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| #Post#: 319-------------------------------------------------- | |
| 12 YEARS A SLAVE (2013) | |
| By: agate Date: May 18, 2014, 4:21 pm | |
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| I have been hoping for years to read the book, Twelve Years a | |
| Slave by Solomon Northup, a free black man who was kidnapped and | |
| kept as a slave in the south for 12 years. I haven�t yet read it | |
| but at least there�s this movie of it now. | |
| The real Solomon Northup is said to have written a play based on | |
| his book�the account of his kidnapping into slavery in 1841 and | |
| the ensuing dozen years he spent as a slave. I don�t know if the | |
| movie is based on his play or on his book. | |
| But it is long past time that this story was told, giving the | |
| viewing audience slavery as it was, the antebellum South as it | |
| was. Maybe the US viewing audience has finally grown weary of | |
| Gone with the Wind and other films perpetuating the Southern | |
| mythology that has comforted and lulled the white race into | |
| thinking it was all just a misty dream filled with mint juleps | |
| and Spanish moss and dashing Confederate soldiers, with many a | |
| white southern child being named after Robert E. Lee for | |
| generations. | |
| 12 Years a Slave gives us the Spanish moss and a few views of | |
| the elegant dancing going on in the big house but the rest of | |
| the time we�re looking at the world as the slaves must have | |
| known it. | |
| That this world was real and not so long ago became obvious to | |
| me as a child when Southern African-Americans were bent over | |
| cotton in the fields, struggling to eke out a living so they | |
| could inhabit the weather-beaten tiny houses that dotted the | |
| southern landscape, not so very different from the | |
| weather-beaten structures seen in this movie, set in 1841-1853. | |
| By the 1940s, when I was in the south, there were also | |
| weather-beaten churches and schools, but some of the structures | |
| had no electricity, and many had no indoor plumbing. | |
| African-Americans couldn�t drink at white drinking fountains or | |
| use the main entrances in any building. If they went to a white | |
| person�s house, it was understood that they would turn up at the | |
| back door, never at the front, because �of course� they were | |
| there only because they were reporting for work there or | |
| applying for work. | |
| Not so far from slavery when you think about it. A hundred | |
| years later. | |
| From what little I know about slave conditions in the south at | |
| the time, I�d say that this movie probably has it right. The | |
| cruelty of slave-owners and the very bare subsistence level at | |
| which the slaves lived are what has gone largely unmentioned in | |
| history books, novels, and movies. This movie focuses on these | |
| conditions, and it is an excruciatingly painful film to watch. | |
| This is not a movie that is exploiting a story for its shock | |
| value. There are many scenes of chilling brutality, but my guess | |
| is that these are in the book as well, and that Solomon Northup | |
| was not making them up. There is too much evidence from other | |
| stories like his. | |
| Chiwetel Ejiofor�s performance as Solomon Northup is stunning, | |
| and all of the acting seems at least adequate though the overly | |
| formal language makes the dialogue seem as if lines are being | |
| awkwardly read at times. | |
| I wonder why the ending failed to mention what became of Patsey, | |
| though�a particularly cruelly abused, very young slave who was | |
| hoping for help from Solomon all along, and whom Solomon | |
| promised to see again soon. But she�s never mentioned again. | |
| Bravo for this movie. | |
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