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| #Post#: 3033-------------------------------------------------- | |
| Haunted by the Past - Chapter 33 - That Other Matter | |
| By: RampageSports Date: April 17, 2016, 8:25 pm | |
| --------------------------------------------------------- | |
| Author's Note: The Spenser, Hawk, Susan Silverman, Vinnie Morris | |
| and Ives characters belong to mystery novelist Robert B. Parker. | |
| Mr. Parker is one of my favorite authors, and his work is a | |
| major influence on the the way I write. Whether I even come | |
| close to mimicking his style is open to considerable debate, but | |
| I have chosen to use his characters in this story as something | |
| of an homage. My goal is to handle them as lightly as possible | |
| and to maintain them as Mr. Parker created them. Any failure on | |
| that front is completely my own. | |
| This time around, I listed some character references for | |
| Spenser. I didn't list them by name, but Parker fans surely | |
| know who they are, as they too come from the vast collection of | |
| interesting characters in Parker's Spenser universe. | |
| [hr] | |
| Haunted by the Past - Chapter 33 - That Other Matter | |
| We sat in silence, watching as police streamed in from every | |
| direction and gathered at the house. Among the first on the | |
| scene were Gavin and Vince. They didn't notice us � partly | |
| because they were preoccupied, and partly because they didn't | |
| know to look. | |
| They had no idea we were there. | |
| Once the first wave arrived, something resembling a plan came | |
| together. All they knew was that gunshots had been reported, so | |
| they carefully surrounded the house and assessed the situation. | |
| Once they were comfortable, they swarmed in with their weapons | |
| out. | |
| I worried a little about someone getting hurt in the unnecessary | |
| chaos, but Pat's instructions had been clear: just let things | |
| play out and speak to no one until he was there. | |
| Before long, the frenetic action dissolved into a collection of | |
| confused cops milling around the house. No one seemed to have | |
| any idea what they'd stumbled upon. | |
| As a high ranking member of the command structure, Pat would not | |
| normally be part of the initial response to an incident. So, it | |
| was not unnatural when he arrived long after the scene had been | |
| secured. | |
| When I saw him, I got out and stood on the sidewalk. His eyes | |
| found me quickly and I gave a little nod, confirming that we | |
| were all well. | |
| He then proceeded to take control of the situation as if I | |
| weren't there, but a few of the officers had noticed the | |
| exchange. Among them were Vince and Gavin, and they came | |
| straight over when they realized who I was. | |
| "What are you doing here?" Vince asked. | |
| "I was just in the neighborhood." | |
| Surprisingly, neither looked like they believed me. | |
| "You just happen to be parked outside the house where King | |
| Powers has been holing up?" | |
| "Is this where he's been?" I said. "What a strange | |
| coincidence." | |
| By now, Danni and Spenser had joined me on the sidewalk. Seeing | |
| Spenser brought the pieces together for the two officers. | |
| "You did this?" Gavin asked me. | |
| "I don't know what you're talking about," I said. | |
| A crooked smile appeared on his face. | |
| "Is that your official statement?" | |
| "Am I being formally questioned?" | |
| "No." | |
| "Then I have no official statement," I said, keeping my | |
| expression neutral. "Meanwhile, you two should probably get | |
| back to work before your commanding officer notices." | |
| He added a squint to the smile � as if he thought he could | |
| somehow see the truth in my head. | |
| "You're a pretty good liar," he said. | |
| "I appreciate the flattery." | |
| Vince looked at Gavin and jerked his head back toward the house, | |
| indicating they should head back. | |
| "You guys planning to visit Meghan tonight?" I asked as they | |
| started to walk away. | |
| "Probably," Gavin said. | |
| "Maybe I'll see you there," I said. | |
| "You going to tell us the real story of what happened on the | |
| bridge?" Vince asked. | |
| I shrugged. | |
| "Among other things," I said. "Just make sure you're not in | |
| uniform." | |
| They shared another look as my implication set in. | |
