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From:
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Newsgroups: alt.culture.tuva,alt.answers,news.answers
Subject: alt.culture.tuva FAQ Version 1.45 [Part 2 of 2]
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Summary: This posting contains a list of Frequently Asked
Questions (and their answers) about the culture of
the Lost Land of Tannu Tuva, an actual country in
the centre of Asia. It should be read by anyone
who wishes to post to the alt.culture.tuva newsgroup
Xref: senator-bedfellow.mit.edu alt.culture.tuva:4389 alt.answers:50144 news.answers:187907
Archive-name: cultures/tuva-faq/part2
Posting-Frequency: monthly
Last-modified: 2000/06/18
Version: 1.45
URL:
http://FOTuva.org/faq/t-faq.html
Anyone wishing to take a shot at improving this should go ahead and
send the edited section along to me <
[email protected]>. Thanks
to Bernard Greenberg [BSG] for his numerous additions and edits and to
Bernard Dubriel [BD], Alan Shrives [AS], Kevin Williams [KW], Albert
Kuvezin [AK], Dr Oliver Corff [OC], Mike Vande Bunt [MVB], Ralph
Leighton [RL], Masahiko Todoriki, Alan Leighton, Ken Simon, and Sami
Jansson.
Alt.culture.tuva FAQ Version 1.45, Part 2 of 2 (June 18, 2000)
==============================================================
Table of Contents - Part 1:
===========================
1: How can I get a copy of this Frequently Asked Questions list?
2. Are there any WWW sites for Tuva?
3: What is Tuva?
4: What is all the fuss about?
5: How can I contact X in Tuva?
6: What's this about two voices from one singer?
7: Where can I find out more? (Friends of Tuva)
8: Are there any video tapes about Tuva?
9: Does anyone still collect the old Tuvan stamps?
10: What can you tell me about travel to Tuva?
11: How can I learn to sing khoomei?
12: How did the "Tannu" get into "Tannu Tuva"?
Table of Contents - Part 2:
===========================
13: Any recommended reading about Tuva?
14: Any recommended reading about Feynman?
15: Are audio recordings available?
Questions and Answers:
======================
13: Any recommended reading about Tuva?
A: Send your suggestions. Here's what I've found.
1 - Tuva or Bust!
Ralph Leighton.
W.W. Norton, 1991.
The canonical work. Describes Feynman and Leighton's
decade-long struggle to reach Tuva. Semi-related works are
``Surely You're Joking, Mr. Feynman!'' and ``What Do You Care
What Other People Think?'', both by Richard Feynman (with Ralph
Leighton).
2 - Journey to Tuva
Otto M�nchen-Helfen, extensively annotated and translated from
German to English by Alan Leighton.
Ethnographics Press, University of Southern California, 1931/1992
Available from Friends of Tuva. A great book detailing the
visit of a Westerner in 1929. Contains an appendix about
present day Tuva and a map.
3 - Nomads of Eurasia
Natural History Museum of Los Angeles County
University of Washington Press, 1989.
This book accompanied the museum exhibit "Nomads: Masters of
the Eurasian Steppe" in 1989-1990. Great pictures and text.
4 - Nomads of South Siberia
Sevyan Vainshtein, translated by Michael Colenso
Cambridge University Press, 1980.
Wow. The detail is impressive as the author examines Tuvan
nomadic life.
5 - In Search of Genghis Khan Tim Severin, Arrow Books, 1992.
The author joins a horseback expedition to trace the steps of
Genghis Khan from Mongolia to Europe in 1990. An intriguing
foray into the life of the modern Mongolian nomad, with many
details that may frighten prospective visitors to the region.
7 - The Peoples of the Soviet Far East
Walter Kolarz, published by Frederick Praeger of New York, 1954.
8 - The Tuvan Manual
John Krueger, available from the Mongolia Society,
322 Goodbody Hall
Indiana University,
Bloomington, IN 47405, USA.
An indispensable work that includes a primer on the area and
culture, lessons on how to read and speak Tuvan, a Tuvan to
English glossary, and several samples of Tuvan text. An
extremely valuable book that is worth double the price (about
$20). A word of caution; the only Tuvan I know to have seen the
book commented that "no one uses those words anymore".
9 - Ancient Traditions: Shamanism in Central Asia and the Americas
Edited by Gary Seaman and Jane S. Day.
Published by the Denver Museum of Natural History and the
University Press of Colorado, 1994.
Based on the proceedings from ``Nomads: Masters of the Eurasian
Steppe,'' Volume 4 of the Soviet-American academic symposia in
conjunction with the museum exhibitions. The one chapter
devoted to Tuvan shamanism is by Russian ethnographer Vera P.
Diakonova.
10 - The Lost Country: Mongolia Revealed
Jasper Becker. Hodder & Stoughton, 1992.
ISBN: 0-340-57978-1
Written by the Asia correspondent of the Guardian newspaper,
who visited Mongolia and surrounding countries several times
in 1989-90. Includes are chapters on Buryatia and Tuva. Plenty
of personal observation as well as background history.
11 - The Last Disco In Outer Mongolia
Nick Middleton.
Onon, 1992.
ISBN: 1-85799-012-9
About the travel experiences of a British student who visited
Mongolia in 1987 and 1990. He observes the changes that have
taken place between his two visits.
12 - Recherche experimentale sur le chant diphonique
Hugo Zemp and Tran Quang Hai.
Cahier de Musique traditionnelle,
4,p27-68,Atelier d'ethnomusicologie, Geneve, 1991.
The most thorough analysis of Tuvan, Tibetan, Mongol and Altai
styles. Plenty of sound spectra representing excerpts from a
variety of songs, including cuts from the Smithsonian Folkways
CD. [BD]
13 - Structural, aerodynamic and spectral characteristics of imitated
Tibetan chanting.
