away from the advancing zombies, turning around and running.
She opens a door and goes inside.)
5. Choice
(Screen: Black)
Jill Valentine: September Twenty-Eight, Daylight... The monsters have
overtaken the city. Somehow... I’m still alive.
(Screen: Jill is standing before a small stairway, a man named Dario is
behind her.)
Jill Valentine: Okay. (turns around) We gotta get out of here.
Dario: (shock and hysterical) Wha? What do you think you’re talking about?! I
just lost my daughter out there! How dare you tell me to go back outside!
Jill Valentine: I’m sorry about your daughter. But there isn’t going to be
any rescue! We have to get out of here!
Dario: (yells) NO!! I’m not going anywhere! I rather starve myself than be
eaten by one of those undead monsters! Now leave me alone!
Screen: Dario runs into the back of a truck trailer and locks himself
inside. Jill Valentine tries talking to him again.)
Dario: Told you! I’m not leaving! Never! Just leave me be!
6. Get Away!
(Screen: Jill Valentine enters a bar through the back door. She hears
grunting and sees Brad Vickers being attacked by a zombie, whom he pushes
away.)
Brad Vickers: Get away! (fires his gun at it)
7. No Escape
(Screen: After Jill Valentine helps Brad Vickers kill the zombie, Brad
Vickers falls into his behind. Jill Valentine walks up to him.)
Jill Valentine: Brad, hang in there. Why isn’t someone doing something about
this?
Brad Vickers: I didn’t know you sere still alive, Jill. The police aren’t
trained for this kind of situation. What could they do? (stands up) Listen,
he’s coming for us. We’re both gonna die!
(Screen: Brad Vickers turns away.)
Jill Valentine: What are you saying?
Brad Vickers: You’ll see. (walks to the door) He’s after S.T.A.R.S. members.
There’s no escape.
(Screen: Brad Vickers leaves the bar.)
8. End of Brad Vickers
(Screen: Jill Valentine walks up to the Raccoon Police Station when she
hears a noise. She turns around and gasps.
Brad Vickers: (hunched and bleeding) J-Jill!
Jill Valentine: Brad!
(Screen: A creature in black, Nemesis, jumps between them and Brad Vickers
screams, falling onto his behind.)
Brad Vickers (crawling backwards as Nemesis advances) Jill! Help! (Nemesis
grabs him by the neck and lifts him up) Noooooooooo!
(Screen: A purple tentacle from Nemesis’ wrist shoots out and pierces Brad
Vickers in the neck.)
Jill Valentine: No!
(Screen: Nemesis tosses Brad Vick’s body onto the ground as Jill Valentine
gasps, staring at her fallen comrade.)
Jill Valentine: Brad...?
Nemesis: S.T.A.R.S.
9. Outside
(Screen: Jill Valentine walks away from the entrance doors when suddenly,
the doors thrust forward, but remain lock Jill Valentine moves back.)
10. Radio Transmission
(Screen: Jill Valentine was about to leave the S.T.A.R.S. office when the
radio beeps. She walks over to it.)
Man’s Voice:...No...Come...head...Our platoon is...off...No survivors have
been found...This is Carlos...se-...poi-...immediately...
11. Meet Carlos(Restaurant)
(Screen: Jill Valentine opens the hatch to the basement when she hears a
noise. She turns around to see a mercenary, Carlos Oliviera, sitting on his
behind while holding onto the counter.)
Jill Valentine: What’s that?
Carlos Oliviera (stands up): Calm down, lady. I’m no zombie. My name is
Carlos, corporal of Umbrella’s Biohazard Counter Measure Force. What’s your
name?
(Screen: Carlos Oliviera walks up to Jill Valentine.)
Jill Valentine: Jill. Did you just say you belong to Umbrella’s army?
Carlos Oliviera: Yeah. We came all the way out here to save your civilians,
but the mission went bad the minute we landed.
(Screen: A door slams and Nemesis roars, charging from the back.)
Jill Valentine: No. How did he find me?
12. Basement (If you choose ‘Run into the basement’)
(Screen: Jill Valentine kneels before the hatch.)
Jill Valentine: This way!
(Screen: Jill Valentine and Carlos Oliviera jump into the basement, which
was flooded with a foot of water. Nemesis bangs around above, knocking a few
pipes loose that began to fill the basement with water. Jill Valentine and
Carlos Oliviera escape through a ventilation shaft.)
Jill Valentine: Wait. I have to ask you something.
Carlos Oliviera: I know. You wanna ask me out. All the foxy ladies have my
accent. It drives them crazy.
Jill Valentine: What? Keep dreaming. Tell me, why did Umbrella send your team
in?
Carlos Oliviera: We’re here to rescue the civilians.
Jill Valentine: Don’t lie to me! Umbrella is the reason why this whole mess
began!
Carlos Oliviera: Look, we’re just mercenaries. Hired hands. You really think
the master would tell his dog why he has to retrieve the stick he just threw?
If you want answers, you should talk to someone else. I am not with Umbrella.
(Screen: Zombies appear behind Jill Valentine.)
Carlos Oliviera: We have to finish this later. Believe it or not, we’re only
here to rescue the civilians. If you can trust me, then help us! Think about
it!
(Screen: Carlos Oliviera runs away.)
13. Kitchen (If you choose ‘Hide inside the kitchen’)
(Screen: Jill Valentine runs to the counter.)
Jill Valentine: Over here!
(Screen: Jill Valentine and Carlos Oliviera hide behind the counter as
Nemesis roars where they once stood. Jill Valentine grabs and oil-based lamp
and throws it into the kitchen, hitting the leaking pipes. Jill Valentine and
Carlos Oliviera hide under the counter as the kitchen explodes.)
Carlos Oliviera (Jill Valentine and Carlos Oliviera stand): Are you crazy?!
You could’ve barbeque both of us!
(Screen: Jill Valentine and Carlos Oliviera head for the entrance door as
Nemesis stands up, roaring. Jill Valentine and Carlos Oliviera leave, Carlos
Oliviera firing at Nemesis.)
Jill Valentine (Carlos Oliviera walking off): I need to ask you something.
Why did Umbrella send your team here?
Carlos Oliviera (turns around): Our mission is to rescue the civilians.
Jill Valentine: How kind of you. Considering that Umbrella caused all this in
the first place, those liars!
Carlos Oliviera: Look, we’re just mercenaries. Hired hands.
(Screen: Jill Valentine and Carlos Oliviera hear glass breaking.)
Carlos Oliviera: No time for talking. If you can believe me, then join us.
Think about it!
(Screen: Carlos Oliviera runs off.)
14. Meet Carlos(Raccoon Press)
(Screen: Jill Valentine enters an office and finds a mercenary, Carlos
Oliviera, lying on the ground near a fire. She walks up to Carlos Oliviera
and kneels before him.)
Jill Valentine: Hey.
Carlos Oliviera (moans): Wha...where am I? (sits up with hand to head)
Jill Valentine: Relax. You’re fine.
