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| #Post#: 9785-------------------------------------------------- | |
| Of Gods and Hunters | |
| By: FloatingInSpace Date: December 17, 2015, 9:06 pm | |
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| [center][font=Times New Roman][size=5]Of Gods and Hunters[/font] | |
| The night is cold and long | |
| The day is moreso. | |
| #Post#: 14737-------------------------------------------------- | |
| Re: Of Gods and Hunters | |
| By: FloatingInSpace Date: December 25, 2015, 8:34 pm | |
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| [center][font=Times New Roman][size=3]Reserved for Future Use | |
| #Post#: 14738-------------------------------------------------- | |
| Re: Of Gods and Hunters | |
| By: FloatingInSpace Date: December 25, 2015, 8:34 pm | |
| --------------------------------------------------------- | |
| [center][font=Times New Roman][size=3]Reserved for Future Use | |
| #Post#: 14739-------------------------------------------------- | |
| Re: Of Gods and Hunters | |
| By: FloatingInSpace Date: December 25, 2015, 8:34 pm | |
| --------------------------------------------------------- | |
| [center][font=Times New Roman][size=3]Reserved for Future Use | |
| #Post#: 14740-------------------------------------------------- | |
| Re: Of Gods and Hunters | |
| By: FloatingInSpace Date: December 25, 2015, 8:35 pm | |
| --------------------------------------------------------- | |
| The familiar rattling noise of the bus filled the air. Men and | |
| women sat on the plastic chairs, staring forward with vacant | |
| eyes after a day or standing on their feet or combing through | |
| papers that they would never see again or might see a thousand | |
| more times. Some clung to the cracking handlebars above, rocking | |
| back and forth to the steady lurch of the bus, their eyes as | |
| empty as the ones sitting down. Some of them clutched ratty | |
| suitcases that had seen far too many uses, dressed in fraying | |
| suits. Others had dirt-crusted boots and bright vests and hands | |
| roughed from hours of labor. | |
| The bus hissed to a stop and opened its doors at a stop as | |
| rustic as the others with a cold metal seat and a flimsy plastic | |
| overhang that leaked even though it was supposed to be shelter. | |
| The workers pushed off, eager to get back to their homes, as | |
| dismal as they might be. At least in their homes, they were free | |
| to be themselves. | |
| Sylvia Mizone was among the hoard of individuals making it home | |
| to an apartment as worn down and broken as themselves. She | |
| clutched a brown briefcase, fraying at the edges and rubbed raw | |
| at the corners, yet still intact. She wore black flats and a | |
| simple black pencil skirt coupled with a plain white T-shirt | |
| that she had tossed on under a suit jacket, to at least appear | |
| professional. | |
| Her eyes darted from side to side, as if trying to spot | |
| something in the dark shadows. Her right hand was wrapped | |
| tightly around her suitcase while the left one was stuffed deep | |
| into her jacket pocket and bunched around her keys. Sylvia knew | |
| that the neighborhood she lived in was not the best but it was | |
| hardly her choice; she hadn't been able to afford anywhere else | |
| that was close to both the college and her workplace. | |
| Compromises had been made, as they had always been when it came | |
| to her life. | |
| She finally turned to an old brick building, only a few stories | |
| high with dripping air conditions whirling at all hours of the | |
| day and creaking stairs and lights that always seemed to be on | |
| and buzzing. She unlocked the old red door with peeling paint to | |
| get into the complex before ascending the steps and heading to | |
| her apartment on the third floor, unlocking the door and | |
| shutting it quickly, sighing as she kicked off her shoes and | |
| headed for the crammed dining area in the corner. | |
| The apartment was crowded despite the sparseness of the | |
| furniture. There wasn't even a television in the room; only a | |
| couch flanked by two armchairs facing a dented coffee table | |
| overflowing with papers and books and pens. Books lined the | |
| floor and papers were showered over them. | |
| Sylvia made it to the cramped dining area, a pathetic pair of | |
| plastic chairs facing one another over a round wooden table | |
| salvaged from some garage sale with the microwave, refrigerator, | |
| and oven only an arm's length away. | |
| Sylvia dropped her briefcase onto the rounded table and quickly | |
