\documentclass[12pt,a4paper,twoside]{report}
\usepackage{typebook}
\begin{document}
\title{Formatting information}
\subtitle{A beginner's introduction to typesetting with
     \LaTeX{}}
\author{Peter Flynn}
\date{v.3.6 March 2005}
\legal{%
This document is Copyright � 1999\ndash{}2005 by
       Silmaril Consultants under the terms of what is now the GNU
       Free Documentation License (copyleft).

Permission is granted to copy, distribute and/or modify
       this document under the terms of the GNU Free Documentation
       License, Version 1.2 or any later version published by the
       Free Software Foundation; with no Invariant Sections, no
       Front-Cover Texts, and no Back-Cover Texts. A copy of the
       license is included in the section entitled \titlecite{gnufdl}.

You are allowed to distribute, reproduce, and modify it
       without fee or further requirement for consent subject to the
       conditions in \S\thinspace\ref{gfdl-4}. The author has
       asserted his right to be identified as the author of this
       document. If you make useful modifications you are asked to
       inform the author so that the master copy can be updated. See
       the full text of the License in Appendix~\ref{gfdl}.

}\maketitle
\subsubsection*{Acknowledgments}
This edition of  \textsl{Formatting
         Information} was prompted by the generous help I
       have received from \TeX{} users too numerous to mention
       individually. Shortly after TUGboat published the November
       2003 edition, I was reminded by a spate of email of the
       fragility of documentation for a system like \LaTeX{} which is
       constantly under development. There have been revisions to
       packages; issues of new distributions, new tools, and new
       interfaces; new books and other new documents; corrections to
       my own errors; suggestions for rewording; and in one or two
       cases mild abuse for having omitted package X which the author
       felt to be indispensable to users.\par
I am grateful as always to the people who sent me
       corrections and suggestions for improvement. Please keep them
       coming: only this way can this book reflect what people
       want to learn. The same limitation still applies, however: no
       mathematics, as there are already a dozen or more excellent
       books on the market\mdash{}as well as other online
       documents\mdash{}dealing with mathematical typesetting in
       \TeX{} and \LaTeX{} in finer and better detail than I am
       capable of.\par
The structure remains the same, but I have revised and
       rephrased a lot of material, especially in the earlier
       chapters where a new user cannot be expected yet to have
       acquired any depth of knowledge. Many of the screenshots have
       been updated, and most of the examples and code fragments have
       been retested.\par
As I was finishing this edition, I was asked to review
       an article for \titlecite{practex}, which
       grew out of the Practical \TeX{} Conference in 2004. The
       author specifically took the writers of documentation to task
       for failing to explain things more clearly, and as I read
       more, I found myself agreeing, and resolving to clear up some
       specific problems areas as far as possible. It is very
       difficult for people who write technical documentation to
       remember how they struggled to learn what has now become a
       familiar system. So much of what we do is second nature, and a
       lot of it actually has nothing to do with the software, but
       more with the way in which we view and approach information,
       and the general level of knowledge of computing. If I have
       obscured something by making unreasonable assumptions about
       \emph{your} knowledge, please let me know so
       that I can correct�it.\par
\par\vspace*{2pc}\noindent\ignorespaces
Peter Flynn is author of \titleof{htmlbook} and \titleof{sgmltools}, and editor of \titleof{xmlfaq}.
\par\vfill
\subsubsection*{Technical~note}
The text is written and
     maintained in DocBook with a customization layer for
     typographics. XSLT\index{XSLT@XSLT} is used to generate
     HTML\index{HTML@HTML} (for the Web and plain-text
     versions) and \LaTeX{} (for PDF\index{PDF@PDF} and
     PostScript\index{PostScript}). The November 2003 edition
     was published in \titlecite{tugboat}. This edition contains extensive
     revisions and simplifications to the text, and many corrections
     to the way in which the packages and their capabilities are
     presented.\par\vfill
\renewcommand{\contentsname}{Contents}
\tableofcontents
\listofexercises
\listoftables
\prelim{Introduction}\label{intro}

This book originally accompanied a 2-day course on using the
     \LaTeX{} typesetting system. It has been extensively revised and
     updated and can now be used for self-study or in the classroom.
     It is aimed at users of Linux, Macintosh, or Microsoft Windows
     but it can be used with \LaTeX{} systems on any platform,
     including other Unix workstations, mainframes, and even your
     Personal Digital Assistant (PDA)\index{PDA@PDA|textbf}\index{Acronyms@\textbf{Acronyms}, defined!PDA@PDA|textbf}.
\subsection*{Who needs this book?}\addcontentsline{toc}{subsection}{Who needs this book?}

The audience for the original training course was assumed
       to be computer-literate and composed of professional,
       business, academic, technical, or administrative computer
       users. The readers of the book (you) are mostly assumed to be
       in a similar position, but may also come from many other
       backgrounds, including hobbyists, students, and just people
       interested in quality typesetting. You are expected to have
       one or more of the following or similar objectives:
\begin{itemize}
\item
producing typesetter-quality formatting;

\item
formatting long, complex, highly-structured,
           repetitive, or automatically-generated
           documents;\footnote{\LaTeX{} can easily be used for once-off or short
               and simple documents as well, but its real strengths
               lie in consistency and automation.}

\item
saving time and effort by automating common
           tasks;

\item
achieving or maintaining your independence from
           specific makes or models of proprietary hardware,
           software, or file formats (portability);

\item
using Open Source software (free of restrictions,
           sometimes also free of charge).

\end{itemize}
\subsection*{Skills needed}\addcontentsline{toc}{subsection}{Skills needed}

\LaTeX{} is a very easy system to learn, and requires no
       specialist knowledge, although literacy and some familiarity
       with the publishing process is useful. It is, however, assumed
       that you are completely fluent and familiar with using your
       computer before you start. Specifically, effective use of this
       document requires that you already know and understand the
       following very thoroughly:
\begin{itemize}
\item
how to use a good plain-text
           editor (\emph{not} a wordprocessor like
           \product{OpenOffice},
           \product{WordPerfect}, or Microsoft
           \product{Word}, and
           \emph{not} a toy like Microsoft
           \product{Notepad});\marginal{
2.1.3
}

\item
where to find all 95 of the printable ASCII\index{ASCII@ASCII} characters on your keyboard and
           what they mean, and how to type accents and symbols, if
           you use them;\marginal{
3.2.1.2
}

\item
how to create, open, save,
           close, rename, move, and delete files and folders
           (directories);\marginal{
2.3
}

\item
how to use a Web browser and/or File
           Transfer Protocol (FTP)\index{FTP@FTP|textbf}\index{Acronyms@\textbf{Acronyms}, defined!FTP@FTP|textbf} program to
           download and save files from the Internet;\marginal{
7.3.1.6
}

\item
how to uncompress and unwrap (unzip or detar)
           downloaded files.\marginal{
2.3.7
}

\end{itemize}

If you don't know how to do
       these things yet, it's important to go and learn them
       first. Trying to become familiar with the fundamentals of
       using a computer \emph{at the same time} as
       learning \LaTeX{} is not likely to be as effective as doing
       them in order.

These are not specialist
       skills\mdash{}they are all included in the European Computer Driving
         Licence (ECDL)\index{ECDL@ECDL|textbf}\index{Acronyms@\textbf{Acronyms}, defined!ECDL@ECDL|textbf} and the relevant sections of the ECDL\index{ECDL@ECDL} syllabus are noted in the margin
       above, so they are well within the capability of anyone who
       uses a computer.
\subsection*{Objectives of this book}\addcontentsline{toc}{subsection}{Objectives of this book}

By the end of this book, you should be able to undertake
       the following tasks:
\begin{itemize}
\item
use a plain-text editor to create and maintain your
           documents;

\item
add \LaTeX{} markup to identify
           your document structure and formatting
           requirements;

\item
typeset \LaTeX{} documents, correct simple formatting
           errors, and display or print the results;

\item
identify, install, and use additional packages (using
           CTAN\index{CTAN@CTAN} for downloading where
           necessary);

\item
recognise the limitations of procedural markup systems
           and choose appropriate generic markup methods where
           appropriate.

\end{itemize}
\subsection*{Synopsis}\addcontentsline{toc}{subsection}{Synopsis}

The original course covered the following topics as
       separate sessions, which are represented in the book as
       chapters:
\begin{enumerate}\item
Where to get and how to install
           \LaTeX{} (\product{te\TeX{}},
           \product{fp\TeX{}}, or
           \product{pro\TeX{}t} from the
           \TeX{} Collection disks);\index{texlive@ Live}\index{texcollection@ Collection}

\item
How to type \LaTeX{} documents:
           using an editor to create files
           (half a dozen editors for \LaTeX{});

\item
Basic structures (the Document Class Declaration and
           its layout options; the document environment with sections
           and paragraphs);

\item
Typesetting, viewing, and printing;

\item
The use of packages and CTAN\index{CTAN@CTAN}
           to adapt formatting using standard tools;

\item
Other document structures (lists, tables, figures,
           images, and verbatim text);

\item
Textual tools (footnotes, marginal notes,
           cross-references, indexes and glossaries, and
           bibliographic citations);

\item
Typographic considerations (white-space and typefaces;
           inline markup and font changes; extra font installation
           and automation);

\item
Programmability and automation (macros and modifying
           \LaTeX{}'s behaviour);

\item
Conversion and compatibility with other systems
           (XML\index{XML@XML},
           \product{Word}, etc.).

\end{enumerate}

A few changes have been made in the transition to printed
       and online form, but the basic structure is the same, and the
       document functions as a workbook for the course as well as a
       standalone self-teaching guide.
\subsection*{Where's the math?}\addcontentsline{toc}{subsection}{Where's the math?}

It is important to note that
       the document \emph{does not cover} mathematical
       typesetting, complex tabular material, the design of
       large-scale macros and document classes, or the finer points
       of typography or typographic design, although it does refer to
       these topics in passing on a few occasions.
\index{mathematics}
There are several other guides, introductions, and
       `get-started' documents on the Web and
       on CTAN\index{CTAN@CTAN} which cover these topics and
       more. Among the more popular are:
\begin{itemize}
\item
\titlecite{begin}, where all
           beginners should start;

\item
\titlecite{lshort} is a good
           beginner's tutorial;

\item
\titlecite{gentle} is a classic
           tutorial on Plain \TeX{};

\item
\titlecite{imported} shows you how
           to do (almost) anything with graphics: side-by-side,
           rotated, etc.;

\item
\titlecite{mathguide} gets you
           started with the American Math Society's powerful
           packages;

\item
\titlecite{symbol-list} shows over
           2,500 symbols available.

\end{itemize}

This list was taken from the
       CTAN\index{CTAN@CTAN} search page. There are also
       lots of books published about \TeX{} and \LaTeX{}: the most
       important of these for users of this document are listed in
       the last paragraph of the Foreword on p.\thinspace\pageref{docs}.
\subsection*{Availability of \LaTeX{} systems}\addcontentsline{toc}{subsection}{Availability of \LaTeX{} systems}\label{availability}

Because the \TeX{} program (the
       `engine' which actually does the
       typesetting) is separate from whichever editor you choose,
       \TeX{}-based systems are available in a variety of different
       modes using different interfaces, depending on how you want to
       use them.
\subsubsection*{Graphical interface}\addcontentsline{toc}{subsubsection}{Graphical interface}\label{gui}

The normal way to run \LaTeX{} is
         to use a toolbar button (icon), a menu item, or a keystroke
         in your editor. Click on it and your document gets saved and
         typeset. All the other features of \LaTeX{} systems (the
         typeset display, spellchecker, related programs like
         \product{makeindex} and \BibTeX{}) are run
         the same way. This works both in a normal Graphical User Interface (GUI)\index{GUI@GUI|textbf}\index{Acronyms@\textbf{Acronyms}, defined!GUI@GUI|textbf} as well as in
         text-only interfaces.

In the popular \LaTeX{} editors like
         \product{Emacs},
         \product{\TeX{}shell},
         \product{\TeX{}nicCenter},
         \product{WinShell}, or
         \product{WinEdt}, a record of the
         typesetting process is shown in an adjoining window so that
         you can see the progress of pages being typeset, and any
         errors or warnings that may occur.\footnote{Recent versions of some editors hide this display by
             default unless errors occur in the typesetting.}
\subsubsection*{Command-line interface}\addcontentsline{toc}{subsubsection}{Command-line interface}\label{cli}

However, the graphical interface
         is useless if you want to run \LaTeX{} unattended, as part of an
         automated system, perhaps in a web server or e-commerce
         environment, where there is no direct connection between
         user and program. The underlying \TeX{} engine is in fact
         a Command-Line Interface (CLI)\index{CLI@CLI|textbf}\index{Acronyms@\textbf{Acronyms}, defined!CLI@CLI|textbf} program,
         that is, it is used as a
         `console' program which you run from
         a standard Unix or Mac terminal or shell window (or from an
         MS-DOS command window in Microsoft Windows systems). You
         type the command
         \verb+latex+ followed by the name of your
         document file (see Figure~\ref{clidemo} in \S\thinspace\ref{cmdwin} for an example).

Commands like these let you run \LaTeX{} in an automated
         environment like a
         Common Gateway Interface (CGI)\index{CGI@CGI|textbf}\index{Acronyms@\textbf{Acronyms}, defined!CGI@CGI|textbf} script
         on a web server or a batch file on a document system. All
         the popular distributions for Unix and Windows, both free
         and commercial, include this interface as standard
         (te\TeX{}, fp\TeX{}, MiK\TeX{}, pro\TeX{}t,
         PC-\TeX{}, True\TeX{},
         etc.).
\subsubsection*{Typeset displays}\addcontentsline{toc}{subsubsection}{Typeset displays}\label{displays}

\LaTeX{} usually displays your
         typeset results in a separate window, redisplayed
         automatically every time the document is reprocessed,
         because the typesetting is done separately from the editing.
         Some systems, however, can format the typesetting while you
         type, at the expense of some flexibility.
\begin{description}
\item[\sffamily Asynchronous typographic displays]\label{async}
This method is called an \textbf{\textit{asynchronous typographic
                 display}}\label{asynchronous}\index{asynchronous typographic
                 display@\textbf{\textit{asynchronous typographic
                 display}}} because the typeset window only
               updates \emph{after} you have typed
               something and reprocessed it, not
               \emph{while} you are still typing, as it
               would with a wordprocessor.\footnote{Among other reasons, \TeX{} typesets whole
                   paragraphs at a time, not line-by-line as lesser
                   systems do, in order to get the hyphenation and
                   justification (H\amp J) right (see \S\thinspace\ref{handj}).
                 }
\item[\sffamily Synchronous typographic displays]\label{sync}
\label{synchro}%
Some distributions of \LaTeX{}
               offer a \textbf{\textit{synchronous
               typographic interface}}\label{synchronous}\index{synchronous
               typographic interface@\textbf{\textit{synchronous
               typographic interface}}}. In these, you type
               directly into the typographic display, as with a
               wordprocessor. Three popular examples are
               \product{Textures},
               \product{Scientific Word}, and
               \product{V\TeX{}} (see table below).
               At least one free version (\LyX{}, see Figure~\ref{lyxwin} in \S\thinspace\ref{editors})
               offers a similar interface.

With a synchronous display
               you get Instant Textual Gratification\texttrademark{}, but your
               level of control is restricted to that of the GUI\index{GUI@GUI} you use, which cannot provide
               access to everything that \LaTeX{} can do. For
               complete control of the formatting
               you may still need access to your normal source
               (input) file in the same way as for asynchronous
               implementations.
\item[\sffamily Near-synchronous displays]
There are several other
               methods available free for Unix and some other systems
               for close-to-synchronous updates of the typeset
               display (including \person{Jonathan Fine}'s \product{Instant
                 Preview} and the \TeX{} daemon), and
               for embedding typographic fragments from the typeset
               display back into the editor window (\person{David Kastrup}'s \package{preview-latex}
               package).
\end{description}
\subsubsection*{Commercial distributions}\addcontentsline{toc}{subsubsection}{Commercial distributions}\label{commercial}

Whatever method you choose, the
         \TeX{} Collection CD and CTAN\index{CTAN@CTAN} are
         not the only source of software. The vendors listed in Table~ offer excellent commercial
         implementations of \TeX{} and \LaTeX{},
         and if you are in a position where their enhanced support
         and additional features are of benefit, I urge you to
         support them. In most cases their companies, founders, and
         staff have been good friends of the \TeX{} and \LaTeX{}
         communities for many years.\index{commercial implementations}
\begin{table}\small \caption{\small Popular commercial implementations of \TeX{} systems}
\label{vendors}
\begin{center}
\begin{tabular}{@{}p{.65in}p{1in}>{\pbs{\raggedright}}p{.9in}l@{}}
\textbf{\sffamily\upshape Product}&\textbf{\sffamily\upshape Platform}&\textbf{\sffamily\upshape Company}&\textbf{\sffamily\upshape URI}\\[2pt]\hline\\[-1.5\baselineskip]
PC\TeX{}&MS-Windows&Personal \TeX{}, Inc&\url+www.pctex.com/+\\
True\TeX{}&MS-Windows&True \TeX{}&\url+truetex.com/+\\
Textures&Apple Mac&Blue Sky Research&\url+www.bluesky.com/+\\
Scientific Word&MS-Windows&Mackichan Software&\url+www.mackichan.com/+\\
V\TeX{}&MS-Windows, Linux, OS/2&MicroPress, Inc&\url+www.micropress-inc.com/+\\
\end{tabular}
\end{center}
\end{table}
\subsection*{Production note}\addcontentsline{toc}{subsection}{Production note}\label{prodnote}

This document is written and maintained in XML\index{XML@XML}, using a customized version of the
       \product{DocBook}�DTD\index{DTD@DTD}. Conversions were made to HTML\index{HTML@HTML} and \LaTeX{} using XSLT\index{XSLT@XSLT} scripts and \person{Michael Kay}'s \product{Saxon}
       processor.

The complete source, with all ancillary files, is
       available online at \url+http://www.ctan.org/tex-archive/info/beginlatex/src/+
       but if you want to try processing it yourself you must install
       \product{Java} (from Sun, IBM\index{IBM@IBM}, or a number of
       others) and \product{Saxon} (from \url+http://saxon.sourceforge.net/+), in addition
       to \LaTeX{}.

This document is published under the terms and conditions
       of the GNU\index{GNU@GNU} Free Documentation
       License. Details are in Appendix~\ref{gfdl}.
\clearpage\subsection*{Symbols and conventions}\addcontentsline{toc}{subsection}{Symbols and conventions}\label{symbols}

The following typographic notations are used:
\begingroup\small \begin{center}
\label{symboltable}
\begin{tabular}{@{}lp{3.5in}@{}}
\textbf{\sffamily\upshape Notation}&\textbf{\sffamily\upshape Meaning}\\[2pt]\hline\\[-1.5\baselineskip]
\command{command}&Control sequences which perform an
                 action, e.g. \command{newpage}\\
\length{length}&Control sequences which store a dimension
               (measurement in units), e.g. \length{parskip}\\
\counter{counter}&Values used for counting (whole numbers, as
               opposed to measuring in units), e.g. \counter{secnumdepth}\\
\textbf{\textit{term}}\label{term}\index{term@\textbf{\textit{term}}}&Defining instance of a
                 new term\\
\env{environment}&A \LaTeX{} formatting environment\\
\package{package}&A \LaTeX{} package (available from CTAN\index{CTAN@CTAN})\\
\product{product}&Program or product name\\
\verb+typewriter type+&Examples of source code (stuff you
                 type)\\
{\ttfamily{}\selectfont{}\uline{mybook}} or {\ttfamily{}\fontshape{sl}\selectfont{}value}&Mnemonic examples of
               things you have to supply real-life values for\\
\key{x}&A key on your keyboard\\
\key{Ctrl}--\key{x}~&Two keys pressed together\\
\key{Esc}\thinspace{}\key{q}&Two keys pressed one after another\\
\guiicon{Submit}&On-screen button to click\\
\menuitem{Menu}{Item}&Drop-down menu with items\\
\end{tabular}
\end{center}
\endgroup
Examples of longer fragments of input are shown with a
       border round them. Where necessary, the formatted output is
       shown immediately beneath. Warnings are shown with a shaded
       background. Exercises are shown with a double border.
\prelim{Foreword}\label{foreword}

As noted in the Introduction on p.\thinspace\pageref{intro},
     this document accompanies a two-day introductory training course.
     It became obvious from repeated questions in class and
     afterwards, as well as from general queries on \url+comp.text.tex+ that many people do
     not read the FAQ\index{FAQ@FAQ}s, do not use the
     TUG\index{TUG@TUG} web site, do not buy the books and
     manuals, do not use the newsgroups and mailing lists, and do not
     download the free documentation. Instead, they try to get by
     using the training technique known as `sitting by
       Nelly', which involves looking over a
     colleague's shoulder in the office, lab, library, pub, or
     classroom, and absorbing all his or her bad habits.

In the summer of 2001 I presented a short proposal on the
     marketing of \LaTeX{} to the annual conference of the \TeX{} Users
     Group held at the University of Delaware, and showed an example
     of a draft
       brochure\footnote{\url+http://www.silmaril.ie/documents/latex-brochure/leaflet.pdf+} designed to persuade newcomers to try \LaTeX{}
     for their typesetting requirements. As a result of questions and
     suggestions, it was obvious that it needed to include a pointer
     to some documentation, and I agreed to make available a revised
     form of this document, expanded to be used outside the
     classroom, and to include those topics on which I have had most
     questions from users over the years.

It turned out to mean a significant
     reworking of a lot of the material. Some of it appears in almost
     every other manual and book on \LaTeX{} but it is essential to
     the beginner and therefore bears repetition. Some of it appears
     other forms elsewhere, and is included here because it needs
     explaining better. And some of it appears nowhere else but this
     document. I took the opportunity to revise the structure of the
     training course in parallel with the book (expanding it from its
     original one day to two days), and to include a more
     comprehensive index. It is by no means perfect (in both senses),
     and I would be grateful for comments and corrections to be sent
     to me at the address given under the credits.

I had originally hoped that the \LaTeX{} version of the
     document would be processable by any freshly-installed default
     \LaTeX{} system, but the need to include font samples which go
     well beyond the default installation, and to use some packages
     which the new user is unlikely to have installed, means that
     this document itself is not really a simple piece of \LaTeX{},
     however simply it may describe the process itself.

However, as the careful reader will have already noticed,
     the master source of the document is not maintained in \LaTeX{}
     but in XML\index{XML@XML}. A future task is therefore
     to compare the packages required with those installed by
     default, and flag portions of the document requiring additional
     features so that an abbreviated version can be generated which
     can be guaranteed to process even with a basic \LaTeX{}
     installation.

\label{docs}%
If you are just starting with \LaTeX{}, at an early
     opportunity you should buy or borrow a copy of \titlecite{latexbook} which is the original
     author's manual. More advanced users should get the
     \titlecite{companion} or one of its
     successors. In the same series there are also the \titlecite{graphicscomp} and the \titlecite{webcomp}. Mathematical users might want to
     read \titlecite{mathguide}.
\prelim{Preface}\label{preface}

Many people discover \LaTeX{} after
     years of struggling with wordprocessors and desktop publishing
     systems, and are amazed to find that \TeX{} has been around for
     over 25 years and they hadn't heard of it. It's not a
     conspiracy, just `a well-kept secret known only to a few
       million people', as one anonymous user has put
     it.

Perhaps a key to why it has remained
     so popular is that it removes the need to fiddle with the
     formatting while you write. Although playing around with fonts
     and formatting is attractive to the newcomer, it is completely
     counter-productive for the serious author or editor who wants to
     concentrate on \emph{writing}\mdash{}ask any
     journalist or professional writer.

A few years ago a new \LaTeX{} user expressed concern on
     the \url+comp.text.tex+ newsgroup about
     `learning to write in \LaTeX{}'. Some
       excellent advice\footnote{\url+news:comp.text.tex/[email protected]+} was posted in response to this query,
     which I reproduce with permission below [the bold text is my
     emphasis]:
\begin{quotation}\small\begingroup \ttfamily\raggedright\setlength{\spaceskip}{.375em}\noindent
No, the harder part might be \emph{writing},
       period.  \TeX{}/\LaTeX{} is actually easy, once you relax and
       stop worrying about appearance as a be-all-and-end-all. Many
       people have become `Word Processing
         Junkies' and \emph{\textbf{no longer
         `write' documents, they
         `draw' them}}, almost at the
       same level as a pre-literate 3-year old child might pretend to
       `write' a story, but is just creating a
       sequence of pictures with a pad of paper and box of
       \product{Crayola}s\mdash{}this is perfectly
       normal and healthy in a 3-year old child who is being
       creative, but is of questionable usefulness for, say, a grad
       student writing a Master's or PhD thesis or a business
       person writing a white paper, etc.  For this reason,
       \emph{I} strongly recommend
       \emph{not} using any sort of fancy GUI\index{GUI@GUI}�`crutch'.
       Use a plain vanilla text editor and treat it like an
       old-fashioned typewriter.  Don't waste time playing with
       your mouse.

Note: I am \emph{not} saying that you should
       have no concerns about the appearance of your document, just
       that you should \emph{write} the document
       (completely) first and tweak the appearance
       later\dots \emph{not} [spend time on] lots of
       random editing in the bulk of the document itself.
\par\endgroup\smallskip\footnotesize\noindent [\citeauthortitleyear{heller}]\end{quotation}

Learning to write well can be hard, but authors shouldn't
     have to make things even harder for themselves by using
     manually-driven systems which break their concentration every
     few seconds for some footling adjustment to the appearance,
     simply because the software is incapable of doing it right by
     itself.

\label{mathtex}%
\person{Don Knuth} originally wrote \TeX{} to typeset mathematics for
     the second edition of his master-work \titlecite{aocs}, and it remains pretty much the only
     typesetting program to include fully-automated mathematical
     formatting done the way mathematicians want it. But he also
     published a booklet called \titlecite{mathwrite} which shows how
     important it is to think about what you write, and how the
     computer should be able to help, not hinder.

And \TeX{} is much more than math:
     it's a programmable typesetting system which can be used
     for almost any formatting task, and \LaTeX{} has made it usable by
     almost anyone. Professor Knuth generously placed the entire system in the
     public domain, so for many years there was no publicity of the
     commercial kind which would have got \TeX{} noticed outside the
     technical field.

Nowadays, however, there are many companies
     selling \TeX{} software or services,\footnote{See, for example, the list of \TeX{} vendors on p.\thinspace\pageref{vendors}, and the list of consultants
         published by TUG\index{TUG@TUG}.} dozens
     of publishers accepting \LaTeX{} documents for
     publication, and hundreds of thousands of users using \LaTeX{}
     for millions of documents.\footnote{A guesstimate. With free software it's impossible
         to tell how many people are using it, but it's a
         \emph{lot}.}

To count yourself as a \TeX{} or \LaTeX{} user, visit the
     \TeX{} Users Group's
     `\TeX{} Counter' web site
     (and get a nice certificate!).

There is occasionally some confusion among newcomers between
     the two main programs, \TeX{} and \LaTeX{}:
\begin{itemize}
\item
\TeX{} is a typesetting program, originally written by
         Prof Knuth at Stanford around 1978. It implements a
         macro-driven typesetters' programming language of some
         300 basic operations and it has formed the core of many
         other desktop publishing (DTP)\index{DTP@DTP|textbf}\index{Acronyms@\textbf{Acronyms}, defined!DTP@DTP|textbf}
         systems. Although it is still possible to write in the raw
         \TeX{} language, you need to study it in depth, and you need
         to be able to write macros (subprograms) to perform even the
         simplest of repetitive tasks.

\item
\LaTeX{} is a user interface for \TeX{}, designed by
         \person{Leslie  Lamport} at Digital Equipment
           Corporation (DEC)\index{DEC@DEC|textbf}\index{Acronyms@\textbf{Acronyms}, defined!DEC@DEC|textbf} in 1985 to automate all the common
         tasks of document preparation.  It provides a simple way for
         authors and typesetters to use the power of \TeX{} without
         having to learn the underlying language. \LaTeX{} is the
         recommended system for all users except professional
         typographic programmers and computer scientists who want to
         study the internals of \TeX{}.

\end{itemize}

Both \TeX{} and \LaTeX{} have been
     constantly updated since their inception.  Knuth has now frozen
     development of the \TeX{} engine so that users and developers
     can have a virtually bug-free, rock-stable platform to work
     with.\footnote{Knuth still fixes bugs, although the chances of finding
         a bug in \TeX{} these days approaches zero.} Typographic programming development continues with
     the New Typesetting System (NTS)\index{NTS@NTS|textbf}\index{Acronyms@\textbf{Acronyms}, defined!NTS@NTS|textbf}, planned
     as a successor to \TeX{}. The \LaTeX{}3 project has taken over
     development of \LaTeX{}, and the current version is
     \LaTeXe{}, which is what we are concentrating on here. Details
     of all developments can be had from the TUG\index{TUG@TUG} at \url+http://www.tug.org+
\begin{sidebar}\label{myths}
\subsection*{Debunking the mythology}
Naturally, over all the years, a few myths have grown up
       around \LaTeX{}, often propagated by people who should know
       better. So, just to clear up any potential
       misunderstandings\dots
\begin{description}
\item[\sffamily MYTH: `\LaTeX{} has only got one
             font']
Most \LaTeX{} systems can use any OpenType,
             TrueType, Adobe (PostScript\index{PostScript})
             Type1 or Type3, or \mf{} font. This is more than
             most other known typesetting system.
             \LaTeX{}'s default font is Computer Modern (based
             on Monotype Series�8: see
             the table on p.\thinspace\pageref{fontable-mf}), not Times Roman, and some
             people get upset because it `looks
               different' to Times. Typefaces differ:
             that's what they're for\mdash{}get used to it.
\item[\sffamily MYTH: `\LaTeX{} isn't WYSIWYG\index{WYSIWYG@WYSIWYG}']
Simply not true. DVI\index{DVI@DVI}
             and PDF\index{PDF@PDF} preview is better
             WYSIWYG\index{WYSIWYG@WYSIWYG} than any wordprocessor
             and most DTP\index{DTP@DTP} systems. What
             people mean is that \LaTeX{}'s typographic display
             is asynchronous with the edit window. This is only true
             for the default CLI\index{CLI@CLI}
             implementations. See the Introduction on p.\thinspace\pageref{synchro} for details of synchronous
             versions.
\item[\sffamily MYTH: `\LaTeX{} is obsolete']
Quite the opposite: it's under constant
             development, with new features being added almost
             weekly. Check the \url+comp.text.tex+ for messages about recent
             uploads to CTAN\index{CTAN@CTAN}. It's
             arguably more up-to-date than most other systems:
             \LaTeX{} had the Euro (\EUR{}) before anyone else, it had
             Inuktitut typesetting before the Inuit got their own
             province in Canada, and it still produces better
             mathematics than anything else.
\end{description}
\end{sidebar}\begin{sidebar}\label{myths2}
\subsection*{More mythology}\begin{description}
\item[\sffamily MYTH: `\LaTeX{} is a Unix system']
People are also heard saying:
             `\LaTeX{} is a Windows system',
             `\LaTeX{} is a Mac system', etc.,
             etc.�\emph{ad nauseam}.
             \TeX{} systems run on almost every computer in use, from
             some of the biggest supercomputers down to handhelds
             (PDA\index{PDA@PDA}s like the Sharp
             \product{Zaurus}). That includes
             Windows and Linux PCs, Macs, and all other Unix systems.
             If you're using something \TeX{} doesn't run
             on, it must be either incredibly new, incredibly old, or
             unbelievably obscure.
\item[\sffamily MYTH: `\LaTeX{} is ``too
               difficult''\thinspace']
This has been heard from
             physicists who can split atoms; from mathematicians who
             can explain why \(\pi\) exists; from business people who can
             read a balance sheet; from historians who can grasp
             Byzantine politics; from librarians who can understand
             LoC and MARC; and from linguists who can decode Linear
             `B'. It's nonsense: most people grasp
             \LaTeX{} in 20 minutes or so. It's not rocket
             science (or if it is, I know any number of unemployed
             rocket scientists who will teach it to you).
\item[\sffamily MYTH: `\LaTeX{} is ``only for
               scientists and
               mathematicians''\thinspace']
Untrue. Although it grew up
             in the mathematical and computer science fields, two of
             its biggest growth areas are in the humanities and
             business, especially since the rise of XML\index{XML@XML} brought new demands for automated
             web-based typesetting.
\end{description}
\end{sidebar}\chapter{Installing \TeX{} and \LaTeX{}}
\label{get}
\pagenumbering{arabic}
\index{tetex@te}\index{fptex@fp}\index{texniccenter@nicCenter}\index{miktex@MiK}\index{Linux}\index{Unix}\index{Microsoft Windows}\index{Mac OS X}\index{Apple Mac}\index{OS X}
This course is based on using one of
     the following distributions of \TeX{} on the 2004 \TeX{}
     Collection DVD or the 2003 \TeX{} Live CD:
\begin{description}
\item[\sffamily te\TeX{}]
for Linux and other Unix-like systems, including Mac
           OS\thinspace{}X (\person{Thomas Esser});
\item[\sffamily pro\TeX{}t]
for Microsoft Windows (\person{Thomas Feuerstack}), based on \person{Christian Schenk}'s
           Mik\TeX{};
\item[\sffamily fp\TeX{}]
for Microsoft Windows (\person{Fabrice  Popineau}) from the 2003 \TeX{} Live CD.
\end{description}

Many other implementations of \TeX{},
       such as \person{Tom Kiffe}'s CMac\TeX{} for the Apple Macintosh, can be
     downloaded from CTAN\index{CTAN@CTAN}. \LaTeX{} is
     included with all modern distributions of \TeX{}.

The \TeX{} Collection CD is issued
     annually on behalf of most of the local \TeX{} user groups
     around the world (see \url+http://www.tug.org/lugs.html+ for addresses),
     and edited by \person{Sebastian Rahtz}, \person{Karl Berry}, \person{Manfred Lotz}, and the authors of the software mentioned above.
     These people give an enormous amount of their personal time and
     energy to building and distributing these systems, and they
     deserve the thanks and support of the user community for all
     they do.

There are many other distributions of \LaTeX{} both free and
     commercial, as described in the Introduction on p.\thinspace\pageref{intro}: they all process \LaTeX{} identically, but
     there are some differences in size, speed, packaging, and (in
     the case of commercial distributions) price, support, and extra
     software provided.

One final thing before we start: publicly-maintained
     software like \TeX{} is updated faster than commercial software,
     so \emph{always check to see if there is a more recent
       version of the installation}. See the list on p.\thinspace\pageref{latest} in \S\thinspace\ref{latest} for more details.
\section{Editing and display}
\label{editdis}

When you install \LaTeX{} you will
       have the opportunity to decide \begin{inparaenum}[\itshape a\upshape)] \item which plain-text editor[s] you want to use to create
             and maintain your documents;  and \item which preview programs you want to use to see your
             typesetting\end{inparaenum}. This isn't much use to you if you're
       unfamiliar with editors and previewers, so have a look at the
       table below, and maybe flip ahead to \S\thinspace\ref{editors} for a moment, where there are
       descriptions and screenshots.

The best bet is probably to install more than one\mdash{}if
       you've got the disk space\mdash{}or maybe all of them, because
       you can always delete the ones you don't like.
\begin{description}
\item[\sffamily Editors]
There is a wide range of editors available: probably
             no other piece of software causes more flame-wars in
             Internet and other discussions than your choice of
             editor. It's a highly personal choice, so feel free
             to pick the one you like. My personal biases are
             probably revealed below, so feel equally free to ignore
             them.
\item[\sffamily Previewers]
For displaying your
             typesetting before printing, you will need a previewer.
             All systems come with a DVI\index{DVI@DVI}
             previewer for standard \LaTeX{},
             but if you are intending to produce industry-standard
             PostScript\index{PostScript} or PDF\index{PDF@PDF} (Adobe Acrobat) files you will
             need a previewer for those formats.
             \product{GSview} displays both
             PostScript\index{PostScript} and PDF\index{PDF@PDF} files;
             \product{xpdf} and Adobe's own
             \product{Acrobat Reader} just display
             PDF\index{PDF@PDF} files.
\end{description}

For brief details of some of the most popular editors used
       for \LaTeX{}, see \S\thinspace\ref{editors}.
\begin{warning}
\label{pdfurl}
\subsubsection*{Additional downloads}
For licensing reasons, the
         \product{GSview} PostScript/PDF previewer,
         the \product{Acrobat Reader} PDF previewer,
         and the \product{WinEdt} editor could not
         be distributed on the 2003 CDs. In those cases you have to
         download and install them separately.
\begin{itemize}
\item
\product{GSview} is available for
             all platforms from \url+http://www.ghostscript.com/gsview/index.htm+
             (on Unix and VMS systems it's also available as
             \product{GhostView} and
             \product{gv}: see \url+http://www.cs.wisc.edu/~ghost/+)

\item
\product{Acrobat Reader} (all
             platforms) can be downloaded from \url+http://www.adobe.com/products/acrobat/readstep2.html+

\item
\product{WinEdt} (Microsoft Windows
             only) comes from \url+http://www.winedt.com+

\end{itemize}
\end{warning}
\section{Installation for Linux and Unix}
\label{lininst}

Make sure your system libraries and utilities are up to
       date. If you are using Red Hat Linux, use
       \product{yum} or
       \product{up2date} to download and install
       updates. For Debian and other distributions, use
       \product{apt-get} or similar. On Red Hat
       systems, remove any RPM version of te\TeX{} and associated
       utilities which may have been
       preinstalled, in order to avoid version conflicts.

If you are installing \TeX{} Live to a new partition, and
       you have the opportunity to reformat the partition before use,
       use \product{mkfs} with a granularity as
       small as it will go (usually 1024 bytes). This avoids the
       partition running out of inodes because \TeX{} uses very large
       numbers of very small files.

Plan the installation carefully if you are installing for
       multiple users (a shared machine): read \S\thinspace\ref{pkginst} for some comments on where to put additional
       files downloaded later, and see the FAQ on the same topic at
       \url+http://www.tex.ac.uk/cgi-bin/texfaq2html?label=wherefiles+

Above all, Read The Fine
         Manual (RTFM)\index{RTFM@RTFM|textbf}\index{Acronyms@\textbf{Acronyms}, defined!RTFM@RTFM|textbf}. The documentation is in
       \url+live.html+ and
       \url+live.pdf+ on the disk in the directory
       \url+texlive2004/texmf-doc/doc/english/texlive-en/+
\begin{figure}\small
\caption{\small \TeX{} Live installation manual}
\begin{center}
\includegraphics[width=0.75\textwidth]{tlcdoc}
\end{center}
\end{figure}
\begin{sourcecode}\begin{Verbatim}[fontsize=\small,commandchars=\\\{\}]
# cd /\textsl{\uline{mnt/cdrom}}/texlive2004
# sh install-tl.sh
     \end{Verbatim}
\end{sourcecode}

The installer runs in a shell window, so it can be done
       even from headless systems (those with no X Window client),
       but it does need to be installed as root if you want to stick
       with the default directory locations or install it system-wide
       for multiple users. To install, just type the commands shown
       above.

The options are mostly self-explanatory, and beginners
       should pick the recommended scheme and leave all other
       settings at their defaults. The character-driven interface
       lets you browse around the settings changing things and
       looking at options before you commit to installing
       anything.
\begin{figure}\small
\caption{\small The Unix installation program}
\begin{sourcecode}\begin{Verbatim}[fontsize=\scriptsize]
==================> TeX Live installation procedure <=================

===> Note: Letters/digits in <angle brackets> indicate menu items <===
===>       for commands or configurable options                   <===

   Proposed platform: Intel x86 with GNU/Linux
   <P> over-ride system detection and choose platform
   <B> binary systems:         1 out of 10
   <S> Installation scheme (scheme_recommended)
   [customizing installation scheme:
      <C> standard collections   <L> language collections]
   20 out of 75, disk space required: 246857 kB
   <D> directories:
     TEXDIR      (The main TeX directory)        : /usr/TeX
     TEXMFLOCAL  (Directory for local styles etc): /usr/TeX/texmf-local
     VARTEXMF    (Directory for local config)    : /usr/TeX/texmf-var
   <O> options:
      [ ] alternate directory for generated fonts ()
      [ ] create symlinks in standard directories
      [ ] do not install macro/font doc tree
      [ ] do not install macro/font source tree
   <R> do not install files, set up to run off CD or DVD
   <I> start installation
   <H> help,  <Q> quit

Enter command:
         \end{Verbatim}
\end{sourcecode}
\end{figure}

`Collections' (the {\slshape\verb`C`} and
       {\slshape\verb`L`} options) are groups of \LaTeX{} packages
       that you can include or exclude. It's best to leave this
       alone unless you know you need something specific. The only
       options I sometimes set are under {\slshape\verb`O`}: the
       `alternate directory for generated fonts' may
       need to be on a different partition for performance reasons on
       a shared system; and I always select `create symlinks in
         standard directories' so that the system works
       immediately after the post-installation configuration (after
       installation, run \product{texconfig} to
       adjust your local settings.
\begin{figure}\small
\caption{\small Running the post-installation program
         \emph{texconfig}}
\begin{center}
\includegraphics[width=0.75\textwidth]{texconfig}
\end{center}
\end{figure}

Note that the Linux/Unix installation does not install any
       editors: it is assumed you can do this yourself from your
       distribution's standard package system (most likely
       you will already be using \product{Emacs} or
       \product{vi} anyway).
\section{Installation for Apple Mac}
\label{macinst}

This is exactly the same interface as for the Linux/Unix
       installation. You need the \product{bash}
     shell (see the warning in the manual for users of older systems).

There is a choice of graphical editors for the Mac: two
       are included on the DVD, \product{\TeX{}Shop}
       and \product{I\TeX{}Mac}, but they need to be
       installed separately, after installing \TeX{}.
\section{Installation for Microsoft Windows}
\label{wininst}
\begin{figure}\small
\caption{\small \TeX{} Collection 2004 DVD}
\begin{center}
\includegraphics[width=0.75\textwidth]{tcdvddir}
\end{center}
\end{figure}

Before you install \TeX{}, make
       sure you have enough disk space: the default installation
       takes about 350Mb on a modern filesystem. The installation
       assumes you have a fully updated version of Windows, so visit
       the Microsoft Web site first (\url+http://www.microsoft.com/+) and click on
       \product{Windows Update}. Select and install
       all the relevant updates for your operating system (Windows
       95, 98, ME, 2000, NT, or XP). You should be doing this
       regularly anyway, to keep your system healthy. You may want to
       run \product{ScanDisk} and give your hard
       disks a full surface check. \TeX{} consists of a very large
       number of quite small files, so it's important that your
       disk is in good order.

