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| #Post#: 899605-------------------------------------------------- | |
| Re?at Nuri G�ntekin | |
| By: Angel. Date: May 5, 2017, 7:49 pm | |
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| e?at Nuri G�ntekin: The Fall of | |
| Leaves | |
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| of the Republican era, Re?at Nuri G�ntekin, has been widely | |
| known for generations, but recently became a household name with | |
| a TV series adapted from his novels, �Yaprak D�k�m�\' (The Fall | |
| of Leaves) from 2005 to 2010 and ��al?ku?u\' (The Wren) from | |
| 2013 | |
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| private TV channels in Turkey have adapted numerous classic | |
| novels to series. Most of them are loved by the masses. Two of | |
| the most popular series in Turkish television history were | |
| \"Yaprak D�k�m�\" (The Fall of Leaves) from 2005 to 2010, which | |
| had 174 episodes, and \"�al?ku?u\" (The Wren) from 2013. Both | |
| were modern adaptations of two novels written in the 1920s by | |
| Re?at Nuri G�ntekin.<br><br><b>A writer-born | |
| teacher</b> | |
| 25, 1889. His grandfather, Yaver Pa?a, was a governor and his | |
| father, Nuri Bey, was a military doctor in the Ottoman army. | |
| Raised as the only child of this aristocratic family, G�ntekin | |
| was lucky to have his father\'s vast, personal library in front | |
| of him. He traveled to Anatolia a lot due to his father\'s | |
| duties and had the chance to observe the local and traditional | |
| lifestyles of the region. He graduated from the literature | |
| department of Dar�lf�nun, which was the only official | |
| institution of high education in the Ottoman Empire | |
| in1912.<br><br> | |
| French language teacher at Istanbul\'s most reputable high | |
| schools until 1927, the year he married Halide Han?m. He was | |
| always interested in the social and political issues of the | |
| country since he began writing during World War I. From the | |
| 1910s to the 1930s he gained a wide reputation as a realist | |
| writer and novelist.<br><br> | |
| story titled \"Eski Ahbap\" (Old Friend), which was published in | |
| 1917. He wrote literary criticism and plays in several important | |
| journals of the time, using funny pseudonyms for his humorous | |
| and daily pieces: \"Ate?b�ce?i\" (Firefly), \"A?ustosb�ce?i\" | |
| (Grasshopper), \"Y?ld?zb�ce?i\" (Lightning bug). In 1923 he | |
| published the humor magazine Kelebek (Butterfly) with his friend | |
| Mahmut Yesari.<br><br> | |
| however, was \"�al?ku?u\" (The Wren), a novel that was published | |
| in episodes in the popular Vakit journal in 1922. In fact, he | |
| first planned to write a play titled \"?stanbul K?z?\" (Istanbul | |
| Girl), but quickly realized that such a work was not suitable | |
| for stage production. He then decided to rewrite it as a novel | |
| in order to elaborate some social details | |
| better.<br><br><b>Change in revolutionary | |
| age</b><b>�</b><br><br> | |
| from the time this novel first appeared. It was a love story set | |
| in the conditions of Turkish War of Independence that began in | |
| 1919. With plain language, G�ntekin placed patriotic and | |
| idealistic emotions into his characters in order to deepen the | |
| realistic background of the novel. The main character was | |
| Feride, a well-educated and beautiful women who went to an | |
| Anatolian village in order to offer a better education to future | |
| generations of the new Turkish nation. Although it is a love | |
| story between Feride and Kamuran, the author managed to bring | |
| this relationship together with the social problems of the | |
| time.<br><br> | |
| betrayal have always been main motifs in G�ntekin\'s novels. In | |
| \"Yaprak D�k�m�,\" published in 1930, he wrote the story of a | |
| middle-class family that is torn apart after settling in the big | |
| city after one of the daughters goes to university. The | |
| family\'s transformation represents the moral crises Turkish | |
| society witnessed in an age of radical modernization. The | |
| historical change in familial roles turns from traditional to | |
| modern. The tree without leaves, which is the main metaphor of | |
| the novel, has often been interpreted as representing the past | |
| Ottoman social life. The tension between the authority of | |
| community life and individual self-realization is the crucial | |
| emphasis of the novel. The novel has been adapted to film twice | |
| and reprinted numerous times.<br><br> | |
| television adaptations of his novels is not surprising. When the | |
| books were published, G�ntekin rapidly became the most widely | |