Aliaa Ali Khir, M.D. and Diane M.Bless, Ph.D.
Proceedings of the 21st symposium of The Voice Foundation.
Philadelphia, June 1992.
A study on ``the underlying physiological adjustments of this
unique phonetary mode''. For those with high interests in
acoustic and physiological details. The subject under study
was an American male, not a Tibetan monk. The study suggests
aphonic patients may benefit from Tibetan chanting, as it
requires minimal mean flow rates. It quotes and agrees with
previous authors (Smith, Stevens, Tomlinson 1967), that
Tibetan style may be due to ``two modes of oscillations, one
at the normal frequency and another at some ``ill-defined''
low frequency that synchronized to every pulse of the higher
frequency''. It rules out glottal fry as the source of the low
note, which I believe is an error. [BD]
14 - Sons multiphoniques aux instruments a vent
Michele Castellango
Rapport IRCAM, 34|82.
Paris, France.
Wind instruments, not just voices, can play multiple sounds.
The trombone, the flute, the oboe, bassoon and bass clarinet
are examined in that respect. Defined as : ``l'entretien d'un
son stable percu comme un accord'', multiphonic instrumental
emissions are compared to vocal overtone singing. ``Si l'on
renforce l'intensite de certaines harmoniques, ceux-ci peuvent
etre percu isolement et former une melodie independante. A un
instant donne, on percoit alors deux hauteurs. C'est le cas du
chant diphonique, de la guinbarde et de l'arc musical ou l'on
a dailleurs souvent deux ou trois melodies formantiques en
contrepoint.''
N.B In previous years, Michele Castellango and Trang Quang Hai
have worked together on a number of occasions, trying to pin
down the nature of biphonic singing. [BD]
15 - Theorie physiologique de la musique
Hermann von Helmholtz
Editions Jacques Gabay
Paris, 1990.
The Bible of acoustics and music, from the well known 19th
century Heidelberg university professor. First edition in
French: 1868.
When we sing overtones, we behave as Helmholtz resonators,
amplifying certain harmonics in the note we sing. We do so by
slightly changing the volume of air contained in our vocal
tract or by changing the surface of the aperture of our mouth.
Helmholtz shows us that in matters of resonance, there are no
other variables at play than volume of air and surface of
aperture.
Following up on Helmhotz I hypothesized that whenever three
notes were distinctly heard in a given style (i.e. Kaigal-ool
Khovalyg singing in khoomei style) one was amplified using the
tongue as a means to vary the volume of air, one was amplified
using the aperture of the mouth. Both field observations of
professional Tuvan singers and personal practice seem to
verify this. [BD]
16 - Tuvan Folk Music A.N. Aksenov Asian Music IV, 1973
I've been unable to confirm the existence of this book, or
even find out what language it has been published in. It was
listed as one of several books being auctioned by a specialist
in antique books.
17 - The Choomij of Mongolia: a Spectral Analysis of Overtone Singing
R. Walcot
Selected Reports in Ethnomusicology 2, 1974
18 - The Land In The Heart Of Asia
Vladimir Semenov and Marina Kilunovskaia
Bronze Horseman Literary Agency (1995)
70-52 Olcott Street Forest Hills, NY 11375
$22, 112 pages, 72 color illustrations. Bronze Age, Neolithic,
and Scythian artifacts from excavations in Tuva.
19 - Unknown Mongolia: A Record of Travel and Exploration in
North-West Mongolia and Dzungaria
Douglas Carruthers
Hutchinson & Co., 1914.
``Unknown Mongolia'' is an enormous two-volume tome based on
British geographer Douglas Carruthers' 20-month journey and
mapping expedition through what is now Tuva and Mongolia. The
first volume is almost all about Tuva. Carruthers was
literally charting uncharted territory. The stated intent of
the journey was as a geographic expedition. Carruthers set out
to map the territory and investigate its geology, flora and
fauna. The result is a fascinating and highly informative
account, written in the somewhat overblown, erudite manner
typical of the aristocrats who were members of the Royal
Geographic Society.
Despite his understandably "Orientalist" approach, Carruthers
for the most part manages to avoid the judgmental
condescension of many other British explorers. His account of
the indigenous people and their ways of life is sensitive and
respectful, and his painstaking attention to detail is
rendered more with refreshing candor and wide-eyed wonder than
with the bored skepticism of some of the other British travel
accounts of the period. It's informative, entertaining,
readable, and full of vivid geographic and ethnographic
detail. [Review by Brian Donahoe.]
Booksellers list a 1994 edition of this book (ISBN 8120608577)
with a price in the $40 (US) range - much better than the rare
1914 edition.
20 - Open Lands: Travels Through Russia's Once Forbidden Places
Mark Taplin
Steerforth Press, 1998,
ISBN 1-883642-87-6
In 1992, when the doors to formerly forbidden areas of the
Soviet Union were opened, Taplin visited seven newly
accessible cities and regions. One chapter is devoted to Tuva;
the chapter is an interesting read, the highlight being his
run-in with Mongush Kenin-Lopsang. Taplin has an eye for
detail and provides generous descriptions of the situations
he's encountered; his Tuvan chapter doesn't include much on
aspects of Tuvan tradition or day-to-day life but does provide
much insight on the legacies of the Soviet system.
21 - Books by Lev Nikolayevich Gumilev (1912-1992)
Several Russians have reported that they first became
interested in Tuva through the works (in Russian) of this
author. Some titles of interest are "Hunnu in China" "Ancient
Turkic people".
14: Any recommended reading about Feynman?