Carlos Oliviera: If you say so, but my head feels like it’s about to explode.
(stands with one arm around his stomach) Anyway, name’s Carlos. Glad to meet
you, lady.
Jill Valentine: Jill. (Carlos Oliviera walks to the doorway) Alpha Team.
R.P.D. S.T.A.R.S. Unit. Who do you represent?
Carlos Oliviera (enters the hallway and points gun forward while whistling)
S.T.A.R.S.? I see. Well, I’m a member of the Biohazard Counter Measure Force
sent by Umbrella Corporation. (lowers gun)
Jill Valentine: Sent by Umbrella?
Carlos Oliviera (turns to Jill Valentine) Hey, don’t look at me like that!
What did I say? D’you have a problem?
(Screen: Jill Valentine and Carlos Oliviera hear Nemesis walking up the
burning stairs.)
Jill Valentine: Oh no! It’s him!
15. Hide (If you choose ‘Hide in the back’)
(Screen: Jill Valentine and Carlos Oliviera hide in the office under a
window. Nemesis walks around the hallway until an explosion knocks him
through the window, knocking him out. Jill Valentine and Carlos Oliviera
leave the Raccoon Press.)
Jill Valentine: I need to ask you something. Why did Umbrella send your team
here?
Carlos Oliviera: Our mission is to rescue the civilians.
Jill Valentine: How kind of you. Considering Umbrella caused all this in the
first place, those liars!
Carlos Oliviera: Look, we’re just mercenaries. Hired hands. Do you really
think the master would tell his dog why he would have to retrieve the stick
he just threw?
(Screen: Jill Valentine and Carlos Oliviera hear glass breaking.)
Carlos Oliviera: No time for talking. If you can believe me, then join us.
Think about it!
(Screen: Carlos Oliviera runs off.)
16. Window (If you choose ‘Jump out of the window’)
Jill Valentine: Come on!
Screen: Jill Valentine and Carlos Oliviera jump through the window in the
back as something explodes behind them, falling into a heap of garbage
below.)
Carlos Oliviera: Ow! That kill! (Jill Valentine and Carlos Oliviera stand up)
Just so you know, I’m not into that ‘Pain is Pleasure’ thing, okay?
Jill Valentine: Just deal with it. That thing wants me dead. We gotta get out
of here!
(Screen: Jill Valentine and Carlos Oliviera go through the door and are
outside Raccon Press. Jill Valentine wipes her forehead as Carlos Oliviera
begins to leave.)
Jill Valentine: Wait. (Carlos Oliviera stops) I have to ask you something.
Carlos Oliviera: I know. You wanna ask me out. All the foxy ladies have my
accent. It drives them crazy. (Jill Valentine and Carlos Oliviera walk a
bit.)
Jill Valentine (stops walking): I have to know. Why did Umbrella send you
here?
Carlos Oliviera (turns around): Because, we’re on a civilian rescue mission.
Jill Valentine (walks up to Carlos Oliviera): Oh, you’re full of it! They’re
the ones who caused all of this in the first place!
Carlos Oliviera: Look, we’re just mercenaries. Hired hands. You really think
the master would tell his dog why he has to retrieve the stick he just threw?
(Screen: Jill Valentine doesn’t answer.)
Carlos Oliviera: Listen, if you want answers about Umbrella, you’re asking
the wrong guy. Believe it or not, we’re only here to rescue civilians. If you
can trust me, join us. Think about it!
(Carlos Oliviera runs off.)
17. The Mercenaries
(Screen: Jill Valentine enters a trolley and a mercenary with white hair,
Nicholai Ginovaef, walks up to her.)
Jill Valentine: You’re one of the survivors from the rescue team, right? I
just ran into your teammate, Carlos.
Nicholai Ginovaef: How did a girl like you managed to survive?
Jill Valentine: Hey, I’m no ordinary civy. I’m a member of S.T.A.R.S.
Nicholai Ginovaef: S.T.A.R.S.? You mean the R.P.D. special force team? (Turns
and walks into the next car)
(Screen: A mercenary lying on the chairs, Mikhail Victor, moans as he
clutches his arm, injured.)
Jill Valentine: Hey, is someone wounded back there?
(Screen: Jill Valentine walks up to Mikhail Victor and kneels before him,
inspecting his wounds.)
Jill Valentine: Oh, this looks bad.
Mikhail Victor (groaning in his sleep): They’re coming. Get ready! (raises
his arm) Aaaaaah...vile...vile! (arm drops) Stand together!
Jill Valentine: Calm down. You’re safe now. (places her hand on his arm)
Everything’s going to be okay.
18. The Plan
(Screen: Jill Valentine enters the second car, where Nicholai Ginovaef and
Carlos Oliviera are.
Carlos Oliviera: So Jill, you decide to help us out? It looks like we’re the
only ones who survived. We should work together.
Nicholai Ginovaef: No. We can’t trust her.
(Screen: Jill Valentine walks up a bit and Carlos Oliviera walks up to
Nicholai Ginovaef)
Carlos Oliviera: Why? But Sergeant, we need her help! Our unit’s down to you,
me, and Lieutenant Mikhail. That’s it! And Mikhail’s hurt bad. If we don’t
cooperate, we won’t be walking away from this mission.
(Screen: Nicholai Ginovaef places a hand to his chin and pauses.)
Nicholai Ginovaef (places hand down): Hmm, fine. Then let’s go over our plan.
We’re moving to the Clock Tower area, which is the designated landing zone
for the extraction chopper. Once we get there, and give the signal, the
chopper will fly in and pull us out.
Carlos Oliviera: That’s a lot of ground to cover. I don’t think we can make
it on foot.
Nicholai Ginovaef: The main problem we have is the landing zone is cut off
from here by the fire. So, we have no choice but to use this cable car to
navigate through it. Fortunately, we can use it as a moving shield to get us
through the worst areas.
Carlos Oliviera: That works for me. Good plan, sir!
Nicholai Ginovaef: Okay people, let’s get moving!
(Screen: Nicholai Ginovaef leaves)
Carlos Oliviera (handing Jill Valentine something): Jill, put this on.
(Screen: Screen turns black as sounds are heard. Screen changes to Jill
Valentine wearing a utilities belt and alone.)
19. Trapped
(Screen: Jill Valentine leaves the room of the electrical plant to see
zombies outside the gate, pounding against it.)
20. Target (If you choose ‘Head to the emergency exit’)
(Screen: Jill Valentine runs for the emergency exit, only to find it rusted
shut. She runs to another door and unlocks it, going outside. Zombies are
coming towards her when suddenly, an explosion knocks them back. Jill
Valentine turns to see Nemesis on a rooftop, aiming his rocket launcher at
her. She runs back inside as he fires off more rockets, killing the zombies.)
21. Electrocute (If you choose ‘Increase electrical output’)
(Screen: Jill Valentine runs to the consol and presses a button. The
electrical device becomes surrounded with electricity that shot out at the
gate. The zombies are electrocuted until they explode. The electrical device
gives off smoke as it stops.)