| read author of his time. Behind this success was his writing | |
| style, which consisted of easy-to-follow plots and vivid | |
| descriptions of events and processes that his characters | |
| experienced. G�ntekin was a prominent name of the social realism | |
| movement, with his novels mostly elaborating individual | |
| experiences within the changing conditions of his | |
| time.<br><br><b>Playwright and diplomat</b> | |
| G�ntekin started to work as an inspector at the National | |
| Education Ministry. He supported cultural and symbolic | |
| revolutions made by the new Republican governments and served as | |
| a deputy for �anakkale between 1933 and 1943 in Parliament. Even | |
| though he did not write much during his years in politics, with | |
| his novels had a moral and cultural education, reminding readers | |
| of the task of establishing roles for the new Republican | |
| ethos.<br><br> | |
| wrote plays. Similar to his novels, the characters in his plays | |
| are also described with conflicted psychology within the human | |
| condition. Perhaps the reason why G�ntekin\'s works are still | |
| read and appreciated is because readers can easily identify with | |
| more than one character at a time. Different, even antagonistic, | |
| class cultures in Turkish society are perfectly reflected | |
| through the personal relationships between all of G�ntekin\'s | |
| characters. Generational conflicts, modernization problems and | |
| education are the main issues G�ntekin | |
| used.<br><br> | |
| of the Republic of Turkey for UNESCO in 1950 where he worked as | |
| a culture attach� for years. He died from lung cancer in London | |
| on Dec. 7, 1956, and was buried in Karacaahmet Cemetery in | |
| Istanbul. A theater in Istanbul\'s Fatih district and two high | |
| schools are named after him. When he was alive and living in the | |
| Levent neighborhood the municipality decided to name the road he | |
| lived on �al?ku?u.<br><br> | |
| story books, 15 plays and one travel book, \"Notes from | |
| Anatolia.\" G�ntekin\'s books are still included in primary and | |
| secondary school syllabi since his fluent and pleasant style is | |
| a good way to encourage children to love | |
| literature. | |
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| esat Nuri G�ntekin�s novels | |
| are��alikusu (Gold Crest, 1922), Dudaktan Kalbe (From Lip to | |
| Heart, 1923), Gizli El (The Secret Hand, 1924), Damga (The | |
| Stamp, 1924), Aksam G�nesi (Evening Sun, 1926), Bir Kadin | |
| D�smani � �irkinin Romani (A Misogynist � Novel of the Ugly, | |
| 1927), Yesil Gece (Green Night, 1928), Acimak (Feeling Pity, | |
| 1928), Yaprak D�k�m� (Shedding of Leaves, 1930), Kizilcik | |
| Dallari (Hickory Branches, 1932), G�ky�z� (The Sky, 1935), Eski | |
| Hastalik (The Old Illness, 1938), Ates Gecesi (Night of Fire, | |
| 1942), Degirmen (The Mill, 1944), Miskinler Tekkesi (The Convent | |
| of the Idle, 1946), Harabelerin �i�egi (The Flower of Ruins, | |
| 1953), Kavak Yelleri (Poplar Winds, 1961), Son Siginak (The Last | |
| Refuge, 1961), Kan Davasi (Blood Feud, 1962) and Ripka Ifsa | |
| Ediliyor (Ripka Exposed) which was composed in 1949. | |
| esat | |
| Nuri G�ntekin�s stories are entitled�Recm-Gen�lik ve G�zellik | |
| (Killing Youth, and Beauty, 1919), Ro�ild Bey (Mr. Rothschild, | |
| 1919), Eski Ahbap (The Old Pal, 1923), Tanri Misafiri (Guest of | |
| God, 1927), Leyl� ile Mecnun (Leyl� and Mecnun, 1928), and | |
| Olagan Isler (Business as Usual 1930). | |
| �ntekin�s plays | |
| are�Han�er (The Dagger, 1920), Eski R�ya (The Old Dream, 1922), | |
| �midin G�nesi (The Sun of Hope, 1924), Gazeteci D�smani/Semsiye | |
| Hirsizi/Ihtiyar Serseri (The Journalist Hater / The Umbrella | |
| Thief / The Old Tramp 1924), Tas Par�asi (Piece of Rock, 1926), | |
| Bir K�y Hocasi (A Village Teacher, 1928), Bab�r Sah�in Seccadesi | |
| (The Prayer Rug of Bab�r Shah, 1931), Bir Kir Eglencesi (A | |
| Prairie Party, 1931), �mit Mektebinde (In the School of Hope, | |
| 1931), Felaket Karsisinda/G�zdagi/Eski Bor� (In The Face of | |
| Calamity / Intimidation / The Old Debt, 1931), Istiklal | |
| (Independence, 1933), Vergi Hirsizi (The Tax Evader, 1933), | |
| H�lleci (The Re-Marriage, 1935), Bir Yagmur Gecesi (A Night of | |
| Rain, 1943), Yaprak D�k�m� (Shedding of Leaves, 1971), Eski | |
| Sarki (Old Song, 1971), Balikesir Muhasebecisi (The Accountant | |
| of Balikesir, 1971), and Tanridag Ziyafeti (Feast in the Divine | |
| Mountain, 1971).�Resat | |
| #Post#: 899606-------------------------------------------------- | |
| Re?at Nuri G�ntekin | |
| By: Angel. Date: May 5, 2017, 7:53 pm | |
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