When you insert the distribution
       DVD or CD, it should start the setup program automatically. If
       you have auto-run turned off, open \product{My
         Computer}, double-click on the DVD or CD drive,
       and then double-click \product{Autorun} to
       start the setup program.\footnote{Some builds of Windows seem to have a bug that stops
           \product{Autorun} starting the
           installation. In that case (for the \TeX{} Collection 2004
           DVD) double-click \url+Setup.exe+ instead,
           or (for the \TeX{}
           Collection 2003 CD) go to the \url+tpm+
           folder and double-click on
           \url+TeXSetup.exe+.}
\subsection{pro\TeX{}t (\TeX{} Collection 2004)}

For pro\TeX{}t from the \TeX{}
         Collection DVD, follow the instructions in the PDF
         documentation which opens automatically when you start
         the setup.
\begin{figure}\small
\caption{\small pro\TeX{}t comes with its own installation
           guide}
\begin{center}
\includegraphics[width=0.5\textwidth]{tcptpdf}
\end{center}
\end{figure}

The documentation contains links (in large blue type)
         that you click on in sequence to run the installation
         process. (This is actually very good: everything worked
         first time when I did it on XP.) Basically, you need to
         install \begin{inparaenum}[\itshape a\upshape)] \item \product{MIK\TeX{}};  \item \emph{\textbf{either}}�\product{WinEdt}
               (with or without some of its add-ons) \emph{\textbf{or}}�\product{\TeX{}nicCenter};  and \item \product{GhostScript} and
               \product{GSview}\end{inparaenum}.
\begin{warning}

You only need to install items step~\ref{nldi} in the procedure on p.\thinspace\pageref{nldi}
           to step~\ref{td} in the procedure on p.\thinspace\pageref{td} if you install
           \product{WinEdt}.
\end{warning}
\begin{figure}[b]\small
\caption{\small First document in
           \emph{\TeX{}nicCenter}}
\label{tcpt1}
\begin{center}
\includegraphics[width=0.75\textwidth]{tcptfirstdoc}
\end{center}
\end{figure}
\begin{enumerate}
\item \textbf{Install \emph{MIK\TeX{}}}\\
\product{pro\TeX{}t} uses the
             \product{MIK\TeX{}} distribution as its
             core, a long-established and popular distribution for
             Windows.
\item \textbf{Install \emph{WinEdt}}\\
This is optional: it's a good editor,
           especially for the heavy user of a
           \product{MIK\TeX{}}-based system. This is
           a free month's trial\mdash{}after that it reminds you to cough
           up and register.
\item \textbf{Install the \emph{WinEdt} New \LaTeX{} Document Interface}\\\label{nldi}%
Optional again, and only applicable if you installed
             \product{WinEdt} anyway. It lets you
           save commonly-used document settings for use in other
           documents of the same type.
\item \textbf{Install the \emph{WinEdt}
           Graphics Interface}\\
Another optional add-on for
           \product{WinEdt} to provide drag-and-drop
           graphics insertion.
\item \textbf{Install the \emph{WinEdt} Table
           Designer}\\\label{td}%
Last optional add-on for
           \product{WinEdt}, providing a new table editor.
\item \textbf{Install \emph{\TeX{}nicCenter}}\\
This is a free equivalent to
           \product{WinEdt}. The interface is
             slightly different (see Figure~\ref{tcpt1}) but it
           is becoming very popular.
\item \textbf{Install \emph{GhostScript} and
             \emph{GSview}}\\
These are essential for viewing the PostScript and
             PDF output, especially if you don't have any other PDF
             viewer installed.
\end{enumerate}

You get a choice of editors,
         but the one which features in
         \product{pro\TeX{}t} is
         \product{\TeX{}nicCenter}. This is an
         Integrated Development
           Environment (IDE)\index{IDE@IDE|textbf}\index{Acronyms@\textbf{Acronyms}, defined!IDE@IDE|textbf} which lets you manage all the files
         related to each document. In many cases, of course, you'll
         only have one (the text itself) but if you are working with
         anything beyond simple articles, you'll probably have
         illustrations (images or diagrams), and possibly separate
         chapter files for larger documents, plus indexes,
         glossaries, bibliographies, etc. I recommend that you create
         a new project for each new document, even if it's a
         single-file article, as I did for the example in Figure~\ref{tcpt1}.
\subsection{\TeX{} Live (\TeX{} Collection 2003)}
\par\smallskip\noindent\textbf{\itshape Once the installation program is running:}
\begin{enumerate}
\item \textbf{\LaTeX{}}\\
Install \LaTeX{} itself from the
           \menuitem{TeXLive Software}{Install on
           Hard Disk} menu. If you're new to
           \LaTeX{}, pick Quick Install on the following screen. This
             gives you everything you need to get started, and
             doesn't ask any questions, it just installs it all
             straight away.

If you're installing under Windows NT, 2000, or
             XP, you may want to click on the option to install for
             all users if you have other users on your system.

If you want to use \product{Emacs}
             as your editor, click the option for Xem\TeX{}
             Support.\footnote{Note this unfortunate choice of name is nothing
                 to do with \person{Eberhard Matthes}' MS-DOS implementation of \TeX{}
                 called em\TeX{}\mdash{}the `Xem' is
                 short for \product{Xemacs}.}
\item \textbf{Emacs}\\
After installation, right-click and drag
             \url+Xemacs.exe+ from the
             \url+C:\Program Files\TeXLive\bin\win32+
             folder out onto your desktop and let go, then pick
             `Create Shortcut'. This places
             \product{Emacs} on your desktop for
             easy access.
\item \textbf{WinShell and WinEdt}\\
If you want to install
             \product{WinShell}, run the installer
             program in the \url+support/winshell+
             directory. For \product{WinEdt} you
             must go to their Web site (\url+http://www.winedt.com/+) for a
             downloadable version.

You don't have to install just one editor: if
             you've got the space, install them all so you can
             try them out. You can always uninstall the ones you
             don't want afterwards.
\item \textbf{GSView}\\
Ghostscript is installed automatically, but for
             \product{GSView} you need to go to
             \url+http://www.cs.wisc.edu/~ghost/gsview/+,
             and download the most recent version.

If you use \product{GSView}, please
             register your copy with Ghostgum, Pty.�(\url+http://www.ghostgum.com.au/+).
\end{enumerate}
\begin{warning}

Please read the \TeX{} Live update pages at \url+http://www.tug.org/texlive/bugs.html+ for
           details of any changes since the disks were released, and
           download and install any additional software
           required.
\end{warning}
\subsection{Installation problems}

It's always annoying when a program that's supposed to
       install painlessly causes trouble, and none the more so when
       everyone else seems to have been able to install it without
         problems. I've installed \TeX{} hundreds of times and very
       rarely had any difficulties, but these are a few of the
       occasions when I did.
\begin{description}
\item[\sffamily Bad hard disks]
As recommended in \S\thinspace\ref{wininst}, run a
               scan and defragmentation of your hard disk[s] before
               you start. It should take under an hour on a modern
               machine unless you have a very large disk, and it may
               need overnight on an older machine. Clean your CD or DVD
               drive if it's been in heavy use. \TeX{} uses a very
               large number of very small files, so there is a lot of
               disk activity during an installation. As also
               recommended in \S\thinspace\ref{lininst}, if you have
               the chance to reformat the hard disk, pick the
               smallest granularity (cluster size) possible.
\item[\sffamily Registry errors]
This only affects Microsoft Windows users. The
               Registry is where Microsoft want software companies
               automatically to store details of all the programs you
               install.  Unfortunately the Registry is grossly abused
               by marketing departments to try and foist undesirable
               links on you, the user.  You will see this with many
               commercial programs, where a particular type of file
               you've been able to double-click on for years suddenly
               runs a different program.  Some programs install
               obsolete or broken copies of program libraries (DLL
               files), overwriting ones which were working perfectly.
               Worse, the viruses, trojans, and worms which typically
               infect unprotected Windows systems can leave unwanted
               links to web pages, or change some of the ways in
               which Windows operates. The overall effect can be that
               the whole machine slows down, or that files which are
               expected to do one thing do another.  The best
               solution is a thorough Registry clean-out, using one
               of the many programs available for the purpose.
\item[\sffamily Use the latest versions]\label{latest}
Before installing, check the CTAN\index{CTAN@CTAN} web site (\url+http://www.ctan.org/+ for any updated
               copy of the installation program. This is called
               \url+install-tl.sh+ for Linux and Mac
               systems, and \url+Setup.exe+ for
               Microsoft Windows (on the \TeX{} Collection 2003 CD it
               was called \url+TeXSetup.exe+).  Just
               occasionally a bug slips through onto the production
               CD or DVD, and although it's always fixed and notified
               on \url+comp.text.tex+,
               that's a high-volume newsgroup and even the sharpest
               eyes may miss an announcement.
\item[\sffamily Stick to the defaults]
Unless you're a computer scientist or a software
               engineer, I suggest you never change or fiddle with
               the default directories for installation.  I know some
               of them look odd, but they're that way for a purpose,
               especially when it comes to avoiding directories will
               spaces in their names, like the notorious
               \verb+C:\Program Files+. Although most
               modern systems cope happily with spaces in filenames
               and directory names, they are usually A Bad Design
               Idea, and should be avoided like the plague (spaces
               are forbidden in web addresses for the same reason:
               the people who designed them knew the pitfalls). It
               may look snazzier to put the installation in
               \verb+My Cute Stuff+, but please
               don't: you'll just make it harder to find, harder to
               fix problems, and more embarrassing if you have to
               explain it to someone else trying to help you.
\end{description}
\chapter[Using your editor to create documents]{Using your editor \newline{}to create documents}
\label{plaintext}

\LaTeX{} documents are all \textbf{\textit{plain-text}}\label{plain-text}\index{plain-text@\textbf{\textit{plain-text}}} files.\footnote{`Plain-text'
         originally meant just the 95 printable characters of the
         American Standard Code for Information
           Interchange (ASCII)\index{ASCII@ASCII|textbf}\index{Acronyms@\string\textbf{Acronyms}, defined!ASCII@ASCII|textbf}\mdash{}see Table~\ref{asciicodes}\mdash{}but now more commonly includes
         both these \emph{and} the relevant 8-bit
         characters from \emph{one} (only) character
         set such as ISO-8859-1 (Western Latin\ndash{}1) or
         ISO-8859-15 (Western Latin plus the Euro sign). These are
         international standards which work everywhere: you should
         avoid using manufacturers' proprietary character sets
         like Microsoft Windows\ndash{}1252 or Apple Macintosh
         Roman\ndash{}8, because they may make your documents unusable
         on some other systems.}  You can edit them with any editor, and transfer
     them to any other computer system running \LaTeX{} and they will
     format exactly the same. Because they are plain text they cannot
     corrupt your system, as they cannot be used for hiding or
     transporting virus infections as binary wordprocessor files can.
     Everything you can see is in the file and everything in the file
     is there for you to see: there is nothing hidden or secret and
     there are no manufacturers' proprietary
     `gotchas' like suddenly going out of date
     with a new version.
\section{Markup}
\label{mark-up}

In a \LaTeX{} document, you type your text along with
       \textbf{\textit{markup}}\label{markup}\index{markup@\textbf{\textit{markup}}} which identifies the
       important parts of your document by name, for example
       `title', `section',
       `figure', etc. \LaTeX{} does all the formatting
       for you automatically, using the markup to guide its internal
       rules and external stylesheets for typesetting.
\begin{sidebar}\subsection*{Markup}
This is a term from printing, and originally meant the
         notes on how to lay the document out, or the instructions
         which a proofreader might add during correction. It now also
         means instructions or descriptions added to a computer
         document to act as guidelines for identification or
         formatting. Markup has been around for
         \emph{ages}.
\begingroup\small \begin{center}
\begin{tabular}{@{}l>{\pbs{\raggedright}}b{.75in}r@{}}
\vrule height4pt width0pt \includegraphics[width=2in]{55-1L-part}&\multicolumn{2}{l}{\titlecite{tain}}\\[4pt]
\includegraphics[width=2in]{23-part}&\multicolumn{2}{l}{\titlecite{varmints}}\\[4pt]
\verb+.h1 Interest Rates+&Runoff&\emph{c.}1970\\[4pt]
\verb+\section{Interest Rates}+&\LaTeX{}&1984\\[4pt]
\verb+<sec><ttl>Interest Rates</ttl>...+&SGML\index{SGML@SGML}&1985\\[4pt]
\verb+<H1>Interest Rates</H1>+&HTML\index{HTML@HTML}&1991\\[4pt]
\end{tabular}
\end{center}
\endgroup\end{sidebar}
You do not need to format any of your text \emph{in
         your editor}, because \LaTeX{} does it
       all by itself when it typesets. You can of course regularise
       or neaten its appearance \emph{in your editor}
       for ease of editing (for example, keeping each item in a list
       on a separate line), but this is not required.

You will often hear \LaTeX{} markup referred to as
       `commands' or sometimes `control
         sequences' (the proper \TeX{}nical term for them).
       For
       all practical purposes these terms all mean the same
       thing.

This course assumes that users have one of
       \product{\TeX{}shell},
       \product{\TeX{}nicCenter},
       \product{WinShell}, or
       \product{WinEdt} (Windows only), or
       \product{Emacs} or \LyX{} (any platform)
       installed. These are discussed briefly in \S\thinspace\ref{editors}, and the menus and toolbars for running
     \LaTeX{} are explained in \chaptername~\ref{process}.
\section{Quick start for the impatient}
\label{quickstart}

If you already know all this stuff about editors and
       plain-text files and running programs, and you know your system
       is already correctly installed (including your editor),
       you'd probably like to type something in and see \LaTeX{}
       do its job. If you don't, then skip forward to \S\thinspace\ref{commands} and read a bit more about \LaTeX{}
       first.
\begin{figure}\small
\caption{\small Sample document}
\label{sampledoc}
\begin{sourcecode}\begin{Verbatim}[fontsize=\footnotesize]
\documentclass[12pt]{article}
\usepackage{palatino,url}
\begin{document}
\section*{My first document}

This is a short example of a \LaTeX\ document I wrote
on \today. It shows a few simple features of automated
typesetting, including

\begin{itemize}
\item setting the default font size to 12pt;
\item specifying `article' type for formatting;
\item using the Palatino typeface;
\item adding special formatting for URIs;
\item formatting a heading in `section' style;
\item using the \LaTeX\ logo;
\item generating today's date;
\item formatting a list of items;
\item centering and italicizing;
\item autonumbering the pages.
\end{itemize}

\subsection*{More information}

This example was taken from `Formatting Information',
which you can download from
\url{http://www.ctan.org/tex-archive/info/beginlatex/}
and use as a teach-yourself guide.

\begin{center}
\textit{Have a nice day!}
\end{center}

\end{document}
           \end{Verbatim}
\end{sourcecode}
\end{figure}
\par\smallskip\noindent\textbf{\itshape Up and running in a few minutes}
\begin{enumerate}
\item \textbf{Install the software}\\
Make sure you have a
           properly-installed \LaTeX{} system and a copy of a
           suitable editor.
\item \textbf{Create a sample document}\\\label{demodoc}%
Open your editor and type in
           the text \emph{exactly} as shown in Figure~\ref{sampledoc}. Do \emph{not} make any
           changes or miss anything out or add anything different at
           this stage.
\item \textbf{Save the document}\\
Save the document as
           \url+demo.tex+
\item \textbf{Run \LaTeX{} or \emph{pdf\LaTeX{}}}\\
Click on the \guiicon{\LaTeX{}} or
           \guiicon{pdf\LaTeX{}} toolbar icon or the
           \menuitem{\TeX{}}{\TeX{}
             File} menu item; or type \verb+latex demo+ or \verb+pdflatex demo+ in a
           command window.
\item \textbf{Preview the typesetting}\\
Click on the \guiicon{DVI} or
           \guiicon{PDFview} toolbar icon or the
           \menuitem{\TeX{}}{\TeX{}
             View} menu item; or type your previewer
           command in a terminal shell.

(Note that there may be a pause the first time you use
           your DVI\index{DVI@DVI} viewer, while WYSIWYG\index{WYSIWYG@WYSIWYG} font files are
           created.\footnote{DVI\index{DVI@DVI} previewers use their
               own font files specially created from the font
               outlines (TrueType, OpenType, PostScript, \mf{},
               etc). The first time you use a font at a size not used
               before, there will be a second or two's pause
               while it gets created. The more you use \LaTeX{}, the
               less this
               happens.})
\item \textbf{Print it}\\
Click on the \guiicon{Print} toolbar icon
           within the viewer, or use the
           \menuitem{\TeX{}}{\TeX{} Print}
           menu item, or type
           \verb+dvips -f demo | lpr+
           (Unix/Linux).
\end{enumerate}

If you encounter any errors, it means you
       \emph{do} need to study this chapter after
       all!
\section{Editors}
\label{editors}
\index{editors}
All the text of your documents can be typed into your
       \LaTeX{} document from a standard keyboard using any decent
       plain-text editor. However, it is more convenient to use an
       editor with special features to make using \LaTeX{} easier.
       Some of the most popular are
       \product{\TeX{}shell}\product{WinShell}, \product{\TeX{}nic
         Center}, and \product{WinEdt}
       (Windows only); and \product{\LyX{}} and
       \product{Emacs} (all platforms).
\subsection{\LyX{}}
\begin{figure}\small
\caption{\small The \LyX{} document editor}
\label{lyxwin}
\begin{center}
\includegraphics[width=0.75\textwidth]{lyx}
\end{center}
\end{figure}

The \LyX{} document editor (all platforms) is a special
         case, as it uses the What You See Is
           What You Mean (WYSIWYM)\index{WYSIWYM@WYSIWYM|textbf}\index{Acronyms@\textbf{Acronyms}, defined!WYSIWYM@WYSIWYM|textbf} model of synchronous typographic
         editing as opposed to What You See Is
           What You Get (WYSIWYG)\index{WYSIWYG@WYSIWYG|textbf}\index{Acronyms@\textbf{Acronyms}, defined!WYSIWYG@WYSIWYG|textbf}, and many users prefer this
         interface (but see the reservations in the Introduction on p.\thinspace\pageref{sync}).

\LyX{} makes a strong case for using synchronous
         typographical editing: it is possible to create even quite
         large and complex documents without seeing a backslash very
         often, although with math or complex macros there is
         probably no way to avoid having to do some manual insertion
         of
         \LaTeX{} code.

The free availability on multiple platforms makes this a
         clear answer to the myth of `having to edit like a
           programmer', and as it is an Open Source project,
         there is constant improvement, both to the facilities and to
         the interface.

Probably the only real reservation is that it does not
         save native \LaTeX{} files by default. It uses its own
         internal format, and it can export \LaTeX{} for use in other
         editors, but the exported files are not designed for human
         legibility, only for \LaTeX{} processing. In a co-operative
         environment this would be a serious drawback, but for the
         individual user this interface is an excellent tool.
\subsection{\TeX{}shell}
\label{texshell}
\begin{figure}\small
\caption{\small The \TeX{}shell editor}
\label{texshellwin}
\begin{center}
\includegraphics[width=0.75\textwidth]{texshell}
\end{center}
\end{figure}

This is one of the simplest of all the plaintext Windows
         editors, but it has most of the tools needed to begin with.
         Sectioning, lists, and graphics can be inserted from the
         menus, and there are buttons for running \LaTeX{} on the
         open document and for previewing the typeset
         document.

The syntactic highlighting distinguishes between
         commands and your text, and it comes with options for
         spellchecking (you need to install
         \product{ispell}), and for adding math,
         Greek (math), and some symbol characters from a pickchart.
         The typeset display is done using your installed DVI\index{DVI@DVI} viewer (there is no provision for
         PDF\index{PDF@PDF}, although as it is
         configurable, that could probably be edited into the
         menus).

Download the \url+.tar.gz+ file from CTAN\index{CTAN@CTAN} in the
         \url+support/TeXshell/+ directory and unwrap
         it into somewhere like \url+C:\Program
           Files\TeXshell\+.\footnote{Yes, I know I said don't use directory names with
             spaces in them\mdash{}and so you shouldn't, for your
       \LaTeX{} documents\mdash{}but Windows programs are usually safe
             enough in them.} There is a \product{tsconfig}
         program in the same directory on CTAN\index{CTAN@CTAN}, which is designed to help with
         reconfiguring \TeX{}shell.
\subsection{WinShell}
\label{winshell}
\begin{figure}\small
\caption{\small The WinShell editor}
\label{winshellwin}
\begin{center}
\includegraphics[width=0.75\textwidth]{winshell}
\end{center}
\end{figure}

This is another free Windows editor for beginners with
       \LaTeX{}. Despite its simplicity, it is capable of a
         considerable amount of document management and assistance
         with editing. As well as handling stand-alone \LaTeX{}
         files, you can create a `Project' for larger
         documents, which helps you keep track of additional files
         like separate chapters, illustrations, diagrams, indexes,
         etc.

You run \LaTeX{} direct from the toolbar icons or with
         F-key shortcuts. Both standard \LaTeX{} and
         \product{pdf\LaTeX{}} are supported, as well
         as creation and previewing of
         PostScript\index{PostScript} and PDF\index{PDF@PDF} output. There are additional toolbars
         for math characters, and there is a `Table
           Wizard' for handling tables. The syntax
         highlighting distinguishes between commands (in blue) and
         delimiters (in red), leaving your text in black.

Download the
         \texttt{WinShell\textsl{\uline{nn}}.exe}
         program (self-contained setup: the
         \textsl{nn} changes with the version) from
         CTAN\index{CTAN@CTAN} in the
         \url+systems/win32/winshell/+ directory and
         double-click it to start the setup.
\subsection{\TeX{}nicCenter}
\label{texniccenter}
\begin{figure}\small
\caption{\small The \TeX{}nicCenter editor}
\label{texniccenterwin}
\begin{center}
\includegraphics[width=0.75\textwidth]{texniccenter}
\end{center}
\end{figure}

\product{\TeX{}nicCenter} is a powerful
         Windows editor suitable both for the beginner and the more advanced
         user. Its `Project' environment keeps track of
         multiple files, and the processing function (the bit which
         actually runs \LaTeX{}, here called
         `Build') tries to ensure that all the files you
         need for a large or complex document are in place before you
         start typesetting, to avoid errors like missing
         illustrations.

It's a much more wordprocessor-like control
         interface, with configurable toolbars and button-controls
         for lists, math, tables, and previewing options.

Download the
         \texttt{TXCSetup\textsl{\uline{xxx}}.exe}
         program (self-contained setup: the
         \textsl{xxx} bit changes with the version)
         from CTAN\index{CTAN@CTAN} in the
         \url+systems/win32/TeXnicCenter/+ directory
         and double-click it to start the setup.
\subsection{WinEdt}
\label{winedt}
\begin{figure}\small
\caption{\small The \emph{WinEdt} editor}
\label{winedtpic}
\begin{center}
\includegraphics[width=0.75\textwidth]{winedt}
\end{center}
\end{figure}

\product{WinEdt} is a highly
         configurable plain-text editor for Windows. It comes with a
         host of special functions and shortcuts for
       \TeX{} and \LaTeX{}, based on the Mik\TeX{} distribution. It
         is supplied on the \TeX{} Collection 2004 DVD and the
         \product{pro\TeX{}t} CD. You can also
         download it from \url+http://www.winedt.com+\mdash{}in either case
         there's a 1-month free trial, then it reminds you to
         buy it.

\product{WinEdt} uses a built-in
         toolbar of configurable buttons, preset for use with
         \LaTeX{}, and it provides syntactic coloring of
         \LaTeX{} commands. Both the positioning and effect of the
         buttons can be changed, using an editable file of icons and
         a configuration panel. This flexibility lets you bind a
         program and arguments (equivalent to a typed command) to a
         particular icon.

There are default buttons on the toolbar for one-click
         typesetting, previewing, and
         PostScript\index{PostScript} or PDF\index{PDF@PDF} generation from \LaTeX{} documents,
         and it manages multi-file document projects like most of the
         other editors. \product{Winedt} is also
         used by many people for normal plaintext file-editing tasks,
         in preference to more limited programs like
         \product{Notepad}. If you're using the
         fp\TeX{} which came with the 2003 \TeX{}
         Collection, some editing of the menus is required (explained
         in the local installation document) because the default
         setup is for
         Mik\TeX{}/pro\TeX{}t.
\subsection{GNU Emacs}
\begin{figure}\small
\caption{\small Emacs editing \LaTeX{}}
\begin{center}
\includegraphics[width=0.75\textwidth]{emacs}
\end{center}
\end{figure}

\product{Emacs} is a product of the
         GNU\index{GNU@GNU} Project.\footnote{`GNU's Not
                 Unix (GNU)\index{GNU@GNU|textbf}\index{Acronyms@\string\textbf{Acronyms}, defined!GNU@GNU|textbf}' is a project to make a
             computing environment completely free of
             restrictions.}  Versions are available for all makes and models
         of computer, and it has a \LaTeX{}-mode which provides
         syntactic colouring (`fontification'
         in \product{Emacs}-speak) and mouseclick
         processing from a menu or toolbar.

\product{Emacs}
         is a very large and powerful editor, with
         `modes' (plug-ins) to handle almost
         everything you do on a computer. Many users run
         \product{Emacs} once on logging in, and
         never leave it for the rest of the day\mdash{}or month. As
         well as edit, you can use it to read your mail, browse the
         Web, read Usenet news, do wordprocessing and spreadsheets,
         compile programs, help you write in any computer
         language\mdash{}including XML\index{XML@XML} and
         \LaTeX{}\mdash{}and it provides a few games as well.

\product{Emacs}
         knows about \LaTeX{} and how to process it, so it comes with
         a menu full of \LaTeX{} operations to click on. If you are
         editing complex documents with mathematics, there is a mode
         (\product{AUC\TeX{}}) which has even more
         functionality. \LaTeX{} support is well-developed, and there
         is a hierarchy of newsgroups for
         \product{Emacs} support.

Because \product{Emacs} runs on
         Microsoft Windows, Macs, Linux, and most other platforms,
         many \LaTeX{} users who have multiple machines (and those
         who have multiple users to support) prefer it to other
         editors because it provides the same environment regardless
         of which platform they are using.

It's sometimes criticised for a steep learning
         curve, but in fact it's no worse in this respect than
         any other editor, given the power that it provides, and it
         is significantly better than most which lack many of the
         authorial tools available in Emacs.
\subsection{Mac editors}

Mac users will be disappointed that I haven't included
       any of the Mac interfaces here. It's simple: I don't have a
       Mac right now to try them out on. I hope to remedy this for a
       future edition.
\section{\LaTeX{} commands}
\label{commands}

\label{bsol}%
\LaTeX{} commands all begin with a
       \textbf{\textit{backslash}}\label{backslash}\index{backslash@\textbf{\textit{backslash}}}
       (\verb+\+)\footnote{Do not confuse the backslash
           with the forward slash (\url+/+). They are
           two different characters. The forward slash is used on the
           Web and on Unix systems to separate directory names and
           filenames. The backslash is used in Microsoft Windows
           (only) for the same purpose, and in \LaTeX{} to begin a
           command.} and are usually made up of lowercase
       letters only, for example:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\tableofcontents
     \end{Verbatim}
\end{sourcecode}

The
       \command{tableofcontents} command is an instruction
       to \LaTeX{} to insert the Table of Contents at this point. You
       would usually use this in a book or report (or perhaps a very
       long article) somewhere close to the beginning. You don't have
       to do anything else. Provided that you have used the
       sectioning commands described in \S\thinspace\ref{sections},
       all the formatting and numbering for the Table of Contents is
       completely automated.
\subsection{Simple commands}
\label{simplecmd}

\label{swallow}%
Simple one-word commands like
         \command{tableofcontents} must be separated from
         any following text with \textbf{\textit{white-space}}\label{wsp}\index{white-space@\textbf{\textit{white-space}}}. This means a
         normal space, or a newline [linebreak] or a TAB character.
         For example either of these two forms will work:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\tableofcontents Thanks to Aunt Mabel for all her help
with this book.
       \end{Verbatim}
\end{sourcecode}
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\tableofcontents
Thanks to Aunt Mabel for all her help with this book.
       \end{Verbatim}
\end{sourcecode}

If you forget the white-space, as in the following
         example, \LaTeX{} will try to read it as a command
         called \verb+\tableofcontentsThanks+. There's no
         such command, of course, so \LaTeX{} will complain at you by
         displaying an error message (see \S\thinspace\ref{undefcs}).
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\tableofcontentsThanks to Aunt Mabel for all her help
with this book.
       \end{Verbatim}
\end{sourcecode}

\LaTeX{} swallows any white-space which follows a command
         ending in a letter. It does this automatically, so you
         don't get unwanted extra space in your typeset output,
         but it does mean that any simple command which ends in a
         letter and has no arguments (see below) must be followed by
         white-space before normal text starts again, simply to keep
         it separate from the text.
\subsection{Commands with arguments}
\label{cmdargs}

Many \LaTeX{} commands are followed by one or more
         \textbf{\textit{arguments}}\label{arguments}\index{arguments@\textbf{\textit{arguments}}}, a term from
         the field of Computer Science, meaning information to be acted
         upon. Here are two examples:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\chapter{Poetic Form}
\label{pform}
       \end{Verbatim}
\end{sourcecode}

Such arguments always go in
       \verb+{+\textbf{\textit{curly
           braces}}\label{curly}\index{curly
           braces@\textbf{\textit{curly
           braces}}}\verb+}+ like
         those\index{braces|see{curly braces}} shown above. Be careful not to confuse the
         curly braces on your keyboard with round parentheses
         \verb+(�)+, square brackets
       \verb+[�]+, or angle brackets
             \verb+<�>+. They are all
         different and they do different things.

With commands that take arguments you do
         \emph{not} need to use extra white-space after
         the command, because there is an argument following it
         which will keep it separate from any normal text with
         follows after that. The following is therefore perfectly
       correct (although unusual because it's harder to edit:
       normally you'd leave a blank line between the chapter title or
       label and the start of the first paragraph).
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\chapter{Poetic Form}\label{pform}The shape of poetry
when written or printed distinguishes it from prose.
       \end{Verbatim}
\end{sourcecode}
\subsection{White-space in \LaTeX{}}
\label{white-space}
\index{white-space}
In \LaTeX{} documents, all \emph{multiple}
         spaces, newlines (linebreaks), and TAB characters are
         treated as if they were a \emph{single} space
         or newline during typesetting. \LaTeX{} does its own spacing
         and alignment using the instructions you give it, so you
         have extremely precise control. You are therefore free to
         use extra white-space in your editor for optical ease and
         convenience when editing.


         The following is therefore exactly equivalent to the example
         in the preceding section:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\chapter        {Poetic
         Form}\label
           {pform}

The shape of poetry when written or printed
distinguishes it from prose.
       \end{Verbatim}
\end{sourcecode}

That is, it will get typeset exactly the same. In
         general, just leave a blank line between paragraphs and a
         single space between words and sentences. \LaTeX{} will take
         care of the formatting.
\section{Special characters}
\label{specials}
\index{special characters}
There are ten keyboard characters which have special
       meaning to \LaTeX{}, and cannot be used on their own except for
       the following purposes:
\begingroup\small \begin{center}
\setlength{\tabcolsep}{1mm}
\begin{tabular}{clcc}
\textbf{\sffamily\upshape Key}&\textbf{\sffamily\upshape Meaning}&\multicolumn{1}{>{\bfseries\pbs{\centering}}b{1.5in}}{\normalfont\bfseries\upshape \emph{If you need the actual character itself,
                 type:}}&\textbf{\sffamily\upshape Character}\\[2pt]\hline\\[-1.5\baselineskip]
\key{$\backslash$}&The command character&\command{textbackslash}&$\backslash$\\
\key{\$}&Math typesetting delimiter&\command{\$}&\$\\
\key{\%}&The comment character&\command{\%}&\%\\
\key{{\char'136}}&Math superscript character&\command{{\char'136}}&{\char'136}\\
\key{\amp }&Tabular column separator&\command{\amp }&\amp \\
\key{{\ttfamily\char'137}}&Math subscript character&\command{{\ttfamily\char'137}}&\texttt{\_}\\
\key{{\char'176}}&Non-breaking space&\command{{\char'176}}&{\char'176}\\
\key{\#}&Macro parameter symbol&\command{\#}&\#\\
\key{{\ttfamily\char'173}}&Argument start delimiter&\texttt{\$}\command{{\ttfamily\char'173}}\texttt{\$}&$\{$\\
\key{{\ttfamily\char'175}}&Argument end delimiter&\texttt{\$}\command{{\ttfamily\char'175}}\texttt{\$}&$\}$\\
\end{tabular}
\end{center}
\endgroup
These characters were deliberately chosen, either because
       they are rare in normal text, or (in the case of \$,
       \#, \amp , and \%) they already had an
       established special meaning on computers as \textbf{\textit{metacharacters}}\label{metacharacters}\index{metacharacters@\textbf{\textit{metacharacters}}} (characters
       standing as symbols for something else) by the time \TeX{} was
       written, and it would have been misleading to choose
       others.
\subsection{Using the special characters}

We have already seen (the first paragraph of \S\thinspace\ref{bsol}) how
         to use the backslash to start a command, and curly braces to
       delimit an argument. The remaining special
       characters are:
\begin{description}
\item[\sffamily \key{\$}]
Because of the special mathematical meaning
               \LaTeX{} uses for the dollar-sign on its own, if you
               want to print \$35.99 you type
               \verb+\$35.99+
\item[\sffamily \key{\%}]
\label{comment}%
The \textbf{\textit{comment character}}\label{commentchar}\index{comment character@\textbf{\textit{comment character}}} makes
               \LaTeX{} ignore the remainder of the line in your
               document, so you can see it in your editor, but it
               will never get typeset. For example \verb+Today's price per kilo is �22.70 % get Mike to update this+\\If you want to print 45\% you need
                 to type \verb+45\%+
\item[\sffamily \key{{\char'136}}]
The caret sign lets you type
               \verb+\(E=mc^2\)+ to get \(E=mc^{2}\). If you need the circumflex accent
               on a letter like �, just type the letter or use the
               symbolic notation \verb+\^e+.
\item[\sffamily \key{\amp }]
The ampersand is used in tables to separate
               columns (see \S\thinspace\ref{tables}). If you want to
               print AT\amp T you need to type
               \verb+AT\&T+.
\item[\sffamily \key{{\ttfamily\char'137}}]
The underscore lets you type
               \verb+\(r_2\)+ for \(r_{2}\). If you want to underline text
               (extremely rare in typesetting) see the last paragraph of \S\thinspace\ref{uline}.
\item[\sffamily \key{{\char'176}}]\label{tilde}
The tilde prints as a space, but prevents a
               linebreak ever occurring at that point. It's often
               used between a person's initials and their surname, eg
               \verb+Prof D.E.~Knuth+
\item[\sffamily \key{\#}]
If you want a
         \textbf{\textit{hash mark}}\label{hash}\index{hash mark@\textbf{\textit{hash mark}}} (the
         \textbf{\textit{octothorpe}}\label{octothorpe}\index{octothorpe@\textbf{\textit{octothorpe}}} or
               American number or `pound' [weight] sign)
               you type \verb+\#+. For a pound
               (sterling)\index{pound@�}
               sign �, now nearly obsolete except in the UK and
               some of its former dependencies, use your
               \key{�} key or type
               \command{textsterling}.
\end{description}

While we're on the subject of money, an unusual but
         interesting serif-font Euro\index{euro@\euro{}} sign {\rmfamily{}\selectfont{}\euro{}}
         is got with the \command{texteuro} command from the
         \package{textcomp} package. The standard
         sans-serif {\sffamily{}\selectfont{}\EUR{}} needs the
         \package{marvosym} package and is done with
         the \command{EUR} command.\footnote{The European Commission has specified that everyone
             use the sans-serif design, even in serif text, but this
             is amazingly ugly and most designers rightly ignore
             it.}
\section{Quotation marks}
\label{quotes}
\index{quotation marks}
Do \emph{not} use the unidirectional
       typewriter keyboard \ttkey{"} key for quotation
       marks. Correct typographic quotes are got with the \ttkey{\`{}} key and the \ttkey{'} key, doubled if you want double
       quotes:
\begin{example}
\begin{sourcecode}\fontencoding{T1}\fontfamily{pcr}\selectfont\renewcommand{\ttdefault}{pcr}\begin{Verbatim}[fontsize=\small]
He said, ``I'm just going out.''
       \end{Verbatim}
\end{sourcecode}\vspace*{-\baselineskip}\begin{quote}\fontencoding{T1}\fontfamily{cmr}\selectfont\def\sfdefault{cmss}\def\bfdefault{bf}\noindent

{\fontencoding{OT1}\fontfamily{cmr}\selectfont{}He said,
           ``I'm just going out.''}
\end{quote}\end{example}

This ensures you get real left-hand
       and right-hand (opening and closing) quotes (usually shaped
       like tiny
       \textsuperscript{66}�and�\textsuperscript{99}
       or as symmetrically-balanced strokes). If you are using
       \product{Emacs} as your editor, the
       \key{"} key is specially programmed in
       \LaTeX{}-mode to think for itself and produce correct {\ttfamily{}\selectfont{}\`{}\`{}} and
       \verb+''+ characters (so this is one occasion when
       you \emph{can} use the \key{"}
       key).
\begin{warning}

If you are reading this in a
         browser, or if you have reprocessed the file using different
         fonts, it may not show you real quotes (some old browser
         fonts are defective) and the \command{thinspace}
         below may be too wide. Download the typeset (PDF\index{PDF@PDF}) version of this document to see the
         real effect.
\end{warning}

\label{thinspace}%
When typing one quotation inside another,
       there is a special command \command{thinspace} which
       provides just enough separation between double and single
       quotes (a normal space is too much and could allow an unwanted
       linebreak):
\begin{example}
\begin{sourcecode}\fontencoding{T1}\fontfamily{pcr}\selectfont\renewcommand{\ttdefault}{pcr}\begin{Verbatim}[fontsize=\small]
He said, `Her answer was ``never''\thinspace'.
       \end{Verbatim}
\end{sourcecode}\vspace*{-\baselineskip}\begin{quote}\fontencoding{T1}\fontfamily{cmr}\selectfont\def\sfdefault{cmss}\def\bfdefault{bf}\noindent

He said, `Her answer was
         ``never''\thinspace{}'.
\end{quote}\end{example}
\section{Accents}
\label{accents}
\index{accents}
For accented letters in western
       European languages\footnote{ISO 8859-1 (Latin\ndash{}1, Western European) to
           8859-15 (includes the Euro).}  or other Latin-alphabet character sets just use
       the accented keys on your keyboard\mdash{}if you have the right
       ones. You must also tell \LaTeX{} what character repertoire
       (`input encoding') you are using. You
       specify this by using the \package{inputenc}
       package\footnote{We haven't covered the use of
           packages yet. Don't worry, see \S\thinspace\ref{packages}
           if you're curious.} in your preamble
       with the relevant option. For example, to tell \LaTeX{} you
       will be typing ISO Latin\ndash{}1 accented characters,
       use:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\usepackage[latin1]{inputenc}
     \end{Verbatim}
\end{sourcecode}

If you have a real Unicode editor, which lets you insert
       any letter or symbol from any language on the planet (for
       example, mixed European, Asian, and other languages), use
       \verb+utf8+ instead of \verb+latin1+.
       The encoding definitions that are available on your system are
       in \url+/texmf/tex/latex/base+ (all files
       ending in \url+.def+).
\begin{sidebar}\label{keystrokes}
\subsection*{If you don't have accented letters}
This is for users whose keyboards do not have native
         accent characters on them. See your Operating System manual
         for full details. Here are two common examples:
\begin{itemize}
\item
Under Linux systems the letter
             � is usually got with
             \key{AltGr}--\key{;}~\thinspace{}\key{e}. Refer to the
             \product{xkeycaps} utility for a table
             of key codes and combinations (get it from \url+http://www.jwz.org/xkeycaps/+).

\item
Under Microsoft Windows the letter � is got with
             \key{Ctrl}--\ttkey{'}~\thinspace{}\key{e} or by holding down the
             \thinspace{}\key{Alt} key and typing
             \thinspace{}\key{0}\thinspace{}\key{1}\thinspace{}\key{3}\thinspace{}\key{0}
             on the numeric keypad (\emph{not} the top
             row of shifted numerals). Refer to the
             \product{charmap} utility for a table
             of key codes and combinations (find it in the
             \url+C:\Windows+ folder).

\end{itemize}
\end{sidebar}
If you don't have accented letter keys on your
       keyboard, you'll need to use your operating system's
       standard keyboard \key{Ctrl} or
       \key{Alt} key combinations to generate the
       characters (see the panel `If you don't have accented letters' \testpage[above]{keystrokes}).

If you cannot generate accented characters from your
       keyboard at all, or if you need additional accents or symbols
       which are not in any of the keyboard tables, you can use the
       symbolic notation in Table~\ref{accentcodes}. In fact,
       this can be used to put any accent over any letter: if you
       particularly want a \~g you can have one with the command
       \command{{\char'176}}\verb+g+ (and Welsh
       users can get \^w with
       \command{{\char'136}}\verb+w+).