| "We can leave the badges home," Gavin said. | |
| "See you then," I said. | |
| They returned to the fray, and we got back in the car. | |
| It was nearly an hour later when Pat approached. Danni opened | |
| her window, and he bent down and looked in at us. | |
| "That's quite a mess you left in there," he said. | |
| "We weren't exactly received with pleasure and hospitality," I | |
| responded. | |
| "I'll bet," he said with a nod. | |
| He lazily rolled his head left and directed his next question to | |
| Spenser in the back seat. | |
| "Where are your friends?" | |
| "Who?" Spenser asked. | |
| "Ah, I see," Pat said. "Did they shoot anybody?" | |
| "There was a lot of shooting going on," Spenser said. "Hard to | |
| say who shot who." | |
| "Perfect," Pat said. "Just perfect." | |
| "What now?" Danni asked him. | |
| "Now, we put on our show," he said. | |
| The show involved a few hours of question and answer at NJSP | |
| Headquarters, which was conveniently located right here in | |
| Trenton. | |
| Our story was structured the way all the best bullsh*t stories | |
| are. Simple and heavily steeped in the truth. The tale began | |
| with my emotional state over what had happened on the bridge. | |
| That had led to stupidly confronting Powers in an effort to put | |
| a stop to this. Everything went predictably sideways, and | |
| that's when the guns came out and the bodies started hitting the | |
| floor. The fact that we were not among the carnage was simply | |
| luck. | |
| Not only was the story too incredible to believe, but it also | |
| left a lot of questions unanswered. Like why some of the | |
| bullets in those bodies had been fired from guns that were never | |
| found. But Pat was confident he could convince those doing the | |
| looking not to look too closely. The key to making that work | |
| was to consistently and frequently remind whoever was asking | |
| that this whole incident was precipitated by the shooting of | |
| Detective Meghan Taylor. | |
| In other words, we needed to make sure we stayed inside the blue | |
| wall that had formed around Meghan. | |
| The plan worked like a charm for Danni and I, while Spenser | |
| found things a bit more complicated. By nature, cops are not | |
| big fans of private detectives, and the distrust grows when said | |
| detective isn't a local. However, being able to list a | |
| Massachusetts State Police Captain, as well as both a sergeant | |
| and a lieutenant from the Boston Police Department's Homicide | |
| Unit among your references goes a long way. Also, it didn't | |
| hurt that Spenser had not only put a bullet in the man who shot | |
| Meghan, but also the man who'd sent him to do it. | |
| The goodwill generated by the Meghan angle combined with the | |
| early morning start to get us out on the street in time for an | |
| early dinner. | |
| Snow was forecast again for the overnight, and the overcast | |
| skies that always precede a storm had already taken hold. For a | |
| moment, I stood in the grayness and absently watched the cars | |
| speed by on the Turnpike. | |
| Above all else, the events of the day had left me bewildered. | |
| After weeks of grinding through each day with Powers and Danni | |
| and everything that went with that occupying my every thought, I | |
| suddenly had nothing to worry about. | |
| "What do we do now?" Danni said, voicing my thoughts perfectly. | |
| "You go back to your lives," Spenser said. | |
| "I guess I could remember how to do that," I said. | |
| "It'll nice not to be in fear for my life all the time," Danni | |
| said. | |
| I nodded agreeably. | |
| "True enough," I said. "Also nice not to be on lockdown, | |
| anymore." | |
| "I suppose," she said. | |
| "Hawk and Vinnie gone?" I asked Spenser. | |
| "Hawk is around," Spenser said. "Vinnie had business back | |
| home." | |
| Translation: someone back in Boston was willing to pay Vinnie a | |
| lot of money to do something I didn't want to know anything | |
| about. | |
| "You and the Hawkster up for a celebratory meal before you | |
| depart?" I asked. | |
| "The Hawkster?" | |
| I shrugged. | |
| "I'm feeling a little punchy," I said. "What with the stress | |
| and the adrenaline and all." | |
| "Uh, huh," he said. "Well, we could eat. Shall I refer to him | |
| as the Hawkster when I extend your offer?" | |
| "That seems unwise." | |
| "Indeed." | |