A: Send your suggestions. Here's what I've found.
1 - Surely You're Joking, Mr. Feynman!
Richard Feynman, as told to Ralph Leighton
W.W. Norton, 1985.
Paperback by Bantam Books, ISBN 0-553-34668-7.
Another canonical work. Sometimes inspirational, sometimes
educational, always amusing. I can't praise this book highly
enough to do it justice.
2 - What Do *You* Care What Other People Think?
Richard Feynman, as told to Ralph Leighton W.W. Norton, 1988.
Paperback by Bantam Books,
ISBN 0-553-34784-5.
In a way, "What Do You Care" fills in the holes that "Surely
You're Joking" left unexplored. Some stories are light hearted,
while others are somewhat tragic. The second half of the book
details Feynman's work with the Rogers Commission. Highly
recommended.
3 - QED - The Strange Theory of Light and Matter
Richard Feynman
Princeton University Press, 1985.
Quantum electrodynamics explained for the generalist. Will the
reader understand modern physics after reading this book? No,
but not to worry (as explained on page 9). The clearest and
most concise explanation of the subject available.
4 - The Feynman Lectures on Physics
Richard Feynman, Robert Leighton, Matthew Sands
Addison-Wesley, 1963.
This legendary three-volume set established the precedent of
"Feynman talks, Leighton writes". Fascinating lectures
delivered with insight usually not presented to undergraduate
students.
5 - Genius: The Life and Science of Richard Feynman
James Gleick
Pantheon Books, 1992.
Paperback by Vintage/Random House, 1993, ISBN 0-679-74704-4.
Gleick is a thorough researcher; the bibliography is
formidable. His writing does not convey the same friendly
charm of Feynman's narrated stories, but the different
viewpoint will be of interest to the completist.
6 - No Ordinary Genius: The Illustrated Richard Feynman
Christopher Sykes
W.W. Norton, 1994.
Great book. Ralph Leighton describes it as a get-together at a
home where Feynman is the main topic of conversation, and
Feynman shows up to tell his version of events.
7 - SIX EASY PIECES: Essentials of Physics Explained by its Most
Brilliant Teacher
Richard P. Feynman
Addison-Wesley and the Caltech Archives, 1994.
Six Lectures from The Feynman Lectures on Physics, with
accompanying audio on CD or cassette.
8 - The Art of Richard P. Feynman : Images By a Curious Character
Compiled by Michelle Feynman
G+B Science Publishers SA, G+B Arts International
ISBN 2-88449-047-7
173 pages with 92 full page black and white images and 7 colour
plates by Feynman the artist. Accompanying the images are 57
pages of commentary and reminiscences, some of which has been
printed before (``But Is It Art?'' from ``Surely You're
Joking'') and some of which is new. Particularly interesting
are the contributions from the wonderful Albert Hibbs and from
Michelle Feynman. A great book for the enthusiast.
9 - The Beat of A Different Drum: The Life and Science of Richard Feynman
Jagdish Mehra
Oxford, UK: Clarendon Press, 1994
ISBN 0-19-853948-7 (cloth)
According to the book jacket, Feynman in 1980 requested that
Mehra ``do what he had already done for Heisenberg, Pauli, and
Dirac, that is write a definitive account of his life, science
and personality.'' Mehra, who had known Feynman personally for
30 years, readily agreed.
10 - Richard Feynman - A Life In Science
John Gribbin and Mary Gribbin
Dutton, published by the Penguin Group, 1997
ISBN 0-525-94124-X (hardcover)
The book attempts to capture both the essence of Feynman's
scientific works and the essence of his `curious character' in
one book, and succeeds to a good degree. The scientific
explanations are well-explained in an interesting manner, and
the anecdotes are always engaging. This may be of the most
interests to the reader who has not already enjoyed other
books featuring stories from Feynman's life, since there is
inevitably some duplication between books, but even the
seasoned reader will find something new here.
11 - Most of the Good Stuff - Memories of Richard Feynman
Laurie M. Brown and John S. Rigden, editors
American Institute of Physics, 1993
ISBN 0-88318-870-8 (hardcover)
One of the better books, this is a collection of reminiscences
and anecdotes from colleagues and friends, organized around
the impact he made through his scientific work, through his
teaching, and through his personality. Several of the pieces
appeared in the February 1989 issue of `Physics Today' but are
not reprinted elsewhere.
15: Are audio recordings available?
A: I'm glad you asked. Long gone are the days when Tuvan (and other
central Asian) music was difficult to find; the enthusiast now has
a wonderful array of offerings to choose from. Of course, not all
of these recordings are available in every store, but we've tried
to supply all the information needed to place a special order. of
course, if you're not certain of what you want, you can always ask
in Usenet newsgroup alt.culture.tuva.
1 - Tuva: Voices From The Center Of Asia.
Smithsonian Folkways CD SF 40017
Distributed by Rounder Records, Cambridge MA.
33 tracks, 41'50, featuring numerous performers recorded in
Tuva by Ted Levin, Eduard Alexeev, Zoya Kirgiz. Khoomei,
jew's harp, sigit, animal imitations. Excellent, scholarly,
musicological liner notes.
2 - Tuva: Voices from the Land of the Eagles
Pan Records CD 2005CD
P.O. Box 155, 2300 AD Leiden, Netherlands
11 tracks, 46'46, khomus, tyzani, igil, amirga, toshpular.