22. Firefighter Jill
(Screen: Jill Valentine hooks up the fire hose to the water main and sprays
water onto the fire, putting it out.
23. Umbrella Business Building (If you met Carlos at the Restaurant)
(Screen: Jill Valentine enters the building)
Voice: Wait!
(Screen: Jill Valentine hears gunshots and she runs inside to find Nicholai
Ginovaef kneeling before the dead body of a mercenary, a laptop in his hand.)
Jill Valentine: What did you do?!
Nicholai Ginovaef: I had no choice. He was about to turn into a zombie. It
would’ve been a threat, so I eliminated it. (begins working on his laptop)
Jill Valentine: But...he was still conscious, wasn’t it?
Nicholai Ginovaef: He was as good as dead...and it took fewer bullets to kill
him now than it would have if he had transformed.
(Screen: Jill Valentine tries talking to him again.)
NIcholai Ginovaef (waves laptop): Not now! I’m busy!
(Screen: Jill Valentine reads some files, then turns on the TV. A lady walks
up to a product on the screen and Jill Valentine uses the product’s name as a
password on the computer. The password is accepted and a door unlocks. Jill
Valentine enters the room and collects the items inside, then goes to leave.)
(Screen: Outside, zombies are slowly making their way to the Umbrella
Business Building. They burst through the window, some getting caught up in
the blinds before sliding in.)
(Screen: At the door, Nicholai screams. The zombies open the door and walk
in, heading for Jill Valentine.)
24. Umbrella Business Building (If you met Carlos at Raccoon Press Building
and choose to jump out the window)
(Screen: Jill Valentine walks into the building)
Voice: No!
(Screen: Jill Valentine hears something falls and runs in. Carlos Olivera is
standing before a badly-injured mercenary that is sitting on the floor.)
Carlos Oliviera: Don’t make me do this, Murphy! I don’t want to shoot you!
Murphy (stands and slowly walks to Carlos Oliviera): Kill me! I...finished.
Not...human...
Carlos Oliviera (walks back): Wait! We...we don’t have to do this!
Murphy: Please hurry...before I lose conscious...before it’s too late... Kill
me!!
(Screen: Carlos Oliviera screams as he fires his assault gun, killing
Murphy. Murphy falls to the floor, dead. Carlos Oliviera falls to his knees
onto the floor.)
Carlos Oliviera: ...Murphy...(hits the floor with his fist) Why...no, no...
(get up and runs)
Jill Valentine: Carlos!
(Screen: Carlos leaves the building. Jill Valentine reads some files, then
turns on the TV. A lady walks up to a product on the screen and Jill
Valentine uses the product’s name as a password on the computer. The password
is accepted and a door unlocks. Jill Valentine enters the room and collects
the items inside, then goes to leave.)
(Screen: Outside, zombies are slowly making their way to the Umbrella
Business Building. They burst through the window, some getting caught up in
the blinds before sliding in.)
(Screen: The zombies open the door and walk in, heading for Jill Valentine.)
25. Nemesis Cut-Off
(Screen: Jill Valentine heads to the door past the water main when Nemesis
walks in, roaring. Nemesis charges forward and raises a fist at Jill
Valentine. She dodges the punch, Nemesis cutting through the water main and
Jill Valentine steps backwards as he raises and arm, roaring.)
26. Falling
(Screen: Jill Valentine runs through the garage when the area began to
shake. She stops and looks around when suddenly, the ground falls out under
her. Jill Valentine grabs the ledge in time and pulls herself up. To her
horror, boxes from a van begin sliding out.
27. Climb (if you choose ‘Climb Up’)
(Screen: Jill Valentine quickly climbs up and back away as the boxes slid
and fell into the hole.)
28. Fall (if you choose ‘Jump Off’)
(Screen: Jill Valentine yells as she falls down into the hole. Getting up
from her knees, she jumps back as the boxes fell where she landed.)
29. Last One Standing
(Screen: Jill Valentine opens the door leading to the trolley, hearing gun
shots. Mikhail Victor is fighting against zombies, backing up into the far
wall. Jill Valentine runs to help.)
(Screen: Mikhail holds his side for a minute before continuing to fire.)
Mikhail Victor: Don’t come any closer!
(Screen: Mikhail knocks the barrel towards them and fires, the barrel
exploding and taking out the zombies (If there is no barrel, he uses a
grenade to destroy the zombies). Mikhail Victor falls to his knees as Jill
Valentine runs up to him.)
Jill Valentine: Mikhail, do you have some kind of death wish?
Mikhail Victor: My people...they were wiped out by these monsters! I can’t
stop just because I’m wounded!
Jill Valentine: But can’t you see those monsters are also the victims of
Umbrella?
Mikhail Victor: Are you accusing me of taking it out on them? You don’t seem
to understand something. We’re not really involve with the company! (tries to
stand, but falls onto his behind) There’s no reason for any of us to take
responsibility for this mess!
(Screen: Jill Valentine takes Mikhail Victor’s arm and lifts him back up
onto his feet, his arm around her shoulder.)
Jill Valentine: I know that...and right now, that’s the only reason why I’m
trying to cooperate with you.
(Screen: Jill Valentine helps Mikhail Victor into the trolley and back onto
the seats.)
Mikhail Victor (holding his arm): I’m...sorry. I feel so useless.
Jill Valentine: Don’t. You fought hard and have the wounds to prove it.
Mikhail Victor (looks away): But...I’m still...alive. My men aren’t...
Jill Valentine: Don’t think about that now. Just rest.
30. Gas Station (If you met Carlos at Raccoon Press Building and jumped
through the window)
(Screen: Jill enters the gas station. She walks up to the counter, then turns
when she hears someone come in. Nicholai Ginovaef walks up to her.)
Nicholai Ginovaef: I’ll check over there.
(Screen: Nicholai Ginovaef walks into the garage and begins inspecting the
area. Jill Valentine finds and electronic lock and cracks the code,
collecting the item inside. As she was about to leave the counter, sparks
from a cut wire fly and hit the oil on the ground where Nicholai Ginovaef was
kneeling, who screams as he stands up when the room explodes.)
Jill Valentine: Nicholai!
(Screen: Jill Valentine tries to run to his aid, but dodges the wave of
flames rushing out of the room. She gets up to see the gas station on fire
and runs for the door, looking back one last time before leaving.)
(Screen: Fire continues to engulf the gas station. Jill Valentine turns back
to see small explosion, holding up her arms with a cry as she runs. The gas
station finally explodes, sending Jill Valentine flying and screaming. She
slowly gets up and leaves.)
31. Gas Station (Any other scenario except for above)
(Screen: Jill enters the gas station. She walks up to the counter, then turns
when she hears someone come in.)
Carlos Oliviera: Jill!
(Screen: Jill Valentine and Carlos Oliviera hear moaning outside)
Carlos Oliviera: Hey, the zombies are getting restless.