| opened the fridge, pulling out a carton of leftovers and | |
| smelling them carefully before shrugging and heating them up. | |
| As she waited, she pulled out a cracked phone and sent off a | |
| text to her younger sister. | |
| [i]Are you going to eat there? | |
| #Post#: 14741-------------------------------------------------- | |
| Re: Of Gods and Hunters | |
| By: FloatingInSpace Date: December 25, 2015, 10:24 pm | |
| --------------------------------------------------------- | |
| Elsewhere, a pair of dark figures were huddled against a wall, | |
| their breaths measured and steady, despite the fact that they | |
| both clutched weapons. Both were dressed in dark costumes though | |
| one was significantly taller than the other, even though they | |
| were hunched over. The figures appeared to be watching something | |
| in the darkness. | |
| The alley they stood in hid them from view from the rest of the | |
| street and the flickering streetlamp that faced them. Their | |
| faces were covered by wool ski masks and it was hard to discern | |
| anything from the pair, including gender. Both were | |
| broad-shouldered and appeared built to withstand attacks and | |
| were flat-chested, though one had what appeared to be a ponytail | |
| stuffed into the back of their shirt. | |
| Suddenly, something moved in the streetlamp. A figure, dark and | |
| hunched over with elongated nails dodged by, its feet slapping | |
| against the pavement. The two figures moved, the taller one | |
| darting from their hiding place and pursuing the runner directly | |
| while the other turned to the fire escape that they had managed | |
| to find, scaling it with astonishing grace as they stowed the | |
| gun temporarily behind their back, making it to the roof with | |
| alarming speed. | |
| The two figures on the pavement seemed to pass by without the | |
| other pedestrians noticing, which was probably for the better. | |
| The hunched figure had elongated toenails as well and thin limbs | |
| that hurried it down the street, almost the image of some kind | |
| of starved individual. | |
| The darkly dressed figure was quickly gaining however, and the | |
| hunched figure seemed to sense this, quickly diving away from | |
| the street and into a much thinner alleyway, where it was harder | |
| to spot it. | |
| "Hunter," the hunched figure hissed. "Come to kill?" | |
| The other said nothing but raised their weapon as the other | |
| creature poised itself to lunge. After a heartbeat, there was a | |
| gunshot from above and the hunched figure slumped to the ground. | |
| There was brief shouting as people glanced around, alarmed and | |
| the figure in the alleyway glanced up in an almost certainty | |
| irritated expression as the other descended from the roof. | |
| "You were waiting around too long," the one from the roof said, | |
| the voice feminine. | |
| "Yes, because we needed to get them secluded away," the other | |
| said, the voice distinctly masculine. "Come on, help me move the | |
| body before people start investigating." | |
| With a groan, the other figure grabbed the ankles and helped the | |
| other drag the body past the people rushing by, blending into | |
| the walls. They made their way to a local cemetery and quietly | |
| placed the body underneath a great oak tree, where the taller | |
| figure pulled out a thin, silver sword and traced something onto | |
| the figures chest. The body shuddered before starting to fall | |
| apart and then dissolve away in the air. | |
| "There," the shorter one declared. "Job done." | |
| "Almost not, Juliet," the other responded, turning to look at | |
| the other. | |
| Juliet yanked off her ski mask and blinked at him with round | |
| violet eyes, peculiar as always. "Come on," she complained. | |
| "That little bar scene was nothing." | |
| "It was enough to attract attention," the other replied, yanking | |
| off his own mask. His skin was dark and his eyes were a shocking | |
| green against his skin color. | |
| The paler girl folded her arms over her chest and frowned. "But | |
| we got the information, didn't we?" | |
| To avoid more scolding, she took out her phone, which only | |
| garnered her a glare from the other teen. | |
| "My sister wants to know if I'm eating here or not," Juliet | |
| said, turning to the man. "So, Jacob, will you be the ever | |
| lovely gentleman and shell out cash?" | |
| Jacob rolled his eyes. | |
| "You're the best!" | |
| "And you're the worst," he replied, though his lip twitched in a | |
| smile. | |
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