Features Kongar-ool Ondar, Kaigal-ool Khovalig, Gennadi Tumat,
all soloists of the folk ensemble Tuva. Recorded February 23,
1991. Excellent liner notes.
3 - Voix de l'Orient Sovietique
Inedit W 260008
Maison des Cultures Du Monde , Paris
Only one Khoomei track, but it is supposedly very good. Other
tracks from other Soviet (now CIS) central Asian republics. [I
don't have this one - Kerry]
4 - Mongolian Folk Music
Hungaroton HCD 18013-14
Selected from the 1967 year's collection by Lajos Vargyas. [I
don't have this one - Kerry]
5 - Mongolie- Musique vocale et instrumentale
Inedit W 460009
[I don't have this one - Kerry]
6 - Sainkho Namtchylak - Lost Rivers
Free Music Productions FMP CD 42
Postbox 100 227, 1000 Berlin 10, Germany
Solo voice. Avante garde singing, with some polyphonic singing.
13 tracks, 74'18.
7 - Sainkho Namtchylak - When the Sun Is Out You Don't See Stars
Free Music Productions FMP CD 38
With Peter Kowald (bass), Werner Ludi (saxes), Butch Morris
(cornet). 20 tracks, 72,50, less avante garde than Lost
Rivers.
8 - Sainkho Namtchylak - Out Of Tuva
Cramworld/Crammed Discs CD CRAW6
Released 1993.
Recorded between 1986 and 1993 in Kyzyl, Moscow, Wuppertal,
Paris, and Brussels.
Mostly pop songs incorporating traditional folklore and some
traditional techniques, the liner notes explain that these are
recordings that Sainkho had made with no plans to release them.
Muscovite Artemy Troitsky thought that they should be released
and put them on this disk, along with three new songs.
The songs are generally less esoteric than other Sainkho works
and they are far more accessible to the casual listener. The
featured instrument is her voice, and the accompaniment varies
from somewhat bare percussion to a large orchestra to
synthesized washes. I like this disc more than the other
Sainkho ones I've heard, and if I were to recommend a first
Sainkho album to newcomers, this would be it.
As an added bonus, the insert artwork is pretty good; the cover
is a stunning photo of Sainkho's face and shoulders
superimposed in front of a bright blur of colour. The liner
notes are good but too brief; only some of the songs have
accompanying notes listing the details of the recording. 13
Tracks, total length 40:30.
9 - Sainkho Namtchylak - Letters
Leo CD 190. Unreviewed.
10- Tuva: Echoes from the Spirit World
Pan Records CD 2013CD
17 tracks, 61'38, khomus, tyzani, igil, amirga, toshpular,
dambiraa, bell, kengirge, byzaanchy, limbi, buree, savag, tung,
tenchak, khirilee. Features 11 performers, includes recordings
made on tour in 1992 as well as older recordings from Soviet
radio (1973, 1983, 1986). Superlative liner notes explaining
many ideas and terms.
11- Ozum (Sprouts): Young Voices of Ancient Tuva
Window to Europe CD sum 90 008
Jodenbreestraat 24, 1011 NK, Amsterdam, Netherlands
A Dutch-Russian release from Otkun Dostai, Oolak Ondar, and
Stanislav Iril, three young Tuvan musicians who have built on
the traditional style. A strong album that I really like. Oolak
Ondar (b. 1973) was the winner at the throat singing symposium
(1991, Kyzyl) in sygyt style. Khoomei, khomus, acoustic
guitar, and shaman drum. 13 tracks, 42'34.
12- Mongolian Songs
King Record Co CD KICC 5133
2-12-13 Otowa Bunkyo-ku Tokyo 112 Japan
Part of King's World Music Library, this is a Japanese import
with almost no English in the package. 7 performers, 19 songs,
54'52. The men's khoomei is very good, the women's takes some
getting used to.
13- Mongolian Epic Song (Zhangar)
King Record Co CD KICC 5136
2-12-13 Otowa Bunkyo-ku Tokyo 112 Japan
Male vocal with instrumental accompaniment. Short and long songs.
14- Mongolian Morin Khuur Ci Bulag
King Record Co CD KICC 5135
Sentimental horse-head fiddle solos.
15- Morin Khuur Ci Bulag
JVC World Sounds, VICG-5212
More Sentimental horse-head fiddle solos.
16- Mongolie Ensemble Mandukhai
Playa Sound, PS 65115
Large variety with some khoomei.
17- Mongolie Chants Kazakh et tradition epique de l'Ouest
Ocora - Radio France, C 580051
25 songs, with tobsuur accompaniment, recorded in Mongolia in
1984 and 1990. Twenty songs of Kazakh music, some of it
actually danceable! Minimal khoomei, although the voices do
make good use of changing timbres. The final five songs are
labelled ``epic tradition of the West'' and the lyrics are
fragments of lengthy epic songs.
18- Huun-Huur-Tu: Sixty Horses In My Herd - Old Songs and Tunes of Tuva
Shanachie Records CD SH 64050 CD/MC
37 E. Clinton St., Newton NJ 40017
Master khoomigch Kaigal-ool Khovalyg and his new group, which
has toured all over the US. 12 tracks of all natures of
top-notch khoomei, other singing, igil (Tuvan viol) playing.
Its being studio-produced, which although lending a slight
inauthenticity, makes for an eminently listenable album. Decent
liner notes and text. [BSG]
19- Uzlyau: Guttural Singing of the People of the Sayan, Altai,
and Ural Mountains
(1993) PAN 2019CD (PAN Records Ethnic Series)
37 recordings from Russian archives form a catalog of all known
styles of overtone singing from Tuva (12), Altai (2), and
Baskhiria (23), collected, produced, (partially) recorded, and
documented in encyclopaedic, scholarly liner notes by
Vyacheslav Shchurov. Studio and field recordings, featuring
master khoomigch Oorzhak Khunashtaar-ool in some awesome 1977
performances recored by Radio Moscow. Some doshpuluur and
khomus, but almost all vocal. Some absolute knockout kargyraa.