Jill Valentine: I know. I can hear them. What’s going on?!
(Screen: Jill Valentine tries to go behind the counter.)
Carlos Oliviera (looking outside): Jill!
Jill Valentine (turns around): What’s wrong?!
(Screen: Zombies are walking towards the gas station.)
Carlos Oliviera: They’re coming! They must’ve sniffed us out! They know we’re
here!
(Screen: Jill Valentine raises an arm.)
Jill Valentine: Hey, calm down.
Carlos Oliviera (turning around and cocking his gun): Any objections to my
playing hero this time?
Jill Valentine: What are you doing?!
(Screen: Carlos Oliviera turns and leaves the gas station.)
Jill Valentine: Carlos!
(Screen: Jill Valentine looks outside the glad door. Carlos Oliviera is
firing at the advancing zombies.)
Carlos Oliviera: Eat this! (yells)
(Screen: Jill Valentine runs behind the counter and cracks the code to the
electronic lock. She collects the item inside, then turns to leave the
counter.)
(Screen: Sparks fly from a cut wire, causing the garage to explode. Jill
Valentine dodges the wave of fire that came out, setting the gas station on
fire. She runs for the door, looking at the garage one last time fore going
outside. Carlos Oliviera is leaning against the gas station on his rear,
appearing unconscious.)
Jill Valentine: Carlos! (falls to her knees) No!
Carlos Oliviera (takes a breath and looks at her): Relax. I’m not dead yet.
Jill Valentine: Are you okay? (stands up)
Carlos Oliviera (pants as he stand up, one arm around his middle): I’m fine.
Huh, that hero stuff is harder than it looks.
(Screen: They run away from the gas station)
(Screen: Fire continues to engulf the gas station. Jill Valentine turns back
to see small explosion, holding up her arms with a cry as she runs. The gas
station finally explodes, sending Jill Valentine flying and screaming. She
and Carlos Oliviera slowly get up.)
Carlos Oliviera: Ouch. My ears are ringing. We both should be deaf by now.
Olay, I’m gonna scrounge some equipment. There might not be any at our
destination.
(Screen: Carlos Oliviera leaves)
32. The Worm
(Screen: Jill Valentine is running through the park when the area starts
shaking again. She stops, then yells as the ground gives way. Jill Valentine
falls into a sewer, standing up as she hears noises. She looks at the wall
behind her, then walks backwards as the wall burst, a creature with four
fangs and a large mouth bursting through to try and bite her before going
back into the wall.)
33. Time to Go (If you met Carlos at Umbrella Office Building)
(Screen: Jill Valentine fixes the trolley and stands just as Carlos Oliviera
walks in.)
Jill Valentine: Carlos, I’m sorry about Murphy, but there was nothing you
could have done.
Carlos Oliviera: Yeah...You’re right, Jill. I’ll operate the cable car.
Jill Valentine: Uh...Nicholai...won’t be joining us. C’mon, let’s go.
34. Time to Go (Any other scenario except for above)
(Screen: Jill Valentine fixes the trolley and stands just as Carlos Oliviera
walks in.)
Carlos Oliviera: It looks like we’re ready to go. Here, take this. (hands
Jill Valentine an item)
Jill Valentine: Okay. Uh...Nicholai...won’t be joining us.
Carlos Oliviera: I understand. I’ll operate the cable car. Let’s go.
35. Stowaway
(Screen: Jill Valentine walks up to Carlos Oliviera as he works the controls
for the trolley.)
Carlos Oliviera: It’s looking good.
(Screen: Carlos Oliviera pulls a lever and the trolley begins moving.
Suddenly, the trolley shakes with the sound of an explosion, Jill Valentine
crying out. They also hear someone yelling in pain.)
Carlos Oliviera: Mikhail!
(Screen: Jill Valentine leaves the car and finds Mikhail Victor on the
floor, leaning against the wall next to the door.)
Jill Valentine: Mikhail!
(Screen: Jill Valentine turns to see Nemesis rising up, roaring.)
36. Sacrifice
(Screen: Jill Valentine knocks Nemesis onto the floor, but Nemesis rises up
again with a roar.
Mikhail Victor (standing up and aiming his gun): Jill, get out of the cable
car now!
Jill Valentine: Mikhail, wait! Don’t!
Mikhail Victor (firing his gun): There’s no time! Hurry!
(Screen: Jill Valentine leaves.)
37. The Last Stand
(Screen: Mikahil Victor is firing at Nemesis while backing up, Nemesis
advancing towards him.)
Mikhail Victor: Come one! Come on!
(Screen: Mikhail Victor’s gun runs out of bullets and Nemesis knocks him
into the side windows and he falls onto the seats. Mikhail Victor reaches for
his gun, but Nemesis grabs him and throws him onto the floor, stomach first.)
Mikhail Victor (reaching into his vest) Just...a little closer...
(Screen: Nemesis raises a hand, a tentacle shooting out of his wrist as he
walks to Mikhail Victor, who rolls onto his back to reveal a grenade.)
Mikhail Victor: You lose... (pulls the pin)
(Screen: The trolley is wracked with explosions, and Nemesis’ body is thrown
out the back window on fire. The screen turns black.)
Jill Valentine: Mikhail...
(Screen: The trolley is out of control and on fire. Jill Valentine stands
up and walks to Carlos Oliviera, who is fiddling with a lever.)
Carlos Oliviera: No! The brakes are out!
(Screen: The trolley shakes and Jill Valentine and Carlos Oliveria cry out
and move back a bit)
38. Window (If you choose ‘Jump out the window’)
(Screen: Jill Valentine runs to the window in the back of the trolley.)
Jill Valentine: It’s useless!
Carlos Oliviera (Jill jumps out the window): No!
(Screen: The trolley runs out of control and collides with the concrete
gate and side of the Clock Tower.)
(Screen: Jill Valentine moans as she slowly stands up, finding herself in a
bedroom that the trolley collided into. As she heads for the door, she hears
something and turns around.)
(Screen: Zombies are moaning as they appear out of the fire next to the
trolley.)
39. Brake (If you choose ‘Use the emergency brake’.)
(Screen: Jill Valentine runs up to the panel as Carlos Oliviera jumps out
of the trolley.)
Jill Valentine: It must be...
(Screen: Jill Valentine smashes her fist into the emergency break and cries
out, one hand to her face.)
(Screen: The trolley runs out of control and collides with the concrete gate
and side of the Clock Tower.)
(Screen: Jill Valentine moan and stands up, finding herself in front of the
Clock Tower outside the trolley.)
40. Just a Piece of Paper (If you choose ‘Use the emergency brake’.)
(Screen: Jill Valentine finds Carlos Oliviera in the dining room, his back
to her.)
Jill Valentine: Carlos. I don’t believe it. You’re alive.
Carlos Oliviera: I’m not sure how we are gonna get out of this town.
Jill Valentine: What are you thinking about? We made it!