If you use this symbolic method only, you do not need to
       use the \package{inputenc} package. Before the
       days of keyboards and screens with their own real accented
       characters, the symbolic notation was the
       \emph{only} way to get accents, so you may come
       across a lot of older documents (and users!) using this method
       all the time: it does have the advantage in portability that
       the \LaTeX{} file remains plain ASCII\index{ASCII@ASCII}, which will work on all machines
       everywhere, regardless of their internal encoding, and even
       with very old \TeX{} installations.\footnote{Remember not everyone is lucky enough to be able to
           install new software: many users on corporate and academic
           networks still have to use old versions of \TeX{} because
           their system administrators are too busy to
           install new ones.}
\begin{table}\small \caption{\small Built-in \LaTeX{} accents}
\label{accentcodes}
\begin{center}
\begin{tabular}{lcc}
\textbf{\sffamily\upshape Accent}&\textbf{\sffamily\upshape Example}&\textbf{\sffamily\upshape Characters to type}\\[2pt]\hline\\[-1.5\baselineskip]
Acute (fada)&�&\verb+\'e+\\
Grave&�&\verb+\`e+\\
Circumflex&�&\verb+\^e+\\
Umlaut or di�resis&�&\verb+\"e+\\
Tilde&�&\verb+\~n+\\
Macron&\=o&\verb+\=o+\\
Bar-under&{\b o}&\verb+\b o+\\
Dot-over (s�{\fontfamily{cmr}\selectfont\i}\.m{\fontfamily{cmr}\selectfont\i}�)&{\.m}&\verb+\.m+\\
Dot-under&{\d s}&\verb+\d s+\\
Breve&\u u&\verb+\u u+\\
H�\v cek (caron)&\v u&\verb+\v u+\\
Long umlaut&\H o&\verb+\H o+\\
Tie-after&{\fontencoding{OT1}\fontfamily{cmr}\selectfont{}\t oo}&\verb+\t oo+\\
Cedilla&\c c&\verb+\c c+\\
O-E ligature&\oe , \OE &\verb+\oe+,
               \verb+\OE+\\
A-E ligature&\ae , \AE &\verb+\ae+,
               \verb+\AE+\\
A-ring&\aa , \AA &\verb+\aa+,
               \verb+\AA+\\
O-slash& \o , \O &\verb+\o+,
               \verb+\O+\\
Soft-l&{\fontencoding{T1}\fontfamily{cmr}\selectfont{}\l{}, \L{}}&\verb+\l+,
               \verb+\L+\\
Ess-zet (scharfes-S)&\ss &\verb+\ss+\\
\end{tabular}
\end{center}
\end{table}

Irish and Turkish dotless-{\fontfamily{cmr}\selectfont\i} is done with the
       special command \command{i}, so an {\fontfamily{cmr}\selectfont\'\i}-fada
       (which is normally typed with \key{{\fontfamily{cmr}\selectfont\'\i}})
       requires \verb+\'\i+ if you need to type it in
       the long format, followed by a backslash-space or dummy pair of
       curly braces if it comes at the end of a word and there is no
       punctuation, because of the rule that \LaTeX{} control
       sequences which end in a letter (see the first paragraph of \S\thinspace\ref{swallow}) always absorb any following space.  So
       what you might see as  \textsl{R�
         Tea\.mra\.c} has to be \verb+R\'\i\ Tea\.mra\.c+ when typed in full (there are not
       usually any keyboard keys for the dotless-{\fontfamily{cmr}\selectfont\i} or the
       lenited characters). A similar rule applies to dotless-{\fontencoding{OT1}\fontfamily{cmr}\selectfont{}{\fontfamily{cmr}\selectfont\j}} and to uppercase
       \'I.
\section{Dimensions, hyphenation, justification, and breaking}
\label{handj}
\index{dimensions}\index{hyphenation}\index{justification}\index{hj@H\amp J|see{hyphenation, justification}}
\LaTeX{}'s internal measurement system is
       extraordinarily accurate. The underlying \TeX{} engine
       conducts all its business in units smaller than the wavelength
       of visible light, so if you ask for 15mm space, that's
       what you'll get\mdash{}within the limitations of your
       screen or printer, of course. Most screens cannot show
       dimensions of less than
           \(\frac{1}{96}\)$''$ without resorting to magnification
       or scaling; and on printers, even at 600dpi, fine oblique
       lines or curves can still sometimes be seen to stagger the
       dots.

At the same time, many dimensions in \LaTeX{}'s
       preprogrammed formatting are specially set up to be flexible:
       so much space, plus or minus certain limits to allow the
       system to make its own adjustments to accommodate variations
       like overlong lines, unevenly-sized images, and non-uniform
       spacing around headings.

\TeX{} uses a very sophisticated
       justification algorithm to achieve a smooth, even texture to
       normal paragraph text. The programming for this has been
       borrowed by a large number of other DTP systems, and users of
       these are often quite unaware that they are in fact using a
       significant part of \TeX{} in their work.
       Occasionally, however, you will need to hand-correct an
       unusual word-break or line-break, and there are facilities for
       doing this on individual occasions as well as throughout a
       document.
\subsection{Specifying size units}
\label{dimensions}
\index{dimension}\index{units}
Most people in printing and publishing habitually use
         points and picas and ems. Some designers use cm and mm. Many
         English-language speakers still use inches. You can specify
         lengths in \LaTeX{} in any of these units, plus some others
         (see Table~\ref{units}).
\index{pt (points)}\index{points}\index{pc (picas)}\index{picas}\index{bp (big points)}\index{sp (scaled points)}\index{dd (Didot points)}\index{cc (Ciceros)}\index{em (relative measure)}\index{ex (relative measure)}\index{mm (millimeters)}\index{cm (centimeters)}\index{in (inches)}\begin{table}\small \caption{\small Units in \LaTeX{}}
\label{units}
\begin{center}
\begin{tabular}{@{}l>{\pbs{\raggedright}}p{4in}}
\textbf{\sffamily\upshape Unit}&\textbf{\sffamily\upshape Size}\\[2pt]\hline\\[-1.5\baselineskip]
\vrule height1.5em width0pt\bfseries\itshape &\vrule height1.5em width0pt\bfseries\itshape Printers' fixed measures\\[2pt]
pt&Anglo-American standard points (72.27 to the
                 inch)\\
pc&pica ems (12pt)\\
bp&Adobe `big' points (72
                 to the inch)\\
sp&\TeX{}�`scaled' points
                 (65,536 to the pt)\\
dd&Didot (European standard) points (67.54 to the
                 inch)\\
cc&Ciceros (European pica ems, 12dd)\\
\vrule height1.5em width0pt\bfseries\itshape &\vrule height1.5em width0pt\bfseries\itshape Printers' relative measures\\[2pt]
em&ems of the current point size (historically the
                 width of a letter `M' but see
                 below)\\
ex&x-height of the current font (height of letter
                 `x')\\
\vrule height1.5em width0pt\bfseries\itshape &\vrule height1.5em width0pt\bfseries\itshape Other measures\\[2pt]
cm&centimeters (2.54 to the inch)\\
mm&millimeters (25.4 to the inch)\\
in&inches\\
\end{tabular}
\end{center}
\end{table}

The em can cause beginners some puzzlement because
         it's based on the `point size'
         of the type, which is itself misleading. The point size
         refers to the depth of the metal body on which foundry type
         was cast in the days of metal typesetting,
         \emph{not} the printed height of the letters
         themselves. Thus the letter-size of 10pt type in one face
         can be radically different from 10pt type in another (look
         at the table on p.\thinspace\pageref{fontable-adobe}, where all the examples are
         10pt). An em is the height of the type-body in a specific size,
         so 1em of 10pt type is 10pt and 1em of 24pt type is
         24pt.

Another name for a 1em space is a
         `quad', and \LaTeX{} has a command
         \command{quad} for leaving exactly that much
         horizontal space.  A special name is given to the 12pt em, a
         `pica' em, as it has become a fixed
         measure in its own right.

If you are working with other DTP users, watch out for
         those who think that Adobe points (bp) are the only ones.
         The difference is only .27pt per inch, but in 10$''$ of
         text (a full page of A4) that's 2.7pt, which is nearly
         1mm, enough to be clearly visible if you're trying to
         align one sample with another.
\subsection{Hyphenation}
\label{hyph}

\LaTeX{} hyphenates automatically according to the
         language you use (see \S\thinspace\ref{langs}). To specify
         different breakpoints for an individual word, you can insert
         soft-hyphens\index{hyphens!soft} (discretionary hyphens, done with
         \command{-}) wherever you need them, for
         example:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
When in Mexico, we visited Popoca\-t�petl by helicopter.
       \end{Verbatim}
\end{sourcecode}

To specify hyphenation points for all occurrences of a
         word, use the \command{hyphenation} command in your
         preamble (see the panel `The Preamble' \testpage[below]{preamble}) with one or more
         words in its argument, separated by spaces.  This will even
         let you break `helico-\linebreak pter' correctly. In this command
         you use normal hyphens, not soft-hyphens.\index{hyphens!discretionary}
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\hyphenation{helico-pter Popoca-t�petl
im-mer-sion}
       \end{Verbatim}
\end{sourcecode}

If you have frequent hyphenation problems with long,
         unusual, or technical words, ask an expert about changing
         the value of \length{spaceskip},
         which controls the flexibility of the space between words.
         This is not something you would normally want to do, as it
         can change the appearance of your document quite
         significantly.

If you are using a lot of unbreakable text (see next
         section and also \S\thinspace\ref{inlineverb}) it may also
         cause justification problems. One possible solution to this
         is shown in \S\thinspace\ref{macargs}.
\subsection{Unbreakable text}

To force \LaTeX{} to treat a word as unbreakable, use
         the \command{mbox} command:
         \verb+\mbox{pneumonoultramicroscopicsilicovolcanoconiosis}+.
         This may have undesirable results, however, if
         you change margins or the width of the text:
         \mbox{pneumonoultramicroscopicsilicovolcanoconiosis}\dots

To tie two words together with an unbreakable
         space\index{hard space}\index{white-space!hard} (hard space), use a tilde (\verb+~+)
         instead of the space (see the list on p.\thinspace\pageref{tilde} in \S\thinspace\ref{tilde}). This
         will print as a normal space but
         \LaTeX{} will never break the line at that point. You should
         make this standard typing practice for things like
         people's initials followed by their surname, as in
         Prof. D.�E.�Knuth:
         \verb+Prof.\ D.~E.~Knuth+.
\begin{warning}

Note that a full point after a lowercase letter is
           treated as the end of a sentence, and creates more space
           before the next word. Here, after
           `Prof.', it's
           \emph{not} the end of a sentence, and the
           backslash-space forces \LaTeX{} to insert just an ordinary
           word-space because it's OK to break the line after
           `Prof.', whereas it would look
           wrong to have initials separated with Prof.�D.E.�Knuth broken over a line-end.
\end{warning}
\subsection{Dashes}

For a long dash\mdash{}what printers call an
         `em rule' like this\mdash{}use three
         hyphens typed together, \verb+like~--- this+,
         and bind them to the preceding word with a tilde to avoid
         the line being broken before the dash. It's also common
         to see the dash printed without spaces---like that: the
         difference is purely �sthetic. \emph{Never}
         use a single hyphen for this purpose.

Between digits like page ranges (35\ndash{}47), it is
         normal to use the short dash (what printers call an en-rule)
         which you get by typing two hyphens together, as in
       \verb+35--47+. If you want a minus sign, use math
         mode (\S\thinspace\ref{math}).
\subsection{Justification}

The default mode for typesetting is justified (two
         parallel margins, with word-spacing adjusted automatically
         for the best optical fit). In justifying, \LaTeX{} will never
         add space between letters, only between words. There is a
         special package called \package{so}
         (`space-out') if you need special
         effects like letter-spacing, but these are best left to the
         expert.

There are two commands
         \command{raggedright} and
         \command{raggedleft} which set ragged-right (ranged
         left) and ragged-left (ranged right). Use them inside a
         group (see the panel `Grouping' \testpage[below]{grouping}) to confine their
         action to a part of your text.

{\raggedleft
These modes also exist as
         `environments' (see the last paragraph of \S\thinspace\ref{environments}) called
         \env{raggedright} and
         \env{raggedleft} which are more convenient
         when applying this formatting to a whole paragraph or more,
         like this one.
\par}\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\begin{raggedleft}
These modes also exist as environments called raggedright
and raggedleft which is more convenient when applying this
formatting to a whole paragraph or more, like this one.
\end{raggedleft}
       \end{Verbatim}
\end{sourcecode}

Ragged setting turns off hyphenation. There is a package
         \package{ragged2e} which retains hyphenation
         in ragged setting, useful when you have a lot of long
         words.
\subsection{Languages}
\label{langs}

\LaTeX{} can typeset in the native manner for several
         dozen languages. This affects hyphenation, word-spacing,
         indentation, and the names of the parts of documents used as
         headings (e.g.�Table of Contents).

Most distributions of \LaTeX{} come with US English and
         one or more other languages installed by default, but it is
         easy to add the \package{babel} package and
         specify any of the supported languages or variants, for
         example:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\usepackage[frenchb]{babel}
..
\selectlanguage{frenchb}
       \end{Verbatim}
\end{sourcecode}

Changing the language with
         \package{babel} automatically changes the
         names of the structural units and identifiers like
         `Abstract',
         `Index', etc.�to their
         translated version. For example, using French as above,
         chapters will start with
         `\emph{Chapitre}'.\footnote{Note that the \package{babel} package
             also sets the hyphenation patterns \emph{provided
               your version of \LaTeX{} has them
               precompiled} (see the start of your log
             files for a list). For other languages you need to set
             the hyphenation separately (outside the scope of this
             book).}
\section{Mathematics}
\label{math}
\index{mathematics}
As explained in the Preface on p.\thinspace\pageref{mathtex}, \TeX{} was
       originally written to automate the typesetting of books
       containing mathematics. The careful reader will already have
       noticed that mathematics is handled differently from normal
       text, which is why it has to be typeset specially. This
       document does not cover mathematical typesetting, which is
       explained in detail in many other books and Web pages, so all
       we will cover here is the existence of the math mode commands,
       and some characters which have special meaning, so they
       don't trip you up elsewhere.

In addition to the 10 special characters listed in \S\thinspace\ref{specials}, there are three more characters which
       only have any meaning inside mathematics mode:\index{math characters}
\begingroup\small \begin{center}
\begin{tabular}{cl}
\textbf{\sffamily\upshape Key}&\textbf{\sffamily\upshape Meaning}\\[2pt]\hline\\[-1.5\baselineskip]
\key{$|$}&Vertical bar\\
\ttkey{<}&Less-than\\
\ttkey{>}&Greater-than\\
\end{tabular}
\end{center}
\endgroup
If you type any of these in normal text (ie outside math
       mode), you will get very weird things happening and lots of
       error messages. If you need to print these characters, you
       \emph{must} type them using math mode, or use
       their symbolic names from the \env{textcomp}
       package (\command{textbrokenbar},
       \command{textlangle}, and
       \command{textrangle}).

The hyphen also has an extra meaning in math mode: it
       typesets as a minus sign, so if you want to write about
       negative numbers you need to type the number in math mode so
       the minus sign and the spacing come out right.

To use math mode within a paragraph, enclose your math
       expression in \command{(} and \command{)}
       commands. You can get the much-quoted equation
       \(E=mc^{2}\) by typing
       \verb+\(E=mc^2\)+, and to get a temperature like
       \ifmmode-\else$-$\fi{}30� you need to type
       \verb+\(-30\)�+.\footnote{Bear in mind that the degree symbol is a non-ASCII\index{ASCII@ASCII} character, so you must specify
           what input encoding you are using if you want to type it:
           see the example of the \package{inputenc}
           package in \S\thinspace\ref{accents}. If you don't
           want to use non-ASCII\index{ASCII@ASCII} characters
           (or if you are using a system which cannot generate them),
           you can use the command \command{textdegree} to
           get the degree sign.}

To typeset a math expression as `displayed
         math' (centered between paragraphs), enclose it
       in the commands \command{[} and
       \command{]}.\footnote{You will also see dollar signs used for math mode.
           This is quite common but deprecated: it's what plain
           \TeX{} used in the days before \LaTeX{}, and the habit got
           ingrained in many mathematicians. It still works as a
           convenient shorthand like \url+$x=y$+, as do
           double-dollars for display-mode math like
           \url+$$E=mc^2$$+, but they are only mentioned
           here to warn readers seeing them in other authors'
           work that \command{(}\dots \command{)}
           and \command{[}\dots \command{]} are
           the proper \LaTeX{} commands.}
\begin{example}
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\[\bar n^*_j(s)=\frac{\left\{s\sum_{i=1}^k
n_i(0)p^*{i,k+1}(s)+M^*(s)\right\}\sum_{i=1}^k
p_{0i}p^*{ij}(s)}{1-s\sum_{i=1}^kp_{0i}p^*_{i,
k+1}(s)}+\sum_{i=1}^kn_i(0)p^*_{ij}(s)[j=
1,2,\dots,k].\]
       \end{Verbatim}
\end{sourcecode}\vspace*{-\baselineskip}\begin{quote}\fontencoding{T1}\fontfamily{cmr}\selectfont\def\sfdefault{cmss}\def\bfdefault{bf}\noindent

\(\bar n^*_j(s)=
         \frac{\left\{s\sum^k_{i=1}n_i(0)p^*_{i,k+1}(s)+M^*(s)\right\}
         \sum^k_{i=1}p_{0i}p^*{ij}(s)}{1-s\sum^k_{i=1}p_{0i}p^*_{i,k+1}(s)}
         +\sum^k_{i=1}n_i(0)p^*_{ij}(s)\,\rlap{[j=1,2,\dots,k]}\)

\end{quote}\end{example}

Displayed equations can be auto-numbered with the
       \env{equation} environment instead of the
       \command{[} and \command{]} commands.
\chapter{Basic document structures}
\label{basic}
\index{sections}
\LaTeX{}'s approach to formatting is to aim for
     consistency. This means that as long as you identify each
     \textbf{\textit{element}}\label{element}\index{element@\textbf{\textit{element}}} of your document
     correctly, it will be typeset in the same way as all the other
     elements like it, so that you achieve a consistent finish with
     minimum effort. Consistency helps make documents easier to read
     and understand.

Elements are the component parts of a document, all the
     pieces which make up the whole. Almost everyone who reads books,
     newspapers, magazines, reports, articles, and other classes of
     documents will be familiar with the popular structure of
     chapters, sections, subsections, subsubsections, paragraphs,
     lists, tables, figures, and so on, even if they don't
     consciously think about it.

Consistency is also what publishers look for. They have a
     house style, and often a reputation to keep, so they rightly
     insist that if you do something a certain way once, you should
     do it the same way each time.

To help achieve this consistency, every \LaTeX{} document
     starts by declaring what \textbf{\textit{document
       class}}\label{documentclass}\index{document
       class@\textbf{\textit{document
       class}}} it belongs to.
\section{The Document Class Declaration}
\label{docdecl}
\index{document class}
To tell \LaTeX{} what class of document you are going to
       create, you type a special first line into your file which
       identifies it.\footnote{Readers familiar with SGML\index{SGML@SGML},
           HTML\index{HTML@HTML}, or XML\index{XML@XML} will recognize the concept as
           similar to the Document Type
           Declaration.} To start a report, for
       example, you would type the \command{documentclass}
       command like this as your first line:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\documentclass{report}
     \end{Verbatim}
\end{sourcecode}

There are four built-in classes provided, and many others
       that you can download (some may already be installed for
       you):
\begin{description}
\item[\sffamily \package{report}]
for business, technical, legal, academic, or
             scientific reports;
\item[\sffamily \package{article}]
for white papers, magazine or journal articles,
             reviews, conference papers, or research notes;
\item[\sffamily \package{book}]
for books and theses;
\item[\sffamily \package{letter}]
for letters.\footnote{The built-in \package{letter}
                 class is rather idiosyncratic: there are much better
                 ones you can download, such as
                 the \package{memoir} and
                 \package{komascript} packages.}
\end{description}

The \package{article} class in particular
       can be used (some would say `abused') for almost
       any short piece of typesetting by simply omitting the titling
       and layout (see below).

The built-in classes are intended as starting-points,
       especially for drafts and for compatibility when exchanging
       documents with other \LaTeX{} users, as they come with every
       copy of \LaTeX{} and are therefore guaranteed to format
       identically everywhere. \emph{They are \emph{\textbf{not}} intended as final-format
         publication-quality layouts.} For most other
       purposes, especially for publication, you use
       add-in packages (\S\thinspace\ref{packages}) to extend
       these classes to do what you need:
\begin{itemize}
\item
The \package{memoir} and
           \package{komascript} packages contain
           more sophisticated replacements for all the built-in
           classes;

\item
Many academic and scientific publishers provide their
           own special class files for articles and books (often on
           their Web sites for download);

\item
Conference organisers may also provide class files for
           authors to write papers for presentation;

\item
Many universities provide their own thesis document
           class files in order to ensure exact fulfillment of their
           formatting requirements;

\item
Businesses and other organizations can provide their
           users with corporate classes on a central server and
           configure \LaTeX{} installations to look there first for
           packages, fonts, etc.

\end{itemize}

Books and journals are not usually printed on office-size
       paper. Although \LaTeX{}'s layouts are designed to fit on
       standard A4 or Letter stationery for draft purposes, it makes
       them look odd: the margins are too wide, or the positioning is
       unusual, or the font size is too small, because the finished
       job will normally be trimmed to a different size
       entirely\mdash{}try trimming the margins of the PDF\index{PDF@PDF} version of this book to 185mm by 235mm
       (the same as \titlecite{companion} series)
       and you'll be amazed at how it changes the appearance!

\subsection{Document class options}
\label{doclayout}
\index{paper sizes}
The default layouts are designed to fit as drafts on US
         Letter size paper.\footnote{Letter size is 8�$''$$\times$11$''$, which is the
             trimmed size of the old Demi Quarto, still in use in
             North America. The other common US office size is
             `Legal', which is
             8�$''$$\times$14$''$, a bastard cutting close to
             the old Foolscap (8�$''$$\times$13�$''$). ISO
             standard `A',
             `B', and
             `C' paper sizes are still
             virtually unknown in many parts of North America.} To create documents with the correct proportions
         for standard A4 paper, you need to specify the paper size in
         an optional argument in square brackets before the document
         class name, e.g.
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\documentclass[a4paper]{report}
       \end{Verbatim}
\end{sourcecode}

The two most common options are \opt{a4paper}
         and \opt{letterpaper}. However, many European
         distributions of \TeX{} now come preset for A4, not Letter, and
         this is also true of all distributions of
         \product{pdf\LaTeX{}}.

The other default settings are for: \begin{inparaenum}[\itshape a\upshape)] \item 10pt type (all document classes);  \item two-sided printing (books and reports) or
               one-sided (articles and letters);  and \item separate title page (books and reports
               only)\end{inparaenum}. These can be modified with the following
         document class options which you can add in the same set of
         square brackets, separated by commas:
\index{fonts!sizes}\begin{description}
\label{docfontsize}
\item[\sffamily \opt{11pt}]
to specify 11pt type (headings, footnotes,
               etc.�get scaled up or down in
               proportion);
\item[\sffamily \opt{12pt}]
to specify 12pt type (again, headings
               scale);
\item[\sffamily \opt{oneside}]
to format one-sided printing for books and
               reports;
\item[\sffamily \opt{twoside}]
to format articles for two-sided printing;
\item[\sffamily \opt{titlepage}]
to force articles to have a separate title
               page;
\item[\sffamily \opt{draft}]
makes \LaTeX{} indicate hyphenation and
               justification problems with a small square in the
               right-hand margin of the problem line so they can be
               located quickly by a human.
\end{description}

If you were using pdf\LaTeX{} for a report to be in 12pt
       type on Letter paper, but printed one-sided in draft mode, you
       would use:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\documentclass[12pt,letterpaper,oneside,draft]{report}
       \end{Verbatim}
\end{sourcecode}

There are extra preset options for other type sizes
         which can be downloaded separately, but 10pt, 11pt, and 12pt
         between them cover probably 99\% of all document
         typesetting. In addition there are the hundreds of add-in
         packages which can automate other layout and formatting
         variants without you having to program anything by hand or
         even change your text.
\begin{exercise}
\label{firstline}
\addcontentsline{loe}{section}{\numberline{1}Create a new document}
\subsubsection*{Create a new document}\begin{enumerate}\item
Use your editor to create a new document.

\item
Type in a Document Class Declaration as shown
               above.

\item
Add a font size option if you wish.

\item
In North America, omit the
               \opt{a4paper} option or change it to
               \opt{letterpaper}.

\item
Save the file (make up a name) ensuring the name
               ends with \url+.tex+

\end{enumerate}
\end{exercise}
\section{The document environment}
\label{docenv}

After the Document Class Declaration, the text of your
       document is enclosed between two commands which identify the
       beginning and end of the actual document:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\documentclass[11pt,a4paper,oneside]{report}

\begin{document}
..
\end{document}
     \end{Verbatim}
\end{sourcecode}

(You would put your text where the dots are.) The reason
       for marking off the beginning of your text is that \LaTeX{}
       allows you to insert extra setup specifications before it
       (where the blank line is in the example above: we'll be
       using this soon). The reason for marking off the end of your
       text is to provide a place for \LaTeX{} to be programmed to do
       extra stuff automatically at the end of the document, like
       making an index.

A useful side-effect of marking the end of the document
       text is that you can store comments or temporary text
       underneath the \verb+\end{document}+ in the
       knowledge that \LaTeX{} will never try to typeset them.
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
..
\end{document}
Don't forget to get the extra chapter from Jim!
     \end{Verbatim}
\end{sourcecode}

\label{environments}%
This
       \command{begin}\thinspace{}\dots \command{end}
       pair of commands is an example of a common \LaTeX{} structure called an
       \textbf{\textit{environment}}\label{environment}\index{environment@\textbf{\textit{environment}}}.
       Environments enclose text which is to be handled in a particular
       way. All environments start with
       \verb+\begin{...}+ and end with
       \verb+\end{...}+ (putting the name of the
       environment in the curly braces).
\begin{exercise}
\addcontentsline{loe}{section}{\numberline{2}Adding the document environment}
\subsubsection*{Adding the document environment}\begin{enumerate}\item
Add the \env{document} environment to
             your file.

\item
Leave a blank line between the Document Class
             Declaration and the \verb+\begin{document}+
             (you'll see why later).

\item
Save the file.

\end{enumerate}
\end{exercise}
\section{Titling}
\label{titling}
\index{titles}
The first thing you put in the
       \env{document} environment is almost always the
       document title, the author's name, and the date (except
       in letters, which have a special set of commands for
       addressing which we'll look at later). The title, author,
       and date are all examples of \textbf{\textit{metadata}}\label{metadata}\index{metadata@\textbf{\textit{metadata}}} or \textbf{\textit{metainformation}}\label{metainformation}\index{metainformation@\textbf{\textit{metainformation}}} (information
       \emph{about} information).
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\documentclass[11pt,a4paper,oneside]{report}

\begin{document}

\title{Practical Typesetting}
\author{Peter Flynn\\Silmaril Consultants}
\date{December 2004}
\maketitle

\end{document}
     \end{Verbatim}
\end{sourcecode}

The \command{title}, \command{author},
       and \command{date} commands are
       self-explanatory. You put the title, author name, and date in
       curly braces after the relevant command.  The title and author
       are usually compulsory; if you omit the
       \command{date} command, \LaTeX{} uses today's
       date by default.

You always finish the metadata with the
       \command{maketitle} command, which tells
       \LaTeX{} that it's complete and it can typeset the titling
       information at this point. If you omit
       \command{maketitle}, the titling will never be
       typeset. This command is reprogrammable so you can alter the
       appearance of titles (like I did for the printed version of
       this document).

The double backslash (\verb+\\+) is the
       \LaTeX{} command for forced linebreak. \LaTeX{} normally decides by
       itself where to break lines, and it's usually right, but
       sometimes you need to cut a line short, like here, and start a
       new one. I could have left it out and just used a comma, so my
       name and my company would all appear on the one line, but I
       just decided that I wanted my company name on a separate line.
       In some publishers' document classes, they provide a special
       \command{affiliation} command to put your company
       or institution name in instead.

When this file is typeset, you get something like this
       (I've cheated and done it in
         colour (\S\thinspace\ref{colorpkg}) for fun\mdash{}yours will be in black and white
       for the moment):
\begin{center}
\fbox{\includegraphics[width=0.8\textwidth]{title}}
\end{center}
\begin{exercise}
\addcontentsline{loe}{section}{\numberline{3}Adding the metadata}
\subsubsection*{Adding the metadata}\begin{enumerate}\item
Add the \command{title},
             \command{author}, \command{date}, and
             \command{maketitle} commands to your
             file.

\item
Use your own name, make up a title, and give a
             date.

\end{enumerate}

The order of the first three commands is not important,
         but the \command{maketitle} command must come
         last.
\end{exercise}

The document isn't really ready for printing like this,
       but if you're really impatient, look at \chaptername~\ref{process} to see how to typeset and display
       it.
\section{Abstracts and summaries}
\label{abstracts}
\index{abstracts}\index{summaries}
In reports and articles it is normal for the author
       to provide an Summary or Abstract, in which you describe
       briefly what you have written about and explain its
       importance. Abstracts in articles are usually only a few
       paragraphs long. Summaries in reports can run to several
       pages, depending on the length and complexity of the report
       and the readership it's aimed at.

In both cases (reports and articles) the Abstract or
       Summary is optional (that is, \LaTeX{} doesn't force you
       to have one), but it's rare to omit it because readers want
       and expect it. In practice, of course, you go back and type
       the Abstract or Summary \emph{after} having
       written the rest of the document, but for the sake of the
       example we'll jump the gun and type it now.
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\documentclass[11pt,a4paper,oneside]{report}
\usepackage[latin1]{inputenc}
\renewcommand{\abstractname}{Summary}
\begin{document}

\title{Practical Typesetting}
\author{Peter Flynn\\Silmaril Consultants}
\date{December 2004}
\maketitle

\begin{abstract}
This document presents the basic concepts of
typesetting in a form usable by non-specialists. It
is aimed at those who find themselves (willingly or
unwillingly) asked to undertake work previously sent
out to a professional printer, and who are concerned
that the quality of work (and thus their corporate
�sthetic) does not suffer unduly.
\end{abstract}

\end{document}
     \end{Verbatim}
\end{sourcecode}

After the \command{maketitle} you use the
       \env{abstract} environment, in which you simply
       type your Abstract or Summary, leaving a blank line between
       paragraphs if there's more than one (see \S\thinspace\ref{paragraphs} for this convention).

In business and technical documents, the Abstract is often
       called a Management Summary, or Executive Summary, or Business
       Preview, or some similar phrase. \LaTeX{} lets you change the
       name associated with the \env{abstract}
       environment to any kind of title you want, using the
       \command{renewcommand} command to give the command
       \command{abstractname} a new value:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\renewcommand{\abstractname}{Executive Summary}
     \end{Verbatim}
\end{sourcecode}
\begin{exercise}
\addcontentsline{loe}{section}{\numberline{4}Using an Abstract or Summary}
\subsubsection*{Using an Abstract or Summary}\begin{enumerate}\item
Add the \command{renewcommand} as shown
             above to your Preamble.

The Preamble is at the start of the document, in
             that gap \emph{after} the
             \command{documentclass} line but
             \emph{before} the
             \verb+\begin{document}+ (remember I said
             we'd see what we left it blank for: see the panel `The Preamble' \testpage[below]{preamble}).

\item
Add an \env{abstract} environment
             after the \command{maketitle} and type in a
             paragraph or two of text.

\item
Save the file (no, I'm not paranoid, just
             careful).

\end{enumerate}
\end{exercise}

Notice how the name of the command you are renewing (here,
       \command{abstractname}) goes in the first set of
       curly braces, and the new value you want it to have goes in
       the second set of curly braces (this is an example of a
       command with two arguments). The environment you use is still
       called \env{abstract} (that is, you still type
       \verb+\begin{abstract}+\dots \verb+\end{abstract}+).
       What the \command{abstractname} does is change the
       name that gets displayed and printed, not the name of the
       environment you store the text in.

If you look carefully at the example document, you'll
       see I sneakily added an extra command to the Preamble.
       We'll see later what this means (Brownie points for
       guessing it, though, if you read \S\thinspace\ref{accents}).
\begin{sidebar}\label{preamble}
\subsection*{The Preamble}
Modifications which you want to affect a whole document
         go at the start of your \LaTeX{} file, immediately
         after the \command{documentclass} line and before
         the \verb+\begin{document}+ line:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\documentclass[11pt,a4paper,oneside]{report}
\renewcommand{\abstractname}{Sneak Preview}
\begin{document}
..
\end{document}
       \end{Verbatim}
\end{sourcecode}

This position, between the Document Class Declaration
         and the beginning of the \env{document}
         environment, is called the \textbf{\textit{preamble}}\label{pre}\index{preamble@\textbf{\textit{preamble}}}, and it is used for small or
         temporary modifications to the style and behaviour of the
         document. Major or permanent modifications should go in a
         \url+.sty+ file and be invoked with a
         \command{usepackage} command.
\end{sidebar}\section{Sections}
\label{sections}
\index{sections}
In the body of your document, \LaTeX{} provides seven
       levels of division or sectioning for you to use in structuring
       your text. They are all optional: it is perfectly possible to
       write a document consisting solely of paragraphs of
       unstructured text. But even novels are normally divided into
       chapters, although short stories are often made up solely of
       paragraphs.

Chapters are only
       available in the \package{book} and
       \package{report} document classes, because they
       don't have any meaning in articles and letters. Parts are
       also undefined in letters.\footnote{It is arguable that chapters also have no place in
           reports, either, as these are conventionally divided into
           sections as the top-level division. \LaTeX{}, however,
           assumes your reports have chapters, but this is only the
           default, and can be changed very simply (see
           \S\thinspace\ref{reprog}).\label{repchap}}
\begingroup\small \begin{center}
\label{secdepths}
\begin{tabular}{@{}clll@{}}
\textbf{\sffamily\upshape Depth}&\textbf{\sffamily\upshape Division}&\textbf{\sffamily\upshape Command}&\textbf{\sffamily\upshape Notes}\\[2pt]\hline\\[-1.5\baselineskip]
\(\ifmmode-\else$-$\fi{}1\)&Part&\command{part}&Not in letters\\
0&Chapter&\command{chapter}&Books and reports\\
1&Section&\command{section}&Not in letters\\
2&Subsection&\command{subsection}&Not in letters\\
3&Subsubsection&\command{subsubsection}&Not in letters\\
4&Titled paragraph&\command{paragraph}&Not in letters\\
5&Titled subparagraph&\command{subparagraph}&Not in letters\\
\end{tabular}
\end{center}
\endgroup
In each case the title of the part, chapter, section,
       etc. goes in curly braces after the command. \LaTeX{}
       automatically calculates the correct numbering and prints the
       title in bold. You can turn section numbering off at a
       specific depth: details in \S\thinspace\ref{secnum}.
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\section{New recruitment policies}
..
\subsection{Effect on staff turnover}
..
\chapter{Business plan 2005--2007}
     \end{Verbatim}
\end{sourcecode}

There are packages\footnote{Details of how to use \LaTeX{} packages are in \S\thinspace\ref{packages}.}  to let you control the typeface, style, spacing,
       and appearance of section headings: it's much easier to
       use them than to try and reprogram the headings manually. Two
       of the most popular are the \package{ssection}
       and \package{sectsty} packages.

Headings also get put automatically into the Table of
       Contents, if you specify one (it's optional). But if you
       make manual styling changes to your heading, for example a
       very long title, or some special line-breaks or unusual
       font-play, this would appear in the Table of Contents as well,
       which you almost certainly \emph{don't}
       want. \LaTeX{} allows you to give an optional extra version of
       the heading text which only gets used in the Table of Contents
       and any running heads, if they are in effect  (\S\thinspace\ref{runningheads}). This optional alternative
       heading goes in [square brackets] before the curly
       braces:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\section[Effect on staff turnover]{An analysis of the
effect of the revised recruitment policies on staff
turnover at divisional headquarters}
     \end{Verbatim}
\end{sourcecode}
\begin{exercise}
\addcontentsline{loe}{section}{\numberline{5}Start your document text}
\subsubsection*{Start your document text}\begin{enumerate}\item
Add a \command{chapter} command after your
             Abstract or Summary, giving the title of your first
             chapter.

\item
If you're planning ahead, add a few more
             \command{chapter} commands for
             subsequent chapters. Leave a few blank lines between
             them to make it easier to add paragraphs of text
             later.

\item
By now I shouldn't need to tell you what to do
             after making significant changes to your document
             file.

\end{enumerate}
\end{exercise}
\subsection{Section numbering}
\label{secnum}
\index{section numbering}
All document divisions get numbered automatically.  Parts
         get Roman numerals (Part�I, Part�II, etc.);
         chapters and sections get decimal numbering like this
         document, and Appendixes (which are just a special case of
         chapters, and share the same structure) are lettered (A, B,
         C, etc.).

You can change the depth to which section numbering
         occurs, so you can turn it off selectively. In this document
         it is set
         to�\arabic{secnumdepth}.
         If you only want parts, chapters, and sections numbered, not
         subsections or subsubsections etc., you can change the
         value of the \counter{secnumdepth}
         counter using the the \command{setcounter} command,
         giving the depth value from the table on p.\thinspace\pageref{secdepths}:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\setcounter{secnumdepth}{1}
       \end{Verbatim}
\end{sourcecode}

A related counter is \counter{tocdepth}, which specifies what
         depth to take the Table of Contents to. It can be reset in
         exactly the same way as \counter{secnumdepth}. The current setting
         for this document is�\arabic{tocdepth}.
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\setcounter{tocdepth}{3}
       \end{Verbatim}
\end{sourcecode}

To get an \emph{unnumbered} section
         heading which does \emph{not} go into the
         Table of Contents, follow the command name with an asterisk
         before the opening curly brace:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\subsection*{Shopping List}
       \end{Verbatim}
\end{sourcecode}

All the divisional commands from
         \command{part*} to \command{subparagraph*}
         have this `starred' version which can
         be used on special occasions for an unnumbered heading when
         the setting of \counter{secnumdepth}
         would normally mean it would be numbered.
\section{Ordinary paragraphs}
\label{paragraphs}

After section headings comes your text. Just type it and
       leave a blank line between paragraphs. That's all
       \LaTeX{} needs.

The blank line means `start a new paragraph
         here': it does \emph{not} (repeat:
       \emph{\textbf{not}}) mean you get a blank
       line in the typeset output. Now read this paragraph
       again and again until that sinks in.

The spacing between paragraphs is a separately definable
       quantity, a \textbf{\textit{dimension}}\label{dimension}\index{dimension@\textbf{\textit{dimension}}} or
       \textbf{\textit{length}}\label{length}\index{length@\textbf{\textit{length}}} called \length{parskip}. This is normally zero
       (no space between paragraphs, because that's how books
       are normally typeset), but you can easily set it to any size
       you want with the \command{setlength} command in the
       Preamble:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\setlength{\parskip}{1cm}
     \end{Verbatim}
\end{sourcecode}

\label{paraspace}%
This will set the space between paragraphs
       to 1cm. See \S\thinspace\ref{dimensions} for details of the
       various size units \LaTeX{} can use. \emph{Leaving
         multiple blank lines between paragraphs in your source
         document achieves nothing}: all extra blank lines
       get ignored by \LaTeX{} because the space between paragraphs
       is
       controlled only by the value of \length{parskip}.

White-space in \LaTeX{} can also be made flexible (what
       \authorof{latexbook} calls
       `rubber' lengths). This means that
       values such as \length{parskip} can
       have a default dimension plus an amount of expansion minus an
       amount of contraction. This is useful on pages in complex
       documents where not every page may be an exact number of
       fixed-height lines long, so some give-and-take in vertical
       space is useful. You specify this in a
       \command{setlength} command like this:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\setlength{\parskip}{1cm plus4mm minus3mm}
     \end{Verbatim}
\end{sourcecode}

Paragraph indentation can also be set with the
       \command{setlength} command, although you would
       always make it a fixed size, never a flexible one, otherwise
       you would have very ragged-looking paragraphs.
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\setlength{\parindent}{6mm}
     \end{Verbatim}
\end{sourcecode}

By default, the first paragraph after a heading follows
       the standard Anglo-American publishers' practice of
       \emph{no} indentation. Subsequent paragraphs are
       indented by the value of \length{parindent} (default
       18pt).\footnote{Paragraph spacing and indentation are cultural
           settings. If you are typesetting in a language other than
           English, you should use the \package{babel}
           package, which alters many things, including the spacing
           and the naming of sections, to conform with the standards
           of different countries and languages.} You can change this in the same way as any other
       length.

In the printed copy of this document, the paragraph
       indentation is set to \the\parindent and the space
       between paragraphs is set to \the\parskip. These values do not
       apply in the Web (HTML\index{HTML@HTML}) version because not all browsers are
       capable of that fine a level of control, and because users can
       apply their own stylesheets regardless of what this document
       proposes.
\begin{exercise}
\addcontentsline{loe}{section}{\numberline{6}Start typing!}
\subsubsection*{Start typing!}\begin{enumerate}\item
Type some paragraphs of text. Leave a blank line
             between each. Don't bother about line-wrapping or
             formatting\mdash{}\LaTeX{} will take care of all
             that.

\item
If you're feeling adventurous, add a
             \command{section} command with the title of a
             section within your first chapter, and continue typing
             paragraphs of text below that.

\item
Add one or more \command{setlength}
             commands to your Preamble if you want to experiment with
             changing paragraph spacing and indentation.

\end{enumerate}
\end{exercise}

To turn off indentation completely, set it to zero (but
       you still have to provide units: it's still a
       measure!).
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\setlength{\parindent}{0in}
     \end{Verbatim}
\end{sourcecode}

If you do this, though, and leave \length{parskip} set to zero, your readers
       won't be able to tell easily where each paragraph begins!
       If you want to use the style of having no indentation with a
       space between paragraphs, use the
       \package{parskip} package, which does it for
       you (and makes adjustments to the spacing of lists and other
       structures which use paragraph spacing, so they don't get
       too far apart).
\section{Table of contents}
\label{toc}
\index{table of contents!automated entries}
All auto-numbered headings get entered in the Table of
       Contents (ToC) automatically. You don't have to print a
       ToC, but if you want to, just add the command
       \command{tableofcontents} at the point where you want
       it printed (usually after the Abstract or Summary).

Entries for the ToC are recorded each time you process
       your document, and reproduced the \emph{next}
       time you process it, so you need to re-run \LaTeX{} one extra
       time to ensure that all ToC page-number references
       are correctly calculated.

We've already seen in \S\thinspace\ref{sections} how
       to use the optional argument to the sectioning commands to add
       text to the ToC which is slightly different from the one
       printed in the body of the document. It is also possible to
       add extra lines to the ToC, to force extra or unnumbered
       section headings to be included.
\begin{exercise}
\addcontentsline{loe}{section}{\numberline{7}Inserting the table of contents}
\subsubsection*{Inserting the table of contents}\begin{enumerate}\item
Go back and add a \command{tableofcontents}
             command after the \verb+\end{abstract}+ command
             in your document.

\item
You guessed.

\end{enumerate}
\end{exercise}

\label{loflot}%
The commands \command{listoffigures}
       and \command{listoftables} work in exactly the same
       way as \command{tableofcontents} to automatically
       list all your tables and figures. If you use them, they
       normally go after the \command{tableofcontents}
       command.

The \command{tableofcontents} command normally
       shows only numbered section headings, and only down to the
       level defined by the \counter{tocdepth} counter (see \S\thinspace\ref{secnum}), but you can add extra entries with the
       \command{addcontentsline} command. For example if you
       use an unnumbered section heading command to start a
       preliminary piece of text like a Foreword or Preface, you can
       write:\index{table of contents!adding manual entry}
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\subsection*{Preface}
\addcontentsline{toc}{subsection}{Preface}
     \end{Verbatim}
\end{sourcecode}

This will format an unnumbered ToC entry for
       `Preface' in the
       `subsection' style. You can use
       the same mechanism to add lines to the List of Figures or List
       of Tables by substituting \url+lof+ or
       \url+lot+ for \url+toc+.
\chapter{Typesetting, viewing and printing}
\label{process}
\index{typesetting}\index{viewing}\index{printing}
We've now got far enough to typeset what you've
     entered. I'm assuming at this stage that you have typed
     some sample text in the format specified in the previous
     chapter, and you've saved it in a plain-text file with a
     filetype of
     \verb+.tex+ and a name of your own choosing.
\index{filenames}\begin{exercise}
\addcontentsline{loe}{section}{\numberline{8}Saving your file}
\subsubsection*{Saving your file}
If you haven't already saved your file, do so now
       (some editors and interfaces let you typeset the document
       without saving it!).