A must. [BSG]
20- Tales of Tuva
Kira Van Deusen recites three Tuvan stories (in English) with
musical accompaniment by Kongar-ool Ondar, Kaigal-ool Khovalyg,
and Anatoli Kuular.
21- Shu-De: Voices from the Distant Steppe
Realworld/WOMAD Productions (Real World Records Ltd)
(In US): Carol 2339-2 Caroline Records, Inc 111 West 26th St.,
New York NY 10001
16 tracks by the Tuvan ensemble Shu-De (M. Mongush, L.
Oorzhak, N. Shoigu, B. Salchak, O. Kuular), including all
varieties of khoomei, igil, doshpuluur, & limbi (flute)
playing, plus a wide variety of styles from Buddhist Chant to
Tuvan tongue twisters to Western-style choral harmony. A
shamanic ritual ends out the CD. A magnificent kargyraa cut by
Leonid Oorzhak is a highlight. Eminently listenable. (Spring
1994). Weak liner notes. [BSG]
22- Tuvinian Singers & Musicians: Khoomei: Throat-Singing from the
Center of Asia.
Distributed in Germany via Zweitausendeins Versand, Postfach,
D-60381 Frankfurt. Order Number 55838.
Volume 21 of the World Network series, a coproduction from WDR
(West-deutscher Rundfunk - a major TV and radio station in
Germany) and World Network.
16 tracks (total playing time: 64' 01"), partially recorded in
Cologne in April 1993 and in Tuva in September 1992. Performers
include Schaktar Schulban, a 10 year old boy, the 18 year-olds
Ondar Mongun-Ool and Bujan Dondak, and the Tuva Ensemble,
founded in 1988 by Gennadi Tumat, Oleg Kuular, Stas Danmaa and
Alexander Salchak.
This CD can be warmly recommended to all lovers of Tuvinian
music. The music presented is a well performed collection of
authentic vocal and instrumental pieces. Since all pieces are
strictly traditional this CD cannot be compared to the
performance by e.g. Sainkho. Track no. 9, performed by the
unusually young artist Schaktar Schulban, reveals the enormous
talent of this promising singer.
The CD is very interesting because next to the overview of
singing styles the listener is also introduced to a
representative spectrum of instrumental music. [OC]
23- Tuvinski Folklore
Melodiya Stereo 33 C60-14937-42 1981, Out of print.
This three LP set features a total of 65 tracks, most of which
are khoomei, and instrumental music. One entire disk (both
sides) is devoted to two tracks, each over 24 minutes long, of
byzanchi playing. There are also several tracks of story
telling, and a few of the musical numbers are repeated with
variations or in slightly different styles.
The Melodiya record that Feynman had is apparently unavailable,
although the vaults of recording agencies in the former USSR
have been opened to interested entrepreneurs. Latest reports
say that the masters have been lost.
24- Kronos Quartet: Night Prayers
Elektra Nonesuch CD 2 79346
Distributed by Warner Music.
One track on this CD, "Kongerei", features Kaigal-ool Khovalyg,
Anatoly Kuular, and Kongar-ool Ondar singing along to the
accompaniment of the Quartet (2 violins, 1 viola, 1 cello).
This new version is interesting in it's approach to a
traditional Tuvan song with modern Western instruments.
25- Yat-Kha
General Records GR 90-202 (Moscow), 1993
Albert Kuvezin (throat-singing and instruments yat-kha,
byzanchi, organs, khomus, percussion & gongs) and Ivan
Sokolovski (keyboards, computers, cello, drums & percussions,
noises). Kuvezin is a founding member of the group
Huun-Huur-Tu, living in Moscow, who specializes in his own
style of kargyraa, extremely low-pitched singing with
artificial subharmonics. In this hour of 13 tracks, he exploits
this awesome and rarely-heard technique, combining it with
techno-pop backup sounds (and a token amount of traditional
singing/playing) to produce a thoroughly unique, avant-garde
offering which has the power to grow on you. Deliberately
obscure liner notes [BSG].
Here is some news from Yat-Kha from August of 1995:
Eki ergim eshter! (Hello dear friends)
I would like to inform you about some news of the Yat-Kha
band. We are right now recording a new album at the Global
Mobile studio in Helsinki under the roof (and rules) of Anu
Laakkonen. The album presents our new style: "Yenisei
kargyrapunk". The participating musicians in this projects
are: Alexei/vocal, tungur, igil; myself/kargyra & guitars;
Evgeniy/percussions, Kari/sound & drinks; Anu/sauna;
Mikko/cooks & drinks; Akym/phonecontrol. The CD will be
released by Global Music Centre soon. Start saving now! We
will give the account details later. [AK]
26- Huun-Huur-Tu (with Mergen Mongush): Orphan's Lament
Shanachie Records 64058
A work of well-produced art, contemporary offerings in
traditional Tuvan styles, not an ethnomusicological assay. Its
16 pieces in styles varying from unison Kargyraa chants to
political songs to khomus ("Jews' harp") solos provide a
tour-de-force of Tuvan styles designed for listening pleasure
and wonderment. Master khoomigch Kaigal-ool Khovalyg's deeply
touching igil (Tuvan viol) playing is (as on "60 Horses") a
real highlight of the album. His frequent vocal solos in all
styles, and those of the sweet-voiced Anatoli Kuular, joined by
Mergen Mongush for one sygyt cut, help place this album among
the two or three "must-have"'s for anyone who *enjoys*
authentic Tuvan music. [BSG]
27- Original Motion Picture Soundtrack: Geronimo, An American Legend
Columbia CD CK 57760
Kaigal-ool Khovalyg, Anatoly Kuular, and Sayan Bapa sing and
play on six of the seventeen tracks. The Tuvans make a
significant contribution to the soundtrack and share writing
credits on some songs. This CD is not a "must-have" for the
traditionalist but is interesting. The CD seems to have a
higher Tuvan content than was actually heard in the movie.
