Introduction
Introduction Statistics Contact Development Disclaimer Help
Return Create A Forum - Home
---------------------------------------------------------
Turkish Series For English Speakers
https://turkishshows.createaforum.com
---------------------------------------------------------
*****************************************************
Return to: Literature
*****************************************************
#Post#: 899605--------------------------------------------------
Re?at Nuri G�ntekin
By: Angel. Date: May 5, 2017, 7:49 pm
---------------------------------------------------------
�
img src=\"
http://i.imgur.com/DlUIZ63.jpg\"<br
/>class=\"ipsImage\" alt=\"DlUIZ63.jpg\">
h1 id=\"newsTitle\"
style=\"color:#262626\">
e?at Nuri G�ntekin: The Fall of
Leaves
/h1>
div style=\"color:#535353\">
div
style=\"color:#969696\">
style=\"color:#000000\">HAKAN
ARSLANBENZER</strong>
action=\"
https://www.dailysabah.com/Contact/SendArticleByEmail\"<br
/>id=\"sendMailForm\" method=\"post\"
novalidate=\"novalidate\">
of the Republican era, Re?at Nuri G�ntekin, has been widely
known for generations, but recently became a household name with
a TV series adapted from his novels, �Yaprak D�k�m�\' (The Fall
of Leaves) from 2005 to 2010 and ��al?ku?u\' (The Wren) from
2013
div style=\"color:#535353\">
div
id=\"newsDescription\"
style=\"color:#1b1b1b\">
private TV channels in Turkey have adapted numerous classic
novels to series. Most of them are loved by the masses. Two of
the most popular series in Turkish television history were
\"Yaprak D�k�m�\" (The Fall of Leaves) from 2005 to 2010, which
had 174 episodes, and \"�al?ku?u\" (The Wren) from 2013. Both
were modern adaptations of two novels written in the 1920s by
Re?at Nuri G�ntekin.<br><br><b>A writer-born
teacher</b>
25, 1889. His grandfather, Yaver Pa?a, was a governor and his
father, Nuri Bey, was a military doctor in the Ottoman army.
Raised as the only child of this aristocratic family, G�ntekin
was lucky to have his father\'s vast, personal library in front
of him. He traveled to Anatolia a lot due to his father\'s
duties and had the chance to observe the local and traditional
lifestyles of the region. He graduated from the literature
department of Dar�lf�nun, which was the only official
institution of high education in the Ottoman Empire
in1912.<br><br>
French language teacher at Istanbul\'s most reputable high
schools until 1927, the year he married Halide Han?m. He was
always interested in the social and political issues of the
country since he began writing during World War I. From the
1910s to the 1930s he gained a wide reputation as a realist
writer and novelist.<br><br>
story titled \"Eski Ahbap\" (Old Friend), which was published in
1917. He wrote literary criticism and plays in several important
journals of the time, using funny pseudonyms for his humorous
and daily pieces: \"Ate?b�ce?i\" (Firefly), \"A?ustosb�ce?i\"
(Grasshopper), \"Y?ld?zb�ce?i\" (Lightning bug). In 1923 he
published the humor magazine Kelebek (Butterfly) with his friend
Mahmut Yesari.<br><br>
however, was \"�al?ku?u\" (The Wren), a novel that was published
in episodes in the popular Vakit journal in 1922. In fact, he
first planned to write a play titled \"?stanbul K?z?\" (Istanbul
Girl), but quickly realized that such a work was not suitable
for stage production. He then decided to rewrite it as a novel
in order to elaborate some social details
better.<br><br><b>Change in revolutionary
age</b><b>�</b><br><br>
from the time this novel first appeared. It was a love story set
in the conditions of Turkish War of Independence that began in
1919. With plain language, G�ntekin placed patriotic and
idealistic emotions into his characters in order to deepen the
realistic background of the novel. The main character was
Feride, a well-educated and beautiful women who went to an
Anatolian village in order to offer a better education to future
generations of the new Turkish nation. Although it is a love
story between Feride and Kamuran, the author managed to bring
this relationship together with the social problems of the
time.<br><br>
betrayal have always been main motifs in G�ntekin\'s novels. In
\"Yaprak D�k�m�,\" published in 1930, he wrote the story of a
middle-class family that is torn apart after settling in the big
city after one of the daughters goes to university. The
family\'s transformation represents the moral crises Turkish
society witnessed in an age of radical modernization. The
historical change in familial roles turns from traditional to
modern. The tree without leaves, which is the main metaphor of
the novel, has often been interpreted as representing the past
Ottoman social life. The tension between the authority of
community life and individual self-realization is the crucial
emphasis of the novel. The novel has been adapted to film twice
and reprinted numerous times.<br><br>
television adaptations of his novels is not surprising. When the
books were published, G�ntekin rapidly became the most widely
read author of his time. Behind this success was his writing
style, which consisted of easy-to-follow plots and vivid
descriptions of events and processes that his characters
experienced. G�ntekin was a prominent name of the social realism
movement, with his novels mostly elaborating individual
experiences within the changing conditions of his
time.<br><br><b>Playwright and diplomat</b>
G�ntekin started to work as an inspector at the National
Education Ministry. He supported cultural and symbolic
revolutions made by the new Republican governments and served as
a deputy for �anakkale between 1933 and 1943 in Parliament. Even
though he did not write much during his years in politics, with
his novels had a moral and cultural education, reminding readers
of the task of establishing roles for the new Republican
ethos.<br><br>
wrote plays. Similar to his novels, the characters in his plays
are also described with conflicted psychology within the human
condition. Perhaps the reason why G�ntekin\'s works are still
read and appreciated is because readers can easily identify with
more than one character at a time. Different, even antagonistic,
class cultures in Turkish society are perfectly reflected
through the personal relationships between all of G�ntekin\'s
characters. Generational conflicts, modernization problems and
education are the main issues G�ntekin
used.<br><br>
of the Republic of Turkey for UNESCO in 1950 where he worked as
a culture attach� for years. He died from lung cancer in London
on Dec. 7, 1956, and was buried in Karacaahmet Cemetery in
Istanbul. A theater in Istanbul\'s Fatih district and two high
schools are named after him. When he was alive and living in the
Levent neighborhood the municipality decided to name the road he
lived on �al?ku?u.<br><br>
story books, 15 plays and one travel book, \"Notes from
Anatolia.\" G�ntekin\'s books are still included in primary and
secondary school syllabi since his fluent and pleasant style is
a good way to encourage children to love
literature.