Pick a sensible filename in a sensible directory. Names
       should be short enough to display and search for, but
       descriptive enough to make sense. See the panel `Picking suitable filenames' \testpage[below]{filenames} for more details.
\end{exercise}
\begin{sidebar}\label{filenames}
\subsection*{Picking suitable filenames}
Never, ever use directories (folders) or file names
           which contain spaces.  Although your operating system
           probably supports them, some don't, and they will
           only cause grief and tears with \TeX{}.

Make filenames as short or as long as you wish, but
           strictly avoid spaces. Stick to upper- and lower-case
           letters without accents (A\ndash{}Z and a\ndash{}z), the
           digits 0\ndash{}9, the hyphen (\verb+-+), and
           the full point or period (\verb+.+), (similar
           to the conventions for a Web URI\index{URI@URI}): it will let you refer to \TeX{}
           files over the Web more
           easily and make your files more portable.
\end{sidebar}\section{Typesetting}
\label{setting}

Typesetting your document is usually done by clicking
       on a button in a toolbar or an entry in a menu. Which one you
       click on depends on what output you want\mdash{}there are two
     formats available:
\begin{itemize}
\item
The standard (default) \LaTeX{} program produces a
           device-independent (DVI)\index{DVI@DVI|textbf}\index{Acronyms@\textbf{Acronyms}, defined!DVI@DVI|textbf} file which
           can be used with any \TeX{} previewer or printer driver on any
           make or model of computer. There are dozens of these
           available: at least one of each (previewer and printer
           driver) should have been installed with your distribution
           of \TeX{}.

\item
The \product{pdf\LaTeX{}} program
           produces an Adobe Acrobat PDF\index{PDF@PDF}
           file which can be used with any suitable previewer, such
           as \product{GSview},
           \product{PDFview},
           \product{Xpdf}, the
           \product{Opera} browser, or Adobe's
           own \product{Acrobat Reader}.

\end{itemize}

Depending on which one you choose, you may have to
       [re]configure your editor so that it runs the right program.
       They can all do all of them, but they don't always come
       pre-set with buttons or menus for every possible option,
       because they can't guess which one you want.
\subsection{Standard \LaTeX{}}

There are also two ways of running \LaTeX{}: from the
         toolbar or menu, or from the command line. Toolbars and
         menus are most common in graphical systems, and are the
         normal way to run \LaTeX{}. Command lines are used in
         non-graphical systems and in automated processes where
         \LaTeX{} is run
         unattended (so-called `batch' or
         `scripted' processing).

Whichever way you run \LaTeX{}, it will process your
         file and display a log or record of what it's doing
         (see Exercise~\ref{terminal}: it looks the
         same no matter what system you use). This is to let you see
         where (if!) there are any errors or problems.
\begin{exercise}
\addcontentsline{loe}{section}{\numberline{9}Running  from the toolbar or menu}
\subsubsection*{Running \LaTeX{} from the toolbar or menu}
Run \LaTeX{} on your file.  According to which system
           you're using this will either be the
           \guiicon{\LaTeX{}} toolbar icon or the
           \menuitem{\TeX{}}{\TeX{}
             File} menu item.

Your editor may suggest you save your file if you
           haven't already done so. Do it.
\end{exercise}

If \LaTeX{} reports any errors\mdash{}easily identifiable
         as lines in the log beginning with an exclamation mark
         (!)\mdash{}\emph{don't panic!} Turn to \S\thinspace\ref{errmsg}, identify what went wrong, and fix it in
         your input file. Then re-run \LaTeX{}. If there were no
         errors, your file is ready for displaying or
         printing.
\subsection{Running \LaTeX{} from a command window}
\label{cmdwin}

This is worth practising even if you normally use a
         GUI\index{GUI@GUI}, so that you understand what it
         does. See Figure~\ref{cliex} for an example.
\begin{exercise}
\label{terminal}
\addcontentsline{loe}{section}{\numberline{10}Running  in a terminal or console
           window}
\subsubsection*{Running \LaTeX{} in a terminal or console
           window}\begin{itemize}
\item
Under graphical Unix-based systems (Linux and Mac)
               you open a command (shell) window by clicking on the
               shell or screen icon in the control panel at the
               bottom of your screen.

\item
Under Microsoft Windows you open a command window
               by clicking on the
               \menuitem{Start}{Programs}[MS-DOS]
               or
               \menuitem{Start}{Command
                 Prompt} menu item.

\end{itemize}

When the command window appears, type
\begin{sourcecode}\begin{Verbatim}[fontsize=\small,commandchars=\\\{\}]
cd \textsl{\uline{documents}}
latex \textsl{\uline{mybook}}�
         \end{Verbatim}
\end{sourcecode}

Substitute the relevant directory and file name.
           Remember to press the \key{Enter} key at the
           end of each line.
\end{exercise}
\begin{figure}\small
\caption{\small Command-line usage}
\label{cliex}
\begin{center}
\label{clidemo}\includegraphics[width=0.75\textwidth]{terminal}
\end{center}
\end{figure}
\subsection{pdf\LaTeX{}}

If your editor is set up to generate PDF\index{PDF@PDF} files direct instead of DVI\index{DVI@DVI} files, then you can click the
         \guiicon{pdf\LaTeX{}} toolbar icon or type the
         command \texttt{pdflatex
           \textsl{filename}} in a terminal
         (console) window. \product{Emacs} does not
         have a default menu configured for
         \product{pdf\LaTeX{}} but if you have
         already run standard \LaTeX{} on the file, you can type ther
         \verb+pdflatex+ command in the
       \verb+*TeX-Shell*+ pane.
\section{Errors and warnings}
\label{errmsg}

\LaTeX{} describes what it's typesetting while it does it,
       and if it encounters something it doesn't understand or can't
       do, it will display a message saying what's wrong. It may
       also display warnings for less serious conditions.

\emph{Don't panic if you see error
         messages}: it's very common for beginners to
       mistype or mis-spell commands, forget curly braces, type a
       forward slash instead of a backslash, or use a special
       character by mistake. Errors are easily spotted and easily
       corrected in your editor, and you can then run \LaTeX{} again
       to check you have fixed everything. Some of the most common
       errors are described in \S\thinspace\ref{errmsg} with an
       explanation of how to fix them.
\begin{center}
\includegraphics[width=0.5\textwidth]{dontpanic}
\end{center}
\subsection{Error messages}
\label{errs}

The format of an error message is always the same. Error
       messages begin with an exclamation mark at the start of the
       line, and give a description of the error, followed by another
       line starting with the number, which refers to the line-number
       in your document file which \LaTeX{} was processing when the
       error was spotted. Here's an example, showing that the user
       mistyped the \command{tableofcontents}
       command:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
! Undefined control sequence.
l.6 \tableofcotnetns
     \end{Verbatim}
\end{sourcecode}

When \LaTeX{} finds an error like this, it displays the
       error message and pauses. You must type one of the following
       letters to continue:
\begingroup\small \begin{center}
\begin{tabular}{cp{4in}}
\textbf{\sffamily\upshape Key}&\textbf{\sffamily\upshape Meaning}\\[2pt]\hline\\[-1.5\baselineskip]
\key{x}&Stop immediately and e\emph{\textbf{x}}it the program.\\
\key{q}&Carry on \emph{\textbf{q}}uietly as best you can and
                 don't bother me with any more error
                 messages.\\
\key{e}&Stop the program but re-position the text in my
                 \emph{\textbf{e}}ditor at the point
                 where you found the error.\tablefootnote{TF-1}\\
\key{h}&Try to give me more \emph{\textbf{h}}elp.\\
\key{i}&(followed by a correction) means \emph{\textbf{i}}nput the correction in
                 place of the error and carry on.\tablefootnote{TF-2}\\
\end{tabular}
\renewcommand{\theenumi}{\textit{\alph{enumi}}}\footnotesize\begin{enumerate*}\item This only works if you're using an editor
                     which \LaTeX{} can communicate with.\label{TF-1}\item This is only a temporary fix to get the file
                     processed. You still have to make that
                     correction in the editor.\label{TF-2}\end{enumerate*}\end{center}
\endgroup
Some systems (\product{Emacs} is one
         example) run \LaTeX{} with a
         `non-stop' switch turned on, so it
         will always process through to the end of the file,
         regardless of errors, or until a limit is reached.
\subsection{Warnings}
\label{warn}

Warnings don't begin with an exclamation mark: they are
       just comments by \LaTeX{} about things you might want to look
     into, such as
       overlong or underrun lines (often caused by unusual hyphenations, for
       example), pages running short or long, and other typographical
       niceties (most of which you can ignore until later).

Unlike other systems, which try to hide unevennesses in
       the text\mdash{}usually unsuccessfully\mdash{}by interfering
       with the letter-spacing, \LaTeX{} takes the view that the
       author or editor should be able to contribute. While it is
       certainly possible to set \LaTeX{}'s parameters so that
       the spacing is sufficiently sloppy that you will almost never
       get a warning about badly-fitting lines or pages, you will
       almost certainly just be delaying matters until you start to
       get complaints from your readers or publishers.
\subsection{Examples}

Only a few common error messages are given here: those
         most likely to be encountered by beginners. If you find
         another error message not shown here, and it's not
         clear what you should do, ask for help.

Most error messages are self-explanatory, but be aware
         that the place where
         \LaTeX{} spots and reports an error may be later in the file
         than the place where it actually occurred. For example if
         you forget to close a curly brace which encloses, say,
         italics, \LaTeX{} won't report this until something else
         occurs which can't happen until the curly brace is
         encountered (eg the end of the document!) Some errors can
         only be righted by humans who can read and understand what
         the document is supposed to mean or look like.

Newcomers should remember to check the list of special
         characters in  (\S\thinspace\ref{specials}): a very large
         number of errors when you are learning \LaTeX{} are due to
         accidentally typing a special character when you didn't
         mean to. This disappears after a few days as you get used to
         them.
\subsubsection{Too many {\ttfamily\char'175}'s}
\label{toomany}
\index{Too many {\ttfamily\char'175}'s}\index{Error messages!Too many {\ttfamily\char'175}'s}\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
! Too many }'s.
l.6 \date December 2004}
         \end{Verbatim}
\end{sourcecode}

The reason \LaTeX{} thinks there are too many
           \verb+}+'s here is that the opening curly
           brace is missing after the \command{date} control
           sequence and before the word \verb+December+,
           so the closing curly brace is seen as one too many (which
           it is!).

In fact, there are other things which can follow the
           \command{date} command apart from a date in curly
           braces, so \LaTeX{} cannot possibly guess that
           you've missed out the opening curly brace\mdash{}until
           it finds a closing one!
\subsubsection{Undefined control sequence}
\label{undefcs}
\index{Undefined control sequence}\index{Error messages!Undefined control sequence}\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
! Undefined control sequence.
l.6 \dtae
        {December 2004}
         \end{Verbatim}
\end{sourcecode}

In this example, \LaTeX{} is complaining that it has
           no such command (`control
             sequence') as \verb+\dtae+.
           Obviously it's been mistyped, but only a human can
           detect that fact: all \LaTeX{} knows is
           that \verb+\dtae+ is not a command it knows
           about\mdash{}it's undefined.

Mistypings are the commonest source of error. If your
           editor has drop-down menus to insert common commands and
           environments, use them!
\subsubsection{Runaway argument}
\label{runaway}
\index{Runaway argument}\index{Error messages!Runaway argument}\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
Runaway argument?
{December 2004 \maketitle
! Paragraph ended before \date was complete.
<to be read again>
                  \par
l.8
         \end{Verbatim}
\end{sourcecode}

In this error, the closing curly brace has been
           omitted from the date. It's the opposite of the error in
           \S\thinspace\ref{toomany}, and it results in
           \command{maketitle} trying to format the title
           page while \LaTeX{} is still expecting more text for the
           date! As
           \command{maketitle} creates new paragraphs on the
           title page, this is detected and \LaTeX{} complains that
           the
           previous paragraph has ended but \command{date}
           is not yet finished.
\subsubsection{Underfull hbox}
\label{underfull}
\index{Underfull hbox}\index{Error messages!Underfull hbox}\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
Underfull \hbox (badness 1394) in paragraph
at lines 28--30
[][]\LY1/brm/b/n/10 Bull, RJ: \LY1/brm/m/n/10
Ac-count-ing in Busi-
[94]
         \end{Verbatim}
\end{sourcecode}

This is a warning that \LaTeX{} cannot stretch the
           line wide enough to fit, without making the spacing bigger
           than its currently permitted maximum. The
           \textbf{\textit{badness}}\label{badness}\index{badness@\textbf{\textit{badness}}} (0\ndash{}10,000) indicates
           how severe this is (here you can probably ignore a badness
           of 1394). It says what lines of your file it was
           typesetting when it found this, and the number in square
           brackets is the number of the page onto which the
           offending line was printed.

The codes separated by slashes are the typeface and
           font style and size used in the line. Ignore them for the
           moment: details are in step~\ref{fdfiles} in the procedure on p.\thinspace\pageref{fdfiles} if you're
           curious.
\subsubsection{Overfull hbox}
\label{overfull}
\index{Overfull hbox}\index{Error messages!Overfull hbox}\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
[101]
Overfull \hbox (9.11617pt too wide) in paragraph
at lines 860--861
[]\LY1/brm/m/n/10 Windows, \LY1/brm/m/it/10 see
\LY1/brm/m/n/10 X Win-
         \end{Verbatim}
\end{sourcecode}

And the opposite warning: this line is too
           long by a shade over 9pt. The chosen hyphenation point
           which minimises the error is shown at the end of the line
           (\emph{Win-}). Line numbers and page numbers
           are given as before. In this case, 9pt is too much to
           ignore (over 3mm or more than \(\frac{1}{8}\)$''$), and a manual correction needs
           making (such as a change to the hyphenation), or the
           flexibility settings need changing (outside the scope of
           this book).
\subsubsection{Missing package}
\label{nopkg}
\index{File not found}\index{Error messages!File not found}\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
! LaTeX Error: File `paralisy.sty' not found.

Type X to quit or <RETURN> to proceed,
or enter new name. (Default extension: sty)

Enter file name:
         \end{Verbatim}
\end{sourcecode}

When you use the \command{usepackage} command
           to request \LaTeX{} to use a certain package, it will look
           for a file with the specified name and the filetype
           \url+.sty+. In this case the user has
           mistyped the name of the \package{paralist}
           package, so it's easy to fix. However, if you get the name
           right, but the package is not installed on your machine,
           you will need to download and install it before continuing
           (see \chaptername~\ref{ctan}).
\section{Screen preview}
\label{dvi}
\index{preview}
Once the file has been processed without errors (or even
       if there are still errors, but you want to see what it's
       doing with them), standard \LaTeX{} will have created a
       DVI\index{DVI@DVI} file with the same name as your
       document but the filetype
       \verb+.dvi+. If you're using
       \product{pdf\LaTeX{}}, a PDF\index{PDF@PDF} file will have been created, and you
       can skip to
       \S\thinspace\ref{pdfview}.
\subsection{Previewing DVI output}
\label{dvipreview}

To see the typeset output, click on the
       \guiicon{dvi} Preview toolbar icon or use the
         \menuitem{TeX}{TeX View}
         menu item. A WYSIWYG\index{WYSIWYG@WYSIWYG} preview window will appear with
         your typeset display (see Figure~\ref{dviview}).
\begin{warning}
\label{bitmappreview}
\subsubsection*{Bitmap preview fonts in DVI viewers}
The first time you display your DVI\index{DVI@DVI} output with a new installation of
           \TeX{}, there may be a short pause if the previewer needs
           to create the special bitmaps used for screen previews of
           some fonts. These give greater accuracy on low-resolution
           devices like screens. As you continue to work with
           \LaTeX{} and your system accumulates these font files, the
           pause for generating them will disappear. Recent versions
           of \TeX{} work directly with Type�1 fonts, however,
           and don't have this delay.
\end{warning}
\begin{figure}\small
\caption{\small DVI preview}
\label{dviview}
\begin{center}
\includegraphics[width=0.75\textwidth]{xdvi}
\end{center}
\end{figure}

Most previewers have a wide range of scaling, zooming,
         and measuring functions, but remember this is a
         \emph{picture} of your output: you cannot edit
         the image. To change it, you always edit your source text
         and reprocess the file.

With \product{xdvi} and its derivatives
         like \product{dviview}, you can leave the
         display window open, and after you've reprocessed your
         document through \LaTeX{}, moving your mouse back into the
         window will make the display update automatically (click
         your mouse if your windowing system needs a
         click to focus).

Figure~\ref{dviview} shows
         \product{xdvi} displaying a page. With a
         standard three-button mouse you get three levels of
         micro-zoom to let you inspect fine details.
\subsection{Previewing with PostScript}
\label{makeps}

PostScript\index{PostScript} is a page description
         language invented by Adobe and used in laser printers and
         high-end typesetters. It's been the universal standard
         for electronically-formatted print files for nearly two
         decades, and all printers and publishers are accustomed to
         using it. PDF\index{PDF@PDF} is a descendant of
         PostScript, and is rapidly taking over, but
         PostScript\index{PostScript} itself is still extremely
         common, largely because it is very robust, and is usually an
         ASCII\index{ASCII@ASCII} file, which makes it very
         portable and easy to generate (it is actually a programming
         language in its own right). The drawback is the large size
         of PostScript\index{PostScript} files, especially if
         they contain bitmapped graphics.

The \product{dvips} program which comes
         with all \TeX{} systems is used to generate
         PostScript\index{PostScript} files directly from your
         DVI\index{DVI@DVI} output. These
         \url+.ps+ files can be viewed, printed, sent
         to a platemaker or filmsetter, or put online for
         downloading.

DVI\index{DVI@DVI} viewers cannot render some
         PostScript\index{PostScript} graphical manipulations
         like rotating and deforming, so an alternative to viewing
         the DVI file direct is to generate a
         PostScript\index{PostScript} file and use a
         PostScript\index{PostScript} viewer. You may have to to
         do this for your publisher anyway, and many editors can be
         configured to do this by default. Look for a
         \guiicon{dvips} toolbar icon or menu entry and
         click on it.

It's also very simple to do manually: let's
         assume your \LaTeX{} file was called
         \url+mydoc.tex+, so processing it has created
         \url+mydoc.dvi+. Just type:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
dvips -o mydoc.ps mydoc
       \end{Verbatim}
\end{sourcecode}

\noindent in a command window (see Exercise~\ref{terminal} for how to use one)
         and \product{dvips} will create
         \url+mydoc.ps+ which can be used both for
         previewing and printing.

To view a PostScript\index{PostScript} file, you
         need a PostScript\index{PostScript} previewer like
         \product{GSview}, which works with the
         PostScript\index{PostScript} interpreter
         \product{Ghostscript}, which should have
         been installed automatically along with your \TeX{} system
         (if not, install both now: \product{GSview}
         is separately licensed and cannot legally be included in
         some older \TeX{} distributions, so you may have to download
         it yourself).

\product{GSview} can be set to watch
         the PostScript\index{PostScript} file and automatically
         update the display any time the file is changed, without you
         even having to click on the window.
\subsection{Previewing with PDF}
\label{pdfview}

The Portable Document Format (PDF)\index{PDF@PDF|textbf}\index{Acronyms@\textbf{Acronyms}, defined!PDF@PDF|textbf}
         is a derivative of PostScript\index{PostScript}.
         Whereas PostScript\index{PostScript} is a programming
         language in itself, PDF\index{PDF@PDF} is in effect
         the \emph{result} of processing a document
         through PostScript\index{PostScript}: it's a binary
         file format, extremely compact, and well-supported on all
         platforms.

If your system is configured to generate PDF\index{PDF@PDF} files direct instead of DVI\index{DVI@DVI} files, just open the
         \url+.pdf+ file using any PDF\index{PDF@PDF} previewer or browser.

Most editors are configured to display a toolbar icon
         which will pop up \product{Acrobat Reader}
         or some other viewer with the current PDF\index{PDF@PDF} output file.

Adobe's \product{Acrobat Reader}
         cannot automatically update the view if you reprocess your
         document, in the way that \product{xdvi}
         and \product{GSview} can. You
         have to close the display with \key{Ctrl}--\key{W}~ and reload the file with \key{Alt}--\key{F}~\thinspace{}\key{1}.
\begin{warning}
\subsubsection*{Bitmap preview fonts in Acrobat Reader}
Acrobat Reader is extremely poor at rendering
           Type�3 (bitmap) fonts. If you are using these (either
           in an old \LaTeX{} installation which has not been
           upgraded to Type�1, or with files using specialist
           fonts only available in Type�3 format), you will see
           a very fuzzy display at low magnifications. It will print
           perfectly, but Acrobat Reader's display is
           disappointing. The solution is to use a better previewer
           or to upgrade to the Type�1 versions of the fonts
           if possible, or both. If you need to
           use Type�3 fonts in PDF\index{PDF@PDF}s,
           you probably need to warn your readers to expect a fuzzy
           display from Acrobat Reader (but good printout), and to
           change to a better reader if they can.
\end{warning}
\section{Printer output}
\label{print}
\index{printing}
\TeX{} systems print on almost anything from the simplest
       dot-matrix printers to the biggest phototypesetters, including
       all the laser printers and a host of other devices in between.
       \emph{How} you do it varies slightly according
       to how you do your typesetting and previewing:
\begin{description}
\item[\sffamily If you are using DVI]
and you have a previewer which has a
             \textbf{print} function configured for your
             printer, you can use that. If not, create a
             PostScript\index{PostScript} file and use
             \product{GSview} instead.
\item[\sffamily If you are using PDF]
you can print directly from your PDF\index{PDF@PDF} viewer.  Be careful about using
             the `Fit to page' options, as they will
             change the size of your document so all your
             measurements will be different.
\item[\sffamily Non-PostScript\index{PostScript} printers]
You can create a PostScript\index{PostScript}
             file with \product{dvips} (see \S\thinspace\ref{makeps}) and use
             \product{GSview} to print it
             (\product{GSview} can print
             PostScript\index{PostScript} files to almost any
             make or model of non-PostScript\index{PostScript}
             printer).


\item[\sffamily If you have a real PostScript\index{PostScript}
           printer]
or you are using a system with built-in
             PostScript\index{PostScript} printing support (such
             as Linux or Mac), you can create and send
             PostScript\index{PostScript} output directly from
             your editor to the printer without the need to open it
             in a previewer first. In
             \product{Emacs}, for example, this is
             what happens when you use the
             \menuitem{\TeX{}}{\TeX{}
               Print} menu item.
\end{description}

Both the \product{dvips} program and all
       the previewers that print tend to have facilities for printing
       selected pages, printing in reverse, scaling the page size,
       \index{page size!scaling}\index{printing!reverse order}\index{printing!selected pages} and printing only odd or even pages for two-sided
       work. If you are using PostScript\index{PostScript} there
       are programs for manipulating the output
       (\product{pstops}), for example to perform
       page imposition to get 4, 8, or 16 pages to a sheet for making
       booklets (\product{psnup}).
\begin{exercise}
\addcontentsline{loe}{section}{\numberline{11}Print it!}
\subsubsection*{Print it!}
Show that you have understood the process of
         typesetting, previewing, and printing, by displaying your
         document and printing it.
\end{exercise}

If you need a
       non-PostScript\index{PostScript}/\product{Ghostscript}
       solution, install a separate \TeX{} print driver for your
       printer. Some
       may be supplied with your \TeX{} installation, and there are
       dozens more on CTAN\index{CTAN@CTAN}. Their names all
       start with \url+dvi+ and are followed by an
       abbreviation for the printer make or model like
       \product{dvieps} for Epson,
       \product{dvihp} for Hewlett-Packard,
       \product{dvialw} for Apple LaserWriters,
       etc.. Configure the driver to print directly to the print
       queue, or pipe it to the print queue manually. On Linux with
       an HP printer, for example, this would be
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
dvihp mydoc | lpr
     \end{Verbatim}
\end{sourcecode}

Microsoft Windows has no easy way to bypass the print
       spool, but you can do it from an MS-DOS command window
       with (using a HP printer as an example):
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
dvihp mydoc -o mydoc.hp
copy /b mydoc.hp LPT1:
     \end{Verbatim}
\end{sourcecode}

Read the documentation for the driver, as the options and
       defaults vary.
\chapter[CTAN, packages, and online help]{CTAN, packages, \newline{}and online help}
\label{ctan}

The Comprehensive \TeX{} Archive
       Network (CTAN)\index{CTAN@CTAN|textbf}\index{Acronyms@\textbf{Acronyms}, defined!CTAN@CTAN|textbf} is a repository of Web and FTP\index{FTP@FTP} servers worldwide which contain copies of
     almost every piece of free software related to \TeX{} and
     \LaTeX{}.

CTAN\index{CTAN@CTAN} is based on three main
     servers, and there are several online indexes available. There
     are complete \TeX{} and \LaTeX{} systems for all platforms,
     utilities for text and graphics processing, conversion programs
     into and out of \LaTeX{}, printer drivers, extra typefaces, and
     (possibly the most important) the \LaTeX{} packages. The three
     main servers are:
\begin{itemize}
\item
\TeX{} Users Group: \url+http://www.ctan.org/+

\item
UK \TeX{} Users Group: \url+http://www.tex.ac.uk/+

\item
Deutschsprachige Anwendervereinigung \TeX{} e.V. (DANTE,
         the German-speaking \TeX{} Users Group); \url+http://dante.ctan.org/+

\end{itemize}
\begin{sidebar}
CTAN\index{CTAN@CTAN} should
       \emph{always} be your first port of call when
       looking for a software update or a feature you want to use.
       Please don't ask the network help
         resources (\S\thinspace\ref{help}) until you have checked CTAN\index{CTAN@CTAN} and the FAQ\index{FAQ@FAQ} (\S\thinspace\ref{faq}).
\end{sidebar}\section{Packages}
\label{packages}
\index{packages!using}
Add-on features for \LaTeX{} are known as \textbf{\textit{packages}}\label{pack}\index{packages@\textbf{\textit{packages}}}. Dozens of these are
       pre-installed with \LaTeX{} and can be used in your documents
       immediately. They should all be stored in subdirectories of
       \url+texmf/tex/latex+ named after each package.
       To find out what other packages are available and what they
       do, you should use the CTAN\index{CTAN@CTAN} search page\footnote{\url+http://www.ctan.org/search+} which includes a
       link to Graham Williams' comprehensive package
       catalogue.

A package is a file or collection of files containing
       extra \LaTeX{} commands and programming which add new styling
       features or modify those already existing. Installed package
       files all end with \url+.sty+ (there may be
         ancillary files as well).

When you try to typeset a document which requires a
       package which is not installed on your system, \LaTeX{} will
       warn you with an error message that it is missing (see \S\thinspace\ref{nopkg}), and you can
       then download the package and install it using the
       instructions in \S\thinspace\ref{pkginst}. You can also
       download updates to packages you already have (both the ones
       that were installed along with your version of \LaTeX{} as
       well as ones you added).

There is no limit to the number of packages you can have
       installed on your computer (apart from disk space!), but there
       is probably a physical limit to the number that can be used
       inside any one \LaTeX{} document at the same time, although it
       depends on how big each package is. In practice there is no
       problem in having even a couple of dozen packages active (the
       style file for this document uses over 30).
\subsection{Using an existing package}
\label{colorpkg}

To use a package already installed on your system,
         insert a \command{usepackage} command in your
         document preamble with the package name in curly braces, as
         we have already seen in earlier chapters. For example, to
         use the \package{color} package, which lets
         you typeset in colours (I warned you this was
         coming!), you would type:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\documentclass[11pt,a4paper,oneside]{report}
\usepackage{color}
\begin{document}
..
\end{document}
       \end{Verbatim}
\end{sourcecode}

You can include several package names in one
         \command{usepackage} command by separating the
         names with commas, and you can have more than one
         \command{usepackage} command.

Some packages allow optional settings in square
         brackets. If you use these, you must give the package its
         own separate \command{usepackage} command, like
         \package{geometry} shown below:
\begin{sourcecode}\label{oldtitle}\begin{Verbatim}[fontsize=\small]
\documentclass[11pt,a4paper,oneside]{report}
\usepackage{pslatex,palatino,avant,graphicx,color}
\usepackage[margin=2cm]{geometry}
\begin{document}

\title{\color{red}Practical Typesetting}
\author{\color{blue}Peter Flynn\\Silmaril Consultants}
\date{\color{green}December 2005}
\maketitle

\end{document}
       \end{Verbatim}
\end{sourcecode}

(Incidentally, this is a rather crude way to do colours in
         titling on a once-off basis: if it's for a repeatable
         style we'll see in \chaptername~\ref{macros} how it can
         be automated and kept out of the author's way.)

Many packages can have additional formatting
         specifications in optional arguments in square brackets, in
         the same way as \package{geometry}
         does. Read the documentation for the package concerned to
         find out what can be done.
\begin{exercise}
\label{geoex}
\addcontentsline{loe}{section}{\numberline{12}Add colour}
\subsubsection*{Add colour}
Use the \package{color} package to add
           some colour to your document. Stick with primary colours
           for the moment.

Use the \package{geometry}
           package to change the margins.

Reprocess and print your document if you have a colour
           printer (monochrome printers should print it in shades of
           grey).
\end{exercise}

CMYK\index{CMYK@CMYK} and RGB\index{RGB@RGB} are not the only colour
           models. \person{Uwe Kern}'s
         \package{xcolor} package defines half a
           dozen, and includes facilities for converting colour
           values from one model to another.
\subsection{Package documentation}
\label{packagedoc}
\index{packages!documentation}
To find out what commands a package provides (and thus
         how to use it), you need to read the documentation. In the
         \url+texmf/doc+ subdirectory of your
         installation there should be directories full of
         \url+.dvi+ files, one for every package
         installed. These can be previewed or printed like any other
         DVI\index{DVI@DVI} file (see
         \S\thinspace\ref{dvipreview}). If your installation
         procedure has not installed the documentation, the DVI\index{DVI@DVI} files can all be downloaded from
         CTAN\index{CTAN@CTAN}.

Before using a package, you should read the
         documentation carefully, especially the subsection usually
         called `User Interface', which
         describes the commands the package makes available. You
         cannot just guess and hope it will work: you have to read it
         and find out.

See the next section for details of how to create the
         documentation \url+.dvi+ file for additional
         packages you install yourself.
\begin{exercise}
\addcontentsline{loe}{section}{\numberline{13}Read all about it}
\subsubsection*{Read all about it}
Find and view (or print) the documentation on the
           \package{geometry} package you used in
           Exercise~\ref{geoex}.

Investigate some of the other package documentation
           files in the directory.
\end{exercise}
\section{Downloading and installing packages}
\label{pkginst}
\index{packages!downloading}\index{packages!installing}
Once you have identified a package you need and
       haven't already got (or you have got it and need to
       update it), use the indexes on any CTAN\index{CTAN@CTAN} server to find the package you need
       and the directory where it can be downloaded from.
\subsection{Downloading packages}
\label{downloadpkg}

What you need to look for is always \emph{two
           files}, one ending in \url+.dtx+
         and the other in \url+.ins+. The first is a
         DOC\TeX{}\index{DOC} file, which combines the package program and its
         documentation in a single file. The second is the
         installation routine (much smaller). You \emph{must
           always} download \emph{both}
         files.

If the two files are not there, it means one of two
         things:
\begin{itemize}
\item
\emph{Either} the package is part of a
             much larger bundle which you shouldn't normally update
             unless you change version of \LaTeX{};\footnote{For example, there is no
                 \url+color.dtx+ and
                 \url+color.ins+ for the
                 \package{color} package because it
                 forms part of the \package{graphics}
                 bundle, which is installed on all \LaTeX{} systems
                 anyway. Such packages change very rarely, as they

                 form part of the core of \LaTeX{} and are very
                 stable. In
                 general you should never try to update these
                 packages in isolation.}

\item
\emph{or} it's one of a few rare or
             unusual packages still supplied as a single
             \url+.sty+ file intended for the now
             obsolete \LaTeX{}\thinspace{}2.09.\footnote{You can try to use these if you wish but they
                 are not guaranteed to work, and have now almost all
                 been replaced by \LaTeXe{} versions. Always look for
                 the
                 \url+.dtx+ and
                 \url+.ins+ pair of files
                 first.}

\end{itemize}

\label{packinst}%
Download both files to a \textbf{\textit{temporary directory}}\label{tempdir}\index{temporary directory@\textbf{\textit{temporary directory}}}. If you use
         Windows, keep a folder like \url+C:\tmp+ or
         \url+C:\temp+ for this; Mac and Linux systems
         already have a \url+/tmp+ directory.
\subsection{Installing a package}
\label{installpkg}

There are four steps to installing a \LaTeX{}
         package:
\index{packages!installing}\begin{enumerate}
\item \textbf{Extract the files}\\\label{extract}%
Run \LaTeX{} on the \url+.ins+ file.
             That is, open the file in your editor and process it as
             if it were a \LaTeX{} document (which is it), or if you
             prefer, type \verb+latex+ followed by the
             \url+.ins+ filename in a command window
             in your temporary directory.

This will extract all the files needed from the
             \url+.dtx+ file (which is why you must
             have both of them present in the temporary directory).
             Note down or print the names of the files created if
             there are a lot of them (read the log file if you want
             to see their names again).
\item \textbf{Create the documentation}\\\label{dtxdoc}%
Run \LaTeX{} on the \url+.dtx+ file
             twice. This will create a \url+.dvi+ file
             of documentation explaining what the package is for and
             how to use it. Two passes through \LaTeX{} are needed in
             order to resolve any internal crossreferences in the
             text (a feature we'll come onto later). If you
             prefer to create PDF\index{PDF@PDF} then run
             \product{pdf\LaTeX{}} instead. View or
             print this file in the usual manner (see \S\thinspace\ref{dvi}).
\item \textbf{Install the files}\\
While the documentation is printing, move or copy
             the files created in step~\ref{extract}
             from your temporary directory to the right place[s] in
             your \TeX{}�\emph{local} installation
             directory tree\mdash{}always your `local'
             directory tree, \begin{inparaenum}[\itshape a\upshape)] \item to prevent your new package accidentally
                   overwriting files in the main \TeX{}
                   directories;  and \item to avoid your newly-installed files being
                   overwritten when you next update your version of
                   \TeX{}\end{inparaenum}.
\begin{table}\small \caption{\small Where to put files from packages}
\label{where}
\begin{center}
\begin{tabular}{@{}l>{\ttfamily}l>{\pbs{\raggedright}\footnotesize}p{1.5in}@{}}
\textbf{\sffamily\upshape Type}&\textbf{\sffamily\upshape Directory (under
                     \url+texmf-local/+)}&\textbf{\sffamily\upshape Description}\\[2pt]\hline\\[-1.5\baselineskip]
\url+.cls+&tex/latex/base&Document class file\\
\url+.sty+&tex/latex/\textsl{packagename}&Style file: the normal package
                   content\\
\url+.bst+&bibtex/bst/\textsl{packagename}&\BibTeX{} style\\
\url+.mf+&fonts/source/public/\textsl{typeface}&\mf{} outline\\
\url+.fd+&tex/latex/mfnfss&Font Definition files for \mf{} fonts\\
\url+.fd+&tex/latex/psnfss&Font Definition files for PostScript
                   Type�1 fonts\\
\url+.pfb+&/fonts/type1/\textsl{foundry}/\textsl{typeface}&PostScript Type�1 outline\\
\url+.afm+&/fonts/afm/\textsl{foundry}/\textsl{typeface}&Adobe Font Metrics for Type�1
                   fonts\\
\url+.tfm+&/fonts/tfm/\textsl{foundry}/\textsl{typeface}&\TeX{} Font Metrics for \mf{} and
                   Type�1 fonts\\
\url+.vf+&/fonts/vf/\textsl{foundry}/\textsl{typeface}&\TeX{} virtual fonts\\
\url+.dvi+&/doc&package documentation\\
\url+.pdf+&/doc&package documentation\\
others&tex/latex/\textsl{packagename}&other types of file unless instructed
                     otherwise\\
\end{tabular}
\end{center}
\end{table}

`The right place' sometimes causes
             confusion, especially if your \TeX{} installation is old
             or does not conform to the \TeX{}
               Directory Structure% no definition for this acronym (maybe OK)
For a TDS\index{TDS@TDS}-conformant system, this is either
           \begin{inparaenum}[\itshape a\upshape)] \item for \LaTeX{} packages, a suitably-named
                   subdirectory of
                   \url+texmf-local/tex/latex/+\footnote{See \S\thinspace\ref{rightplace} for how
                       to create a parallel structure in your local
                       directory if your installation didn't create
                       one for you.};  or \item a suitably-named subdirectory of
                   \url+texmf-local/+ for files like
           \BibTeX{} styles which are not just for \LaTeX{} but can
                   be used in other \TeX{} systems\end{inparaenum}.

`Suitably-named' means sensible and
             meaningful (and probably short). For a package like
             \package{paralist}, for example, I'd call
             the directory \url+paralist+.

Often there is just a \url+.sty+ file
             to move but in the case of complex packages there may be
             more, and they may belong in different locations. For
             example, new \BibTeX{} packages or font packages will
             typically have several files to install. This is why it
             is a good idea to create a subdirectory for the package
             rather than dump the files into
             \url+misc+ along with other unrelated
             stuff.

If there are configuration or other files, read the
             documentation to find out if there is a special or
             preferred location to move them to.
\item \textbf{Update your index}\\\label{texindex}%\index{packages!indexing}
Finally, run your \TeX{} indexer program to update
             the package database. This program comes with every
             modern version of \TeX{} and is variously called
             \product{texhash},
             \product{mktexlsr}, or even
             \product{configure}, or it might just
             be a mouse click on a button or menu in your editor.
             Read the documentation that came with your installation
             to find out which it is.
\end{enumerate}
\begin{warning}

This last step is \emph{utterly
             essential}, otherwise nothing will
           work.
\end{warning}
\begin{exercise}
\label{insttest}
\addcontentsline{loe}{section}{\numberline{14}Install a package}
\subsubsection*{Install a package}
Download and install the
           \package{paralist} package (which
           implements inline lists).
\end{exercise}

The reason this process has not been automated widely is
         that there are still thousands of installations which do not
         conform to the TDS\index{TDS@TDS}, such as old
         shared Unix systems and some Microsoft Windows systems, so
         there is no way for an installation program to guess where
         to put the files: \emph{you} have to know
         this. There are also systems where the owner, user, or
         installer has chosen \emph{not} to follow the
         recommended TDS\index{TDS@TDS} directory
         structure, or is unable to do so for political or security
         reasons (such as a shared system where she cannot write to a
         protected directory).

The reason for having the
         \url+texmf-local+ directory (called
         \url+texmf.local+ on some systems) is to
         provide a place for local modifications or personal updates,
         especially if you are a user on a shared or managed system
         (Unix, Linux, VMS, Windows NT/2000/XP, etc.) where you may
         not have write-access to the main \TeX{}
         installation directory tree. You can also have a personal
         \url+texmf+ subdirectory in your own login
         directory. Your installation must be configured to look in
         these directories first, however, so that any updates to
         standard packages will be found there
         \emph{before} the superseded copies in the
         main \url+texmf+ tree. All modern \TeX{}
         installations should do this anyway, but if not, you can
         edit \url+texmf/web2c/texmf.cnf+ yourself.
         There is an example in Appendix~\ref{cnf}.
\subsection{Replicating the TDS}
\label{rightplace}

The \TeX{} Directory
           Structure (TDS)\index{TDS@TDS|textbf}\index{Acronyms@\textbf{Acronyms}, defined!TDS@TDS|textbf} is documented at \url+http://www.tug.org/tds/+. I find it useful to
         make the directory structure of
         \url+texmf-local+ the same as that of
         \url+texmf+. Examine the subdirectories of
         \url+texmf/tex/latex/+ for examples. For
         updates of packages which came with your \LaTeX{}
         distribution (as distinct from new ones you are adding
         yourself), you can then use the same subdirectory name and
         position in \url+texmf-local/...+ as the
         original used in \url+texmf/...+.

If you want to create the entire subdirectory structure
         ready for use, you can do it under Unix with the following
         commands:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
cd /usr/TeX/texmf
find . -type d -exec mkdir -p /usr/TeX/texmf-local/{} \;
       \end{Verbatim}
\end{sourcecode}

If you are using Microsoft Windows, you can download
         \product{Cygwin}, which provides you with
         the standard Unix tools in a shell window. The above command
         should also work on a Mac running OS\thinspace{}X. In all cases,
         if your installation directory is not
         \url+/usr/TeX+, you need to substitute the
         actual paths to your \url+texmf+ and
         \url+texmf-local+ directories.
\section{Online help}
\label{help}
\index{help}
The indexes and documentation files on CTAN\index{CTAN@CTAN} are the primary online resource for
       self-help on specific packages, and you should read these
       carefully before asking questions about packages.
\subsection{The FAQ}
\label{faq}

For general queries you should read the Frequently-Asked Questions (FAQ)\index{FAQ@FAQ|textbf}\index{Acronyms@\textbf{Acronyms}, defined!FAQ@FAQ|textbf} document so
         that you avoid wasting online time asking about things for
         which there is already an easily-accessible answer.

The FAQ\index{FAQ@FAQ} is managed by the UK
     \TeX{} Users Group and can be found at \url+http://www.tex.ac.uk/faq/+\thinspace{}.
\subsection{The \TeX{}hax mailing list}

Another support resource is the mailing list \[email protected]+. Again, feel free to ask
         questions, but again, try to answer the question yourself
         first (and say what you've tried in your
         message).
\subsection{Web sites}

The \TeX{} Users Group, as well as most local user
         groups, maintains a web site (\url+http://www.tug.org+) with lots of information
         about various aspects of the \TeX{}
         system.  See Appendix~\ref{tugform} for information on
         joining TUG.
\subsection{News}

The Usenet newsgroup \url+comp.text.tex+ is the principal forum for other
         questions and answers about \LaTeX{}. Feel free to ask
         questions, but
         please do not ask frequently-asked questions: read the
         FAQ\index{FAQ@FAQ} instead. The people who answer
         the questions do so voluntarily, unpaid, and in their own
         time, so please don't treat this as a commercial
         support service.