| We had all had enough of Trenton to last several lifetimes, so | |
| we made our way back to the vicinity of RSI and ate in a small | |
| Italian restaurant I knew of in Eatontown. As with all such | |
| places, its size had an inverse relationship with its | |
| popularity, but the early hour saved us from waiting. | |
| One of the waitresses there is the chatty type. Not unfriendly | |
| � in fact, she's popular with many of the regulars, including | |
| Danni and I � but she's an acquired taste, for sure. Never at a | |
| loss for words. Calls everyone darling. Just the type that | |
| would seem destined to rub Hawk the wrong way. As luck would | |
| have it, she was there and made a beeline for us as soon as we | |
| walked in. | |
| As it turned out, she and Hawk spent a good portion of the meal | |
| engaged in a pleasant and in-depth conversation regarding wine | |
| and food combinations - a topic on which Hawk was so proficient, | |
| you'd think he owned his own vineyard. | |
| Honestly. I don't know anything about anything. | |
| As the meal wound down, I asked what was next for each of them. | |
| "Well, we still have that other matter to attend to," Spenser | |
| said. | |
| "Oh?" | |
| "I believe I promised Danni we would deal with her former | |
| agent." | |
| "You're gonna fly to California?" Danni asked. "Just to take | |
| care of Dickie?" | |
| Spenser shook his head. | |
| "Mr. Smalls no longer works in the film industry," he said. | |
| "That's not a surprise," Danni said. "What's he doing now?" | |
| "He still considers himself to be an agent, but he mostly finds | |
| talent for advertising companies." | |
| "So, he's a hack," Danni said, "which is really what he was all | |
| along." | |
| "Actually," Spenser said, "it would appear he hasn't had any | |
| clients in years." | |
| "So, he's not even a hack," she said. | |
| "So it would seem." | |
| "That doesn't change anything," she said. "He's not worth the | |
| price of the flight." | |
| "No flying is needed," Spenser said. "Mr. Smalls lives here, | |
| now." | |
| "Here?" I asked. | |
| "Jersey City, to be precise." | |
| "No sh*t?" I said as the little light bulb came on in my head. | |
| "Do you have an address?" | |
| "I do," he said. | |
| "Care to pass it along?" | |
| He looked a little stunned as he caught a glimpse of my | |
| intentions. | |
| Danni caught on too and she froze with her fork in mid-air and a | |
| mouth full of penne vodka. | |
| "For what reason?" Spenser asked. | |
| "Well, I think you and Hawk have done enough," I said. | |
| "Besides, I'm sure Danni would love to see Dickie again after | |
| all these years. Right?" | |
| She nodded as she quickly choked down the penne. | |
| "Hell, yes," she said excitedly. | |
| A bemused grin overcame Spenser as he turned to Hawk. | |
| "What do you think?" he asked. | |
| "Ah think," Hawk drawled, "ah's happy ah's not Dickie, right | |
| now." | |
| The moment inspired yet another quote from Spenser. | |
| "'I love to see a young girl go out and grab the world by the | |
| lapels,'" he began. | |
| "'Life's a b*tch. You've got to go out and kick ass,'" I said, | |
| finishing the line from Maya Angelou. | |
| "I don't know where that's from," Danni said, "but I like it. I | |
| like it, alot." | |
| Spenser's grin broadened as his gaze shifted back and forth | |
| between Danni and I. Then, he shook his head. | |
| "Poor Dickie," he lamented. | |
| I paid for the meal at the wait station � because I didn't feel | |
| like arguing with Spenser over the bill � and we made our way | |
| outside. Hugs and thank-yous were exchanged all around, and I | |
| once again had the opportunity to marvel at how easily Danni had | |
| gotten inside Hawk's tiny envelope of trust. Then, we all got | |
| into our respective cars. | |
| "You never paid him," Danni said as we watched the men drive | |
| away. | |
| "Spenser would never have taken the money," I said. | |
| "So, that's it? After the big speech you gave him?" | |
| I gave her a toothy smile. | |
| "I mailed him a check this morning," I said. | |
| "You're kind of a sneaky b*tch," she grinned. | |
| "Why, thank you, my dear." | |
| "What if he doesn't cash it?" | |
| I shrugged. | |
| "Then I'll be visiting Boston a lot sooner than I'd planned," I | |
| said. | |
| "I'm sure the thought terrifies him." | |
| "Kiss my ass." | |