Kaigal-ool Khovalyg, Anatoly Kuular, and Sayan Bapa sing and
play on six of the seventeen tracks. The Tuvans make a
significant contribution to the soundtrack and share writing
credits on some songs. This CD is not a "must-have" for the
traditionalist but is interesting. The CD seems to have a
higher Tuvan content than was actually heard in the movie.
28- The ReR Quarterly, Volume 4, Number 1 (ReR 0401)
The ReR Quarterly is a sort of audio magazine dedicated to
weird and experimental music. The first track on this issue is
"Koongoortoog," whom we know today as Huun-Huur-Tu. Most of the
rest of the CD is significantly modernist abstract composition
or alienated rock music.
This old traditional song was recorded in 1991 in Moscow when
the Koongoortug band consisted of only Albert Kuvezin and
Alexander Bappa. On this song Mr. Kuvezin sang and played all
the instruments (yat-kha, fretless bass, drum machine, buddhist
percussion) except shell by Mr. Bappa. Arrangement was done by
Mr. Kuvezin. The studio time was purchased by Mr. Bappa. This
tape was given to Chris Cutler in London. The picture and the
information was mistakingly taken from the first CD of Huun
Huur Tu. ReR Megacorp is reachable at 74 Tulse Hill, London SW2
2PT, England, or distributed in the USA by Wayside Music, PO
Box 8427, Silver Spring MD 20907. (Source: [AK], Alexei Saaia,
Anu Laakkonen, Akym (AAAA Club))
29- Whistling In the Temple: Harmonic Voices
Simone Records, 412 East Ellis Ave., Inglewood, CA 90302.
In the USA, call 1-800-300-3315 for info.
Most songs have overtone singing and other cultural references
such as instrumentation and source material which refer to
Tuvan lifestyle. It is a hybrid recording, but not in a pop
type manner such as Sainko. I did enjoy the music and gist of
the material immensely. [KW]
30- Jeff Lorber: West Side Stories
Polygram Records, distributed by Verve Records, 314 523 738-2.
Kongar-ool Ondar sings on one track, ``Tuva'', five minutes
long. He sings two themes (the old favourite, ``Alash River''
and another, about the Tuvan forests), and Lorber has built a
song around them. The music is not traditional, or a facsimile
(for example, the Kronos Quartet blended their instruments well
with the Tuvan themes on their Tuvan song) but is funky light
jazz played mainly on synthesizers. An added bonus: in the
liner notes Lorber mentions that he made his studio available
to Kongar-ool to record an album for release in Tuva.
31- Biosintez
Lava Productions.
23705 Vanowen St., suite 123, West Hills, CA 91307, USA.
E-Mail:
[email protected]
Tuvan music played on modern rock instruments. Unreviewed.
32- Kongar-ool Ondar - Echoes of Tuva
1995.
This recording is a solo recording by Kongar-ool Ondar, made in
the picturesque old city hall of Pasadena, California. The
building's natural reverberance is used to great effect and
gives the recordings a very natural lively feel.
The recording opens with traditional songs done impeccably, but
it is the more modern-sounding songs that are most interesting.
Also striking is the prayer for Richard Feynman, a song
featuring only voice and drum.
The recording is available directly from Friends of Tuva, Box
182, Belvedere CA 94920.
33- The Legend of Tannu Uriangkhai
Published by The Mongolian and Tibetan Affairs Commission,
4th Floor, #5, Shu-Chow Road, Taipei, Republic of China.
Produced by the Typhoon Music Co, director Lee Hou-kou.
A book and CD combination in Chinese and English, with
references, the CD is excellent [Not reviewed by me - KY].
34- Khomus: Jew's Harp Music of the Turkic Peoples in the Urals,
Siberia, and Central Asia.
Pan Records CD PAN 2032CD
P.O. Box 155, 2300 AD Leiden, Netherlands
Phone: (+31-71)219479 fax: (+31-71)226869
While only one track (out of 33) is from Tuva, this is an
excellent survey of khomus music of the Turkic speaking
peoples. Excellent liner notes, including repeated mention of
Tuva and a Tuvan folk tale regarding the origin of the khomus.
Very listenable if you like khomus (very twangy if you don't
like khomus...) with most of the songs being complete, though
fairly short. Music is from Gorno-Altai, Kyrgyzstan, Tuva,
Bashkortostan, and Yakutia. There is surprising variety in the
music from this simple instrument.
Here are the details on the Tuvan track (#5): ``BAYAN KOL and
BISTING TYVA (Our Tuva). Also found on LP Melodiya 14937 #1 and
#10. Many folk musicians do not perform on the stage but rather
prefer to play in a natural environment, like the Tuvan
herdsman Khunashtaar-ool Oorzhak playing temir khomus''. Total
time: 66'03. [MVB]
35- Khoomei 92 - WTE Tapes 004
Window to Europe
Jodenbreestraat 24, 1011 NK, Amsterdam, Netherlands
tel +31-20-6245747 fax +31-20-6203570
Though I have not heard this one myself it comes highly
recommended by a friend in Amsterdam. It is a tape (presumably
also on CD) from the first International Symposium on Throat
Singing in Kyzyl, June 1992. [MVB]
36- Planet Soup
Produced by Ellipsis Arts, 20 Lumber Rd., Roslyn, NY 11576,
(800) 788-6670, FAX: (516) 621-2750.