To access Usenet news, type the following URI\index{URI@URI} into your browser's
         `Location' or
         `Address' window:
         \verb+news:comp.text.tex+ (if your browser
         doesn't support Usenet news properly, change it for one
         that does, like \product{Mozilla}\footnote{\url+http://www.mozilla.org/+}), or download one of the many free newsreaders.\footnote{Note that this means newsreaders for the Usenet News
             (NNTP) service. It does \emph{not} mean
             syndication readers for RSS, which are a different thing
             entirely\mdash{}these are unfortunately also sometimes
             referred to as `newsreaders'.}
\subsection{Commercial support}

If you need commercial levels of support, such as
         24-hour phone contact, or macro-writing services, you can
         buy one of the several excellent commercial versions of
         \TeX{}, or contact a consultancy which deals with \TeX{}
         (details on the TUG Web site).
\chapter{Other document structures}
\label{otherdoc}

It is perfectly possible to write whole documents using
     nothing but section headings and paragraphs. As mentioned in
   \S\thinspace\ref{sections}, novels, for example, usually consist
     just of chapters divided into paragraphs. However, it's more
     common to need other features as well, especially if the
     document is technical in nature or complex in structure.

It's worth pointing out that
     `technical' doesn't necessarily mean
     `computer technical' or
     `engineering technical': it just means it
     contains a lot of $\tau\eta\chi\nu\epsilon$ (\emph{tekne}), the
     specialist material or artistry of its field. A literary
     analysis such as \titlecite{macnamara} (on the
     marginal notes in the manuscripts of \authorof{bovary}'s novel) is every bit as
     technical in the literary or linguistic field as the maintenance
     manual for the Airbus 380 is in the aircraft engineering
     field.

This chapter covers the most common features needed in
     writing structured documents: lists, tables, figures (including
     images), sidebars like boxes and panels, and verbatim text
     (computer program listings). In \chaptername~\ref{texttools} we
     will cover footnotes, cross-references, citations, and other
     textual tools.
\section{A little think about structure}
\label{briefstruct}

It's very easy to sit down at a keyboard with a
       traditional wordprocessor and just start typing. If it's
       a very short document, or something transient or relatively
       unimportant, then you just want to type it in and make it look
       `right' by highlighting with the mouse
       and clicking on font styles and sizes.

In doing so, you may achieve the effect you wanted, but
       your actions have left no trace behind of
       \emph{why} you made these changes. This is
       usually unimportant for trivial or short-term documents, but
       if you write longer or more complex documents, or if you often
       write documents to a regular pattern, then making them
       consistent by manual methods becomes a nightmare.
       \LaTeX{}'s facilities for automation are based on you
       providing this `why'
       information.

If your documents have any of the features below, then you
       have probably already started thinking about structure.
\begin{itemize}
\renewcommand{\labelitemi}{\raisebox{-.25ex}{\Square}}
\item
The document naturally divides into sections (parts,
           chapters, etc.).

\item
The document is long.

\item
There is lots of repetitive formatting in the
           document.

\item
The document is complex (intellectually or
           visually).

\item
There are lots of figures or tables (or examples,
           exercises, panels, sidebars, etc.).

\item
Accuracy is important in formatting the
           document.

\item
A master copy is needed for future reference or
           reprinting.

\item
This is a formal or official document needing special
           care and attention.

\item
It's \emph{my} thesis, book,
           leaflet, pamphlet, paper, article, etc.
           \emph{That}'s why I care.

\item
The document (or part of it) may need ongoing or
           occasional re-editing and republishing.

\end{itemize}

If you've got that far, you're over half-way
       done. Using a structural editor\mdash{}even a simple
       outliner\mdash{}can make a huge difference to the quality of
       your thinking because you are consciously organising your
       thoughts before setting them down. And it can make just as big
       a difference to your formatting as well: more consistent,
       better presented, easier for the reader to navigate through,
       and more likely to be read and understood\mdash{}which is
       presumably why you are writing the document in the first
       place.
\section{Lists}
\label{lists}
\index{lists}
Lists are useful tools for arranging thoughts in a
       digestible format, usually a small piece of information at a
       time. There are four basic types of list, shown in Table~\ref{listtypes}.
\begin{table}\small \caption{\small Types of lists}
\label{listtypes}
\begin{center}
\begin{tabular}{@{}>{\pbs{\raggedright}}p{0.48\columnwidth}>{\pbs{\raggedright}}p{0.48\columnwidth}@{}}
\begin{description}\item[\sffamily Random or arbitrary lists](sometimes called
                   `itemized' or
                   `bulleted' lists) where the
                   order of items is unimportant. The
                   items are often prefixed with a bullet or other
                   symbol for clarity or decoration, but are
                   sometimes simply left blank, looking like
                   miniature paragraphs (when they are known as
                   `simple' or
                   `trivial' lists).\end{description}&\begin{description}\item[\sffamily Enumerated or sequential lists](sometimes called
                   `numbered' lists) where the
                   order of items is critical, such as sequences of
                   instructions or rankings of importance. The
                   enumeration can be numeric (Arabic or Roman), or
                   lettered (uppercase or lowercase), and can even be
                   programmed to be hierarchical (1.a.viii, 2.3.6,
                   etc.).\end{description}\\
\begin{description}\item[\sffamily Descriptive or labelled lists](sometimes called
                   `discussion' lists), which
                   are composed of subheadings or topic labels
                   (usually unnumbered but typographically distinct),
                   each followed by one or more indented paragraphs
                   of discussion or explanation.\end{description}&\begin{description}\item[\sffamily Inline lists]which are sequential in nature, just like
                   enumerated lists, but are
                 \begin{inparaenum}[\itshape a\upshape)] \item formatted \emph{within}
                         their paragraph;  and \item usually labelled with letters,\end{inparaenum}�like this example. The items
                   are often mutually inclusive or exclusive, with
                   the final item prefixed by
                   `and' or
                   `or' respectively.\end{description}\\
\end{tabular}
\end{center}
\end{table}

There are actually two other types, segmented lists and
       reference lists, but these are much rarer, and outside the
       scope of this document.
\index{environment}
The structure of lists in \LaTeX{} is identical for each
       type, but with a different environment name. Lists are another
       example of this \LaTeX{} technique (environments), where a pair
       of matched commands surrounds some text which needs special
       treatment.

Within a list environment, list items are always
       identified by the command \command{item} (followed by
       an item label in [square brackets] in the case of labelled
       lists). You don't type the bullet or the number or the
       formatting, it's all automated.
\subsection{Itemized lists}
\index{lists!itemized}\index{lists!bulleted}
To create an itemized list, use the the
         \env{itemize} environment:
\begin{example}
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\begin{itemize}

\item Itemized lists usually have a bullet;

\item Long items use `hanging indentation',
whereby the text is wrapped with a margin
which brings it clear of the bullet used in
the first line of each item;

\item The bullet can be changed for any other
symbol, for example from the \textsf{bbding}
or \textsf{pifont} package.

\end{itemize}
         \end{Verbatim}
\end{sourcecode}\vspace*{-\baselineskip}\begin{quote}\fontencoding{T1}\fontfamily{cmr}\selectfont\def\sfdefault{cmss}\def\bfdefault{bf}\noindent
\begin{itemize}
\label{labelitem}
\renewcommand{\labelitemi}{\raisebox{-.25ex}{\raisebox{-.25ex}{\PencilRight}}}
\item
Itemized lists usually have a bullet;

\item
Long items use `hanging
                 indentation', whereby the text is
               wrapped with a margin which brings it clear of the
               bullet used in the first line of each item;

\item
The bullet can be changed for any other symbol,
               for example from the \package{bbding}
               or \package{pifont} package.

\end{itemize}
\end{quote}\end{example}

The default list bullet is round and solid\footnote{If your browser font doesn't show it, don't
             worry: most don't. \LaTeX{} will.} (\textbullet{}) which is also available with the
         command \command{textbullet} if you load the
         \package{textcomp} package. See \S\thinspace\ref{bullets} for details of how to change the
         settings for list item bullets.
\subsection{Enumerated lists}
\index{lists!numbered}\index{lists!enumerated}
To create an enumerated list, use the
         \env{enumerate} environment:
\begin{example}
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\begin{enumerate}

\item Enumerated lists use numbering on each
item (can also be letters or roman numerals);

\item Long items use `hanging indentation'
just the same as for itemized lists;

\item The numbering system can be changed for
any level.

\end{enumerate}
         \end{Verbatim}
\end{sourcecode}\vspace*{-\baselineskip}\begin{quote}\fontencoding{T1}\fontfamily{cmr}\selectfont\def\sfdefault{cmss}\def\bfdefault{bf}\noindent
\begin{enumerate}\item
Enumerated lists use numbering on each
               item (can also be letters or roman numerals);

\item
Long items use `hanging
                 indentation', just the same as for
               itemized lists;

\item
The numbering system can be changed for any
               level.

\end{enumerate}
\end{quote}\end{example}

See \S\thinspace\ref{numberschemes} for details of how
         to change the numbering schemes for each level.

In standard \LaTeX{} document classes, the vertical
         spacing between items, and above and below the lists as a
         whole, is more than between paragraphs. If you want
         tightly-packed lists, use the
         \package{mdwlist} package, which provides
         `starred' versions
         (\env{itemize*},
         \env{enumerate*}, etc).
\subsection{Description lists}
\label{desc}
\index{lists!description}\index{lists!discussion}
To create a description list, use the
         \env{description} environment:
\begin{example}
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\begin{description}

\item[Identification:] description lists
require a topic for each item given in
square brackets;

\item[Hanging indentation:] Long items use
this in the same way as all other lists;

\item[Reformatting:] Long topics can be
reprogrammed to fold onto multiple lines.

\end{description}
         \end{Verbatim}
\end{sourcecode}\vspace*{-\baselineskip}\begin{quote}\fontencoding{T1}\fontfamily{cmr}\selectfont\def\sfdefault{cmss}\def\bfdefault{bf}\noindent
\begin{description}
\item[\sffamily Identification:]
description lists require a topic for each item
                 given in square brackets;
\item[\sffamily Hanging indentation:]
Long items use this in the same way as all other
                 lists;
\item[\sffamily Reformatting:]
Long topics can be reprogrammed to fold onto
                 multiple lines.
\end{description}
\end{quote}\end{example}

All three of these types of lists can have multiple
       paragraphs per item: just type the additional paragraphs in
       the normal way, with a blank line between each. So long as
       they are still contained within the enclosing environment,
       they will automatically be indented to follow underneath their
       item.
\subsection{Inline lists}
\label{inlinelists}
\index{lists!inline}
Inline lists are a special case as they require the use
         of the \package{paralist} package which
         provides the \env{inparaenum} environment
         (with an optional formatting specification in square
         brackets):
\begin{example}
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\usepackage{paralist}
..
\textbf{\itshape Inline lists}, which are
sequential in nature, just like enumerated
lists, but are \begin{inparaenum}[\itshape
a\upshape)]\item formatted within their
paragraph; \item usually labelled with
letters; and \item usually have the final
item prefixed with `and' or
`or'\end{inparaenum}, like this example.
         \end{Verbatim}
\end{sourcecode}\vspace*{-\baselineskip}\begin{quote}\fontencoding{T1}\fontfamily{cmr}\selectfont\def\sfdefault{cmss}\def\bfdefault{bf}\noindent

\textbf{\textit{Inline lists}}\label{inlines}\index{Inline lists@\textbf{\textit{Inline lists}}},
           which are sequential in nature, just like enumerated
           lists, but are \begin{inparaenum}[\itshape a\upshape)] \item formatted within their paragraph;  \item usually labelled with letters;  and \item usually have the final
                 item prefixed with `and' or
                 `or'\thinspace\end{inparaenum}, like this example.
\end{quote}\end{example}

See \chaptername~\ref{typo} for details of the
         font-changing commands used in the optional argument to
         \env{inparaenum}.
\begin{exercise}
\addcontentsline{loe}{section}{\numberline{15}List practice}
\subsubsection*{List practice}
Add some lists to your document. Pick any two of the
           ones described here to practice with.

If you successfully installed
           \package{paralist} in Exercise~\ref{insttest} then you can use inline lists as
           described in \S\thinspace\ref{inlinelists}.
\end{exercise}
\subsection{Reference lists and segmented lists}

Reference lists are visually indistinguishable from
         numbered or lettered lists, but the numbering or lettering
         does \emph{not} imply a sequence. The numbers
         or letters are just used as labels so that the items can be
         referred to from elsewhere in the text (as in `see
           item 501(c)3'). In this sense they are really a
         kind of sub-sectional division, and \LaTeX{}'s
         \command{paragraph} or
         \command{subparagraph} commands (with appropriate
         renumbering) would probably be a far better solution than
         using a list. Label them and refer to them with
         \command{label} and \command{ref} as for
         any other cross-reference (see \S\thinspace\ref{xrefs}).

Segmented lists are a highly specialised structure and
         outside the scope of this document. For details of their
         usage, see the the chapter `Segmentation and
           Alignment' in \titlecite{teiguide}.
\subsection{Lists within lists}
\label{numberschemes}

You can start a new list environment within the item of
         an existing list, so you can embed one list inside another
         up to four deep. The lists can be of any type, so you can
         have a description list containing an item in which there is
         a numbered sub-list, within which there is an item
         containing a bulleted sub-sub-list.
\begin{enumerate}\item
by default an outer enumerated list is numbered in
             Arabic numerals;
\begin{enumerate}\item
an embedded enumerated list is lettered in
                 lowercase;
\begin{enumerate}\item
a third level is numbered in lowercase Roman
                     numerals;
\begin{enumerate}\item
the fourth level uses uppercase
                         alphabetic letters.

\end{enumerate}

\end{enumerate}

\end{enumerate}

\end{enumerate}

Multiple embedded lists automatically change the bullet
         or numbering scheme so that the levels don't get
         confused, and the spacing between levels is adjusted to
         become fractionally tighter for more deeply nested
         levels.

These are only defaults and can easily be changed by
         redefining the relevant set of values. You could also add a
         fifth and further levels, although I suspect that would mean
         your document structure needed some careful analysis, as
         lists embedded five deep will probably confuse your
         readers.

The values for lists come in pairs: for each level there
         is a counter to count the items and a command to produce the
         label:\footnote{In fact, any time you define a counter in \LaTeX{},
             you automatically get a command to reproduce its value.
             So if you defined a new counter \counter{example} to use in a teaching
             book, by saying \url+\newcounter{example}+,
             that automatically makes available the command
             \url+\theexample+ for use when you want to
             display the current value of \counter{example}.}
\begingroup\small \begin{center}
\begin{tabular}{rcll}
\textbf{\sffamily\upshape Level}&\textbf{\sffamily\upshape Default}&\textbf{\sffamily\upshape Counter}&\textbf{\sffamily\upshape Label command}\\[2pt]\hline\\[-1.5\baselineskip]
1&digit.&\counter{enumi}&\command{theenumi}\\
2&(letter)&\counter{enumii}&\command{theenumii}\\
3&roman.&\counter{enumiii}&\command{theenumiii}\\
4&LETTER.&\counter{enumiv}&\command{theenumiv}\\
\end{tabular}
\end{center}
\endgroup
Note that each counter and command ends with the Roman
         numeral value of its level (this is to overcome the rule
         that \LaTeX{} commands can only be made of
         letters\mdash{}digits wouldn't work here). To
         change the format of a numbered list item counter, just
         renew the meaning of its label:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\renewcommand{\theenumi}{\Alph{enumi}}
\renewcommand{\theenumii}{\roman{enumii}}
\renewcommand{\theenumiii}{\arabic{enumiii}}
       \end{Verbatim}
\end{sourcecode}

\noindent \label{thecounter}%
This would make the
         outermost list use uppercase letters, the second level use
         lowercase roman, and the third level use ordinary Arabic
         numerals. The fourth level would remain unaffected.
\begin{exercise}
\addcontentsline{loe}{section}{\numberline{16}Nesting}
\subsubsection*{Nesting}
Extend your use of lists by nesting one type inside a
           different one.
\end{exercise}
\begin{warning}
\subsubsection*{Lists: a caution to the unwary}
Treat lists with care: people sometimes use tables for
           labelled information which is really a list and would be
           better handled as such. They often do this because their
           wordprocessor has no way to do what they want (usually to
           place the item label level with the description or
           explanation) \emph{except} by using a table,
           hence they are misled into believing that their text is
           really a table when it's actually not.
\end{warning}
\section{Tables}
\label{tables}
\index{tables}
Tabular typesetting is the most complex and time-consuming
       of all textual features to get right. This holds true whether
       you are typing in plain-text form, using a wordprocessor,
       using \LaTeX{}, using HTML\index{HTML@HTML} or
       XML\index{XML@XML}, using a DTP\index{DTP@DTP} system, or some other text-handling
       package. Fortunately, \LaTeX{} provides a
       table model with a mixture of defaults and configurability to
       let it produce very high quality tables with a minimum of
       effort.
\begin{warning}
\subsubsection*{Terminology}
\LaTeX{}, in common with standard typesetting
         practice, uses the word `Table' to
         mean a formal textual feature, numbered and with a caption,
         referred to from the text (as in `See
           Table�5'). Sometimes you can get
         `informal' tables, which simply occur
         between two paragraphs, without caption or number.

The arrangement of information in rows and columns
         \emph{within} either of these structures is
         called a `tabulation' or
         `tabular matter'.

It is important to keep this distinction firmly in mind
         for this section.
\end{warning}
\subsection{Floats}
\label{floats}
\index{floats}
Tables and Figures are what printers refer to as
         `floats'. This means they are not
         part of the normal stream of text, but separate entities,
         positioned in a part of the page to themselves (top, middle,
         bottom, left, right, or wherever the designer specifies).
         They always have a caption describing them and they are
         always numbered so they can be referred to from elsewhere in
         the text.

\LaTeX{} automatically floats Tables and Figures,
         depending on how much space is left on the page at the point
         that they are processed. If there is not enough room on the
         current page, the float is moved to the top of the next
         page. This can be changed by moving the Table or Figure
         definition to an earlier or later point in the text, or by
         adjusting some of the parameters which control automatic
         floating.

Authors sometimes have many floats occurring in rapid
         succession, which raises the problem of how they are
         supposed to fit on the page and still leave room for text.
         In this case, \LaTeX{} stacks them all up and prints them
         together if possible, or leaves them to the end of the
         chapter in protest. The skill is to space them out within
         your text so that they intrude neither on the thread of your
         argument or discussion, nor on the visual balance of the
         typeset pages. But this is a skill few authors have, and
         it's one point at which professional typographic advice
         or manual intervention may be needed.

There is a \env{float} package which lets
         you create new classes of floating object (perhaps Examples
         or Exercises).
\subsection{Formal tables}

To create a \LaTeX{} Table, use the \env{table}
         environment containing a \command{caption} command
         where you type the caption, and a \command{label}
         command to give the Table a label by which you can refer to
         it.
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\begin{table}
\caption{Project expenditure to year-end 2006}
\label{ye2006exp}
..
\end{table}
       \end{Verbatim}
\end{sourcecode}

Numbering is automatic, but the \command{label}
         command \emph{must follow} the
         \command{caption} command, not precede it. The
         numbering automatically includes the chapter number in
         document classes where this is appropriate (but this can of
         course be overridden). The \command{caption}
         command has an optional argument to provide a short caption
         if the full caption would be too long for the List of Tables (\S\thinspace\ref{loflot}):
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\caption[Something short]{Some very long caption that
will only look reasonable in the full figure.}
       \end{Verbatim}
\end{sourcecode}
\subsection{Tabular matter}

Within a Table, you can either typeset the tabular
         matter using \LaTeX{}, or include a table captured as an
         image from elsewhere.  We will see how to include images in
         \S\thinspace\ref{figures} on Figures, where they are more
         common.

To typeset tabular matter, use the
         \env{tabular} environment. The
         \verb+\begin{tabular}+ command must be followed
         by a compulsory second argument in curly braces giving the
         alignment of the columns. These are specified for each
         column using one of single letters \verb+l+,
       \verb+c+, and \verb+r+ for
         left-aligned, centered, or right-aligned text, or the letter
         \verb+p+ followed by a width argument if you
         want a long entry to wrap to several lines (a miniature
         paragraph as a single cell on each row).

\TeX{}'s original tabular settings were designed
         for classical numerical tabulations, where each cell
         contains a single value. The \verb+p+
         specification allows a cell to be a miniature paragraph set
         to a specific width. These are \verb+p+ column
         specifications are \emph{not} multi-row
         entries, they are single cells which contain multiple lines
         of typesetting: the distinction is very important.
         Auto-adjusting space between columns is possible with the
         \package{tabularx} package, but the
         auto-resizing column widths used in web pages are not
         available in \LaTeX{}.

The \package{array} package provides for
         many other typographic variations such as left-aligned,
         right-aligned, and centred multi-line columns, and  other
         packages provide decimal-aligned columns, row-spanning and
         column-spanning, multi-page, and rotated (landscape format)
         tables.
\begin{table}[b]\small \caption{\small Project expenditure to year-end 2006}
\label{ye2006exp}
\begin{center}
\begin{tabular}{clr}
\textbf{\sffamily\upshape }&\textbf{\sffamily\upshape Item}&\textbf{\sffamily\upshape \EUR{} Amount}\\[2pt]\hline\\[-1.5\baselineskip]
a)&Salaries (2 research assistants)&28,000\\
&Conference fees and travel expenses&14,228\\
&Computer equipment (5 workstations)&17,493\\
&Software&3,562\\
b)&Rent, light, heat, etc.&1,500\\
\cline{3-3}\vrule height1.1em width0pt \textbf{}&\textbf{Total}&\textbf{64,783}\\
\end{tabular}
\par\smallskip\footnotesize
The Institute also contributes to (a) and
             (b).\end{center}
\end{table}

As an example, a tabular setting with three columns, the
         first one centered, the second left-aligned, and the third
         one right-aligned, would therefore be specified as
         \verb+{clr}+, as in the example below. Note the
         use of indentation to make the elements of the table clear
         for editing, and note also how the typeset formatting is
         unaffected by this (see Table~\ref{ye2006exp}).
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\begin{table}
 \caption{Project expenditure to year-end 2006}
 \label{ye2006exp}
 \begin{center}
   \begin{tabular}{clr}
     &Item&\EUR\ Amount\\
   \hline
     a)&Salaries (2 research assistants)&28,000\\
     &Conference fees and travel expenses&14,228\\
     &Computer equipment (5 workstations)&17,493\\
     &Software&3,562\\
     b)&Rent, light, heat, etc.&1,500\\\cline{3-3}
     &Total&64,783
   \end{tabular}
   \par\medskip\footnotesize
The Institute also contributes to (a) and (b).
 \end{center}
\end{table}
         \end{Verbatim}
\end{sourcecode}

You do not need to format the tabular data in your
         editor: \LaTeX{} does this for you when it typesets the
         table, using the column specifications you provided. Extra
         space is automatically added between columns, and can be
         adjusted by changing the \length{tabcolsep} dimension.
         \person{Takaaki Ota} provides an excellent Tables mode for
         \product{Emacs} which provides a
         spreadsheet-like interface and can generate \LaTeX{} table
         source code (see Figure~\ref{tabmode}).
\begin{figure}\small
\caption{\small Tables mode for
           \emph{Emacs}}
\label{tabmode}
\begin{center}
\includegraphics[width=0.75\textwidth]{table}
\end{center}
\end{figure}

It is conventional to centre the tabular setting within
         the Table, using the \env{center} environment
         (note US spelling) or the \command{centering}
         command. The entries for each cell are separated by an
         ampersand character (\verb+&+) and the end
         of a row is marked by
         the double-backslash (\verb+\\+).

The \command{hline} command draws a rule across
         all columns and the \command{cline} command draws a
         rule across a range of columns (here, under column three
         only\mdash{}the argument needs a range). If used, these commands \emph{follow}
         the
         \verb+\\+ of the row they apply to. There are
         some extra formatting commands after the tabular material in
         the example. These are explained in
         \chaptername~\ref{typo}.

If there is no data for a cell, just don't type
         anything\mdash{}but you still need the
         \verb+&+ separating it from the next
         column's data. The astute reader will already have
         deduced that for a table of
         \(n\) columns, there must always be
         \(n\ifmmode-\else$-$\fi{}1\) ampersands in each row. The exception to
         this is when the  \command{multicolumn} command is
         used to create cells which span multiple columns. There is
         also a package (\env{multirow}) to enable
         cells to span multiple rows, but both of these techniques
         are outside the scope of this document.
\subsection{Tabular techniques for alignment}

As mentioned earlier, it's also perfectly possible
         to typeset tabular matter outside a formal Table, where you
         want to lay out an informal tabulation between paragraphs
         where a fully floating formal Table would be unnecessary
         (these are usually quite short: there are several of them in
         this document).

Tabular mode can also be used wherever you need to align
         material side by side, such as in designing letterheads,
         where you may want your company logo and address on one side
         and some other information on the other.

By default, \LaTeX{} typesets
         \env{tabular} environments inline to the
         surrounding text, so if you want your alignment displayed by
         itself, put it inside a positioning environment like
         \env{center},
         \env{flushright}, or
         \env{flushleft}, or leave a blank line or
         \command{par} before and after so it gets typeset
         separately.

There is much more to tabular setting:
         full details are in the manuals mentioned in
         the last paragraph of the Foreword on p.\thinspace\pageref{docs}. One final note to remind you of the
         automated crossreferencing features: because the example
         table is labelled, it can be referenced from anywhere in the
         document as Table~\ref{ye2006exp} just by using
         \verb+\ref{ye2006exp}+, regardless of how much
         the surrounding document or structure is moved or
         edited.
\begin{exercise}
\addcontentsline{loe}{section}{\numberline{17}Create a tabulation}
\subsubsection*{Create a tabulation}
Create one of the following in your document:
\begin{itemize}
\item
a formal Table with a caption showing the number
               of people in your class broken down by age and
               sex;

\item
an informal tabulation showing the price for three
               products;

\item
the logo \setlength{\fboxsep}{-3pt}\setlength{\fboxrule}{.4pt}
                 \fbox{\begin{tabular}{cc}\tiny YEAR\\[-.8em]\tiny 2
                 0 0 0\vrule depth1em
                 width0pt\end{tabular}} (hint: \S\thinspace\ref{fbox})

\end{itemize}
\end{exercise}
\section{Figures}
\label{figures}
\index{figures}\index{floats}
As explained in \S\thinspace\ref{floats}, Figures and
       Tables float to a vacant part of the page, as they are not
       part of the sequence of sentences making up your text, but
       illustrative objects that you refer to.

Figures can contain text, diagrams, pictures, or any other
       kind of illustration. To create a figure, use the
       \env{figure} environment: like Tables, they
       automatically get numbered, and must include a caption (with a
       label after the caption, if needed, exactly the same as for
       Tables)
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\begin{figure}
\caption{Total variable overhead variance (after
        \citeauthor[p.191]{bull}}
\label{workeff}
\begin{center}
\includegraphics[width=.75\columnwidth]{diagram}
\end{center}
\end{figure}
     \end{Verbatim}
\end{sourcecode}
\begin{figure}\small
\caption{\small Total variable overhead variance (after \citeauthoryear{bull} \textsl{p.191})}
\label{workeff}
\begin{center}
\includegraphics[width=0.75\textwidth]{diagram}
\end{center}
\end{figure}

You can see that the structure is very similar to the
       \env{table} environment, but in this case we
       have a graphic included. Details of this command
       (\command{includegraphics}) are in the next section.
       Details of the bibliographic citation mechanism are in \S\thinspace\ref{bib}

The content of the Figure could of course also be textual,
       in the form of a list or a text diagram. \LaTeX{} has a simple
       drawing environment called \env{picture}, which
       lets you create a limited set of lines and curves, but for a
       diagram of any complexity, you should use a standard vector
       drawing program (see \S\thinspace\ref{graphictypes}).
\section{Images}
\label{images}
\index{images}\index{graphics}
Images (graphics) can be included anywhere in a \LaTeX{}
       document, although in most cases of formal documents they will
       occur in Figures (see preceding section). To use graphics, you
       need to use the \package{graphicx} package in
       your preamble:
       \verb+\usepackage{graphicx}+\footnote{You may find a lot of old files which use a package
           called \package{epsf}. Don't use it.
           It's obsolete.}

This enables the command
       \command{includegraphics} which is used to insert an
       image in the document. The command is followed by the name of
       your graphics file \emph{without the filetype},
       for example: \verb+\includegraphics{myhouse}+
       (we'll see in a minute why you don't include the
       filetype).

In most cases you should just make sure the image file is
       in the same folder (directory) as the document you use it in.
       This avoids a lot of messing around remembering where you put
       the files. If you have images you want to use in several
       different documents in different places on your disk, there is
       a way to tell \LaTeX{} where to look (see \S\thinspace\ref{graphicsdir}).

For standard \LaTeX{} with
       \product{dvips}, graphics files
       \emph{must} be in Encapsulated
         PostScript (EPS)\index{EPS@EPS|textbf}\index{Acronyms@\textbf{Acronyms}, defined!EPS@EPS|textbf} format: this has been the publishing
       industry standard for portable graphics for many years, and no
       other format will work portably in standard \LaTeX{}.\footnote{Some distributions of \TeX{} systems allow other
           formats to be used, such as PNG\index{PNG@PNG},
           Microsoft Bitmap (BMP)\index{BMP@BMP|textbf}\index{Acronyms@\string\textbf{Acronyms}, defined!BMP@BMP|textbf} files,
           Hewlett-Packard's Printer Control
             Language (PCL)\index{PCL@PCL|textbf}\index{Acronyms@\string\textbf{Acronyms}, defined!PCL@PCL|textbf} files, and others; but you cannot
           send such documents to other \LaTeX{} users and expect
           them to work if they don't have the same distribution
           installed as you have. Stick to EPS\index{EPS@EPS}.}

All good graphics packages can save images as EPS\index{EPS@EPS}, but be very careful because some
       packages, especially on Microsoft Windows platforms, use a
       very poor quality driver, which creates very poor quality
       EPS\index{EPS@EPS} files. If in doubt, check with
       an expert. If you find an EPS\index{EPS@EPS}
       graphic doesn't print, the chances are it's been
       badly made by the graphics software. Download Adobe's own
       PostScript driver from their Web site instead.

For \product{pdf\LaTeX{}}, graphics files
       can be in Portable Network
         Graphic (PNG)\index{PNG@PNG|textbf}\index{Acronyms@\textbf{Acronyms}, defined!PNG@PNG|textbf}, Joint Photographic
         Experts Group (JPG)\index{JPG@JPG|textbf}\index{Acronyms@\textbf{Acronyms}, defined!JPG@JPG|textbf}, or PDF\index{PDF@PDF}
       format, \emph{not}�EPS\index{EPS@EPS}. This means if you want to use both
       standard \LaTeX{} as well
       as \product{pdf\LaTeX{}}, you need to keep
       your graphics in two formats, EPS\index{EPS@EPS}
       and one of the others. This is why you don't include the
       filetype in the filename you give with
       \command{includegraphics}: \LaTeX{} will assume
       EPS\index{EPS@EPS} and
       \product{pdf\LaTeX{}} will look for JPG\index{JPG@JPG}, PNG\index{PNG@PNG} or
       PDF\index{PDF@PDF} files matching the name.

The \command{includegraphics} command can take
       optional arguments within square brackets before the filename
       to specify either the height or width, and the other dimension
       will automatically change to scale. If you specify both, the
       image will be distorted to fit. You can scale an image by a
       factor instead of specifying height or width; clip it to
       specified coordinates; and rotate it in either direction.
       Multiple optional arguments are separated with commas.
\begin{example}
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\begin{center}
\includegraphics[width=3cm]{twithcat}
\end{center}
     \end{Verbatim}
\end{sourcecode}\vspace*{-\baselineskip}\begin{quote}\fontencoding{T1}\fontfamily{cmr}\selectfont\def\sfdefault{cmss}\def\bfdefault{bf}\noindent
\begin{center}
\includegraphics[width=3cm]{twithcat}
\end{center}
\end{quote}\end{example}

For details of all the arguments, see the documentation on
       the \package{graphicx} package or a copy of the
       \titlecite{companion}. This package also
       includes commands to \raisebox{1ex}{\rotatebox{180}{rotate}},
       \scalebox{-1}[1]{mirror}, and
       \scalebox{2}[1]{scale} text.
       \index{rotate}\index{mirror}\index{scale}

It is in fact possible to tell \LaTeX{} to generate the
       right file format by itself, but this requires an external
       command-line graphics converter, and as it gets done afresh
       each time, it slows things down rather a lot.

EPS\index{EPS@EPS} files, especially bitmaps,
       can be very large indeed, because they are stored in ASCII\index{ASCII@ASCII} format.
       \person{Staszek Wawrykiewicz} has drawn my attention to a useful MS-DOS program to
       overcome this, called \product{cep}
       (`Compressed Encapsulated Postscript') available
       from CTAN\index{CTAN@CTAN} in the
       \url+support/pstools+ directory, which can
       compress EPS\index{EPS@EPS} files to a fraction of
       their original size. The original file can be replaced by the
       new smaller version and still used directly with
       \command{includegraphics}.
\subsection{Making images}
\label{graphictypes}

There are two types of image: bitmaps and
         vectors.
\begin{description}
\item[\sffamily Bitmaps]
Bitmap images are made of coloured dots, so if you
               enlarge them, they go jagged at the edges, and if you
               shrink them, they go blurry. Bitmaps are fine for
               photographs, where every dot is a different colour,
               and no-one will notice if you don't shrink or enlarge
               too much. Bitmaps for diagrams and drawings, however,
               are almost always the wrong choice, and
               often disastrously bad.
\item[\sffamily Vectors]
Vector drawings are made from instructions (eg
               `draw this from here to here, using a line this
                 thick'). They can be enlarged or shrunk as
               much as you like, and never lose accuracy, because
               they \emph{get redrawn} automatically at
               any size. You can't do photographs as vectors, but
               it's the only acceptable method for drawings or
               diagrams.
\end{description}

Vector graphic packages are also better suited for
         saving your image directly in EPS\index{EPS@EPS}
         or PDF\index{PDF@PDF} format (both of which use
         vectors internally). All the major graphics-generating
         packages in all disciplines output vector formats:
         \product{AutoCAD},
         \product{ChemDraw},
         \product{MathCAD},
         \product{Maple},
         \product{Mathematica},
         \product{ArcInfo}, and so on. EPS\index{EPS@EPS} is the universally-accepted format
         for creating vector graphics for publication, with PDF\index{PDF@PDF} a close second.  Most of the major
         graphics (drawing) packages can also save as EPS\index{EPS@EPS}, such as
         \product{PhotoShop}, \product{PaintShop
           Pro}, Adobe
         \product{Illustrator}, Corel
         \product{Draw}, and
         \product{GIMP}. There are also some free
         vector plotting and diagramming packages available like
         \product{tkPaint} and
         \product{GNUplot} which do the same. Never,
         ever (except in the direst necessity) save any
         \emph{diagram} as a bitmap.
\begin{figure}\small
\caption{\small The diagram from Figure~\ref{workeff} shrunk and
         enlarged}
\begin{center}
\fbox{\includegraphics[width=3.95cm]{diagram}}\quad\fbox{\includegraphics[scale=2,viewport=250 250 300 300,clip]{diagram}}
\end{center}
\end{figure}

Bitmap formats like JPG\index{JPG@JPG} and
         PNG\index{PNG@PNG} are ideal for photographs, as
         they are also able to compress the data substantially
         without too much loss of quality. However, compressed
         formats are bad for screenshots, if you are documenting
         computer tasks, because too much compression makes them
         blurry. The popular Graphics Interchange
           Format (GIF)\index{GIF@GIF|textbf}\index{Acronyms@\textbf{Acronyms}, defined!GIF@GIF|textbf} is good for screenshots, but is not
         supported by \TeX{}: use PNG\index{PNG@PNG}
         instead, with the compression turned down to minimum. Avoid
         uncompressible formats like BMP\index{BMP@BMP} as
         they produce enormous and unmanageable files. The Tagged Image File Format (TIFF)\index{TIFF@TIFF|textbf}\index{Acronyms@\textbf{Acronyms}, defined!TIFF@TIFF|textbf}, popular with
         graphic designers, should also be avoided because far too
         many companies have designed and implemented non-standard,
         conflicting, proprietary extensions to the format, making it
         virtually useless for transfer between different types of
         computers (except in faxes, where it's still used in a
         much stricter version).
\begin{exercise}
\addcontentsline{loe}{section}{\numberline{18}Adding pictures}
\subsubsection*{Adding pictures}
Add \verb+\usepackage{graphicx}+ to the
           preamble of your document, and copy or download an image
           you want to include. Make sure it is a JPG\index{JPG@JPG}, PNG\index{PNG@PNG}, or
           PDF\index{PDF@PDF} image if you use
           \product{pdf\LaTeX{}}, or an EPS\index{EPS@EPS} image if you use standard
           \LaTeX{}.

Add \command{includegraphics} and the
           filename in curly braces (without the filetype), and
           process the document and preview or print it.

Make it into a figure following the example in \S\thinspace\ref{figures}.

Be aware that some DVI\index{DVI@DVI}
           previewers are not able to display all types of graphics,
           and some cannot display colour. For best results, use
           PDF\index{PDF@PDF} or
           PostScript\index{PostScript} preview.
\end{exercise}
\subsection{Graphics storage}
\label{graphicsdir}

I mentioned earlier that there was a way to tell
         \LaTeX{} where to look if you had stored images centrally
         for use in many different documents. The answer is in a
         command \command{graphicspath} which you supply
         with an argument giving the name of an additional directory
         path you want searched when a file uses the
         \command{includegraphics} command, for
         example:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\graphicspath{c:\mypict~1\camera}
\graphicspath{/var/lib/images}
\graphicspath{HardDisk:Documents:Reports:Pictures}
       \end{Verbatim}
\end{sourcecode}

I've used the `safe'
         (MS-DOS) form of the Windows \url+My
           Pictures+ folder because it's A Bad Idea to
         use directory names containing spaces (see the panel `Picking suitable filenames' \testpage[above]{filenames}). Using
         \command{graphicspath} does make your file less
         portable, though, because file paths tend to be specific
         both to an operating system and to your computer, like the
         examples above.
\section{Verbatim text}
\label{verbatim}
\index{verbatim text}
If you are documenting computer procedures, you probably
       need fixed-width type for examples of programming or data
       input or output. Even if you are writing about completely
       non-computer topics, you may often want to quote a URI\index{URI@URI} or email address which needs to be
       typeset specially. It is particularly important in these two
       examples to avoid hyphenating them if they have to break over
       a line-end, because the hyphen might be taken by the user as a
       part of the address.

Standard \LaTeX{} includes two features for handling
       fixed-format text, and there are many more available in
       packages.
\subsection{Inline verbatim}
\label{inlineverb}

To specify a word or phrase as verbatim text in
         typewriter type within a sentence, use the special command
         \command{verb}, followed by your piece of text
         surrounded by any suitable character which does
         \emph{not} occur in the text itself. This is a
         very rare exception to the rule that arguments go in curly
         braces. I often use the plus sign for this, for example to
         show a \LaTeX{} command, I type
       \verb`\verb+\includegraphics[width=3in]{myhouse}+`
         in order to display
       \verb+\includegraphics[width=3in]{myhouse}+, but
         sometimes I use the
         \textbf{\textit{grave accent}}\label{grave}\index{grave accent@\textbf{\textit{grave accent}}} (\textbf{\textit{backtick}}\label{backtick}\index{backtick@\textbf{\textit{backtick}}} or open-quote) or the
         vertical bar when the phrase already has a plus sign in it,
         like \verb`\verb|\(y=a+2x^2\)|` when
         illustrating the \LaTeX{} equation
         \verb|\(y=a+x^2\)|.

This command has the advantage that it turns off all
         special characters (see \S\thinspace\ref{specials}) except
         the one you use as the delimiter, so you can easily quote
         sequences of characters in any computer syntax without
         problems. However, \LaTeX{} will never break the argument of
         \command{verb} at a line-end when formatting a
         paragraph, even if it contains spaces, so if it happens to
         be long, and falls towards the end of a line, it will stick
         out into the margin. See \S\thinspace\ref{hyph} for more
         information on line-ends and hyphenation.

The \package{url} package avoids this by
         providing the command \command{url} which works in
         the same way as \command{verb}, with the argument
         enclosed in a pair of characters, but performs a hyphenless
         break at punctuation characters, as in \url+http://www.ucc.ie:8080/cocoon/cc/docs/siteowner.xml+.
         It was designed for Web URI\index{URI@URI}s,\footnote{The original term Uniform Resource
               Locator (URL)\index{URL@URL|textbf}\index{Acronyms@\string\textbf{Acronyms}, defined!URL@URL|textbf} is now strongly deprecated in the Web
             community in favour of the more accurate Uniform Resource Indicator (URI)\index{URI@URI|textbf}\index{Acronyms@\string\textbf{Acronyms}, defined!URI@URI|textbf}. For
             details see \url+http://www.w3.org/Addressing/+.
             Unfortunately the older term still persists, especially
             in \LaTeX{} and XML\index{XML@XML}
             markup.} so it understands their syntax and will never
         break mid-way through an unpunctuated word, only at slashes
         and full points. Bear in mind, however, that spaces are
         forbidden in URI\index{URI@URI}s, so using spaces
         in \command{url} arguments will fail, as will using
         other non-URI\index{URI@URI}-valid
         characters.
\subsection{Display verbatim}

For longer (multiline) chunks of fixed-format text, use
         the \env{verbatim} environment:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\begin{verbatim}
\documentclass[11pt,a4paper,oneside]{report}
\begin{document}

\title{Practical Typesetting}
\author{Peter Flynn\\Silmaril Consultants}
\date{December 2004}
\maketitle

\end{document}
\end{verbatim}
       \end{Verbatim}
\end{sourcecode}

Like \command{verb}, this turns off all special
         characters, so you can include anything at all in the
         verbatim text except the exact line
         \verb+\end{verbatim}+

For more control over formatting, however, I recommend
         the use of the \package{fancyvrb} package,
         which provides a \env{Verbatim} environment
         (note the capital letter) which lets you draw a rule round
         the verbatim text, change the font size, and even have
         typographic effects inside the \env{Verbatim}
         environment. It can also be used in conjunction with the
         \package{fancybox} package (see \S\thinspace\ref{fancybox}), and it can add reference line numbers
         (useful for chunks of data or programming), and it can even
         include entire external files.
\begin{exercise}
\addcontentsline{loe}{section}{\numberline{19}Try some fixed-format text}
\subsubsection*{Try some fixed-format text}
Add your email address and home page URI\index{URI@URI} using the \command{verb}
           and \command{url} commands. You'll need to
           \verb+\usepackage{url}+ for the latter.