Carlos Oliviera (turns around): You don’t get it! They have no intention of
letting us make it back alive! Do you really think we can trust their ‘great
evacuation plan’? Huh! It’s just a piece of paper!
Jill Valentine: We don’t have any other choice than to trust them right now.
Carlos Oliviera: No! If we’re gonna die, then we should get to choose when it
happens!
(Screen: Pause.)
(Screen: Jill Valentine slaps Carlos Oliviera in the face, who cries out.)
Jill Valentine: So that’s it then, huh? You’re giving up?
Carlos Oliviera: No...I just...I can’t handle it!
Screen: Carlos Oliviera runs off.)
41. Nemesis Arrives
(Screen: Jill Valentine heads for the door when Nemesis opens it, walking
onto the balcony.)
Nemesis: S.T.A.R.S...(Roars)
42. Light (If you choose ‘Use the light’.)
(Screen: Jill Valentine runs to the switch and turns on the light. Nemesis
cries out and waves his arms around, blind. Jill Valentine dodges the arms
and pushes Nemesis off the balcony.)
43. Cord
(Screen: Jill Valentine runs to the spotlight and rips out an electric
cord. She tosses it into the puddle the Nemesis is standing in, electrocuting
him. Nemesis yells, then collapses. Jill Valentine heads for the door as
Nemesis regains consciousness, roaring.)
44. Transport Cut-Off
(Screen: The Clock Tower bells are ringing as a helicopter appears, Jill
Valentine exiting the Clock Tower.)
Jill Valentine: We’re saved. (waves arms) Down here!
(Screen: The helicopter prepares to land.)
Jill Valentine: It’s finally over...
(Screen: A rocket launcher fires a rocket.)
Jill Valentine (sees the rocket): Huh? No!
(Screen: The rocket destroys the helicopter, Jill Valentine crying out as
she held her head in her hands. The helicopter’s remains fall onto the exit
of the Clock Tower, blocking her escape.)
Jill Valentine: No... (sees Nemesis with rocket launcher)
45. Infection
(Screen: Nemesis jumps down in front of Jill Valentine, trying to punch
her. Jill Valentine dodges and moves back, but Nemesis thrusts his right arm
forward, a tentacle shooting out and hitting her in the shoulder. Jill
Valentine grunts as the tentacle pierces her shoulder, purple fluid seeping
out of her wound.)
46. Help (If you choose ‘Use the emergency brake’.)
Carlos Oliviera: Jill!
(Screen: Carlos Oliviera jumps over the destroyed helicopter and begins
firing at Nemesis. Nemesis fires a rocket, which explodes behind Carlos
Oliviera and knocks him to the ground. Carlos Oliviera slowly gets back up
and fires with a war cry. Nemesis aims the rocket launcher, but Carlos
Oliviera does so as well, making it explode and knocking Nemesis back. Carlos
Oliviera passes out.)
47. Nemesis Rises (If you or Carlos Oliviera destroy Nemesis’ rocket
launcher.)
(Screen: Nemesis rise up with a roar, his jacket in tatters. He slowly
walks over to Jill Valentine.)
48. Nemesis Falls
(Screen: Nemesis is crying out as he bleeds heavily. He slowly walks into
the destroyed helicopter, falling into the fire.)
49. Carlos...
Jill Valentine (walking over to Carlos Oliviera slowly): Carlos...
(Screen: Jill Valentine collapses with a moan of pain. Carlos Oliviera
slowly regains consciousness and sees Jill Valentine.)
Carlos Oliviera: Jill! (Gets up slowly with one arm around his stomach and
kneels before her, lifting her into his arms) Jill...(Shakes her a bit) Hey,
don’t die on me. (holds Jill Valentine to him)
(Screen: Screen fades to black.)
Carlos Oliviera: Jill! JIIIIIIIILLLLLL!!!!
50. Alone
(Screen: Jill Valentine walks slowly for a bit before collapsing.)
(Screen: Carlos Oliviera jumps over the destroyed helicopter and sees Jill
Valentine.)
Carlos Oliviera: Jill! (runs over and lifts Jill Valentine into his arms)
Jill, hang in there! (shakes Jill Valentine a bit) What have I done? I’m
sorry Jill. (holds Jill Valentine to him) Please, wake up!
(Screen: Screen fades to black.)
Carlos Oliviera: Jill! JIIIIIIIILLLLLL!!!!
51. Chapel
(Screen: Black.)
Jill Valentine: October First. Night. I woke up to the sound of falling rain.
I can’t believe I’m still...alive.
(Screen: Carlos Oliviera is kneeling before Jill Valentine, who is lying on
a table in the chapel. Jill Valentine slowly comes to with a moan of pain.)
Jill Valentine: Carlos...?
Carlos Oliviera: It looks like our roles have been reversed from when we
originally met, huh? Don’t worry, Jill. This chapel is safe.
Jill Valentine: ...I’ve been infected by the virus...haven’t I? (winces in
pain)
Carlos Oliviera: Hey, take it easy.
Jill Valentine: I’m okay. I don’t...feel any pain. (rolls to her side away
from Carlos Oliviera as he stands) But that’s what bothers me. If I can’t
feel anything, then what does that mean?
Carlos Oliviera: Don’t give up, Jill. I’ll take care of you! Whatever you do,
don’t let that virus beat you!
(If you try to talk to Jill Valentine again.)
(Screen: Carlos kneels before Jill Valentine.)
Jill Valentine: If I turn into a zombie...don’t hesitate. I want your
word...that you’ll kill me...
52. Hunter
(Screen: Carlos Oliviera walks to the door leading to an office when he
hears moaning. A zombie walks over from a corner. A screech is heard and a
hunter lands, cutting off the zombie’s head. The hunter screeches at Carlos
Oliviera.)
53. Traitor
(Screen: Carlos Oliviera enters an office.)
Voice: Don’t shoot! (sound of gunshots) Nooo!
(Screen: Carlos Oliviera runs around a filing case to find Nicholai Ginovaef
shooting at a mercenary.)
Carlos Oliviera: Nicholai?! You’re still alive?! (walks up to Nicholai
Ginovaef)
Nicholai GInovaef: You saw what happened?
Carlos Oliviera: What’s going on?!
Nicholai Ginovaef: I’m one of the supervisors. That’s all you need to know.
(aims gun at Carlos Oliviera)
Carlos Oliviera: Wait!
(The mercenary pulls out a grenade and takes out the pin. Carlos Olivier and
Nicholai Ginovaef runs, Carlos Oliviera running to the side as Nicholai
Ginovaef is thrown out a window by the explosion.)
54. Enter Gamma
(Screen: Carlos Oliviera was about to leave the lab when the gammas in the
test tubes bang on the glass, cracking it before throwing themselves at the
test tubes, destroying them and freeing themselves.)
55. Bomb
(Screen: Carlos Oliviera enters the lobby and finds a bomb strapped to a
pillar.)
Narration: It seems to be a time-based bomb.
(Screen: Carlos Oliviera exits the hospital.)