div class=\"ipsType_small
ipsType_light\">
�-------------�-------------��
��-------------�-------------�� ��-------------�-------------��
��-------------�-------------��
esat Nuri G�ntekin�s novels
are��alikusu (Gold Crest, 1922), Dudaktan Kalbe (From Lip to
Heart, 1923), Gizli El (The Secret Hand, 1924), Damga (The
Stamp, 1924), Aksam G�nesi (Evening Sun, 1926), Bir Kadin
D�smani � �irkinin Romani (A Misogynist � Novel of the Ugly,
1927), Yesil Gece (Green Night, 1928), Acimak (Feeling Pity,
1928), Yaprak D�k�m� (Shedding of Leaves, 1930), Kizilcik
Dallari (Hickory Branches, 1932), G�ky�z� (The Sky, 1935), Eski
Hastalik (The Old Illness, 1938), Ates Gecesi (Night of Fire,
1942), Degirmen (The Mill, 1944), Miskinler Tekkesi (The Convent
of the Idle, 1946), Harabelerin �i�egi (The Flower of Ruins,
1953), Kavak Yelleri (Poplar Winds, 1961), Son Siginak (The Last
Refuge, 1961), Kan Davasi (Blood Feud, 1962) and Ripka Ifsa
Ediliyor (Ripka Exposed) which was composed in 1949.
esat
Nuri G�ntekin�s stories are entitled�Recm-Gen�lik ve G�zellik
(Killing Youth, and Beauty, 1919), Ro�ild Bey (Mr. Rothschild,
1919), Eski Ahbap (The Old Pal, 1923), Tanri Misafiri (Guest of
God, 1927), Leyl� ile Mecnun (Leyl� and Mecnun, 1928), and
Olagan Isler (Business as Usual 1930).
�ntekin�s plays
are�Han�er (The Dagger, 1920), Eski R�ya (The Old Dream, 1922),
�midin G�nesi (The Sun of Hope, 1924), Gazeteci D�smani/Semsiye
Hirsizi/Ihtiyar Serseri (The Journalist Hater / The Umbrella
Thief / The Old Tramp 1924), Tas Par�asi (Piece of Rock, 1926),
Bir K�y Hocasi (A Village Teacher, 1928), Bab�r Sah�in Seccadesi
(The Prayer Rug of Bab�r Shah, 1931), Bir Kir Eglencesi (A
Prairie Party, 1931), �mit Mektebinde (In the School of Hope,
1931), Felaket Karsisinda/G�zdagi/Eski Bor� (In The Face of
Calamity / Intimidation / The Old Debt, 1931), Istiklal
(Independence, 1933), Vergi Hirsizi (The Tax Evader, 1933),
H�lleci (The Re-Marriage, 1935), Bir Yagmur Gecesi (A Night of
Rain, 1943), Yaprak D�k�m� (Shedding of Leaves, 1971), Eski
Sarki (Old Song, 1971), Balikesir Muhasebecisi (The Accountant
of Balikesir, 1971), and Tanridag Ziyafeti (Feast in the Divine
Mountain, 1971).�Resat
#Post#: 899606--------------------------------------------------
Re?at Nuri G�ntekin
By: Angel. Date: May 5, 2017, 7:53 pm
---------------------------------------------------------
<img src=\"
http://i.imgur.com/JTyBHeJ.jpg\"
class=\"ipsImage\"
alt=\"JTyBHeJ.jpg\">
div class=\"ipsSpoiler\"
data-ipsspoiler=\"\">
div
class=\"ipsSpoiler_header\">
div
class=\"ipsSpoiler_contents\">
href=\"
https://www.dropbox.com/sh/8xwnk9kyqpnux93/AAA82jR9YkeWYc1Wuht8HccWa?dl=0\"<br
/>ipsnoembed=\"true\" rel=\"external
nofollow\">
https://www.dropbox.com/sh/8xwnk9kyqpnux93/AAA82jR9YkeWYc1Wuht8HccWa?dl=0</a>
�
class=\"ipsEmbeddedOther\"
contenteditable=\"false\">
https://www.facebook.com/Lovebird.wren/posts/346610718795848
�
�
*****************************************************
You are viewing proxied material from gopher.createaforum.com. The copyright of proxied material belongs to its original authors. Any comments or complaints in relation to proxied material should be directed to the original authors of the content concerned. Please see the disclaimer for more details.