This illustrated book (48 pages) and three compact discs (or
cassette) includes one song (1:51 minutes), ``Genghis Blues:
The Ballad of Cher Shimjer (What You Talkin' About?)''
featuring Paul Pena, (vocals, guitars, kargyraa vocals);
Kongar-ool Ondar (sygyt vocal, khomus) and; ``C.T.'' and Rusty
Gunn (backing vocals).
There's also an interesting track by Bolot Bairyshev, from
Altay in Mongolia (this track is originally from ``Voice of
Asia 2'').
37- Jon Rose: Violin Music For Supermarkets
Megaphone Records, Megaphone 016 (CD), released 1994.
Sainkho Namtchylak appears on track 11, ``Shopping In Tuva'' (3:51).
38- Yat-Kha: Yenisei-punk
Global Music Centre GMCD 9504, Finland, 1995.
Duration: 56:31
Contact: e-mail:
[email protected] ,
http://www.globalmusic.fi/index.html (Finnish) or
http://www.globalmusic.fi/in_english/index.html (English)
TRACKS:
Solun chaagai sovet churtum (Beautiful Soviet Country)
Karangailyg kara hovaa (In the endless black steppe)
Kaa-khem (Name of the river)
Kuu-la khashtyn baaryndan (At the foot of a mountain)
Kamgalanyr kuzhu-daa bar (We have protection force)
Irik chuduk (Rotten log)
Chashpy-khem (Name of a river)
Kadarchy (Shepherd boy)
Chok-la kizhi yry (Song of a poor lonely)
Een kurug kagban-na men (I didn't leave my yurt empty)
Toorugtub taiga (Cedar taiga)
Karagyram
If Michael Gira would have been born in Tuva, this is how the
Swans would sound, I guess. All the instruments but the
electric guitar are ethnic Tuvan, but I have the impression
they're not as lively and diversified as with Huun-Huur-Tu.
Also, the throat singing is quite threatening in a monotonous
way, but not as breath-taking and crazy as with Huun-Huur-Tu.
Although many of the songs are about nature, this CD sounds
very dark and gloomy, hence the "punk" title; not the Sex
Pistols kind of punk, more like Joy Division.
Every song on its own is an impressive listening experience,
but maybe there isn't enough variation to make the whole CD
interesting enough. Luckily, some songs have accompanying extra
voices.
The last track is more than 10 minutes long, and is not really
a song, more the singer showing of his low throat voice, which
only rarely gets the "vacuum cleaner" sound effect. Conclusion:
good, but not essential exotica stuff. [Reviewed by Johan Dada
Vis <
[email protected]>.]
39- Deep In the Heart of Tuva - Cowboy Music From the Wild East
Ellipsis Arts CD4080, ISBN 1-55961-324-6
64 page book, 60+ minute CD
This recent release comes with a well-produced booklet full of
information (interviews, khoomei details, liner notes, etc.)
and superb photos. The music is a sampler of a wide variety of
performers and styles. This release sets a new standard for
Tuvan music production.
40- Huun-Huur-Tu: If I'd Been Born An Eagle
Shanachie Records
"If I'd Been Born An Eagle" explores a possible past with the
addition of an end-blown flute, an instrument of other Turkic
mountain peoples, which may once have been played in Tuva. Once
you hear it along with the other Tuvan instruments, you'll
wonder why the Tuvans ever gave it up! This CD is a worthy
addition to the other two by HHT. [RL]
41- Huun-Huur-Tu and Angelite: Fly, Fly My Sadness
Recorded in Bulgaria with the women's choir Angelite (formerly
called Le Mystere des Voix Bulgares), this CD is definitely
meditative stuff --- not quite my style, but certainly an
interesting mixture of distinctive musical traditions. [RL]
42- Vershki da Koreshki
Al Sur CD ALCD 204, 1996.
15, rue des Goulvents, 92000 Nanterre, France,
Telephone (33) 01 41 20 90 50.
9 tracks, 56'08.
Featuring: Kaigal-ool Khovalyg, voice, khoomei, igil, khomus
Mola Sylla, vocals, kongoma, xalam, kalimba Alexei Levin,
accordian, piano, khomus, kongoma Vladimir Volkov, double bass
Paco Diedhjou, sauruba
This album features one musician from Tuva, two from Senegal,
and two from Saint Petersburg. The musicians blend their styles
and genres to form an interesting and attractive result;
although similar experiments haven't always worked well in the
past, in this case it does.
The accordian and the double bass complement, rather than
steer, the other instruments. The addition of the rich sounding
double bass to Tuvan melodies is quite satisfying. The African
and Tuvan musical elements are not as disparate as one might
expect; this is more a testimony to the talents and to the
calibre of the musicians than to any similarities inherent in
the cultures.
43- Chirgilchin: The Wolf and the Kid
Shanachie CD 64070 16 tracks, 1996.
Featuring: Ondar Mongun-ool, throat-singer Aidysmaa Kandan,
singer Tamdyn Aldar, instruments Produced by Alexander Bapa
The 20-year old Tuvan performers sound great on this recording,
and some listeners will already know Mongun-Ool from a sygyt
cut on the World Network CD ``Choomeij: Throat-Singing From the
Center of Asia''. Mongun-Ool is one of the greatest
sygyt-singers, but he masters other styles as well. [Review by
Sami Jansson.]
44- Big Sky: Standing On This Earth
Skysong Productions, inc., SPCD1001, 1997
P.O. Box 11755, Minneapolis, MN, 55412
12 tracks, total time 55:57
Big Sky features alt.culture.tuva contributor Steve Sklar on
guitar and vocals, and on one song on this CD, "Siberia", he
uses his his formidable kargyraa and sygyt to great effect. Not
a Tuvan CD, but one with some Tuvan influence; it is mostly
upbeat (in outlook as well as tempo) pop/rock with a bright,
wide-open, spacious sound reminiscent of Tuva's wide open
plains.