(Screen: Carlos Oliviera runs as the timer winds down.)
Carlos Oliviera: Come on!
(Screen: The hospital explodes, Carlos Oliviera crying out as he flew into
the air and rolls onto the ground. Carlos Oliviera leans against a pole,
wiping the sweat from his brow with a sigh.)
56. Noises
(Screen: Carlos Oliviera enters the Clock Tower, hearing noises above and
seeing the ceiling crack.)
57. Nemesis Returns
(Screen: Carlos Oliviera runs through the folly when he hears noises. A part
of the wall on the second floor cracks, then explodes. Nemesis, shirtless and
with more tentacles on his right arm, jumps into the folly, roaring at Carlos
Oliviera.)
58. Vaccination
(Screen: Carlos Oliviera enters the chapel and walks up to Jill Valentine,
kneeling before her. The screen turns black and Jill moans painfully.)
59. Bad News (If you meet Nicholai Ginovaef at the gas station and if you
choose ‘Escape through the window’.)
(Screen: Carlos is kneeling before Jill Valentine as she turns her head to
look at him.)
Carlos Oliviera: We barely made it. How do you feel?
Jill Valentine (sits up): I’m okay. What happened to you?
Carlos Oliviera: I just fought with that monster. Uh...I’ve got some bad
news. Nicholai’s still alive.
Jill Valentine: But I thought he was dead!
Carlos Oliviera: Heh, that guy doesn’t know the meaning of the word dead.
Jill Valentine: What is he after?!
Carlos Oliveria: I don’t know. All I know is that he is our enemy. I’m sorry
Jill, but there is something I gotta take care of. (turns) I promise I’ll
meet up with you later.
(Carlos Oliviera runs off as Jill Valentine stands)
60. Playing (If you meet Carlos at the gas station.)
(Screen: Carlos Oliviera is kneeling before Jill Valentine.)
Carlos Oliviera (stands up): Hey, are you okay?
Jill Valentine (sits up): Yes...barely. What’s going on?
Carlos Oliviera: No way! That monster just doesn’t give up!
Jill Valentine: What? I thought we killed that thing!
Carlos Oliviera: No. It’s been waiting for you!
(Screen: Jill Valentine and Carlos Oliviera looked up as Nemesis roars.)
Jill Valentine: He’s playing with us. Carlos, do you think that it’s
unstoppable?
Carlos Oliviera: No...I don’t think so. I’m sorry Jill, but I gotta go take
care of a few things. Oh, and...bad news. Nicholai is still alive.
Jill Valentine: Nicholai? Are you sure?
Carlos Oliviera: Yes. I don’t know how, but I do know that he is our enemy.
(turns) Remember, don’t trust him!
(Screen: Carlos Oliviera runs off as Jill Valentine stands.)
61. Barge
(Screen: Jill Valentine leaves the chapel and enters the music room. She
heads for the door when something bangs on it. Nemesis breaks the door off
its hinges with a roar, going after Jill Valentine.)
62. Message
(Screen: Jill Valentine is about to leave the secret room when the radio in
the back beeps. She walks up to the radio.)
Radio: All supervisors. Mission terminated. Return immediately. Repeat: All
supervisors return immediately. Over.
63. Another Mutant
(Screen: Jill Valentine leaves the secret room and is back in the cabin.)
Nicholai Ginovaef (walks up to Jill Valentine): I’m quite impressed you
managed to stay alive up until now.
Jill Valentine: And you seem to be doing a pretty good job at looking after
yourself. How about helping out?
Nicholai Ginovaef: I have no intention of helping you.
Jill Valentine: Because we’re nothing but pawns in all of this?
Nicholai Ginovaef: In a manner of speaking, you are. Our employers want
detailed analysis of the zombie beings, which were created through infection
by the T-virus.
Jill Valentine: You’re saying that they deliberately sent in a military unit
to be butchered by their creations?
Nicholai Ginovaef: Note exactly. Although the conditions encountered on this
operation were extreme, it was...an unexpected outcome that the team would
be...wiped out. We were only required to collect live data from the subjects.
(Screen: The cabin begins to shake.)
Nicholai Ginovaef: Another mutant! (Runs off)
64. The Worm
(Screen: Jill Valentine leaves the cabin and runs. The graveyard shakes and
Jill Valentine yells.)
Jill Valentine: What’s going on?! Whoa!
(Screen: the ground under Jill Valentine rises up as something moves
underground. Jill Valentine gasps and screams as the ground under her feet
falls and she lands in a trench. A pale-colored worm-like creature bursts
from the ground, rising tall.)
Jill Valentine: What’s that?!
(Screen: The worm opens its mouth, revealing four long fangs and circular
rows of teeth.)
65. The Escape
(Screen: Jill Valentine defeats the worm, who screeches, then dissolves. A
piece of a fence falls, giving Jill Valentine a way to escape.)
66. Bridge Terror
(Screen: Jill Valentine rungs onto a wooden bridge, but then turns around
as she hears a sound. A purple tentacle shoots out of the wooden plank in
front of her.)
Jill Valentine (walking backwards as more tentacles shoot out) No...
(Screen: A tentacle wraps around a metal support bar as Jill Valentine turns
and runs. Nemesis uses the tentacle to jump onto the bridge, cutting Jill
Valentine off.)
67. Push (If you choose ‘Push him off’)
(Screen: Jill Valentine dodges Nemesis as he tries to swipe at her. She
moves to his side and pushes him off.)
68. Missile (If you choose ‘Push him off’)
(Screen: Jill Valentine enters a small office to find Carlos Oliviera
leaning on his arms on a table.)
Jill Valentine: Carlos...
Carlos Oliviera: Jill, listen very carefully. They’re planning on launching a
missile directly into the city as soon as day breaks. The explosion will be
powerful enough to destroy everything!
Jill Valentine: Are you sure about that?
Carlos Oliviera: Positive. I heard it from a supervisor.
Jill Valentine: They’ll go this far to cover their tracks?
Carlos Oliviera: Come on. We have to hurry. There isn’t much time left!
(Screen: Carlos Oliviera leaves.)
69. Jump (If you choose ‘Jump off’)
(Screen: Jill Valentine dodges Nemesis as he tries to swipe at her. She
yells as she jumps off the bridge and into the water below.)
(Screen: Nemesis roars, then walks to the dead factory.)
70. Job
(Screen: Jill Valentine jumps into a water walkway and begins running.
Suddenly, zombies rise out of the water and surround her. Jill Valentine
walks backwards into a wall and aims.)
(Screen: The zombies are killed by a onslaught of gun fire. Jill Valentine
looks to see that it was Carlos Oliviera.)
Carlos Oliviera: Rescuing you is becoming a full-time job. (walks up to Jill
Valentine.)
Jill Valentine: Thanks Carlos. I owe you one.
Carlos Oliviera: Listen closely Jill. They’re going to launch a missile
directly into the city as soon as day breaks.