If you know some programming, try a few lines enclosed
           in \env{verbatim} and
           \env{Verbatim} environments.
\end{exercise}
\section{Boxes, sidebars, and panels}
\label{boxes}
\index{boxes}\index{sidebars}\index{panels}
\LaTeX{}, like most typesetting systems, works by setting
       text into boxes. The default box is the width of the current
       page, and works like an old compositor's galley (tray)
       from the days of metal type: it accumulates typeset text until
       it's a bit longer than the specified page height. At this
       stage \LaTeX{} works out how much of it really will fit on a
       page, snips it off and ships it out to the DVI\index{DVI@DVI} or PDF\index{PDF@PDF} file,
       and puts the rest back into the galley to accumulate towards
       the following page.
\subsection{Boxes of text}
\label{boxtext}

Because of this `box' model,
         \LaTeX{} can typeset any text into a box of any width
         wherever on the page you need it.

The simplest command for small amounts of text is
         \command{parbox}. This command needs two arguments
         in curly braces: the first is the width you want the text
         set to, and the second is the text itself, for
         example:
\begin{example}
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\parbox{1in}{Please make sure you send in your
            completed forms by January 1st
            next year, or the penalty clause
            2(a) will apply}
         \end{Verbatim}
\end{sourcecode}\vspace*{-\baselineskip}\begin{quote}\fontencoding{T1}\fontfamily{cmr}\selectfont\def\sfdefault{cmss}\def\bfdefault{bf}\noindent
\begingroup\small \begin{center}
\begin{tabular}{p{1in}}
Please make sure you send in your completed
                   forms by January 1st next year, or the penalty
                   clause 2(a) will apply\\
\end{tabular}
\end{center}
\endgroup\end{quote}\end{example}

The text is typeset to the required width, and the box
         is extended downwards for as long as is required to fit the
         text. Note that the baseline of a \command{parbox}
         is set to the midpoint of the box; that is, if you include a
         \command{parbox} in mid-sentence, the centre of the
         box will be lined up with the line of type currently being
         set.\parbox{1cm}{
{\scriptsize{}\selectfont{}Like
               this small paragraph.\par}
} You can specify that it should be the top or
         bottom by adding an optional \opt{t} or
         \opt{b} in square brackets before the width. For
         example,
         \verb+\parbox[t]{1in}{...}+ will produce
         \parbox[t]{1in}{
a box with the baseline aligned with the top line of
             the text in the box.
}

Notice that when setting very narrow measures with type
         that is too large, the spacing may become uneven and there
         may be too much hyphenation. Either use
         \command{raggedright} or reduce the type size, or
         (in extreme cases) reword the text or break each line by
         hand. It is rare for \LaTeX{} to need this: the example above
         was deliberately chosen to be obtuse as an
         illustration.

Where the contents is more extensive or more
         complicated, you can use the \env{minipage}
         environment.

Within this you can use virtually everything
         that occurs in normal text (e.g.�lists, paragraphs,
         tabulations, etc.)�with the exception of floats like
         tables and figures. The \env{minipage}
         environment has an argument just like
         \command{parbox} does, and it means the same: the
         width you want the text set to.

Note that in \env{minipage}s and
         \command{parbox}es, the paragraph indentation
         (\length{parindent}) is
         reset to zero. If you need to change it, set it inside the
         \env{minipage} or \command{parbox}
         using the \command{setlength} command (see \S\thinspace\ref{paragraphs}).
\begin{example}
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\begin{minipage}{3in}
Please make sure you send in your completed
forms by January 1st next year, or the
penalty clause 2(a) will apply.
\begin{itemize}
\item Incomplete forms will be returned to
you unprocessed.
\item Forms must be accompanied by the
correct fee.
\item There is no appeal. The adjudicators'
decision is final.
\end{itemize}
\end{minipage}
         \end{Verbatim}
\end{sourcecode}\vspace*{-\baselineskip}\begin{quote}\fontencoding{T1}\fontfamily{cmr}\selectfont\def\sfdefault{cmss}\def\bfdefault{bf}\noindent
\begingroup\small \begin{center}
\begin{tabular}{p{3in}}
Please make sure you send in your
                     completed forms by January 1st next year, or the
                     penalty clause 2(a) will
                     apply.\begin{itemize}
\item
Incomplete forms will be returned to you
                         unprocessed.

\item
Forms must be accompanied by the correct
                         fee.

\item
There is no appeal. The
                         adjudicators' decision is final.

\end{itemize}
\\
\end{tabular}
\end{center}
\endgroup\end{quote}\end{example}

There are two other ways of typesetting text to widths
         other than the normal text width: you can use a one-row,
         one-cell \env{tabular} environment with the
         \verb+p+ column type specification, or you
         can use the \command{vbox} command, which is raw
         \TeX{}, and outside the scope of this document.
\subsection{Framed boxes}
\label{fbox}

To put a frame round \fbox{some text}, use the
         \command{fbox} command:
         \verb+\fbox{some text}+. This works for a few
         words in mid-line, but the framed box and its contents
         won't break over the end of a line. To typeset
         multiline text in a box, put it in a
         \command{parbox}, or use a
         \env{minipage} or
         \env{tabular} environment as described above,
         and enclose the whole thing in a
         \command{fbox}.
\begin{example}
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\fbox{\begin{minipage}{3in}
This multiline text is more flexible than
a tabular setting:
\begin{itemize}
\item it can contain any type of normal
\LaTeX{} typesetting;
\item it can be any specified width;
\item it can even have its own
footnotes\footnote{Like this}.
\end{itemize}
\end{minipage}}
         \end{Verbatim}
\end{sourcecode}\vspace*{-\baselineskip}\begin{quote}\fontencoding{T1}\fontfamily{cmr}\selectfont\def\sfdefault{cmss}\def\bfdefault{bf}\noindent
\begin{center}\setlength{\fboxrule}{1pt}
\begin{minipage}{3in}

This multiline text is more flexible than a
               tabular setting:
\begin{itemize}
\item
it can contain any type of normal \LaTeX{}
                   typesetting;

\item
it can be any specified width;

\item
it can even have its own footnotes.\footnote{Like this.}

\end{itemize}
\end{minipage}
\end{center}
\end{quote}\end{example}

The spacing between text and box is controlled by the
         value of \length{fboxsep}, and
         the thickness of the line by \length{fboxrule}. The following values
         were used above:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\setlength{\fboxsep}{1em}
\setlength{\fboxrule}{2pt}
       \end{Verbatim}
\end{sourcecode}

As we saw before, setting justified text in narrow
         measures will produce poor spacing: either use the
         \command{raggedright} command, or change the font
         size, or add explicit extra hyphenation points.

Note the \verb+\begin{tabular}+ and
         \verb+\begin{minipage}+ commands still need the
         width specifying: in the case of the
         \verb+\begin{tabular}+ by the use of the
         \verb+p+ column type with its width
         specification, and in the case of
         \verb+\begin{minipage}+ by the second
         argument.
\begin{example}
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\fbox{\begin{tabular}{p{1in}}
Multiline text in a box typeset using
\textsf{tabular}
\end{tabular}}
         \end{Verbatim}
\end{sourcecode}\vspace*{-\baselineskip}\begin{quote}\fontencoding{T1}\fontfamily{cmr}\selectfont\def\sfdefault{cmss}\def\bfdefault{bf}\noindent
\begingroup\small \begin{center}
\setlength{\tabcolsep}{6pt}
\begin{tabular}{|p{1in}|}\hline
Multiline text in a box typeset using
                   \package{tabular}\\
\hline
\end{tabular}
\end{center}
\endgroup\end{quote}\end{example}
\subsection{Sidebars and panels}
\label{fancybox}

The \package{fancybox} package lets you
         extend the principle of \command{fbox} with
         commands to surround text in square, oval (round-cornered),
         and drop-shadow boxes (e.g. \command{ovalbox},
         \command{shadowbox}, etc.: see the documentation
         for details).

You can create panels of any size with these borders by
         using the \env{minipage} environment to
         typeset the text inside a special \env{Sbox}
         environment which \package{fancybox} defines.
         The \env{minipage} formats the text but the
         \env{Sbox}�`captures'
         it, allowing you to put the frame round it as it
         prints.

The printed version of this document uses this extensively and
         there is a useful example shown in \S\thinspace\ref{macenv}.
\chapter{Textual tools}
\label{texttools}
\index{tools}
Every text-handling system needs to support a repertoire of
     tools for doing things with text. \LaTeX{} implements many
     dozens, of which a small selection of the most frequently used
     is given here:
\begin{itemize}
\item
offset quotations (sometimes called `block
           quotes');

\item
footnotes and end-notes;

\item
marginal notes;

\item
cross-references, both normal ones and bibliographic
         citations;

\item
indexes and glossaries;

\item
typesetting in multiple columns.

\end{itemize}
\section{Quotations}
\label{quotations}

Direct speech and short quotes within a sentence
       `like this' are done with simple
       quotation marks as described in \S\thinspace\ref{quotes}. Sometimes, however, you may want longer
       quotations set as a separate paragraph. Typically these are
       indented from the surrounding text. \LaTeX{} has two
       environments for doing this.

Such quotations are often set in a smaller size of type,
       although this is not the default, hence the use of the
       \command{small} command in the second example. The
       inclusion of the bibliographic citation at the end is
       optional: here it is done with a non-standard command
       \command{citequote} which I invented for this example
       (there is more about how to do things like this in \chaptername~\ref{macros}).
\begin{description}
\item[\sffamily The {\fontseries{m}\selectfont{}\package{quote}}
           environment]
is for up to a line of text each per (short)
             quotation, with the whole thing indented from the
             previous paragraph but with no additional indentation on
             each quote;
\begin{example}
\begin{sourcecode}[-\leftmargin]\begin{Verbatim}[fontsize=\small]

\begin{quote}
Do, Ronny, Do. \textit{Nancy Reagan}

Da Do Ron Ron. \textit{The Crystals}
\end{quote}
             \end{Verbatim}
\end{sourcecode}\vspace*{-\baselineskip}\begin{quote}\fontencoding{T1}\fontfamily{cmr}\selectfont\def\sfdefault{cmss}\def\bfdefault{bf}\noindent

Do, Ronny, Do. {\fontshape{it}\selectfont{}Nancy
                 Reagan}

Da Do Ron Ron. {\fontshape{it}\selectfont{}The
                 Crystals}
\end{quote}\end{example}
\item[\sffamily The {\fontseries{m}\selectfont{}\package{quotation}}
           environment]
is for longer passages (a paragraph or more) of a
             single quotation, where not only is the block of text
             indented, but each paragraph of it also has its own
             extra indentation on the first line.
\begin{example}
\begin{sourcecode}[-\leftmargin]\begin{Verbatim}[fontsize=\small]
\begin{quotation}\small
At the turn of the century William Davy,
a Devonshire parson, finding errors in
the first edition of his \titleof{davy},
asked for a new edition to be printed.
His publisher refused and Davy purchased
a press, type, and paper. He harnessed
his gardener to the press and apprenticed
his housemaid to the typesetting. After
twelve years' work, a new edition
of fourteen sets of twenty-six volumes
was issued---which surely indicates that,
when typomania is coupled with religious
fervour, anything up to a miracle may be
achieved.\citequote[p.76]{ryder}
\end{quotation}
             \end{Verbatim}
\end{sourcecode}\vspace*{-\baselineskip}\begin{quote}\fontencoding{T1}\fontfamily{cmr}\selectfont\def\sfdefault{cmss}\def\bfdefault{bf}\noindent
\begin{quotation}\small\begingroup
At the turn of the century William Davy, a
                 Devonshire parson, finding errors in the first
                 edition of his \titlecite{davy},
                 asked for a new edition to be printed. His publisher
                 refused and Davy purchased a press, type, and paper.
                 He harnessed his gardener to the press and
                 apprenticed his housemaid to the typesetting. After
                 twelve years' work, a new edition of fourteen
                 sets of twenty-six volumes was issued---which surely
                 indicates that, when typomania is coupled with
                 religious fervour, anything up to a miracle may be
                 achieved.
\par\endgroup\smallskip\footnotesize\noindent [\citeauthortitleyear{ryder}], p.76\end{quotation}
\end{quote}\end{example}
\end{description}
\section{Footnotes and end-notes}
\label{footnotes}
\index{footnotes}
The command \command{footnote}, followed by the
       text of the footnote in curly braces, will produce an
       auto-numbered footnote with a raised small number where you
       put the command, and the numbered text automatically printed
       at the foot of the page.\footnote{Like this.} The number is reset to�1 at the start of each
       chapter (but you can override that and make them run
       continuously throughout the document, or even restart at�1 on
       each page or section).

\LaTeX{} automatically creates room for the footnote, and
       automatically reformats it if you change your document in such
       a way that the point of attachment and the footnote would move
       to the next (or preceding) page.

Because of the way \LaTeX{} reads the whole footnote before
       doing anything with it, you can't use
       \command{verb} (\S\thinspace\ref{inlineverb}) alone
       in footnotes: either precede it with
       \command{protect} or use [abuse?] the
       \command{url} command instead, which you should be
       using for Web and email addresses in any case).

Footnotes inside minipages (see \S\thinspace\ref{boxes}) produce lettered notes instead of
       numbered ones, and they get printed at the bottom of the
       minipage, \emph{not} the bottom of the physical
       page (but this too can be changed).

There is a package to hold over your footnotes and make
       them print at the end of the chapter instead
       (\package{endnote}) or at the end of the whole
       document, and there is a package to print many short footnotes
       in a single footnoted paragraph so they take up less space
       (\package{fnpara}). It is also possible to have
       several separate series of footnotes active simultaneously,
       which is useful in critical editions or commentaries: a
       numbered series may be used to refer to an original
       author's notes; a lettered series can be used for notes
       by a commentator or authority; and a third series is available
       for your own notes. It is also possible to format footnotes
       within footnotes.

If your footnotes are few and far between, you may want to
       use footnote symbols instead of numbers. You can do this by
       redefining the output of the footnote counter to be the
       \command{fnsymbol} command:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\renewcommand{\thefootnote{\fnsymbol{footnote}}
     \end{Verbatim}
\end{sourcecode}

There are also ways to refer more than once to the
       same footnote, and to defer the positioning of the footnote if
       it occurs in a float like a Table or Figure, where it might
       otherwise need to move to a different page.
\section{Marginal notes}
\label{marginals}
\index{marginal notes}
You can add marginal notes to your text\marginal{Like this.} instead of
       (or as well as) footnotes. You need to make sure that you have
       a wide-enough margin, of course: use the
       \package{geometry} package (see \S\thinspace\ref{colorpkg}) to allocate enough space, otherwise
       the notes will be too cramped. There are several packages to
       help with formatting marginal notes, but the simplest way is
       to define it yourself. Add this new command to your
       preamble:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\newcommand{\marginal}[1]{%
     \leavevmode\marginpar{\tiny\raggedright#1\par}}
     \end{Verbatim}
\end{sourcecode}

Then you can use \verb+\marginal{Some text}+\marginal{Some text where you need
           it.} Be careful, however, because marginal
       notes are aligned with the line where the command starts, so a
       very long one followed too closely by another will cause
       \LaTeX{} to try and
       adjust the position so they don't overlap.

We're jumping ahead a bit here, as we haven't
       covered how to define your own commands yet. I won't even
       try to explain it here, although the attentive reader can
       probably deduce some of it by inspection. See \chaptername~\ref{macros} for more information about making up your
       own commands.
\section{Cross-references}
\label{xrefs}
\index{cross-references}
This is one of the most powerful features of \LaTeX{}. You
       can label any point in a document with a name you make up, and
       then refer to it by that name from anywhere else in the
       document, and \LaTeX{} will always work out the cross-reference
       number for you, no matter how much you edit the text or move
       it around.

A similar method is used to cite documents in a
       bibliography or list of references, and there are packages to
       sort and format these in the correct manner for different
       journals.
\subsection{Normal cross-references}
\label{normalxref}

You label a place in your document by using the command
         \command{label} followed by a short name you make
         up, in curly braces:\footnote{This section is labelled
             `\url+normalxref+',
             for example.} we've already seen this done for labelling
         Figures and Tables.
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\section{New Research}
\label{newstuff}
       \end{Verbatim}
\end{sourcecode}

You can then refer to this point from anywhere in the
         same document with the command \command{ref}
         followed by the name you used, e.g.
\begin{example}
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
In \S~\ref{newstuff} there is a list of recent
projects.
         \end{Verbatim}
\end{sourcecode}\vspace*{-\baselineskip}\begin{quote}\fontencoding{T1}\fontfamily{cmr}\selectfont\def\sfdefault{cmss}\def\bfdefault{bf}\noindent

In \S\thinspace\ref{normalxref}
           there is a list of recent projects.
\end{quote}\end{example}

(The \command{S} command produces a section
         sign (\S) and the
         \command{P} command produces a paragraph sign
         (\P).)

If the label is in normal text, the reference will
         provide the current chapter or section number or both
         (depending on the current document
         class).\footnote{Thus I can
             refer here to
           \url+\ref{normalxref}+ and get the
             value�\S\thinspace\ref{normalxref}.} If the label
         was inside a Table or Figure, the reference provides the
         Table number or Figure number prefixed by the chapter
         number. A label in an enumerated list will provide a
         reference to the item number. If there is no apparent
         structure to this part of the document, the reference will
         be null. Labels must be unique (that is, each value must
         occur only \emph{once} as a label within a
         single document), but you can have as many references to
         them as you like.

Note the use of the unbreakable space
         (\verb+~+) between the \command{ref}
         and the word before it. This prints a space but prevents the
         line ever breaking at that point, should it fall close to
         the end of a line.

The command \command{pageref} followed by any
         of your label values will provide the page number where the
         label occurred, regardless of the document structure. This
         makes it possible to refer to something by page number as
         well as its \command{ref} number, which is useful
         to readers in very long documents.

Unresolved references are printed as two question
         marks, and also cause a warning message at the end of the
         log file. There's never any harm in having
         \command{label}s you don't refer to, but using
         \command{ref} when you don't have a matching
         \command{label} is an error.
\subsection{Bibliographic references}
\label{bib}
\index{bibliographies}\index{references}
The mechanism used for references to reading lists and
         bibliographies is almost identical to that used for normal
         cross-references. Although it is possible to type the
         details of each citation manually, there is a companion
         program to \LaTeX{} called \BibTeX{}, which manages
         bibliographic references automatically. This reduces the time
         needed to maintain and format them, and dramatically
         improves accuracy. Using \BibTeX{} means you only ever have
         to type the bibliographic details of a work once. You can
         then cite it in any document you write, and it will get
         formatted automatically to the style you specify.
\subsubsection{Citing references}
\label{citation}

\BibTeX{} works exactly the same way as other
           bibliographic databases: you keep details of every
           document you want to refer to in a separate file, using
           \BibTeX{}'s own format (see example below). Many
           writers make a habit of adding the details of every book
           and article they read, so that when they write a document,
           these entries are always available for reference. You give
           each entry a short label, just like you do with normal
           cross-references (see \S\thinspace\ref{normalxref}), and
           it is this label you use to refer to in your own documents
           when you cite the work using the \command{cite}
           command:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
..as has clearly been shown by Fothergill~\cite{fg}.
         \end{Verbatim}
\end{sourcecode}

By default, this creates a cross-reference number in
           square brackets�[1] which is a common style in the
           Natural Sciences (see \S\thinspace\ref{othercite} for
           details of how to change this). There are dozens of
           alternative citation formats in extra packages, including
           the popular author/year format:
\begin{example}
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
..as has clearly been shown
by~\citeauthoryear{fg}.
           \end{Verbatim}
\end{sourcecode}\vspace*{-\baselineskip}\begin{quote}\fontencoding{T1}\fontfamily{cmr}\selectfont\def\sfdefault{cmss}\def\bfdefault{bf}\noindent

\dots as has clearly been shown by�\citeauthoryear{fg}.
\end{quote}\end{example}

Note that in this case you don't type the
           author's name because it is automatically extracted
           by \BibTeX{}. There are lots of variants on this technique
           in many packages, allowing you to phrase your sentences
           with references in as natural a way as possible, and rely
           on \BibTeX{} to insert the right data. (If you examine the
           source of this document you'll find I use some
           homebrew commands like \command{authorof} and
           \command{titleof} which I use for a similar
           purpose.)

To print the bibliographic listing (usually called
           `References' in articles and
           `Bibliography' in books and
           reports), add these two lines towards the end of your
           document, or wherever you want it printed, substituting
           the name of your own \BibTeX{} file and the name of your
           chosen bibliography style:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\bibliographystyle{ieeetr}
\bibliography{mybib}
         \end{Verbatim}
\end{sourcecode}
\begin{itemize}
\item
The \command{bibliography} command is
               followed by the filename of your \BibTeX{} file
               \emph{without} the
               \url+.bib+ extension.

\item
The \command{bibliographystyle} command
               is followed by the name of any of \LaTeX{}'s
               supported bibliography styles, of which there are many
               dozens available from CTAN\index{CTAN@CTAN}.\footnote{The style
                   shown in the example here provides formatting
                   according to the specifications for Transactions
                   of the IEEE (revised).}

\end{itemize}

The styles \opt{plain} and
           \opt{alpha} are two common generic styles used
           for drafts. The example above uses Transactions of the Institute of Electrical
           and Electronics Engineers (IEEETR)\index{IEEETR@IEEETR|textbf}\index{Acronyms@\textbf{Acronyms}, defined!IEEETR@IEEETR|textbf}.
\subsubsection{Running \emph{bibtex}}
\label{bibtex}

When you run the \product{bibtex}
           program, the details of every document you have cited will
           be extracted from your database, formatted according to
           the style you specify, and stored in a temporary
           bibliographic (\url+.bbl+) file with a
           label corresponding to the one you used in your citation,
           ready for \LaTeX{} to use. This is entirely automatic: all
           you do is cite your references in your \LaTeX{} document
           using the labels you gave the entries in your \BibTeX{}
           file, and run the \product{bibtex}
           program.

After processing your file with \LaTeX{}, run
           \BibTeX{} on it by clicking on the
           \guiicon{\BibTeX{}} toolbar icon (if your editor
           has one), or use the
           \menuitem{TeX}{BibTeX
             File} menu entry, or type the command
           \verb+bibtex+ followed by the name of your
           document (without the \url+.tex+
           extension). When you run \LaTeX{} again it will use the
           \url+.bbl+ file which \BibTeX{} created,
           and subsequent runs of \LaTeX{} will format the correct
           citation numbers (or author/year, or whatever format you
           are using).
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
$ latex mybook
$ bibtex mybook
$ latex mybook
$ latex mybook
         \end{Verbatim}
\end{sourcecode}

Because of this three-stage process, you always get a
           warning message about an `unresolved
             reference' the first time you add a new
           reference to a previously uncited work. This will
           disappear after subsequent runs of
           \product{bibtex} and \LaTeX{}.

In practice, authors tend to run \LaTeX{} from time to
           time during writing anyway, so they can preview the
           document. Just run \BibTeX{} after adding a new
           \command{cite} command, and subsequent runs of
           \LaTeX{} will incrementally incorporate all references
           without you having to worry about it. You only need to
           follow the full formal sequence (\LaTeX{}, \BibTeX{},
           \LaTeX{}, \LaTeX{}) when you have finished writing and
           want to ensure that all references have been
           resolved.
\subsubsection{\BibTeX{} format}
\label{bibspec}

The format for the \BibTeX{} file is specified in the
           \BibTeX{} documentation (see \S\thinspace\ref{packagedoc}
           for how to find and print it). You create a file with a
           name ending in \url+.bib+, and add your
           entries, for example:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
@book{fg,
  title        = {{An Innkeeper's Diary}},
  author       = {John Fothergill},
  edition      = {3rd},
  publisher    = {Penguin},
  year         = 1929,
  address      = {London}
}
         \end{Verbatim}
\end{sourcecode}

There is a prescribed set of fields for each of a
           dozen or so types of document: book, article (in a
           journal), article (in a collection), chapter (in a book),
           thesis, report, paper (in a Proceedings), etc. Each entry
           identifies the document type after the
           `\verb+@+' sign,
           followed by the entry label that you make up, and then
           each field (in any order), using the format:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
keyword = {value},
         \end{Verbatim}
\end{sourcecode}

Most \TeX{}-sensitive editors have a \BibTeX{} mode
           which understands these entries.
           \product{Emacs} automatically uses its
           \url+bibtex-mode+ whenever you open a
           filename ending in \url+.bib+. When editing
           \BibTeX{} databases, the rules are simple:
\begin{itemize}
\item
Omit the comma after the last field in the entry
               (only\mdash{}eg after \verb+{London}+ in
               the example).

\item
Titles may have their case changed in some styles:
               to prevent this, enclose the title in double curly
               braces as in the example.

\item
Values which are purely numeric (e.g.�years)
               may omit the curly braces.

\item
Fields can occur in any order but the format must
               otherwise be strictly observed.

\item
Fields which are not used do not have to be
               included (so if your editor automatically inserts them
               as blank or prefixed by \verb+OPT+
               [optional], you can safely delete them as unused
               lines).

\end{itemize}

To help with this, there are several interfaces to
           creating and maintaining \BibTeX{} files, such as
           \product{tkbibtex} (see Figure~\ref{tkbibtex}), or
           \product{pybliographic}.
\begin{figure}\small
\caption{\small tk\BibTeX{}, one of several graphical interfaces to
             \BibTeX{} databases}
\label{tkbibtex}
\begin{center}
\includegraphics[width=0.75\textwidth]{tkbibtex}
\end{center}
\end{figure}
\subsubsection{Changing the layout}
\label{bibstyle}

To change the title printed over the reference
           listing, just change the value of
           \command{refname} (articles) or
           \command{bibname} (books and reports) by adding a
           line like this in your preamble:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\renewcommand{\bibname}{Reading List}
         \end{Verbatim}
\end{sourcecode}

The formatting specifications (\BibTeX{} styles) are
           based on standard settings for journals and books from
           dozens of publishers: you just pick the one you want by
           name. The \url+texmf/bib/bst+ subdirectory
           of your installation contains the ones installed by
           default, and you can search on CTAN\index{CTAN@CTAN}
           for others (look for \url+.bst+ files).
           Many of them are named after university press styles
           (e.g. \product{harvard},
           \product{oxford}) or the publisher or
           journal which specified them (e.g.
           \product{elsevier},
           \product{kluwer}, etc.).

Some of them have an accompanying package
           (\url+.sty+) file which
           you need to include with the normal
           \command{usepackage} command in your preamble. In
           this case the format may be distributed as
           \url+.dtx+ and \url+.ins+
           files and will need installing in the same way as any
           other package (see \S\thinspace\ref{pkginst}). Always read
           the documentation, because most of the formats are very
           specific to the journal they were designed for, and may have
           fairly absolute requirements.
\begin{warning}

If you are writing for a specific publisher, you
             should remember that the rules or formats are laid down
             by the typographic designer of that journal or
             publisher: you cannot arbitrarily change the format just
             because you don't happen to like it: it's not
             your choice!
\end{warning}

It is also possible to write your own \BibTeX{}
           (\url+.bst+) style files, although it uses
           a language of its own which really needs a computer
           science background to understand. However, this is
           rendered unnecessary in most cases: there is an extensive
           program (actually written in \LaTeX{}) called
           \product{makebst}, which makes
           \url+.bst+ files by asking you a (long)
           series of questions about exactly how you want your
           citations formatted. Just type
           \verb+latex makebst+ in a command window, but
           give it a dummy run first, because some of the questions
           are very detailed, so you need to have thought through how
           you want your citations to appear before you start.
\subsubsection{Other modes of citation}
\label{othercite}

The method of citing a work by numeric reference is
           common in the Natural Sciences but is not used in Law or
           the Humanities. In these fields, citations are usually
           done with short references (author/short-title/year) in a
           numbered footnote. Sometimes they are actually called
           `footnotes' to the exclusion of
           ordinary footnotes, although they are really citations
           which happen by convention to be
           \emph{displayed} as footnotes: an important
           distinction rarely appreciated by authors until they come
           to need a normal footnote.

For these fields, the bibliography at the back of the
           document is printed \emph{unnumbered} in
           alphabetic order of author, or perhaps chronologically if
           the time-frame is very large. This unnumbered format is
           why it is conventionally called
           `References' rather than
           `Bibliography': a sufficient working
           citation has already been provided in the footnote, and
           the list at the back is for reference purposes only;
           whereas in the Natural Sciences, the citation is just a
           number, or possibly an author and year only, so the full
           listing is called a Bibliography.

The \package{jurabib} package
           (originally intended for German law articles but now
           extended to other fields in the Humanities, and to other
           languages) has extensive features for doing this style of
           citation and is strongly recommended.
\section{Indexes and glossaries}
\label{indexes}
\index{indexes}\index{glossaries}
\LaTeX{} has a powerful, automated indexing facility which
       uses the standard \product{makeindex}
       program. To use indexing, use the package
       \package{makeidx} and include the
       \command{makeindex} command in your preamble:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\usepackage{makeidx}
\makeindex
     \end{Verbatim}
\end{sourcecode}

When you want to index something, using the command
       \command{index} followed by the entry in curly
       braces, as you want it to appear in the index, using one of
       the following formats:
\begin{description}
\item[\sffamily Plain entry]
Typing \verb+\index{beer}+ will create
             an entry for `beer' with the
             current page
             number.\index{beer}
\item[\sffamily Subindex entry]
For an entry with a subentry use an exclamation mark
             to separate them:
               \verb+\index{beer!lite}+.\index{beer!lite} Subsubentries like
             \verb+\index{beer!lite!American}+ work to
             another level deep.\index{beer!lite!American}
\item[\sffamily Cross-references]
`See' entries are done with
             the vertical bar (one of the rare times it does
             \emph{not} get interpreted as a math
             character):
             \verb+\index{Microbrew|see{beer}}+\index{Microbrew|see{beer}}
\item[\sffamily Font changes]\label{indextypo}
To change the style of an entry, use the @-sign
             followed by a font change command:
\begin{sourcecode}[-\leftmargin]\begin{Verbatim}[fontsize=\small]
\index{beer!Rogue!Chocolate
      Stout@\textit{Chocolate Stout}}
           \end{Verbatim}
\end{sourcecode}

\noindent This example\index{Chocolate Stout@\textit{Chocolate Stout}} indexes `\product{Chocolate
                 Stout}' and italicises it
             at the same time. Any of the standard
             \verb+\text...+ font-change commands work
             here: see the table on p.\thinspace\pageref{fontcmds} for details.

You can also change the font of the index number on
             its own, as for first-usage references, by using the
             vertical bar in a similar way to the
             `see' entries above, but
             substituting a font-change command name
             (\emph{without} a backslash) such as
             \verb+textbf+ for bold-face text (see the
             index)\index{Chocolate Stout|textbf}:
\begin{sourcecode}[-\leftmargin]\begin{Verbatim}[fontsize=\small]
\index{beer!Rogue!Chocolate Stout|textbf}
           \end{Verbatim}
\end{sourcecode}
\item[\sffamily Out of sequence]
The same method can be used as for font changes,
             but using the alternate index word instead of the font
             command name, so
             \verb+\index{Oregon Brewing Company@Rogue}+\index{Oregon Brewing                   Company@Rogue} will add an entry for
             `Rogue' in the
             `O' section of the index, as if
             it was spelled `Oregon Brewing
               Company'.
\end{description}

When the document has been processed through \LaTeX{} it
       will have created a \url+.idx+ file, which you
       run through the \product{makeindex} program
       by typing (for example):
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
makeindex�mythesis
     \end{Verbatim}
\end{sourcecode}

Some editors may have a button or menu entry for this. The
       program will look for the \url+.idx+ file and
       output a \url+.ind+ file. This gets used by the
       command \command{printindex} which you put at the end
       of your document, where you want the index printed. The
       default index format is two columns.

Glossaries are done in a similar manner using the command
       \command{makeglossary} in the preamble and the
       command \command{glossary} in the same way as
       \command{index}. There are some subtle differences in
       the way glossaries are handled: both the books by \citeauthoryear{latexbook} and by \citeauthoryear{companion} duck the issue, but
       there is some documentation on \url+glotex+ on
       CTAN\index{CTAN@CTAN}.
\section{Multiple columns}
\label{multicols}
\index{columns}
Use the \package{multicol} package: the
       environment is called \env{multicols} (note the
       plural form) and it takes the number of columns as a separate
       argument in curly braces:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\usepackage{multicol}
..
\begin{multicols}{3}
..
\end{multicols}
     \end{Verbatim}
\end{sourcecode}
\begin{multicols}{3}
\setlength{\parskip}{0pt}\footnotesize\noindent
\LaTeX{} has built-in support for two-column typesetting
         via the \verb+twocolumn+ option in the standard
         Document Class Declarations, but it is relatively inflexible
         in that you cannot change from full-width to double-column
         and back again on the same page, and the final page does not
         balance the column heights. However, it does feature special
         \env{figure*} and \env{table*}
         environments which typeset full-width figures and tables
         across a double-column setting.

The more extensive solution is the
         \package{multicol} package, which will set up
         to 10 columns, and allows the number of columns to be
         changed or reset to one in mid-page, so that full-width
         graphics can still be used. It also balances the height of
         the final page so that all columns are the same
         height\mdash{}if possible: it's not always
         achievable\mdash{}and you can control the width of the gutter
         by setting the \command{columnsep} length to a new
         dimension.

Multi-column work needs some skill in typographic
         layout, though: the narrowness of the columns makes
         typesetting less likely to fit smoothly because it's hard to
         hyphenate and justify well when there is little space to
         man\oe uvre in.
\end{multicols}
\chapter{Fonts and layouts}
\label{typo}
\index{typographics}
This is the chapter that most users want first, because they
     come to structured documents from a wordprocessing environment
     where the \emph{only} way to convey different
     types of information is to fiddle with the font and size
     drop-down menus.

As I hope you have seen, this is normally completely
     unnecessary in \LaTeX{}, which does most of the hard work for you
     automatically. However, there are occasions when you need to
     make manual typographic changes, and this chapter is about how
     to do them.
\section{Changing layout}
\label{layouts}

The design of the page can be a very subjective matter,
       and also rather a subtle one. Many organisations large and
       small pay considerable sums to designers to come up with page
       layouts to suit their purposes. Styles in page layouts change
       with the years, as do fashions in everything else, so what may
       have looked attractive in 1991 may look rather dated in
       2011.

As with most aspects of typography, making the document
       readable involves making it consistent, so the reader is not
       interrupted or distracted too much by apparently random
       changes in margins, widths, or placement of objects. However,
       there are a number of different occasions where the layout
       usually \emph{does} change, related to the
       frequency with which the format appears.
\begin{itemize}
\item
The title page, the half-title, copyright page,
           dedication, and other one-page preliminaries (if you use
           them) are usually designed individually, as the information
           on it only occurs once in that format anywhere in the
           document.

\item
The table of contents and other related lists like
           figures and tables all need to share one
           design.

\item
The prelims like Foreword, Introduction, and Preface
           should likewise follow the same format between
           them.

\item
Chapter and Appendix start pages usually share a
           layout.

\item
Other (normal) pages have a single layout, but it may
           specify individual variations to handle tables, lists,
           figures, sidebars, exercises, footnotes, etc.

\end{itemize}

If you are going to design a whole document, it's
       probably a good idea to read a couple of books on layout
       design first, to get a feel for the conventions which
       contribute to making the reader comfortable reading.

While unusual or radical layouts have an important role in
       attention-grabbing, or in making a socio-political statement
       (\titlecite{wired} magazine is an obvious
       recent example), they are usually out of place in business
       reports, white papers, books, theses, and journals. In
       ephemera, on the other hand, as in advertising, they are
       probably critical.
\subsection{Spacing}
\label{spacing}
\index{page size!margins}\index{margins}
We mentioned in \S\thinspace\ref{marginals} and
         elsewhere the existence of the
         \package{geometry} package which lets you
         change margins. It also lets you set the text-area height
         and width and a lot of other layout settings: read the
         documentation for details (see \S\thinspace\ref{packagedoc} for how to read package
         documentation).
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\usepackage[left=2cm,top=1cm,bottom=2cm,right=3cm,
           nohead,nofoot]{geometry}
       \end{Verbatim}
\end{sourcecode}

The spacing around the individual textual components
         (headings, paragraphs, lists, footnotes, etc.)�can
         also be changed on a document-wide basis, as we saw with
         paragraph spacing and indentation in \S\thinspace\ref{paraspace}.

Changing the spacing of section headings for the whole
         document can be done with the
         \package{sectsty} package, designed to let
         you adjust section-head spacing without having to know about
         the internal \LaTeX{} coding, which is quite complex.

The spacing for lists can be adjusted with the
         \package{mdwlist} package. In both cases the
         user with highly specific requirements such as a
         publisher's Compositor's Specification should read
         the relevant sections in the \titlecite{companion} or ask for expert help, as
         there are many internal settings which can also be changed
         to fine-tune your design, but which need some knowledge of
         \LaTeX{}'s internals.

All the above are for automating changes so that they
         occur every time in a consistent manner. You can also make
         manual changes whenever you need:
\index{space|see{white-space}}\begin{description}
\item[\sffamily Flexible vertical space]\index{white-space!vertical!flexible}
There are three commands
               \command{smallskip},
               \command{medskip}, and
               \command{bigskip}. These output flexible
               (dynamic, or `rubber') space,
               approximately 3pt, 6pt, and 12pt high respectively,
               and they will automatically compress or expand a
               little, depending on the demands of the rest of the
               page (for example to allow one extra line to fit, or a
               heading to be moved to the next page without anyone
               except a typographer noticing the change). These
               commands can only be used after a paragraph break (a
               blank line or the command
               \command{par}).
\item[\sffamily Fixed vertical space]\index{white-space!vertical!fixed}\index{white-space!vertical!disappearing}
For a fixed-height space which will
               \emph{not} stretch or shrink, use the
               command \command{vspace} followed by a length
               in curly braces, e.g. \verb+\vspace{18pt}+
               (again, this has to be after a paragraph break). Bear
               in mind that extra space which ends up at a page-break
               when the document is formatted \emph{will get
                 discarded entirely} to make the bottom and
               top lines fall in the correct places. To force a
               vertical space to remain and be taken into account
               even after a page break (very rare), use the starred
               variant \command{vspace*}, e.g.
               \verb+\vspace*{19pt}+.
\item[\sffamily Double spacing]\index{white-space!double-spacing}\index{double-spacing}
Double-spacing normal lines of text is usually a
               bad idea, as it looks very ugly.  It is still
               unfortunately a requirement in some universities for
               thesis submission, a historical relic from the days of
               typewriters. Nowadays, 1\Frac13 or 1� line
               spacing is considered acceptable, according to your
               font size. If your institution still thinks they
               should have double line spacing, they are probably
               wrong, and just don't understand that the world has
               moved on since the typewriter. Show them this
               paragraph and explain that they need to enter the 21st
               century and adapt to the features of computer
               typesetting.  If they still insist, use the
               \package{setspace} package,which has
               commands for double line-spacing and one-and-a-half
               line spacing, but be prepared for some very ugly
               output (so warn your supervisor and extern).

The space between lines is defined by the value of
               the length variable \length{baselineskip} multiplied
               by the value of the \command{baselinestretch}
               command. In general, \emph{don't meddle with
                 \length{baselineskip} at
                 all}, and with
               \command{baselinestretch} only if you know
               what you are doing. (Both can, however, safely be used
               as reference values in commands like
               \verb+\vspace{\baselineskip}+ to leave a
               whole line space.)
\index{spacing|see{white-space}}
The value of \length{baselineskip} changes with
               the font size (see \S\thinspace\ref{fontsize}) but is conventionally set to
               1.2 times the current nominal font size. This is a
               value derived from long experience: only change it if
               you understand what it means and what effect it will
               have.

Quite separately, there are some perfectly genuine
               and normal reasons for wanting wide line spacing,
               \index{spacing|see{double-spacing}} for example when typesetting a proof of a
               critical or variorum edition, where editors and
               contributors are going to want to add notes manually
               by writing between the lines, or where the text is
               going to be overprinted by something else like
               Braille, or in advertising or display text for special
               effects.
\item[\sffamily Horizontal space]\index{white-space!horizontal}
There is a horizontal equivalent to the
               \command{vspace} command:
               \command{hspace}, which works in the same
               way, so I can force a 1$''$ space like
               this\hspace*{1in}in
               mid-paragraph. There are also some predefined
               (shorter) spaces available:
\begin{itemize}
\item
\command{thinspace}�(\Frac16em),
                   which we saw between single and double quotes in
                 the last paragraph of \S\thinspace\ref{thinspace}. It's also
                   sometimes used between the full point after
                   abbreviations and a following number, as in page
                   references like p.\thinspace{}199, where a word space
                   would look too big, and setting it solid would
                   look too tight.

\item
\command{enspace}�(�em).
                   There is no direct equivalent predefined in
                   \LaTeX{} for mid and thick spaces as used by metal
                   typesetters, although it would be possible to
                   define them. The en as a unit is often used as the
                   width of a single digit in some fonts, as a
                   convenience so that tables of figures are easy to
                   line up.

\item
\command{quad}�(1em).

\item
\command{qquad}�(2em).

\end{itemize}

Beyond this, all horizontal space within
               paragraphs is automatically flexible,
             \index{tracking|see{letterspacing}}\index{letterspacing} as this is what
               \LaTeX{} uses to achieve justification. Never be
               tempted to try and change the spacing between letters
               unless you have some professional training in
               typography. Some systems use letterspacing
               (incorrectly called `tracking') as an aid
               to justification and it is almost always wrong to do
               so (and looks it). While it \emph{is}
               possible to change letterspacing (with the
               \package{soul} package), it should only
               be done by a typographer, and then only very rarely,
               as the settings are very subtle and beyond the scope
               of this book.
\end{description}
\subsection{Headers and footers}
\label{runningheads}

\LaTeX{} has built-in settings to control the page style
         of its default page layouts. These are implemented with the
         \command{pagestyle} command, which can take one of
         the following arguments.
\begin{description}
\item[\sffamily \opt{plain}]
for a page number centered at the bottom;
\item[\sffamily \opt{empty}]
for nothing at all, not even a page number;
\item[\sffamily \opt{headings}]
for running heads based on the current chapter and
               section;
\item[\sffamily \opt{myheadings}]
which lets you use your own reprogrammed
               definitions of how \command{markright} and
               \command{markboth} commands, which control
               how chapter and section titles get into page
               headers.
\end{description}

The command \command{thispagestyle} (taking the
         same arguments) can be used to force a specific style for
         the current page only.

However, the easiest way is to use the
         \package{fancyhdr} package, which lets you
         redefine the left-hand, centre, and right-hand page headers
         and footers for both odd and even pages (twelve objects in
         all). These areas can contain a page number, fixed text,
         variable text (like the current chapter or section title, or
         the catch-words of a dictionary), or even a small image.
         They can also be used to do page backgrounds and frames, by
         making one of them the top corner of an invisible box which
         `hangs' text or images down over the whole
         page.