Additional Big Sky tracks can be found online at
http://mp3.com/bigsky --- for instance, "Fire in the Water"
features khoomei singing, (especially sygyt).
Big Sky themselves are on the WWW at
http://www.bigskyrocks.com/
and Steve Sklar has a khoomei page at URL
http://www.atech.org/khoomei/khoomei.html
45- Ondar & Pena: Genghis Blues
TuvaMuch Records, 1997, c/o Friends of Tuva
12 tracks, total time 53:54
Available from the Tuva Trader.
A collaboration between Tuva's Kongar-ol Ondar and occasional
alt.culture.tuva contributor Paul ``Earthquake'' Pena, this CD
successfully blends the traditions of Tuvan music with those of
American blues.
Several of the songs are traditional, but the original songs by
Pena are the attraction: the first track, ``What You Talkin'
About?'', is a killer and is worth the price of the CD by
itself. This Bo Diddley-style tour de force recounts how Pena
began his journey to Tuva and his journey into khoomei.
Other highlights are the notable ``Kargyraa Moan'', a song that
helped win Paul Pena first prize in the kargyraa competition at
the 1995 Khoomei Symposium in Kyzyl, as well as ``Tuva
Farewell'', Pena's thoughts and insights about his visit to
(and return from) Tuva.
46- Tuvan Folk Music: It's Probably Windy In Ovyur...
Long Arms Records & IMA-press, 1997, CDLA 9707
29 tracks, total time 60:58
Contact
[email protected] .
This recording may be a landmark on the horizon of Tuvan music
in that it was recorded in Tuva (October-November 1995) by
Tuvans, for Tuvans. This is a collection of songs by musicians
from the Ovyur region (with the hope that compilations will be
forthcoming for other regions) featuring aspects of singing
that have been overlooked by foreign recordings, which have
concerned themselves primarily with the various forms of
khoomei. Ovyur is a region southwest of Kyzyl, bordering on
Mongolia.
The music is wonderful and covers a wide range of styles;
ballads, galloping songs, laments, patriotic fighting songs...
and that's just the first four! Various instruments are used,
including igil, doshpulur, and khomus, along with the
accordion, but many songs are vocal solos, by both women and
men. Words cannot do the CD justice; the performances are all
very natural sounding and very clearly recorded. This sounds
like a performance sitting around the campfire or around the
stove in the yurt, with no echo or effects added. My favourite
songs are the ones with the soaring melodies and quiet
accordion accompaniment.
The liner notes are primarily in Russian (I think; I can't see
any Tuvan) with some translation into English. The package and
insert are well-crafted with flashy graphic arts and photos.
Produced by Sainkho Namchylak and Otkun Dostai, this is a work
to be proud of, and I hope to see more recordings in this
vein.
47- Kongar-ol Ondar: Back Tuva Future
Warner Brothers Records CD9 47131-2
11 tracks, 50'05. Wow! An interesting and adventurous
experiment bringing together Kongar-ol Ondar's music and
singing, recordings from Feynman and Leighton's drumming and
storytelling days, and some excellent western musicians
including Sam Bush, Randy Scruggs, and Victor Wooten. Some of
these tracks became instant favourites - the ones with the most
propelling beat actually sound vaguely reminiscent of some
Tuvan-Western fusion songs I heard on a cassette tape in a car
on the road to Teeli. Don't forget to look for the hidden
track!
48- Huun-Huur-Tu: Where Young Grass Grows
Shanachie Records CD 66018
15 tracks, 45'05. No review available yet.
Tracklist:
1 Ezir-Kara
2 Anatoly On Horseback
3 Deke-Jo
4 X��meyimny Kagbasla Men (I will not abandon my x��mei)
5 Avam Churtu Dugayimny (Dugai, the land of my mother)
6 Dyngyldai
7 Highland Tune
8 Hayang (name of a hunter)
9 Barlyk River
10 Tarlaashkyn
11 Interlude: Sayan playing khomus with water in his mouth
12 Sarala
13 Sagla Khadyn Turula Boor (It's probably windy on Sagly steppe)
14 Ezertep-Le Bereyin Be (Do you want me to saddle you?)
15 Live Recording: Anatoly and Kaigal-ool riding horses in
Eleges while singing sygyt (Anatoly), kargyraa and x��mei
(Kaigal-ool)
49- Tuva, Among the Spirits: Sound, Music, and Nature in Sakha and Tuva
Smithsonian Folkways CD SFW 40452
19 tracks, 49'00, featuring numerous performers recorded in
Tuva and Sakha by Ted Levin and Joel Gordon. Excellent music
with excellent scholarly, musicological liner notes. To be
reviewed further.
50- Tarbagan: Tarbagan Rises On The Earth
BooxBox World Wide Music CD BWM-A801
14 tracks. Japanese release featuring Haruhiko Saga and
Masahiko Todoriki.
51- Yat-Kha: Dalai Beldiri
Wicklow Entertainment LLC
10 tracks, 46:05. More amazing bass from Albert Kuvezin with
Aldyn-ool Sevek and Zhenya Tkach'v. Mainly traditional songs
arranged in a modern style by Kuvezin; some exciting sounds.
This is a very natural-sounding album and the fusion doesn't
sound at all forced and contrived - a very musical record.
Comes in a cool package with some great photos.
52- Shu-De: Kongurei
Newtone Records - NT 6745 2 CD
12 tracks.