Jill Valentine: At dawn? B-but that’s only-
Carlos Oliviera: I know. We don’t have much time left. We have to split up
and find a way out of here. And hey, (takes Jill Valentine’s cheek into his
hand) watch out for that traitor Nicholai.
(Carlos Oliviera runs off.)
71. Sneak (If you choose ‘Jump off’)
(Screen: Jill Valentine enters the entrance hallway. She was about to turn
a corner when someone shoots at her and she hides behind the corner. Nicholai
chuckles as he walks off.)
Jill Valentine: Nicholai?
(Screen: The shutter closes behind Nicolai Ginovaef.)
72. Bonus (If you choose ‘Push him off’)
(Screen: Jill Valentine runs for the door to the garbage disposal room when
suddenly, someone shoots at her. She takes cover behind a wall.)
Nicholai Ginovaef (hiding behind another wall): You’re still wandering
around.
Jill Valentine: Nicholai? So, you wanna get out of here alone. Is that your
plan?
Nicholai Ginovaef: I made certain that none of the other supervisors
survived. Since I’’ be the only one who knows what really happened, I’ll have
more...bargaining power when it comes to discussing my bonus. (fires at Jill
Valentine, who hides.)
Jill Valentine: Then why kill me? I’m not on their payroll.
Nicholai Ginovaef (fires twice): Well, they want you eliminated for reasons
of their own. The amount is modest, but there is a reward to be claimed upon
the confirmation of your death.
Jill Valentine: That’s great! Except I have no intention in contributing to
your retirement fund!
(Screen: Nicholai Ginovaef continues to fire until a tentacle wraps around
his neck. Nicholai Ginovaef yells in pain as he was pulled up, blood pooling
onto the ground where he once stood. When no more was heard, Jill Valentine
walks over to where Nicholai Ginovaef once was.)
(Screen: Jill Valentine looks up in horror to see Nicholai Ginovaef hanging
in the pipes of the ceiling, dead.)
73. Garbage Disposal
(Screen: Jill Valentine enters the garbage disposal room, which was dark.)
Announcement: Warning. Proceeding with Operation Number Thirteen. (door
locks) Please evacuate immediately.
(Screen: The lights flicker on as Jill Valentine stares at the door, then
turns around when she hears heavy footsteps.)
Nemesis (walking on garbage pile): S.T.A.R.S...(roars)
(Screen: Nemesis jumps down and swipes at Jill Valentine, who back away and
dodges. Jill Valentine turns to run, but Nemesis cuts her off. Jill Valentine
stands under a pipe and dodges another swipe, running away as the tentacles
hit a valve. Nemesis thrashes about as he is covered in a stream of acid,
which burns off some of his tentacles.)
74. Acid Death
(Screen: Nemesis falls apart from the acid eating at him. The garbage
disposal room shakes and a key card falls out of a dead scientist’ coat
pocket.)
75. Garbage Dump
(Screen: Red lights are flashing as the garbage disposal room’s floor
splits in two, all of the garbage and Nemesis’ body sliding into a piqued
pools below.)
(Screen: Jill Valentine was moving away from the door to the garbage
disposal room when the alarms go off.)
Announcement: Warning. Missile attack confirmed. All personnel evacuate
immediately.
76. Garbage?
(Screen: Jill Valentine enters the control room and the screen show a pool
of liquid below and what appears to be flesh-color garbage.)
77. Radio Room 1 (If you choose ‘Push him off’)
(Screen: Jill Valentine enters the radio room as the radio beeps.)
Carlos Oliviera: Jill...Jill, where are you? If you can hear this
transmission, respond immediately!
(Screen: Jill Valentine runs up to the radio and presses a button.)
Jill Valentine: I’m here. What’s up?
Carlos Oliviera: I got us a ride. The chopper engines are running and ready
to go.
Jill Valentine: On my way.
Carlos Oliviera: This city is about to become Ground Zero. Hurry up! And
don’t forget to take that device with you!
(Screen: Jill Valentine turns to look at a portable device on the radio
consol.)
Jill Valentine: What does it do?
Carlos Oliviera: that device tracks the distance of the approaching missile.
Make sure you bring it with you. Now listen. Don’t give up We’re both gonna
survive this! Just get over there!
(Screen: Jill Valentine grabs the portable device and was about to leave.)
Announcement: Warning. Missile attack confirmed. Warning missile attack
confirmed. Emergency Level B. All personnel evacuate immediately.
(Screen: The shutters slide down and a panel opens up, revealing a ladder.)
78. Radio Room 1 (If you choose ‘Jump off’)
(Screen: Jill Valentine enters the radio room and looks around. As she was
about to leave, the radio beeps and she presses a button.)
Nicholai Ginovaef (helicopter sounds): You’re still alive. Such persistence.
Jill Valentine: Nicholai?
Nicholai Ginovaef: Sorry, but there is no escape for you.
(Screen: A helicopter appears and fires at the windows, Jill Valentine
hiding behind the radio.)
79. Negotiate (If you choose ‘Negotiate with Nicholai’)
(Screen: Jill Valentine grabs the microphone)
Jill Valentine: So, you wanna get out of here alone. Is that your plan?
Nicholai Ginovaef: I made certain that none of the other supervisors
survived. Since I’’ be the only one who knows what really happened, I’ll have
more...bargaining power when it comes to discussing my bonus.
Jill Valentine: Then why kill me? I’m not on their payroll.
Nicholai Ginovaef: Well, they want you eliminated for reasons of their own.
The amount is modest, but there is a reward to be claimed upon the
confirmation of your death.
(Screen: Pause. The radio beeps again.)
Nicholai Ginovaef (the helicopter leaving): Although I’m sure I’ll miss you.
It’s time to say goodbye. You can either accept death with dignity or die
with regret. It’s entirely up to you.
(Screen: The helicopter leaves. Carlos Oliviera enters the radio room.)
Carlos Oliviera: Jill, what happened? (walks up to her)
Jill Valentine: Carlos. Nicholai beat us to the chopper.
(Screen: Carlos Oliviera looks outside.)
Carlos Oliviera: I guess this is it then. But I don’t wanna die in a place
like this! (turns around) This isn’t over yet! I’m not giving up Jill! We
still have a chance!
(Screen: Carlos Oliviera walks over to the radio and begins pressing
buttons. If Jill Valentine tries to talk to him)
Carlos Oliviera: I am not going to give up!
(Screen: Jill Valentine goes to leave.)
Carlos Oliviera (turns around): Jill, that’s it! We gotta find a way outta
here now!
(Screen: Carlos Oliviera runs off. Jill Valentine goes to leave.)
Announcement: Warning. Missile attack confirmed. Warning missile attack
confirmed. Emergency Level B. All personnel evacuate immediately.
(Screen: The shutters slide down and a panel opens up, revealing a ladder.)
80. Destroy (If you choose ‘Return fire to the chopper’)
(Screen: Jill Valentine fires back at the helicopter, making it explode.
The helicopter falls, destroyed. Carlos Oliviera enters the radio room.)