The settings for the downloadable version of this
         document can be used as an example: for the whole story you
         have to read the documentation.
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\pagestyle{fancy}\fancyhead{}
\renewcommand\headrulewidth{.1pt}
\fancyhead[LO,RE]{\footnotesize\sffamily\lite\leftmark}
\fancyhead[LE,RO]{\footnotesize\sffamily\lite\itshape
                 \rightmark}
\fancyfoot[C]{}
\fancyfoot[LE,RO]{\setlength{\fboxsep}{2pt}\ovalbox%
                 {\footnotesize\sffamily\thepage}}
\fancyfoot[LO,RE]{\footnotesize\sffamily\lite\@title}
\fancypagestyle{plain}{\fancyhf{}
   \fancyfoot[R]{\setlength{\fboxsep}{2pt}\ovalbox{%
                 \footnotesize\sffamily\thepage}}
   \fancyfoot[L]{\footnotesize\sffamily\lite\@title}
   \renewcommand{\headrulewidth}{0pt}}
       \end{Verbatim}
\end{sourcecode}

This is probably more complex than most documents, but
         it illustrates some common requirements:
\begin{enumerate}\item
Settings are prefixed by making the
             \command{pagestyle}�`fancy'
             and setting the \command{fancyhead} to
             null to zap any predefined values.

\item
The thickness of the rule at the top of the page can
             be changed (or set to 0pt to make it disappear).

\item
The header and footer settings are specified with L,
             C, and R for left, centre, and right; and with O and E
             for Odd and Even numbered pages. In each setting, the
             typeface style, size, and font can be specified along
             with macros which implement various dynamic texts (here,
             the current chapter and section titles, which \LaTeX{}
             stores in \command{rightmark} and
             \command{leftmark}).

\item
The `plain' variant is used for chapter
             starts, and resets some of the parameters
             accordingly.

\end{enumerate}
\section{Using fonts}
\label{fontuse}
\index{fonts!in general}
The default typeface in \LaTeX{} is Computer Modern (CM)\index{CM@CM|textbf}\index{Acronyms@\textbf{Acronyms}, defined!CM@CM|textbf}. This typeface was
       designed by Knuth for use with \TeX{} because it is a book
       face, and he designed \TeX{} originally for typesetting books.
       Because it is one of the very few book typefaces with a
       comprehensive set of fonts, including a full suite of
       mathematics, it has remained the default, rather than the
       Times you find in wordprocessors, because until recently the
       mathematical symbols for Times were a commercial product often
       unavailable to users of free software.

\index{fonts!\mf{}}\index{fonts!Computer Modern}{\fontencoding{OT1}\fontfamily{cmr}\fontsize{12pt}{12pt}\selectfont{}Computer Modern is based on
         a 19th-century book typeface from Monotype, which is why it
         looks a little like an old-fashioned school book. This
         paragraph is set in Computer Modern so you can see what it
         looks like. The typeface was designed using \mf{}, the
         font-drawing program made by Knuth to accompany \TeX{}
         systems, but it is now also available in Type�1 and
         TrueType formats.}
\begin{warning}

If you are reading this in a web browser, the above
         paragraph is only a low-resolution copy because browsers
         don't usually have the Computer Modern font available.
         All the rest of this document is set in \rmfontfamilyname{}, with
         \sffontfamilyname{} for some of the headings and \ttfontfamilyname{} for the
         fixed-width type.
\end{warning}

In addition to CM\index{CM@CM}, there are
       many other \mf{} fonts which can be downloaded from
       CTAN\index{CTAN@CTAN}, including a large collection
       of historical, symbol, initial, and non-Latin fonts. \LaTeX{}
       also comes with the `Adobe 35'
       typefaces which are built into laser printers and other
       DTP\index{DTP@DTP} systems, and some more fonts
       donated by the X�Consortium. Plus, of course, standard
       \LaTeX{} can use any of the thousands of
       Type�1 fonts available, and
       \product{pdf\LaTeX{}} can use any of the
       thousands of TrueType fonts as well.

In the following lists, if there is a package available,
       its name is given in parentheses after the name of the
       typeface. The font-family name is shown on the right-hand
       side. If a non-standard font-encoding is needed, its name is
       shown before the font-family name.
\index{fonts!TrueType}\index{fonts!metafont@\mf{}}\index{fonts!PostScript}\index{fonts!Type�1}\begingroup\small \subsubsection*{Latin-alphabet typefaces (\mf{})}\label{fontable-mf}\addcontentsline{lot}{subsubsection}{Latin-alphabet typefaces (\mf{})}\par\smallskip\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Computer Modern Roman\hfill\texttt{cmr}}\\{\fontencoding{OT1}\fontfamily{cmr}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Computer Modern Sans\hfill\texttt{cmss}}\\{\fontencoding{OT1}\fontfamily{cmss}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Computer Modern Typewriter\hfill\texttt{cmtt}}\\{\fontencoding{OT1}\fontfamily{cmtt}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Pandora\quad{\fontseries{m}\selectfont(\package{pandora})}\hfill\texttt{panr}}\\{\fontencoding{OT1}\fontfamily{panr}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Pandora Sans\hfill\texttt{pss}}\\{\fontencoding{OT1}\fontfamily{pss}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Pandora Typewriter\hfill\texttt{pntt}}\\{\fontencoding{OT1}\fontfamily{pntt}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Universal\hfill\texttt{uni}}\\{\fontencoding{OT1}\fontfamily{uni}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Concrete\quad{\fontseries{m}\selectfont(\package{ccr})}\hfill\texttt{ccr}}\\{\fontencoding{OT1}\fontfamily{ccr}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut �{\fontfamily{cmr}\selectfont\i}reannach\quad{\fontseries{m}\selectfont(\package{eiad})}\hfill\texttt{eiad}}\\{\fontencoding{OT1}\fontfamily{eiad}\selectfont
N{\fontfamily{cmr}\selectfont\'\i}l aon tinte�n mar do thinte�n f\'ein}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Rustic\hfill\texttt{rust}}\\{\fontencoding{OT1}\fontfamily{rust}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Uncial\hfill\texttt{uncl}}\\{\fontencoding{OT1}\fontfamily{uncl}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut D�rer\hfill\texttt{zdu}}\\{\fontencoding{OT1}\fontfamily{zdu}\selectfont
THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Fraktur\hfill\texttt{U\enspace yfrak}}\\{\fontencoding{U}\fontfamily{yfrak}\selectfont
Fuch\char'215 , Du hast die Gan\char'215  gestohlen, gib sie wieder her!}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Gothic\hfill\texttt{U\enspace ygoth}}\\{\fontencoding{U}\fontfamily{ygoth}\selectfont
If it plese any man spirituel or temporel}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Schw�bische\hfill\texttt{U\enspace yswab}}\\{\fontencoding{U}\fontfamily{yswab}\selectfont
Fuch\char'215 , Du hast die Gan\char'215  gestohlen, gib sie wieder her!}\strut
\hrule height.2pt \endgroup\begingroup\small \subsubsection*{Latin-alphabet typefaces (PostScript Type 1) from
         Adobe}\label{fontable-adobe}\addcontentsline{lot}{subsubsection}{Latin-alphabet typefaces (PostScript Type 1) from
         Adobe}\par\smallskip\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Avant Garde\quad{\fontseries{m}\selectfont(\package{avant})}\hfill\texttt{pag}}\\{\fontencoding{OT1}\fontfamily{pag}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Bookman\footnote{Uses Avant Garde as the sans-serif and Courier for
           monospace.}\quad{\fontseries{m}\selectfont(\package{bookman})}\hfill\texttt{pbk}}\\{\fontencoding{OT1}\fontfamily{pbk}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Courier\quad{\fontseries{m}\selectfont(\package{courier})}\hfill\texttt{pcr}}\\{\fontencoding{OT1}\fontfamily{pcr}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Helvetica\quad{\fontseries{m}\selectfont(\package{helvet})}\hfill\texttt{phv}}\\{\fontencoding{OT1}\fontfamily{phv}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut New Century Schoolbook\footnote{Uses Helvetica as the sans-serif font and Courier
           for monospace.}\quad{\fontseries{m}\selectfont(\package{newcent})}\hfill\texttt{pnc}}\\{\fontencoding{OT1}\fontfamily{pnc}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Palatino\footnote{Uses Avant Garde as the sans-serif and Courier for
           monospace.}\quad{\fontseries{m}\selectfont(\package{palatino})}\hfill\texttt{ppl}}\\{\fontencoding{OT1}\fontfamily{ppl}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Symbol\hfill\texttt{U\enspace psy}}\\{\fontencoding{U}\fontfamily{psy}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Times New Roman\footnote{Uses Helvetica as the sans-serif font and Courier
           for monospace. Mathematical symbols for Times are
           available both free and commercially.}\quad{\fontseries{m}\selectfont(\package{times})}\hfill\texttt{ptm}}\\{\fontencoding{OT1}\fontfamily{ptm}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Zapf Chancery\quad{\fontseries{m}\selectfont(\package{zapfchan})}\hfill\texttt{pzc}}\\{\fontencoding{OT1}\fontfamily{pzc}\selectfont\itshape
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Zapf Dingbats\quad{\fontseries{m}\selectfont(\package{pifont})}\hfill\texttt{U\enspace pzd}}\\{\fontencoding{U}\fontfamily{pzd}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt \endgroup\par\medskip
As mentioned in \S\thinspace\ref{print}, the
       `Adobe 35' fonts can be used with any
       printer, not just a laser printer or typesetter. The
       \product{Ghostscript} interpreter and the
       \product{GSview} viewer come with a large set
       of printer drivers, so you just create PostScript output and
       print from \product{GSview}.

Incidentally, the 35 refers to the total number of fonts
       for the 10 typefaces, including their bold, italic, and
       bold-italic variants.

Postscript Type 1 fonts have been the mainstay of the
       graphic arts industries for many years, as they allow much
       better definition of variance
       (`hinting') than most other formats.
       However, the font format remains proprietary to Adobe, even
       though they have released it for public use, which means they
       could change it without warning.  A new format called
       `OpenType' is designed to overcome
       this, and some versions of \TeX{} are
       already able to use OpenType fonts.
\begingroup\small \subsubsection*{Latin-alphabet fonts (PostScript Type 1) from the X
           Consortium}\label{fontable-x}\addcontentsline{lot}{subsubsection}{Latin-alphabet fonts (PostScript Type 1) from the X
           Consortium}\par\smallskip\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Charter\quad{\fontseries{m}\selectfont(\package{charter})}\hfill\texttt{bch}}\\{\fontencoding{OT1}\fontfamily{bch}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Nimbus Roman\hfill\texttt{unm}}\\{\fontencoding{OT1}\fontfamily{unm}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Nimbus Sans\hfill\texttt{unms}}\\{\fontencoding{OT1}\fontfamily{unms}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut URW Antiqua\hfill\texttt{uaq}}\\{\fontencoding{OT1}\fontfamily{uaq}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut URW Grotesk\hfill\texttt{ugq}}\\{\fontencoding{OT1}\fontfamily{ugq}\selectfont\bfseries
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Utopia\footnote{Removed from recent distributions as it is not
           free.}\quad{\fontseries{m}\selectfont(\package{utopia})}\hfill\texttt{put}}\\{\fontencoding{OT1}\fontfamily{put}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt \endgroup\par\medskip \begingroup\small \subsubsection*{Non-Latin-alphabet typefaces (\mf{})}\label{fontable-nonlat}\addcontentsline{lot}{subsubsection}{Non-Latin-alphabet typefaces (\mf{})}\par\smallskip\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut BB Dingbats\hfill\texttt{U\enspace ding}}\\{\fontencoding{U}\fontfamily{ding}\selectfont
\fontsize{9}{0}\selectfont The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Cypriot\hfill\texttt{cypr}}\\{\fontencoding{OT1}\fontfamily{cypr}\selectfont
\fontsize{8}{0}\selectfont The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Etruscan\hfill\texttt{etr}}\\{\fontencoding{OT1}\fontfamily{etr}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Linear `B'\hfill\texttt{linb}}\\{\fontencoding{OT1}\fontfamily{linb}\selectfont
\fontsize{9}{0}\selectfont The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Phoenician\hfill\texttt{phnc}}\\{\fontencoding{OT1}\fontfamily{phnc}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Runic\hfill\texttt{fut}}\\{\fontencoding{OT1}\fontfamily{fut}\selectfont
THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG}\strut
\hrule height.2pt\par\noindent{\sffamily\scriptsize\lite\emstrut Bard\hfill\texttt{U\enspace zba}}\\{\fontencoding{U}\fontfamily{zba}\selectfont
The quick brown fox jumps over the lazy dog}\strut
\hrule height.2pt \endgroup\begin{warning}

Just to make it clear: standard \LaTeX{} uses only
         \mf{} and PostScript\index{PostScript} Type�1
         fonts. \product{pdf\LaTeX{}} can use TrueType
         fonts as well.
\end{warning}
\subsection{Changing the default font family}
\index{fonts!changing the default}
\LaTeX{} expects to work with three font families as
         defaults:
\index{fonts!families}\begingroup\small \begin{center}
\begin{tabular}{l>{\ttfamily}l}
\textbf{\sffamily\upshape Font family}&\textbf{\sffamily\upshape Code}\\[2pt]\hline\\[-1.5\baselineskip]
Roman (serif, with tails on the uprights), the
                 default&rm\\
\sffamily{}Sans-serif, with no tails on
                 the uprights&sf\\
\ttfamily{}Monospace (fixed-width or
                 typewriter)&tt\\
\end{tabular}
\end{center}
\endgroup
The start-up default for \LaTeX{} equates the
         \verb+rm+ default with the
         {\slshape\verb`cmr`} font-family (Computer Modern Roman),
         \verb+sf+ with {\slshape\verb`cmss`}, and
         \verb+tt+ with {\slshape\verb`cmtt`}. If you
         use one of the packages listed in the tables on pp.\thinspace\pageref{fontable-mf}--\pageref{fontable-nonlat}, it will
         replace the defaults of the same type: for example,
         \verb+\usepackage{bookman}+ makes the default
         \verb+rm+ font-family Bookman
         ({\slshape\verb`pbk`}), but leaves the sans-serif
         (\verb+sf+) and monospace
         (\verb+tt+) families untouched. Equally,
         \verb+\usepackage{helvet}+ changes the default
         sans-serif family to Helvetica but leaves the serif (Roman)
         and monospace families untouched. Using both commands will
         change both defaults because they operate
         independently.

\emph{However}\dots as it is common to
         want to change all three defaults at the same time, some of
         the most common `suites' of typefaces
         are provided as packages:
\begin{description}
\item[\sffamily \package{times}]
changes to Times/Helvetica/Courier.
\item[\sffamily \package{pslatex}]
same as \package{times} but uses a
               specially narrowed Courier to save space (normal
               Courier is rather inelegantly wide). This is the
               preferred setting if you want Times.\footnote{The \package{pslatex} package
                   is also said to be outdated by some experts
                   because it implements rather long-windedly what
                   can now be done in three commands. However, until
                   these replace the current version, I recommend
                   continuing to use \package{pslatex}
                   when you want Times with Helvetica and narrow
                   Courier.}
\item[\sffamily \package{newcent}]
changes to New Century
               Schoolbook/Helvetica/Courier.
\item[\sffamily \package{palatino}]
changes to Palatino/Avant Garde/Courier.
\item[\sffamily \package{palatcm}]
changes the roman to Palatino only, but with
               CM\index{CM@CM} mathematics
\end{description}

Where no package name is given in the tables on pp.\thinspace\pageref{fontable-mf}--\pageref{fontable-nonlat}, it means the
         font is rarely used as a default by itself except in special
         cases like users' own homebrew packages. To use such a
         font you have to specify it manually, or make a little macro
         for yourself if you use it more than once.
\subsection{Changing the font-family temporarily}
\label{fontfam}
\index{fonts!changing temporarily}
To shift to another font family on a temporary basis,
         use the commands \command{fontencoding} (if
         needed), \command{fontfamily}, and
         \command{selectfont}, and \emph{enclose the
           commands \textbf{and} the text in curly
           braces}. Note that this is a
         \emph{different} way of using curly braces to
         how we have used them before: it limits the effect of a
         change to the material inside the braces.
\begin{example}
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
{\fontfamily{phv}\selectfont
Helvetica looks like this}:
{\fontencoding{OT1}\fontfamily{bch}\selectfont
Charter looks like this}.
         \end{Verbatim}
\end{sourcecode}\vspace*{-\baselineskip}\begin{quote}\fontencoding{T1}\fontfamily{cmr}\selectfont\def\sfdefault{cmss}\def\bfdefault{bf}\noindent

{\fontfamily{phv}\selectfont{}Helvetica
             looks like this}: {\fontencoding{OT1}\fontfamily{bch}\selectfont{}Charter looks like
             this}.
\end{quote}\end{example}

In this example, the \command{fontencoding}
         command has been used to ensure that the typeface will work
         even if the sentence is used in the middle of something
         typeset in a different encoding (like this
         document).\footnote{Test for the observant reader: in what typeface will
         the colon (:) in the example be set?}
\begin{sidebar}\label{grouping}
\subsection*{Grouping}\index{grouping}
Note carefully this use of curly braces to restrict
           the scope of a change rather than delimit the argument to
           a command. This is called
           `grouping' and it makes the effect
           any changes made \emph{inside} the braces
           local, so that they do not interfere with the text
           following. Any changes to fonts or other values made
           within the curly braces cease when the closing curly brace
           is processed.
\end{sidebar}
In a normal document, of course, random typeface changes
         like this are rather rare. You select your typeface[s] once
         at the start of the document, and stick with them.

Most cases where people want to do unusual typeface
         changes involve things like special symbols on a repetitive
         basis, and \LaTeX{} provides much easier programmable ways
         to make these changes into shorthand commands (called
         macros: see \chaptername~\ref{macros}). You could, for
         example, make a macro called \command{product}
         which would let you typeset product names in a distinct
         typeface:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
Andlinger, Inc., has replaced \product{Splosh} with
\product{SuperSplosh}.
       \end{Verbatim}
\end{sourcecode}

This is one of \LaTeX{}'s most powerful features.
         It means that if you needed to change your
         \command{product} command at some later stage to
         use a different font, you only have to change three
         characters in the macro (the font-family name), and
         you don't need to edit your document text at all!
         What's more, a macro could do other things at the same time,
         like add an entry to an index of products.

However, vastly more common are changes to type
         \emph{style}, while staying with the same
         font-family.
\subsection{Changing font style}
\index{fonts!styles}
Within each typeface or font family there are usually
         several different `looks' to the type
         design. \LaTeX{} distinguishes between font \textbf{\textit{family}}\label{family}\index{family@\textbf{\textit{family}}}, font \textbf{\textit{shape}}\label{shape}\index{shape@\textbf{\textit{shape}}}, and font \textbf{\textit{series}}\label{series}\index{series@\textbf{\textit{series}}}:
\begingroup\small \begin{center}
\begin{tabular}{@{}l>{\ttfamily}ll@{}}
\textbf{\sffamily\upshape Type style}&\textbf{\sffamily\upshape Command}&\textbf{\sffamily\upshape Example (using Computer Modern)}\\[2pt]\hline\\[-1.5\baselineskip]
Upright&\command{upshape}*&{\fontencoding{OT1}\fontfamily{cmr}\selectfont{}The quick brown fox jumps over the
                   lazy d}\\
Italic&\command{itshape}&{\fontencoding{OT1}\fontfamily{cmr}\fontshape{it}\selectfont{}\font\foo=cmti10
                     \foo The quick brown fox jumps over the lazy
                     dog}\\
Slanted&\command{slshape}*&{\fontencoding{OT1}\fontfamily{cmr}\fontshape{sl}\selectfont{}The quick brown fox
                   jumps over the lazy d}\\
Small Capitals&\command{scshape}*&{\fontencoding{OT1}\fontfamily{cmr}\fontshape{sc}\selectfont{}The quick brown fox
                   jumps over the}\\
Bold&\command{bfseries}*&{\fontencoding{OT1}\fontfamily{cmr}\fontseries{b}\selectfont{}The quick brown fox
                   jumps over the lazy d}\\
Bold Extended&\command{bfseries}\dag &{\fontencoding{OT1}\fontfamily{cmr}\fontseries{bx}\selectfont{}\font\foo=cmbx10
                     \foo The quick brown fox jumps over the
                     lazy}\\
Sans-serif&\command{sffamily}&{\fontencoding{OT1}\fontfamily{cmss}\selectfont{}The quick brown fox jumps over the
                   lazy dog}\\
Monospace&\command{ttfamily}&{\fontencoding{OT1}\fontfamily{cmtt}\selectfont{}The quick brown fox jumps over the
                   laz}\\
\end{tabular}
\par\smallskip\footnotesize
\begin{itemize*}
\item [\sffamily *] Not all typefaces have all
               variants! Some only have bold and italics.
\item [\sffamily \dag ] Some typefaces do not have
               both bold and bold extended: by default \LaTeX{} uses
               \command{bfseries} for bold
               extended.
\end{itemize*}
\end{center}
\endgroup
These `shape',
         `series', and
         `family' commands are \textbf{\textit{commutative}}\label{commutative}\index{commutative@\textbf{\textit{commutative}}}, so you can
         combine a shape with a series and/or a family, without the
         need to use \command{selectfont}:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
This gives you {\bfseries\itshape\sffamily bold
italic sans-serif type}, but beware
       \end{Verbatim}
\end{sourcecode}

This gives you {\sffamily{}\fontseries{b}\fontshape{it}\selectfont{}bold italic sans-serif type}, but
         beware of pushing your fonts beyond their limits unless you
         are a typographer. It is not normally meaningful to combine
         one shape or series class with another of the same class,
         such as trying to get slanted-italics. It's an
         impossibility to combine one family with another (such as a
         seriffed sans-serif typeface!). Slanted plus italics, for
         example, doesn't make sense, as italics are already
         slanted (although it is technically possible); and while
         some typefaces may well possess italic small caps, they are
         not in common use. Sans-serif and monospace (typewriter) are
         different fonts, and often different typeface families
         entirely.\footnote{Although if you're a typographer wanting to
             experiment with typewriter typefaces with and without
             serifs, you can use \mf{} to do exactly this kind
             of thing. But that's way outside the scope of this
             document.}

There is an alternative syntax for the most common type
         shape and series commands which uses curly braces in the
         normal `argument' manner:
\begingroup\small \begin{center}
\label{fontcmds}
\begin{tabular}{@{}l>{\ttfamily}ll@{}}
\textbf{\sffamily\upshape Type style}&\textbf{\sffamily\upshape Command}&\textbf{\sffamily\upshape Example}\\[2pt]\hline\\[-1.5\baselineskip]
Italic&\verb+\textit{text}+&puts {\fontshape{it}\selectfont{}text}
                 into italics\\
Slanted&\verb+\textsl{text}+&puts {\fontencoding{OT1}\fontfamily{cmr}\fontshape{sl}\selectfont{}text} into
                 slanted type*\\
Small Capitals&\verb+\textsc{text}+&puts {\fontshape{sc}\selectfont{}text} into
                 small caps\\
Bold&\verb+\textbf{text}+&puts {\fontseries{b}\selectfont{}text} into
                 bold type\\
Sans-serif&\verb+\textsf{text}+&puts {\sffamily{}\selectfont{}text}
                 into sans-serif type\\
Monospace&\verb+\texttt{text}+&puts {\ttfamily{}\selectfont{}text} into
                 typewriter type\\
\end{tabular}
\par\smallskip\footnotesize
\begin{itemize*}
\item [\sffamily *] If slanted is available separately
               from italics.
\end{itemize*}
\end{center}
\endgroup
You can nest these inside one another too:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
..\textbf{\itshape\textsf{bold italic
sans-serif type}}...
       \end{Verbatim}
\end{sourcecode}

\label{uline}%
Underlining isn't a font, and it is extremely
         rare in typography except for special purposes. If you think
         you need it, use the \package{ulem} package
         with the \verb+normalem+ option, and the
         \command{uline} command.
\subsection{Font sizes}
\label{fontsize}
\index{fonts!sizes}
\LaTeX{} has built into its defaults a set of predefined
         font size steps corresponding more or less to the
         traditional sizes available to metal typesetters. This is
         deliberate, as these sizes have grown up over 500 years of
         printing as those which go best together for book-work,
         which is where \TeX{} originated.

These sizes are also reflected in the size steps at
         which Computer Modern was designed. It often comes as a
         surprise to new users that many typefaces are not designed
         as a single font and just scaled up or down, but specially
         drawn at different sizes to make them more legible.

As an example, {\fontencoding{OT1}\fontfamily{cmr}\fontsize{12}{12}\selectfont{}here's 12pt Computer
           Modern}, and {\font\cmbig=cmr5 at12pt\cmbig here's
         5pt Computer Modern scaled up to 12pt}, and
         {\font\cmsmall=cmr17
         at12pt\cmsmall here's 17pt Computer Modern scaled down
         to 12pt} so you can see there really is a
         significant difference. In general, you probably don't
         want to go scaling fonts too much beyond their design size
         because they will start to look very odd.

The default sizes (and the commands that operate them)
         are based on the use of a 10pt font, which is the normal
         size for most texts. Using the larger defaults (11pt and
         12pt) for the body font will use 11pt and 12pt designs, with
         other sizes (eg headings) resized to match. The exact sizes
         used are listed in the macros in the Class Option files
         \url+size10.clo+,
         \url+size11.clo+ and
         \url+size12.clo+. \TeX{}'s default fonts
         above 10pt are in fact scaled by a factor of 1.2, as shown
         in the fourth column of the table below.
\begingroup\small \begin{center}
\begin{tabular}{@{}llrr@{}}
\textbf{\sffamily\upshape Command}&\textbf{\sffamily\upshape Example}&\multicolumn{1}{>{\bfseries\pbs{\raggedleft}}b{.6in}}{\normalfont\bfseries\upshape Nominal point
                 size}&\multicolumn{1}{>{\bfseries\pbs{\raggedleft}}b{.5in}}{\normalfont\bfseries\upshape Exact point
                 size}\\[2pt]\hline\\[-1.5\baselineskip]
\command{tiny}&{\fontencoding{OT1}\fontfamily{cmr}\fontsize{5}{5}\selectfont{}The quick brown fox
                   jumps over the lazy dog}&5&5\\
\command{scriptsize}&{\fontencoding{OT1}\fontfamily{cmr}\fontsize{7}{7}\selectfont{}The quick brown
                   fox jumps over the laz}&7&7\\
\command{footnotesize}&{\fontencoding{OT1}\fontfamily{cmr}\fontsize{8}{8}\selectfont{}The quick
                   brown fox jumps over the l}&8&8\\
\command{small}&{\fontencoding{OT1}\fontfamily{cmr}\fontsize{9}{9}\selectfont{}The quick brown fox
                   jumps over th}&9&9\\
\command{normalsize}&{\fontencoding{OT1}\fontfamily{cmr}\fontsize{10}{10}\selectfont{}The quick
                   brown fox jumps over}&10&10\\
\command{large}&{\fontencoding{OT1}\fontfamily{cmr}\fontsize{12}{12}\selectfont{}The quick brown fox
                   jumps}&12&12\\
\command{Large}&{\fontencoding{OT1}\fontfamily{cmr}\fontsize{14}{14}\selectfont{}The quick brown fox
                   ju}&14&14.40\\
\command{LARGE}&{\fontencoding{OT1}\fontfamily{cmr}\fontsize{18}{18}\selectfont{}The quick brown
               fo}&18&17.28\\
\command{huge}&{\fontencoding{OT1}\fontfamily{cmr}\fontsize{20}{20}\selectfont{}The quick
               brown}&20&20.74\\
\command{Huge}&{\fontencoding{OT1}\fontfamily{cmr}\fontsize{24}{24}\selectfont{}The quick
               bro}&24&24.88\\
\end{tabular}
\end{center}
\endgroup
While these `shorthand' commands
         relieve the beginner of having to worry about the
         `right' size for a given task, when
         you need a specific size there is the
         \command{fontsize} command:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\fontsize{22}{28}\selectfont This is 22pt
type 6pt leaded
       \end{Verbatim}
\end{sourcecode}

`Leading' comes from the old metal-type
       practice of adding a lead strip between lines to increase the
       spacing.

The \command{fontsize} command takes two
         arguments: the point size and the baseline distance. The
         above example gives you 22pt type on a 28pt baseline
         (i.e.�with 6pt extra space or
         `leading' between the lines).
\begin{warning}

Computer Modern fonts (the default) come fixed at the
           named size steps shown in the table, and if you try to use
           an odd size in between, \LaTeX{} will pick the closest
           step instead. If you really need to use CM\index{CM@CM} at arbitrary sizes there is a
           package \package{type1cm} which lets you
           override the default steps. If you use
           PostScript\index{PostScript} (Type�1) fonts, the
           step sizes do not apply and the font scaling is infinitely
           variable.
\end{warning}
\subsection{Logical markup}

All this playing around with fonts is very pretty but
         you normally only do it for a reason, even if that reason is
         just to be decorative. Italics, for example, are used for
         many things:
\begingroup\small \begin{center}
\begin{tabular}{l>{\itshape}l}
\textbf{\sffamily\upshape Cause}&\textbf{\sffamily\upshape Effect}\\[2pt]\hline\\[-1.5\baselineskip]
Foreign words&ex officio\\
Scientific names&Ranunculus ficaria\\
Emphasis&must not\\
Titles of documents&The \LaTeX{} Companion\\
Product names&{\upshape
                   Corel's} WordPerfect\\
Variables in maths&\(E=mc^{2}\)\\
Subtitles or headings&How to get started\\
Decoration&FREE UPGRADE!!!\\
\end{tabular}
\end{center}
\endgroup
Humans usually have no problem telling the difference
         between these reasons, because they can read and understand
         the meaning and context. Computers cannot (yet), so it has
         become conventional to use descriptive names which make the
         distinction explicit, even though the appearance may be the
         same.

\LaTeX{} has some of these built in, like
         \command{emph}, which provides
         \emph{emphasis}. This has a special feature
         because {\fontshape{it}\selectfont{}when the surrounding text is
           already italic, \emph{emphasis}
           automatically reverts to \emph{upright
             type}}, which is the normal practice
         for typesetting.
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
This has a special feature because {\itshape when the
surrounding text is already italic, \emph{emphasis}
automatically reverts to upright type, which is the
       \end{Verbatim}
\end{sourcecode}

\label{emph}%
This sensitivity to logic is programmed into
         the definition of \command{emph} and it's not
         hard to make up other commands of your own which could do
         the same, such as \command{foreign} or
         \command{product}.

But why would you bother? In a short document it's
         probably not important, but if you're writing a long
         report, or a formal document like an article, a book, or a
         thesis, it makes writing and editing hugely easier if you
         can control whole groups of special effects with a single
         command, such as italicising, indexing, or cross-referencing
         to a glossary. If a format needs changing, you only have to
         change the definition, and every occurrence automatically
         follows suit.
\begin{warning}

Beware of this `vaine conceipt of simple men,
             which judge things by ther effects, and not by ther
             causes'. (Edmund Spenser, 1633) �It's hugely
           more efficient to have control of the cause than the
           effect.
\end{warning}

It also makes it possible to find and act on groups of
         meanings\mdash{}such as making an index of scientific names
         or product names (as in this document)\mdash{}if they are
         identified with a special command. Otherwise you'd
         spend weeks hunting manually through every
         \command{textit} command to find the ones you
         wanted. This is the importance of automation: it can save
         you time and money.

In \chaptername~\ref{macros} we will see how to make your
         own simple commands like this.
\subsection{Colour}
\index{colour}\index{fonts!colour}
You can typeset anything in \LaTeX{} in any colour you
         want using the \package{color} package.
         First, you need to add the command
         \verb+\usepackage{color}+ to your preamble (note
         the US spelling of color!). This makes available a default
         palette of primary colours: {\color{red}red}, {\color{green}green}, and {\color{blue}blue} for the RGB\index{RGB@RGB} colour model used for emitted light
         (television screens), and {\color{cyan}cyan}, {\color{magenta}magenta}, {\color{yellow}yellow}, and black for the
         CMYK\index{CMYK@CMYK} colour model used for
         reflected light (printing).

For the occasional word or phrase in colour, use the
         command \command{textcolor} with two arguments, the
         colour name and the text: \verb+\textcolor{red}{like this}+. There is a \command{color}
         command as well, for use within groups:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
..{\color{blue}some text in blue}...
       \end{Verbatim}
\end{sourcecode}

If you have the PostScript\index{PostScript}
         printer driver \product{dvips} installed,
         you also get a separate 64-colour palette of predefined
         \textbf{\textit{color names}}\label{colornames}\index{color names@\textbf{\textit{color names}}}. These
         represent approximately the colours in the big box of
         \product{Crayola} colouring pencils much
         favoured by artists and designers. This adds a new colour
         model called `\verb+named+', so if
         you want the \product{Crayola} colour
         {\color[named]{RubineRed}RubineRed}, you can use the
         \command{color} or \command{textcolor}
         commands with a preceding optional argument
         `\opt{named}':
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\color[named]{RubineRed}
\textcolor[named]{RubineRed}{some red text}
\end{Verbatim}
\end{sourcecode}

As some of the `\verb+named+'
         colour names are quite long, you can create a short name of
         your own for colours you use frequently, using the
         \command{definecolor} command:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\definecolor{mb}{named}{MidnightBlue}
       \end{Verbatim}
\end{sourcecode}

The \command{definecolor} command needs three
       arguments: your shorthand name, the name of the colour model,
         and the colour specification. In the case of the
         `\verb+named+' model, the last
       argument is one of the 64 colour names. To
         use these names with \product{pdf\LaTeX{}},
         you need to use the \opt{pdftex} option to the
         \package{color} package.

Using the \command{definecolor} command, you
         can define any colour you want by giving it a name,
         specifying which colour model, and providing the Red-Green-Blue (RGB)\index{RGB@RGB|textbf}\index{Acronyms@\textbf{Acronyms}, defined!RGB@RGB|textbf} or Cyan-Magenta-Yellow-Black (CMYK)\index{CMYK@CMYK|textbf}\index{Acronyms@\textbf{Acronyms}, defined!CMYK@CMYK|textbf} colour
         values expressed as decimals, separated by commas. For
         example, an RGB\index{RGB@RGB} shade given as
         (37,125,224) in decimal (\#250FE0 in hexadecimal as used
         on the Web) can be given as\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\definecolor{midblue}{rgb}{0.145,0.490,0.882}
       \end{Verbatim}
\end{sourcecode}
(divide each value by 255, the maximum for
         each of the hues in the Red-Green-Blue colour model). You
         can then use \command{textcolor} with your new
         colour name: {\color{midblue}the midblue looks like
           this if you're reading in colour.}

The \package{color} package also provides
         a colour version of \command{fbox} (see \S\thinspace\ref{fbox}) called
         \command{colorbox}:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\colorbox{midblue}{\color{magenta}Magenta on midblue}
       \end{Verbatim}
\end{sourcecode}

\colorbox{midblue}{\color{magenta}Magenta
           on midblue}: you can
           see how careful you need to be with colours!
\section{Installing new fonts}
\label{instfonts}
\index{fonts!installing}
Different fonts come in a variety of packagings: the three
       most common used with \TeX{} systems are
       PostScript\index{PostScript} fonts, TrueType fonts, and
       \mf{} fonts. How you install them and where they go
       depends on how you installed \LaTeX{}: all I can deal with here
       are the standard locations within the TDS\index{TDS@TDS}.

Typefaces come supplied as one or more font
       `outline' files and a number of
       ancillary files:
\begin{description}
\item[\sffamily \mf{} typefaces]
have a number of \url+.mf+ source
             (outline) files, possibly also some
             \url+.fd+ (font definition) files and a
             \url+.sty+ (style) file. The
             \url+.tfm+ (\TeX{} font metric) files are
             not needed, as they can be generated from the
             outlines.
\item[\sffamily PostScript typefaces]
come as a pair of files: a \url+.pfb+
             (PostScript font binary) or \url+.pfa+
             (PostScript font ASCII\index{ASCII@ASCII})
             outline, and an \url+.afm+ (Adobe font
             metric) file. There may also be
             \url+.inf+ and other files but these are
             not needed for use with \TeX{} systems.
\item[\sffamily TrueType typefaces]
are a single \url+.ttf+ file, which
             combines outline and metrics in one.
\end{description}

The instructions here assume the use of the New Font Selection Scheme (NFSS)\index{NFSS@NFSS|textbf}\index{Acronyms@\textbf{Acronyms}, defined!NFSS@NFSS|textbf} used in
       \LaTeXe{}. If you are running the obsolete \LaTeX{} 2.09,
       upgrade it now.
\subsection{Installing \mf{} fonts}
\label{mffonts}

This is the simplest installation. When you download
         \mf{} fonts from CTAN\index{CTAN@CTAN},
         you'll usually find a large number of outline files
         (\url+.mf+ files) and maybe some other types
         as well (see below).
\begin{figure}\small
\caption{\small Creating a new subdirectory for a font}
\label{mkfontdir}
\begin{center}
\includegraphics[width=0.75\textwidth]{public}
\end{center}
\end{figure}
\begin{enumerate}
\item \label{newsub}%
Create a new subdirectory named after the typeface
             you're installing in
             \url+texmf-local/fonts/source/public/+:
\item
Copy all the \url+.mf+
             files to this directory.
\item
Copy the \url+.fd+ (Font Definition)
             file[s] and the \url+.sty+ (style) file
             to your \url+texmf/tex/latex/mfnfss+
             directory.
\item
Run your \TeX{} indexer program (see step~\ref{texindex} in the procedure on p.\thinspace\pageref{texindex}).
\end{enumerate}

That's it. Unlike PostScript\index{PostScript}
         fonts, \mf{} fonts can be used to generate the font
         metric file (\url+.tfm+ files) automatically
         on-the-fly the first time the typeface is used, so there
         should be nothing else to install.

Now you can put a \command{usepackage} command
         in your preamble with whatever name the
         \verb+.sty+ file was called, and read the
         documentation to see what commands it gives to use the font
         (refer to the last paragraph of \S\thinspace\ref{packinst} and step~\ref{dtxdoc} in the procedure on p.\thinspace\pageref{dtxdoc}).

If the font came \emph{without}\url+.fd+ or \url+.sty+ files,
         you'll need to find someone who can make them for you
         (or follow the outline in \S\thinspace\ref{psfonts}, step~\ref{fdfiles} in the procedure on p.\thinspace\pageref{fdfiles}).
\subsubsection{Pre-generated metrics (optional)}

Some \mf{} fonts come with pre-generated
           \url+.tfm+ files which you can install if
           your system is slow at generating them itself:
\begin{enumerate}
\addtocounter{enumi}{\thehold}\item
Create a new subdirectory within
               \url+texmf-local/fonts/tfm/public/+
               named the same as the one you created for the
               \url+.mf+ files above.
\item
Copy all the \url+.tfm+ files into
               this subdirectory.
\item
Run your \TeX{} indexer program (see step~\ref{texindex} in the procedure on p.\thinspace\pageref{texindex}).
\end{enumerate}
\setcounter{hold}{\theenumi}\subsubsection{Pre-generated bitmaps (optional)}

In some rare cases, pre-generated packed bitmap fonts
           (\url+.pk+ files) are also available from
           CTAN\index{CTAN@CTAN} (normally your previewer
           and print driver creates these automatically, but you can
           use the pre-generated ones if you have a very slow
           system). If you really want to install these, it's a
           similar procedure to the \url+.tfm+
           files:
\begin{enumerate}
\addtocounter{enumi}{\thehold}\item
Create a new subdirectory within
               \url+texmf-local/fonts/pk/modeless/+
               named the same as the one you created for the
               \url+.mf+ and \url+.tfm+
               files above.
\item
Copy all the \url+.nnnpk+ files
               into this subdirectory (\(nnn\) is
               a number reflecting the dot-density of the bitmap). On
               Microsoft systems the files may just end in
               \url+.pk+ and be kept in subdirectories
               named after the dot-density, e.g.
               \url+dpi360+.
\item
Run your \TeX{} indexer program (see step~\ref{texindex} in the procedure on p.\thinspace\pageref{texindex}).
\end{enumerate}
\setcounter{hold}{\theenumi}\subsection{Installing PostScript fonts}
\label{psfonts}
\index{fonts!PostScript}
Lots of people will tell you that
         PostScript\index{PostScript} fonts and PostScript
         output are dead and that TrueType or OpenType fonts and PDF
         output are the way to go. While this is true for many cases,
         standard \LaTeX{} does not work with TrueType fonts and does
         not produce PDF\index{PDF@PDF} directly. Only
         \product{pdf\LaTeX{}} does that, and there are
         still many printers whose typesetters and platemakers use
         PostScript\index{PostScript} rather than PDF\index{PDF@PDF}. In addition, operating system
         support for scalable fonts is still very poor on Unix
         systems (including Linux), despite the advances in recent
         years, so in many cases it still makes sense to use
         \TeX{}'s built-in support for PostScript.