| The conversation hit a brief lull, and I couldn't resist the | |
| chance to take a playful run at her. | |
| "It's a shame Hawk had to go," I said. "You guys were really | |
| getting close." | |
| "Oh, not this again." | |
| "Hey, Hawk is not known for letting people get close to him, but | |
| you had no trouble getting in there." | |
| "I admit he's an interesting person," she said. "He gives off | |
| this air of trust. Like you can absolutely count on him to do | |
| what he says. It's very reassuring." | |
| "Provided he's on your side," I said. | |
| "That's a given," she said. "Anyway, I'm as surprised as you | |
| are about how well we got along, but there's nothing else going | |
| on." | |
| "You sure?" I teased. "You guys spent an awful lot of time | |
| engaged in private conversation." | |
| "He's easy to talk to," she shrugged. "And he listens. He even | |
| had some thoughtful insights." | |
| "Oh, really? On what subject, pray tell?" | |
| She rolled here eyes at my suspicious tone. | |
| "I may have mentioned to him that there was... someone." | |
| "Someone?" | |
| "You know," she said. "Someone." | |
| I wrinkled my nose in confusion for a moment before I caught on. | |
| "Hey, wait a second. Why don't I know about this someone? And | |
| how could you talk to Hawk about it, but not me?" | |
| "Let's just say I had my reasons." | |
| To be honest, I was a little disappointed. I thought Danni and | |
| I were close enough that a topic like some guy she had her eye | |
| on would have come up naturally. | |
| "Well, who is it?" I asked. | |
| She gave me a sheepish grin and an ominous silence. Like she | |
| felt bad about keeping this secret from me, but she was going to | |
| do it, anyway. | |
| I started up the Subaru and slid it into gear. | |
| "You're annoying me, now," I said. | |
| "I know," she said. "I'm sorry. It's just not something I'm | |
| ready for you to know." | |
| "Well... why?" | |
| She shook her head. | |
| "You're just gonna have to trust me." | |
| "Well, can you at least tell me what insight Hawk provided?" | |
| "He said I should make my feelings known. That I'll never find | |
| out anything if I don't take a shot at it. He said I would feel | |
| better, no matter how it turns out." | |
| "Hmph," I sniffed. "That's actually not bad." | |
| Great. Replaced by Hawk, the love doctor. | |
| "What's holding you back?" I asked. | |
| "Circumstances," she said, adding more mystery to the already | |
| mysterious. | |
| "Alrighty," I said, not hiding my aggravation. "I've had my | |
| fill of this conversation." | |
| "Look, I'm sorry..." | |
| "Forget it," I said. "I mean it. I'll probably yell at you | |
| some other time, but I'm in no mood to get in a fight with you | |
| now." | |
| She was quiet � unsure of just how angry I was. For my part, I | |
| offered her no help in figuring it out. | |
| "Okay," she said finally. | |
| With that, I set it aside. Too much was going right on this | |
| day. I wasn't going to let something this insignificant ruin | |
| it. | |
| "Shall we go visit your ex?" I asked as I pushed the Subaru up | |
| the ramp to the Turnpike. | |
| "Hell, yes," she said again. | |
| [hr] | |
| Character Reference | |
| http://s19.postimg.org/x7gm9w22n/Richelle_100x120.jpg | |
| Name: Richelle Winterfeld | |
| Nickname(s): | |
| Background: Owner of the RSI stable, former underground fighter | |
| http://s19.postimg.org/9av3z511b/Danni_100x120.jpg | |
| Name: Danneel Harris | |
| Nickname(s): Danni | |
| Background: RSI stable leader, reigning DEF welterweight | |
| champion | |
| http://s19.postimg.org/kmg56h1fj/ORourke_100x120.jpg | |
| Name: Patrick O'Rourke | |
| Nickname(s): | |
| Background: Major with the New Jersey State Police, family | |
| friend of Richelle's | |
| http://s19.postimg.org/bwegrvukf/Meghan_Taylor_100x120.jpg | |
| Name: Meghan Taylor | |
| Nickname(s): | |
| Background: New Jersey State Police Detective, works for Major | |
| O'Rourke | |
| http://s19.postimg.org/e0pn1hhfj/Gavin_Brown_100x120.jpg | |
| Name: Gavin Brown | |
| Nickname(s): | |
| Background: New Jersey State Police Trooper, works for Major | |
| O'Rourke | |
| http://s19.postimg.org/zdkkf918f/Vince_Jordan_100x120.jpg | |
| Name: Vince Jordan | |
| Nickname(s): | |
| Background: New Jersey State Police Trooper, works for Major | |
| O'Rourke | |
| ***************************************************** |