Carlos Oliviera: Jill, what happened? (walks up to Jill Valentine)
Jill Valentine: Carlos...The chopper is...
Screen: Carlos Oliviera looks outside.)
Carlos Oliviera: I guess this is it then. But I don’t wanna die in a place
like this! (turns around) This isn’t over yet! I’m not giving up Jill! We
still have a chance!
(Screen: Carlos Oliviera walks over to the radio and begins pressing
buttons. If Jill Valentine tries to talk to him)
Carlos Oliviera: I am not going to give up!
(Screen: Jill Valentine goes to leave.)
Carlos Oliviera (turns around): Jill, that’s it! We gotta find a way outta
here now!
(Screen: Carlos Oliviera runs off. Jill Valentine goes to leave.)
Announcement: Warning. Missile attack confirmed. Warning missile attack
confirmed. Emergency Level B. All personnel evacuate immediately.
(Screen: The shutters slide down and a panel opens up, revealing a ladder.)
81. No Escape
(Screen: Jill Valentine enters the Rail Cannon testing room. The room
shakes and the door cracks, making it impossible to open again.)
82. Rail Cannon
(Screen: Jill Valentine runs up to the computer next to the rail cannon.)
Computer: Checking...system. (lights turned on at three different batteries)
Checking...data. Warning. There is not enough power to activate...the
system.)
83. Nemesis’ Final Form
(Screen: Jill Valentine runs to Battery 1 and pushes it in. A red light on
the computer turns blue.)
Computer: Battery connected.
(Screen: Jill Valentine is staring at the back wall where a dead tyrant
was, stepping back as pieces of flesh fell, then a piece of Nemesis’ body.
The large piece sprays fluids as it grows and mutates, growing large limbs.
Nemesis flips over, revealing his new face and roaring.)
84. Full Power
(Screen: Jill Valentine avoids Nemesis as she pushes in Battery 2, a red
light turning blue.)
Computer: Battery connected.
(Screen: Jill Valentine runs to Battery 3 and pushes it in, the last red
light turning blue.)
Computer: Battery connected. Rail Cannon has been...activated.
Executing...quick charge program. Preparing to fire.
(Screen: The room begins to shake as the rail cannon is surrounded by
electricity. Jill Valentine continues to avoid Nemesis as he sits on a
garbage pile, shooting acid at her.)
Computer: Five...four...three...two...one...fire.
(Screen: The rail cannon fires, clearing a path in the garbage to an exit
door that was locked.)
85. Nemesis’ Defeat
(Screen: The rail cannon fires at Nemesis, who screeches as parts of his
body are blown off. The smoking remains of his body hit a nearby wall, Jill
Valentine walking up to him with one arm around her waist.)
Computer: Warning. System overheating. Entering cool down mode.)
(Screen: The batteries slide back out as the rail cannon emits smoke.)
86. Determination
(Screen: Jill Valentine runs for the unlocked door when she hears a noise.
She turns around to see a piece of Nemesis, his head, slithering towards
her.)
87. S.T.A.R.S. (If you choose ‘Exterminate the monster’)
(Screen: Nemesis spits acid at Jill Valentine, who rolls away and picks up
a magnum. Jill Valentine fires at Nemesis, who screams. She gets up and
continues to fire, walking up to Nemesis.)
Jill Valentine: You want S.T.A.R.S? I’ll give you S.T.A.R.S. (fires one last
time)
(Screen: Nemesis thrashes around as he dissolves, turning into a pile of
purple-rotted flesh. Jill Valentine leaves the room.)
88. Escape (If you choose ‘Push him off’)
(Screen: Jill Valentine exits the building.)
Carlos Oliviera: Jill!
(Screen: Jill Valentine sees Carlos Oliviera by an active helicopter.)
Carlos Oliviera (waves arms): Over here!
(Screen: Carlos Oliviera and Jill Valentine enter the helicopter and take
off, Carlos Oliviera flying.)
Jill Valentine: I guess we’re all set.
Carlos Oliviera: Alright then, we’re outta here.
(Screen: The helicopter flies by as the missile arrives.)
Jill Valentine: Oh no.
Carlos Oliviera: It’s here. It’s time to go.
(Screen: The missile impacts in the center of Raccoon City, a wave of fire
engulfing the entire city and destroying the streets and the buildings. The
helicopter flies away as a fiery mushroom cloud blooms, Jill Valentine crying
out as the helicopter was hit by the shockwave.)
Jill Valentine (looking outside): That’s it. I had it. This time, they’ve
gone too far.
(Screen: The helicopter flies into the sunrise.)
89. Rescue (If you choose ‘Jump off’)
(Jill Valentine gets off the elevator outside the building. She walks a bit
before hearing the elevator activate. Carlos Oliviera gets off the elevator.)
Carlos Oliviera: Jill!
Jill Valentine: It’s over, Carlos.
Carlos Oliviera: What are you talking about? Don’t you hear that? There’s a
second chopper, and it’s here to rescue you!
Jill Valentine: But who is it? Who could possibly be looking for me?
Carlos Oliviera: It doesn’t matter. We just have to be there when it lands.
(Screen: Carlos Oliviera runs up a bit and ignites a flare, waving his arms
as a helicopter appears, landing before them. They board the helicopter and
it takes off.)
Jill Valentine: Thanks. You saved us.
Barry Burton: I couldn’t let you die.
Jill Valentine: Is...is it you?
(Screen: the helicopter flies by as the missile arrives.)
Jill Valentine: It’s coming!
Barry Burton: Yeah. (looks at his watch) It’s the end.
(Screen: The missile impacts in the center of Raccoon City, a wave of fire
engulfing the entire city and destroying the streets and the buildings. The
helicopter flies away as a fiery mushroom cloud blooms, Jill Valentine crying
out as the helicopter was hit by the shockwave.)
Jill Valentine (looks out the window): That’s it. Umbrella’s going down.
(Screen: The helicopter flies into the sunrise.)
90. Ending
(Screen: The mushroom cloud is frozen.)
Reporter: And now, we have a rather unfortunate turn of events. It seems that
the president and the federal council have passed judgment over the civilians
of Raccoon City. The president and the federal council have ruled that the
bacillus-terminate operation is the best course of action for this extreme
situation and have since, executed it. Based on that fact, the Raccoon City
has been literally wiped off the map. Current reports have the death toll
surpassing the 100,000 mark. Our hearts go out to those poor civilians of
Raccoon City.
(Screen: The color fades, leaving the picture black and white, then fades
to black.)
Contact Info
Please ask me your questions once you search this entire in-depth FAQ
entirely. This is an in-depth FAQ script of the cut scenes only. If you have
questions regarding the RE3 walkthrough, I might be able to help you, but do
not ask too much. Harassment and flames will be blocked and reported. Go to
livejournal.com and respond with a comment to omegax45’s livejournal
‘Equality Lives Here!’ She will give me the message, since my email’s blocked
at the moment.