Two files are needed for each font: the
         \url+.afm+Adobe Font
           Metric (AFM)\index{AFM@AFM|textbf}\index{Acronyms@\textbf{Acronyms}, defined!AFM@AFM|textbf} and the \url+.pfb+PostScript Font Binary (PFB)\index{PFB@PFB|textbf}\index{Acronyms@\textbf{Acronyms}, defined!PFB@PFB|textbf} files.
         \emph{You must have both for each font before you
           start.} If you only have the near-obsolete
         \url+.pfa+PostScript Font
           ASCII (PFA)\index{PFA@PFA|textbf}\index{Acronyms@\textbf{Acronyms}, defined!PFA@PFA|textbf} files, it may be possible to generate the
         \url+.pfb+ files using the
         \product{t1binary} program from the
         \product{t1utils} suite (see \url+http://gnuwin32.sourceforge.net/packages/t1utils.htm+)
         or the excellent \product{PFAedit} font
         editor (from \url+http://pfaedit.sourceforge.net+). There are
         unfortunately still some companies distributing Type�1
         fonts in \url+.pfa+ format (Mathematica is
         one reported recently).
\begin{warning}

The installation method I described in earlier
           editions has worked perfectly for me for years, but I have
           updated it here to use the facilities of the
           \product{updmap} program (which comes
           with your \TeX{} installation). This removes the need for
           one of the steps I gave before, which required editing the
           \url+psfonts.map+ file, as this is now
           recreated by \product{updmap}. The
           procedure below is \emph{not} the official
           way (that's \product{fontinst}), but
           it is the basis for a script I am working on called
           \product{Gutta-Percha}\footnote{Yes, as in rubber.}, which automates the whole process.
\end{warning}

I'll repeat this: before you start, make sure you
         have all the \url+.afm+ and
         \url+.pfb+ files for the typeface you want.
         In the example below, I'm going to use a single font
         from an imaginary typeface called Foo, so I have
         \verb+foo.afm+ and
         \verb+foo.pfb+ files.
\begin{enumerate}
\item \textbf{Put the files in your temporary directory}\\
This is \url+/tmp+ on Linux, and
             should be \url+C:\tmp+ or
             \url+C:\temp+ or even
             \url+C:\Windows\temp+ on Microsoft
             Windows.
\item \textbf{Decide on the short font name to use
             inside \LaTeX{}.}\\
This is \emph{not} the full
             descriptive name (e.g.�Baskerville Italic Bold
             Extended) but an encoded font name in the format
             \verb+fnnsseec+, devised by \person{Karl Berry}, which stores the same information in no
             more than eight characters for compatibility with
             systems which cannot handle long filenames. The letters
             in the format above have the following meanings (see the
             \product{fontname} documentation on
             your computer for more details):
\begingroup\small \par\medskip\moveleft\itemindent\vbox{\begin{tabular}{@{}lll@{}}
\textbf{\sffamily\upshape Letter}&\textbf{\sffamily\upshape Meaning}&\textbf{\sffamily\upshape Examples}\\[2pt]\hline\\[-1.5\baselineskip]
\verb+f+&foundry&\verb+b+=Bitstream,
                     \verb+m+=Monotype,
                     \verb+p+=Adobe\\
\verb+nn+&typeface&\verb+ba+=Baskerville,
                     \verb+tm+=Times,
                     \verb+pl+=Palatino\\
\verb+ss+&series/shape&\verb+r+=roman,
                     \verb+bi+=bold italic, etc.\\
\verb+ee+&encoding&\verb+8a+=default 8-bit ANSI,
                     \verb+ly+=Y\amp Y's
                     \TeX{}'n'ANSI\\
{\fontseries{b}\selectfont{}\verb+c+}&[small]caps&(this is a literal
                     `c' character, used only
                     if needed)\\
\end{tabular}
}\endgroup
The \url+texmf/fontname+ directory in
             your installation of \LaTeX{} has files for several
             foundries giving fully-formed names like these for
             common fonts (e.g. \verb+ptmr8a+ is [Adobe]
             \uline{\textbf{P}}ost\-Script
             \uline{\textbf{T}}i\uline{\textbf{m}}es
             \uline{\textbf{R}}oman in an
             \uline{\textbf{8}}\ndash{}bit \uline{\textbf{A}}NSI
             encoding;
             \verb+bgslly+ is \uline{\textbf{B}}itstream
             \uline{\textbf{G}}ill \uline{\textbf{S}}ans
             \uline{\textbf{L}}ight in Y\amp Y's
             \TeX{}'n'ANSI encoding
             [\uline{\textbf{LY}}1]).\footnote{Confusingly, Bitstream fonts (and others from
                 similar sources) mostly have different names from
                 the original fonts, so what they call Humanist 521
                 is actually Gill Sans. Until recently, US law only
                 allowed the \emph{names} of typefaces
                 to be copyrighted, not the font designs themselves,
                 leading to widespread piracy.} Read the documentation in \titlecite{fontname} to find out how to make up
             your own short names if the foundry and font you want is
             not shown in the \url+fontname+
             directory.

In this example we'll call our mythical example
             typeface `zork' (standing for
             \uline{\textbf{Z}}fonts \uline{\textbf{Or}}dinary
             Boo\uline{\textbf{k}}face, because
             \verb+k+ is the letter used for Book
             fonts, \verb+b+ being already the code
             for bold) and we'll assume the font comes in the two
             files \url+foo.afm+ and
             \url+foo.pfb+ that I mentioned
             above.

While the \product{fontname}
             directories have ready-made lists of these names for
             popular collections of typefaces, making them up
             requires some knowledge of typographic terms and a
             careful reading of the
             \product{fontname}
             documentation.
\item \textbf{Decide on your encoding}\\
This is what tripped me up the first few times until
             someone pointed me at Y\amp Y's\footnote{Sadly, Y\amp Y, Inc has ceased trading and
                 their \TeX{} distribution is not longer available,
                 although there is email support at \url+http://lists.ucc.ie/lists/archives/yandytex.html+,
                 and their encoding files continue to be used.}\TeX{}'n'ANSI encoding which (to me) seems to
             be the only one that includes the glyphs I want where I
             want them.\footnote{The only one I still have problems with is
                 `�', which for some weird
                 reason isn't catered for in this encoding.}\index{fonts!encoding} Your mileage may vary. This encoding is
             referred to as \verb+LY1+ within \LaTeX{} and
             the encoding file is in
             \url+texmf/dvips/base/texnansi.enc+.
             Encoding is needed because Adobe fonts store their
             characters in different places to the \TeX{}
             standard.

Copy this encoding file to the temporary directory
             where you're doing all this stuff. If you're
             using the 8a or 8r encoding (or some other encoding),
             then copy that file instead
             (\url+8a.enc+,
             \url+8r.enc+).
\item \textbf{Convert \url+.afm+ files to
             \url+.tfm+}\\\label{idfile}%
The \product{afm2tfm} program is a
             standard utility in the \url+bin+
             directory of your \TeX{} installation. If it's not,
             update your installation.

In a command window, type:
\begin{sourcecode}[-\leftmargin]\begin{Verbatim}[fontsize=\footnotesize]
afm2tfm foo.afm -v zorkly.vpl -p texnansi.enc \
rzorkly.tfm >zork.id
           \end{Verbatim}
\end{sourcecode}

(Here and elsewhere I have sometimes had to break
             the line to fit it on the printed page. It's actually
             all typed as one long line if you omit the
             backslash.)

This creates a special `raw'\TeX{} Font Metric file (hence the special
             \verb+r+ prefix) that \LaTeX{} can use, with
             a list of all its properties encoded with LY1 (the
             \url+.vpl+ or Virtual Property List
             file). Many people will tell you that virtual fonts are
             dead and that this is the wrong way to do it, but no-one
             has ever shown me an alternative that works, so I stick
             with it.
\item \textbf{Small caps (optional)}\\\label{sc}%
If you want a small caps variant faked up (perhaps
             because the typeface family doesn't have a special
             small-caps font), repeat the medicine like this:
\begin{sourcecode}[-\leftmargin]\begin{Verbatim}[fontsize=\footnotesize]
afm2tfm foo.afm -V zorklyc.vpl -p texnansi.enc \
rzorkly.tfm >>zork.id
           \end{Verbatim}
\end{sourcecode}

Note the capital \verb+V+ option here.
             Yes, it \emph{does} overwrite the
             \url+rzorkly.tfm+ created in the first
             command. Let it. And those are \emph{two}
             of the `greater-than' signs
             before the \url+zork.id+ filename because
             we want to append to it, not overwrite it.
\item \textbf{Create the virtual font}\\
Turn the \url+.vpl+ files into
             \url+.vf+ and \url+.tfm+
             pairs. \LaTeX{} uses these to convert from Adobe's
             encoding to its own.
\begin{sourcecode}[-\leftmargin]\begin{Verbatim}[fontsize=\small]
vptovf zorkly.vpl zorkly.vf zorkly.tfm
vptovf zorklyc.vpl zorklyc.vf zorklyc.tfm
           \end{Verbatim}
\end{sourcecode}

Again, the \url+vptovf+ program is a
             standard part of your \TeX{} distribution.
\item \textbf{Make directories to hold the files}\\\begin{figure}\small
\caption{\small Making subdirectories to hold the files}
\label{mksubdir}
\begin{center}
\includegraphics[width=0.75\textwidth]{fonts}
\end{center}
\end{figure}

Under your \url+texmf-local+
             directory there should be a \url+fonts+
             directory, and in there there should be
             \url+afm+, \url+tfm+,
             \url+type1+, and \url+vf+
             directories. Create them if they do not already
             exist.

In each of these four, create a directory for the
             foundry, and within them create a directory for the
             typeface (using a human-readable typeface name, not the
             short \person{Karl  Berry} fontname). In our example, this
             means:
\begin{sourcecode}[-\leftmargin]\begin{Verbatim}[fontsize=\small]
cd /usr/TeX/texmf-local/fonts
mkdir -p afm/zfonts/ordinary
mkdir -p tfm/zfonts/ordinary
mkdir -p type1/zfonts/ordinary
mkdir -p vf/zfonts/ordinary
cd /tmp
           \end{Verbatim}
\end{sourcecode}

Or if you're lazy like me:
\begin{sourcecode}[-\leftmargin]\begin{Verbatim}[fontsize=\small]
(cd /usr/TeX/texmf-local/fonts;\
for d in afm tfm type1 vf;\
do mkdir -p $d/zfonts/ordinary;done)
           \end{Verbatim}
\end{sourcecode}

For Microsoft Windows users, the path before
             \url+texmf-local+ may look something like
             \verb+C:\Program Files\TeXLive\+, depending
             on how and where you have installed your \TeX{}
             system.

The \verb+-p+ is a Unix feature: it
             automatically creates any missing intervening
             subdirectories. If your directory-making command
             doesn't do this, you'll have to make the
             intervening directories by hand first.
\item \textbf{Copy the files to their rightful places}\\
Copy the four groups of files to the four new
             directories:
\begin{sourcecode}[-\leftmargin]\begin{Verbatim}[fontsize=\small]
cp *.afm /usr/TeX/texmf/fonts/afm/zfonts/ordinary/
cp *.tfm /usr/TeX/texmf/fonts/tfm/zfonts/ordinary/
cp *.pfb /usr/TeX/texmf/fonts/type1/zfonts/ordinary/
cp *.vf /usr/TeX/texmf/fonts/vf/zfonts/ordinary/
           \end{Verbatim}
\end{sourcecode}

You can of course do all this with a directory
             window and mouse if you find it easier.
\item \textbf{Create a font map}\\
The font map is what tells
             \product{dvips} which PFB\index{PFB@PFB} file to use for which font. The
             configuration file for \product{dvips}
             is \url+texmf/dvips/config/config.ps+ and
             it gets its entries from the program
             \product{updmap} which reads map files
             for each typeface. The configuration file for
             \product{updmap} is
             \url+texmf-var/web2c/updmap.cfg+\footnote{There is another one of these at
                 \url+texmf/web2c/updmap.cfg+, but
                 that contains the map references for the fonts which
                 came with your distribution of \TeX{}, so you should
                 not interfere with it.}, so it needs an entry for our new font,
             using the three-letter font family abbreviation (the
             first three letters of the Berry fontname (here
             `\verb+zor+'):
\begin{sourcecode}[-\leftmargin]\begin{Verbatim}[fontsize=\small]
Map zor.map
           \end{Verbatim}
\end{sourcecode}

We also have to create this map file
             (\url+zor.map+) in a subdirectory of
             \url+texmf-local/dvips/config/+ named
             after the foundry, so we need to create
             \url+texmf-local/dvips/config/zfonts+ as
             well.
\begin{enumerate}
\item
Open
                 \url+/usr/TeX/texmf-var/web2c/updmap.cfg+
                 in your editor.
\item
At the bottom, add the line:
                 \verb`Map zor.map`
\item
Save and close the file.
\end{enumerate}

The font entries in our
             \verb+zor.map+ will be on a
             \emph{single} line each, with no
             line-wrapping. Each entry gives the short name of the
             font, the long (Adobe) name, the
             PostScript\index{PostScript} encoding parameters
             (in quotes), and then two filenames prefixed by input
             redirects (less-than signs): the encoding file and the
             PostScript\index{PostScript} outline file.
\begin{enumerate}
\item
First create the directory if it doesn't already
                 exist:
\begin{sourcecode}[-\leftmargin]\begin{Verbatim}[fontsize=\small]
mkdir -p /usr/TeX/texmf-local/dvips/config/zfonts
               \end{Verbatim}
\end{sourcecode}
\item
Use your editor to open (create) the file
                 \url+/usr/TeX/texmf-local/dvips/config/zfonts/zor.map+.
\item \label{fullname}%
Insert the line:
\begin{shiftedsourcecode}[-\leftmargin]\begin{Verbatim}[fontsize=\scriptsize]
rzorkly Ordinary-Blackface "TeXnANSIEncoding ReEncodeFont" <texnansi.enc <foo.pfb
                 \end{Verbatim}
\end{shiftedsourcecode}
\item
Save and close the file.
\end{enumerate}

You get the full font name (here,
             `Ordinary-Blackface') from the
             \verb+zork.id+ which was created back in
             step~\ref{idfile} in the procedure on p.\thinspace\pageref{idfile} when we ran
             \product{afm2tfm}. You must get this
             exactly right, because it's the
             `official' full name of the font,
             and PostScript\index{PostScript} files using this
             font need to match it.
\item \textbf{Create a style file}\\
\LaTeX{} needs a style file to implement the
             interface to the font. Call it after the typeface or
             something related; in this example we'll call it
             \url+foozork.sty+. In it go some details
             of the name and date we did this, what version of
             \LaTeX{} it needs, and any other command necessary to
             operate the font, like the font encoding and whether it
             is to supersede the current default Roman font.
\begin{enumerate}
\item
Use your editor to open (create)
                 \url+foozork.sty+ in your
                 \url+texmf-local/tex/latex/psnfss+
                 directory.
\item
Insert the following lines:
\begin{sourcecode}[-\leftmargin]\begin{Verbatim}[fontsize=\small]
% foozork - created from foo for Zork
\def\fileversion{1.0}
\def\filedate{2002/12/03}
\def\docdate{2002/12/03}
\NeedsTeXFormat{LaTeX2e}
\ProvidesPackage{foozork}
[\filedate\space\fileversion\space
 Zfonts Ordinary PSNFSS2e package]
\RequirePackage[LY1]{fontenc}
\renewcommand{\rmdefault}{zor}
\endinput
               \end{Verbatim}
\end{sourcecode}

Note the following:
\begin{itemize}
\item
The first argument to
                     \command{ProvidesPackage}�
                     \emph{must} be the same as this
                     style file name; and that the font family is
                     referred to as \verb+zor+, being the
                     foundry letter plus the fontname abbreviation.
                     This acts as a prefix for any/all font variants
                     (bold, italic, etc.).

\item
If you are not using Y\amp Y encoding,
                     omit the line referring to LY1 font
                     encoding.

\item
If this is a typewriter font, make the
                     renewed command \command{rmdefault}
                     into \command{ttdefault}.

\item
If it's a sans-serif font, make it
                     \command{sfdefault} instead.

\item
Omit the command completely if you
                     don't want the style file to supersede the
                     current defaults but simply to make the font
                     available. If you do this, you probably want to
                     write a new command or two to use it, typically
                     one for grouped use and one for argument
                     use:

\end{itemize}
\begin{sourcecode}[-\leftmargin]\begin{Verbatim}[fontsize=\footnotesize]
\newcommand{\zorkfamily}{\fontencoding{LY1}%
           \fontfamily{zor}\selectfont}
\newcommand{\textzork}[1]{{\zorkfamily#1}}
               \end{Verbatim}
\end{sourcecode}
\item
Save and close the file.
\end{enumerate}
\item \textbf{Create the Font Definition file}\\\label{fdfiles}%
The last file to create is the \textbf{\textit{font definition}}\label{fontdef}\index{font definition@\textbf{\textit{font definition}}}
             (\url+.fd+) file.  This is named
             following the pattern \verb+eeefnn.fd+,
             using the same conventions as before, by prepending the
             (lowercase) encoding abbreviation to the foundry letter
             and fontname abbreviation, so our example would be
             \verb+ly1zor.fd+ for the LY1 encoding and
             the \verb+zor+ short font name.
\begin{enumerate}
\item
Use your editor to open (create)
                 \url+texmf-local/tex/latex/psnfss/ly1zor.fd+
\item
Enter the following lines:
\begin{sourcecode}[-\leftmargin]\begin{Verbatim}[fontsize=\small]
\ProvidesFile{ly1zor.fd}[2002/03/03 v0.1 manual
             font definitions for LY1/zor.]

\DeclareFontFamily{LY1}{zor}{}

\DeclareFontShape{LY1}{zor}{k}{n}{<-> zorkly}{}
\DeclareFontShape{LY1}{zor}{k}{sc}{<-> zorklyc}{}
                 \end{Verbatim}
\end{sourcecode}
\item
Save and close the file.
\end{enumerate}

FD files typically use one
             \command{DeclareFontFamily} command which
             specifies the encoding and the short font name. Then as
             many pairs of \command{DeclareFontShape}
             commands as you converted fonts (assuming you did both
             normal and small caps for each font: see
             step~\ref{sc} in the procedure on p.\thinspace\pageref{sc}; if you didn't, then only one
             such command per font is needed here). The arguments to
             the \command{DeclareFontShape} command to watch
             are the 3rd (weight/width), 4th (shape), and 5th (font
             outline name): the rest are static for each
             \url+.fd+ file and simply identify the
             encoding and the font family.

The codes to use are given on
             pages�414\ndash{}15 of the \titlecite{companion} and should also be in
             your copies of
             \url+texmf/fontnames/weight.map+ and
             \url+texmf/fontnames/width.map+.  The
             rules for combining weight and width need care: RTFM\index{RTFM@RTFM} for
             \package{fontname}. There is no
             \url+shape.map+ in
             \package{fontname} because it's not
             part of font file names, it's purely a \LaTeX{}
             creation, so here's what the same book says:
\begingroup\small \begin{center}
\begin{tabular}{ll}
\textbf{\sffamily\upshape Character}&\textbf{\sffamily\upshape Meaning}\\[2pt]\hline\\[-1.5\baselineskip]
\verb+n+&normal (upright)\\
\verb+it+&italic\\
\verb+sl+&slanted\\
\verb+sc+&small caps\\
\verb+ui+&upright italic\\
\verb+ol+&outline\\
\end{tabular}
\end{center}
\endgroup
Add your own for other oddities, but be consistent:
             I use \verb+cu+ for cursive (scripts), for
             example, and \verb+k+ for blackletter faces
             (not to be confused with \verb+k+ as a
             \emph{width} for
             `book').

The default fontspec
             \verb+<->+ in the 5th argument
             in the \command{DeclareFontShape} command means
             that all sizes are to come from the same font outline
             (remember if this was a \mf{} font with different
             design sizes like CM\index{CM@CM} it would
             be much more complex).

If the face has only a few variants, you can create
             any other entries for bold, italic, slanted, etc. with
             the relevant weight and width and shape values pointing
             at the relevant outline file.

If you want one font to substitute for a missing one
             (for example italics to substitute for slanted in a
             typeface which has no slanted variant of its own) give
             the
             \verb+ssub+ (`silent
               substitution') command in the fontspec:
             for example to make all references to
             \verb+sl+ (slanted) type use an existing
             italic font, make the 5th argument like this:
\begin{sourcecode}[-\leftmargin]\begin{Verbatim}[fontsize=\small]
{<-> ssub * zor/m/it}
             \end{Verbatim}
\end{sourcecode}

If you find the x-height of a font too big or too
             small to sort well with another font you are using, you
             can specify an \verb+s+
             (`scale') factor in this argument
             instead: this example will shrink the result to
             80\% of normal:
\begin{sourcecode}[-\leftmargin]\begin{Verbatim}[fontsize=\small]
{<-> s * [0.8] zorkly}
             \end{Verbatim}
\end{sourcecode}
\item \textbf{Update the index and the map files}\\
Run your \TeX{} indexer program (see step~\ref{texindex} in the procedure on p.\thinspace\pageref{texindex}) so that
             \product{updmap} can find the files it
             needs.

Then run \product{updmap} (just
             type \verb+updmap+). This updates the
             maps and runs the \TeX{} indexer program again
             automatically.
\end{enumerate}

Now you can \verb+\usepackage{foozork}+ in
         your \LaTeX{} file to make it the default font. To use the
         font incidentally instead of as the default, you can
         say:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
This is {\zorkfamily ZORK} or \textzork{ZORK}
       \end{Verbatim}
\end{sourcecode}
\subsection{Installing the Type�1 Computer Modern
         fonts}
\label{type1cm}

Most new distributions of \LaTeX{} use the
         PostScript\index{PostScript} Type�1 versions of
         the Computer Modern fonts. If your \LaTeX{} installation
         uses the \mf{} (bitmap) versions of CM\index{CM@CM}, you may want to switch to the
         Type�1 version, especially if you are going to be using
         \product{pdf\LaTeX{}} instead of standard
         \LaTeX{}, because Acrobat Reader makes such a hames of
         displaying Type3 fonts. \product{GSview}
         and \product{pdfview} handle them
         correctly.

To do this, install one of the sets of CM\index{CM@CM} PostScript fonts. There are several
         available:
\begin{itemize}
\item
The fonts from BlueSky Research at \url+http://www.ctan.org/tex-archive/fonts/cm/ps-type1/bluesky/+

\item
\person{Basil�K. Malyshev}'s `BaKoMa'
             fonts at \url+http://www.ctan.org/tex-archive/fonts/cm/ps-type1/bakoma/+

\item
\person{Vladimir Volovich}'s CM-Super  at \url+http://www.ctan.org/tex-archive/fonts/ps-type1/cm-super/+

\item
\person{Bogus\l{}aw Jackowski}'s Latin Modern at \url+ftp://cam.ctan.org/tex-archive/fonts/ps-type1/lm.tar.gz+

\end{itemize}

The BaKoMa fonts include the American
           Mathematical Society (AMS)\index{AMS@AMS|textbf}\index{Acronyms@\textbf{Acronyms}, defined!AMS@AMS|textbf} fonts for extended
         mathematics, but are more complex to install because they
         come with a special set of TFM files.

The BlueSky fonts are just PFB\index{PFB@PFB}
         and AFM files, and are a drop-in replacement requiring no
         further changes, as they use the same TFM files as the
         \mf{} version. Follow the \url+README+
         file in the downloadable archive for installation
         instructions.

The Latin Modern and CM-Super fonts are new and I
         haven't tested them but they are well spoken of.
         Feedback on this is very welcome.

The \TeX{} Live and \TeX{} Collection distributions use
         Type�1 versions of Computer Modern by default. There
         are more details in the FAQ at \url+http://www.tex.ac.uk/cgi-bin/texfaq2html?label=uselmfonts+\thinspace{}.
\chapter{Programmability (macros)}
\label{macros}
\index{macros}
We've touched several times on the ability of \LaTeX{}
     to be reprogrammed. This is one of its central features, and one
     that still, after nearly a quarter of a century, puts it well
     above many other typesetting systems, even those with macro
     systems of their own. It's also the one that needs most
     foreknowledge, which is why this chapter is in this
     position.

\LaTeX{} is in fact itself just a collection of
     macros\mdash{}rather a big collection\mdash{}written in
     \TeX{}'s internal typesetting language. These \textbf{\textit{macros}}\label{macs}\index{macros@\textbf{\textit{macros}}} are little program-like sets of
     instructions with a name which can be used as shorthand for an
     operation you wish to perform more than once.

Macros can be arbitrarily complex. Many of the ones used in
     the standard \LaTeX{} packages are several pages long, but as we
     will see, even short ones can very simply automate otherwise
     tedious chores and allow the author to concentrate on
     \emph{writing}.
\section{Simple replacement macros}
\label{replacement}

In its simplest form, a \LaTeX{} macro can just be a
       straightforward text replacement of a phrase to avoid
       misspelling something each time you need it, e.g.
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\newcommand{\ef}{European Foundation for the
   Improvement of Living and Working Conditions}
     \end{Verbatim}
\end{sourcecode}

Put this in your preamble, and you can then use
       \command{ef} in your document and it will typeset it
       as the full text. Remember that after a command ending in a
       letter you need to leave a space to avoid the next word
       getting gobbled up as part of the command (see
     the first paragraph of \S\thinspace\ref{swallow}). And when you want to force a space
       to be printed, use a backslash followed by a space,
       e.g.
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
The \ef\ is an institution of the Commission of the
European Union.
     \end{Verbatim}
\end{sourcecode}

As you can see from this example, the
       \command{newcommand} command takes two arguments:
     \begin{inparaenum}[\itshape a\upshape)] \item the name you want to give the new command;  and \item the expansion to be performed when you use it\end{inparaenum}, so there are always two sets of curly braces
       after \command{newcommand}.
\section{Macros using information gathered previously}
\label{macinf}

A more complex example is the macro
       \command{maketitle} which is used in almost every
       formal document to format the title block. In the basic
       document classes (book, report, and article) it performs small
       variations on the layout of a centred block with the title
       followed by the author followed by the date, as we saw in
       \S\thinspace\ref{titling}.

If you inspect one of these document class files, such as
       \url+texmf/tex/latex/base/report.cls+ you will
       see \command{maketitle} defined (and several variants
       called \command{@maketitle} for use in different
       circumstances). It uses the values for the title, author, and
       date which are assumed already to have been stored in the
       internal macros \command{@title},
       \command{@author}, and \command{@date} by
       the author using the matching \command{title},
       \command{author}, and \command{date}
       commands in the document.

This use of one command to store the information in
       another is a common way of gathering the information from the
       user. The use of macros containing the
       \verb+@+ character prevents their accidental
       misuse by the user: in fact to use them in your preamble we
       have to allow the \verb+@+ sign to become a
       `letter' so it can be recognised in a
       command name, and remember to turn it off again afterwards
       (see item~\ref{makeat} below).
\begin{sourcecode}\label{newtitle}\begin{Verbatim}[fontsize=\small]
\makeatletter
\renewcommand{\maketitle}{%
  \begin{flushleft}%
     \sffamily
     {\Large\bfseries\color{red}\@title\par}%
     \medskip
     {\large\color{blue}\@author\par}%
     \medskip
     {\itshape\color{green}\@date\par}%
     \bigskip\hrule\vspace*{2pc}%
  \end{flushleft}%
}
\makeatother
     \end{Verbatim}
\end{sourcecode}

Insert this in the sample file on p.\thinspace\pageref{oldtitle} immediately before the
       \verb+\begin{document}+ and remove the
         \verb+\color{...}+ commands from the title,
       author, and date. Re-run the file through \LaTeX{}, and you
       should get something like this:
\begin{center}
\setlength{\fboxsep}{1cm}\includegraphics[width=0.75\textwidth]{newtitle}
\end{center}

In this redefinition of \command{maketitle},
       we've done the following:
\begin{enumerate}\item\label{makeat}
Enclosed the changes in
           \command{makeatletter} and
           \command{makeatother} to allow us to use the
           \verb+@+ sign in command names;\footnote{If you move all this preamble into a style file of
               your own, you don't need these commands: the use
               of \url+@+ signs in command names is
               allowed in style and class files.}

\item
Used \command{renewcommand} and put
           \command{maketitle} in curly braces after
           it;

\item
Opened a pair of curly braces to hold the new
           definition. The closing curly brace is immediately before
           the \command{makeatother};

\item
Inserted a \env{flushleft} environment
           so the whole title block is left-aligned;

\item
Used \command{sffamily} so the whole title
           block is in the defined sans-serif typeface;

\item
For each of \command{@title},
           \command{@author}, and \command{@date},
           we have used some font variation and colour, and enclosed
           each one in curly braces to restrict the changes just to
           each command. The closing \command{par} makes
           sure that multiline title and authors and dates get
           typeset with the relevant line-spacing;

\item
Added some flexible space between the lines, and
           around the \command{hrule} (horizontal rule) at
           the end;

\end{enumerate}

Note the \verb+%+ signs after any line ending
       in a curly brace, to make sure no intrusive white-space find
       its way into the output. These aren't needed after simple
       commands where there is no curly brace because excess
       white-space gets gobbled up there anyway.
\section{Macros with arguments}
\label{macargs}

But macros are not limited to text expansion. They can
       take arguments of their own, so you can define a command to do
       something with specific text you give it. This makes them much
       more powerful and generic, as you can write a macro to do
       something a certain way, and then use it hundreds of times
       with a different value each time.

We looked earlier (\S\thinspace\ref{emph}) at making new
       commands to put specific classes of words into certain fonts,
       such as product names into italics, keywords into bold, and so
       on. Here's an example for a command
       \command{product}, which also indexes the product
       name and adds a trademark sign:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\newcommand{\product}[1]{%
       \textit{#1}\texttrademark%
       \index{#1@\textit{#1}}%
}
     \end{Verbatim}
\end{sourcecode}

If I now type \verb+\tmproduct{Velcro}+ then I
       get \product{Velcro}\texttrademark{} typeset, and if
       you look in the index, you'll find this page referenced
       under `{\fontshape{it}\selectfont{}Velcro}'. Let's
       examine what this does:
\begin{enumerate}\item
The macro is specified as having one argument
           (that's the \verb+[1]+ in the
           definition). This will
           be the product name you type in curly braces when you use
           \command{product}. Macros can have up to nine
           arguments.

\item
The expansion of the macro is contained in the second
           set of curly braces, spread over several lines (see item~\ref{macrolines} for why).

\item
It prints the value of the first argument (that's
           the \verb+#1+) in italics, which is
           conventional for product names, and adds the
           \command{texttrademark} command.

\item
Finally, it creates an index entry using the same
           value (\verb+#1+), making sure that it's
           italicised in the index (see the list on p.\thinspace\pageref{indextypo} in \S\thinspace\ref{indextypo} to remind yourself of how indexing
           something in a different font works).

\item\label{macrolines}
Typing this macro over several lines makes it easier
           for humans to read. I could just as easily have
           typed
\begin{shiftedsourcecode}[-\leftmargin]\begin{Verbatim}[fontsize=\footnotesize]
\newcommand{\product}[1]{\textit{#1}\index{#1@\textit{#1}}}
         \end{Verbatim}
\end{shiftedsourcecode}

but it wouldn't have been as clear what I was
           doing.

One thing to notice is that to prevent unwanted spaces
           creeping into the output when \LaTeX{} reads the macro, I
           ended each line with a comment character
           (\verb+%+). \LaTeX{} normally treats
           newlines as spaces when formatting (remember item~\ref{comment}), so this stops the end of line
           being turned into an unwanted space when the macro is
           used. \LaTeX{} always ignores spaces at the
           \emph{start} of macro lines anyway, so
           indenting lines for readability is fine.

\end{enumerate}

In  (\S\thinspace\ref{hyph}) we mentioned the problem
       of frequent use of unbreakable text leading to poor
       justification or to hyphenation problems. A solution is to
       make a macro which puts the argument into an
       \command{mbox} with the appropriate font change, but
       precedes it all with a conditional
       \command{linebreak} which will make it more
       attractive to \TeX{} to start a new line.
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\newcommand{\var}[1]{\linebreak[3]\mbox{\ttfamily#1}}
     \end{Verbatim}
\end{sourcecode}

This only works effectively if you have a reasonably wide
       setting and paragraphs long enough for the differences in
       spacing elsewhere to get hidden. If you have to do this in
       narrow journal columns, you may have to adjust wording and
       spacing by hand occasionally.
\section{Nested macros}
\label{macnest}

Here's a slightly more complex example, where one
       macro calls another. It's common in normal text to refer
       to people by their forename and surname (in that order), for
       example \person{Don  Knuth}, but to have them indexed as \emph{surname,
         forename}. This pair of macros,
       \command{person} and \command{reindex},
       automates that process to minimize typing and indexing.
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\newcommand{\person}[1]{#1\reindex #1\sentinel}
\def\reindex #1 #2\sentinel{\index{#2, #1}}
     \end{Verbatim}
\end{sourcecode}
\begin{enumerate}\item
The digit 1 in square brackets means that
           \command{person} has one argument, so you put the
           whole name in a single set of curly braces, e.g.
           \verb+\person{Don Knuth}+.

\item
The first thing the macro does is output
       \verb+#1+, which is the value of what you typed,
           just as it stands, so the whole name gets typeset exactly
           as you typed it.

\item
But then it uses a special feature of Plain \TeX{}
           macros (which use \command{def} instead of
           \LaTeX{}'s \command{newcommand}\footnote{Don't try this at home alone, children! This
               one is safe enough, but you should strictly avoid
               \command{def} for a couple of years. Stick to
               \command{newcommand} for now.}): they too can have multiple arguments but you
           can separate them with other characters (here a space) to
           form a pattern which \TeX{} will recognise when reading the
           arguments.

In this example (\command{reindex}) it's
           expecting to see a string of characters
           (\verb+#1+) followed by a space, followed by
           another string of characters (\verb+#2+)
           followed by a dummy command (\command{sentinel}).
           In effect this makes it a device for splitting a name into
           two halves on the space between them, so the two halves
           can be handled separately. The \command{reindex}
           command can now read the two halves of the name
           separately.

\item
The \command{person} command invokes
           \command{reindex} and follows it with the name
           you typed plus the dummy command
           \command{sentinel} (which is just there to signal
           the end of the name). Because \command{reindex}
           is expecting two arguments separated by a space and
           terminated by a \command{sentinel}, it sees
           `\verb+Don+ and
             \verb+Knuth+' as two separate
           arguments.

It can therefore output them using
           \command{index} in reverse order, which is
           exactly what we want.

\end{enumerate}

A book or report with a large number of personal names to
       print and index could make significant use of this to allow
       them to be typed as
       \verb+\person{Leslie Lamport}+ and printed as
       \person{Leslie Lamport}, but have them indexed as
       `Lamport,�Leslie' with virtually no effort
       on the author's part at all.
\begin{exercise}
\addcontentsline{loe}{section}{\numberline{20}Other names}
\subsubsection*{Other names}
Try to work out how to make this
         \command{person} feature work with names
         like:
\begin{itemize*}
\item Blanca Maria Bartosova de Paul
\item Patricia Maria Soria de Miguel
\item Arnaud de la Vill�sbrunne
\item Prince
\item Pope John Paul II
\end{itemize*}

Hints: the command \command{space} produces a
         normal space, and one way around \LaTeX{}'s requirements
         on spaces after command names ending with a letter is to
         follow such commands with an empty set of curly braces
         \verb+{}+.
\end{exercise}
\section{Macros and environments}
\label{macenv}

As mentioned in \S\thinspace\ref{fancybox}, it is possible
       to define macros to capture text in an environment and reuse
       it afterwards. This avoids any features of the subsequent use
       affecting the formatting of the text.

One example of this uses the facilities of the
       \package{fancybox} package, which defines a
       variety of framed boxes to highlight your text, and a special
       environment \env{Sbox} which
       `captures' your text for use in these
       boxes.
\begin{example}
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\begin{Sbox}
\begin{minipage}{3in}
This text is formatted to the specifications
of the minipage environment in which it
occurs.

Having been typeset, it is held in the Sbox
until it is needed, which is after the end
of the minipage, where you can (for example)
align it and put it in a special framed box.
\end{minipage}
\end{Sbox}
\begin{flushright}
\shadowbox{\theSbox}
\end{flushright}
       \end{Verbatim}
\end{sourcecode}\vspace*{-\baselineskip}\begin{quote}\fontencoding{T1}\fontfamily{cmr}\selectfont\def\sfdefault{cmss}\def\bfdefault{bf}\noindent
\begin{sidebar}
This text is formatted to the specifications of the
           minipage environment in which it occurs.

Having been typeset, it is held in the Sbox until it
           is needed, which is after the end of the minipage, where
           you can (for example) centre it and put it in a special
           framed box.
\end{sidebar}\end{quote}\end{example}

By putting the text (here in a
       \env{minipage} environment because we want to
       change the width) inside the \env{Sbox}
       environment, it is typeset into memory and stored in the macro
       \command{theSbox}. It can then be used afterwards as
       the argument of the \command{shadowbox} command (and
       in this example it has also been centred).
\section{Reprogramming \LaTeX{}'s internals}
\label{reprog}

\LaTeX{}'s internal macros can also be reprogrammed or
       even rewritten entirely, although doing this can require a
       considerable degree of expertise. Simple changes, however, are
       easily done.

Recall that \LaTeX{}'s default document structure for
       the Report document class uses Chapters as the main unit of
       text, whereas in reality most reports are divided into
       Sections, not Chapters (\S\thinspace\ref{repchap}). The result
       of this is that if you start off your report with
       \verb+\section{Introduction}+, it will print
       as

{\Large{}\fontseries{b}\selectfont{}0.1\quad Introduction\emstrut}

\noindent which is not at all what you want. The zero is
       caused by it not being part of any chapter. But this numbering
       is controlled by macros, and you can redefine them. In this
       case it's a macro called \verb+\thesection+
       which reproduces the current section number counter (see the last paragraph of \S\thinspace\ref{thecounter}). It's redefined afresh in each
       document class file, using the command
       \command{renewcommand} (in this case in
       \url+texmf/tex/latex/base/report.cls+):
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\renewcommand \thesection
  {\thechapter.\@arabic\c@section}
     \end{Verbatim}
\end{sourcecode}

You can see it invokes \command{thechapter}
       (which is defined elsewhere to reproduce the value of the
       \counter{chapter} counter), and it
       then prints a dot, followed by the Arabic value of the counter
       called \counter{section} (that
       \verb+\c@+ notation is \LaTeX{}'s internal way
       of referring to counters). You can redefine this in your
       preamble to simply leave out the reference to chapters:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\renewcommand{\thesection}{\arabic{section}}
     \end{Verbatim}
\end{sourcecode}

I've used the more formal method of enclosing the
       command being redefined in curly braces. For largely
       irrelevant historical reasons these braces are often omitted
       in \LaTeX{}'s internal code (as you may have noticed in
       the example earlier). And I've also used the
       `public' macro
       \command{arabic} to output the value of \counter{section} (\LaTeX{}'s internals
       use a `private' set of control
       sequences containing \verb+@+-signs, designed to
       protect
       them against being changed accidentally).

Now the introduction to your report will start
       with:

{\Large{}\fontseries{b}\selectfont{}1\quad Introduction\emstrut}

What's important is that you \emph{don't
         ever} need to alter the original document class
       file \url+report.cls+: you just copy the
       command you need to change into your own document preamble,
       and modify that instead. It will then override the
       default.
\subsection{Changing list item bullets}
\label{bullets}

As mentioned earlier (\S\thinspace\ref{labelitem}),
         here's how to redefine a bullet for an itemized list,
         with a slight tweak:
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
\usepackage{bbding}
\renewcommand{\labelitemi}{%
       \raisebox{-.25ex}{\PencilRight}}
       \end{Verbatim}
\end{sourcecode}

Here we use the \package{bbding} package
         which has a large selection of
         `dingbats' or little icons, and we
         make the label for top-level itemized lists print a
         right-pointing pencil (the names for the icons are in the
         package documentation: see \S\thinspace\ref{packagedoc} for
         how to get it).

In this case, we are using the
         \command{raisebox} command within the redefinition
         because it turns out that the symbols in this font are
         positioned slightly too high for the typeface we're
         using. The \command{raisebox} command takes two
         arguments: the first is a dimension, how much to raise the
         object by (and a negative value means
         `lower': there is no need for a
         \verb+\lowerbox+ command); and the second is
         the text you want to affect. Here, we are shifting the
         symbol down by �ex (see \S\thinspace\ref{dimensions}
         for a
         list of dimensions \LaTeX{} can use).

There is a vast number of symbols available: see
         \titlecite{symbol-list} for a
         comprehensive list.
\chapter{Compatibility with other systems}
\label{compat}

As we saw in \chaptername~\ref{plaintext}, \LaTeX{} uses
     plain-text files, so they can be read and written by any
     standard application that can open text files. This helps
     preserve your information over time, as the plain-text format
     cannot be obsoleted or hijacked by any manufacturer or sectoral
     interest, and it will always be readable on any computer, from
     your handheld (yes, \LaTeX{} is available for some PDA\index{PDA@PDA}s, see Figure~\ref{zaurus}) to the
     biggest supercomputer.
\begin{figure}\small
\caption{\small \LaTeX{} editing and processing on the Sharp Zaurus 5500
       PDA}
\label{zaurus}
\begin{center}
\includegraphics[width=0.3\textwidth]{zedit}\quad\includegraphics[width=0.3\textwidth]{zlatex}\quad\includegraphics[width=0.3\textwidth]{qpdf}
\end{center}
\end{figure}

However, \LaTeX{} is intended as the last stage of the
     editorial process: formatting for print or display. If you have
     a requirement to re-use the text in some other
     environment\mdash{}a database perhaps, or on the Web or a
     CD-ROM\index{CD-ROM@CD-ROM} or DVD\index{DVD@DVD}, or in Braille or voice output\mdash{}then
     it should probably be edited, stored, and maintained in
     something neutral like the Extensible Markup
       Language (XML)\index{XML@XML|textbf}\index{Acronyms@\textbf{Acronyms}, defined!XML@XML|textbf}, and only converted to \LaTeX{} when a
     typeset copy is needed.

Although \LaTeX{} has many structured-document features in
     common with SGML\index{SGML@SGML} and XML\index{XML@XML}, it can still only be processed by the
     \LaTeX{} and \product{pdf\LaTeX{}} programs.
     Because its macro features make it almost infinitely
     redefinable, processing it requires a program which can unravel
     arbitrarily complex macros, and \LaTeX{} and its siblings are
     the only programs which can do that effectively. Like other
     typesetters and formatters (Quark
     \product{XPress},
     \product{PageMaker},
     \product{FrameMaker}, Microsoft
     \product{Publisher}, \product[3]{3B2} etc.), \LaTeX{} is largely a
     one-way street leading to typeset printing or display
     formatting.

Converting \LaTeX{} to some other format therefore means you
     will unavoidably lose some formatting, as \LaTeX{} has features
     that others systems simply don't possess, so they cannot be
     translated\mdash{}although there are several ways to minimise
     this loss. Similarly, converting other formats into \LaTeX{}
     often means editing back the stuff the other formats omit
     because they only store appearances, not structure.

However, there are at least two excellent systems for
     converting \LaTeX{} directly to HyperText
       Markup Language (HTML)\index{HTML@HTML|textbf}\index{Acronyms@\textbf{Acronyms}, defined!HTML@HTML|textbf} so you can publish it on the web, as
     we shall see in \S\thinspace\ref{latexto}.
\section{Converting into \LaTeX{}}
\label{tolatex}

There are several systems which will save their text in
       \LaTeX{} format. The best known is probably the \LyX{} editor
       (see Figure~\ref{lyxwin}), which is a wordprocessor-like
       interface to \LaTeX{} for Windows and Unix. Both the
       \product{AbiWord} and
       \product{Kword} wordprocessors on Linux
       systems have a very good \textbf{Save
         As}\dots \LaTeX{} output, so they can be used to
       open Microsoft \product{Word} documents and
       convert to
       \LaTeX{}. Several maths packages like the
       \product{EuroMath} editor, and the
       \product{Mathematica} and
       \product{Maple} analysis packages, can also
       save material in \LaTeX{} format.

In general, most other wordprocessors and DTP systems
       either don't have the level of internal markup
       sophistication needed to create a \LaTeX{} file, or they lack
       a suitable filter to enable them to output what they do have.
       Often they are incapable of outputting any kind of structured
       document, because they only store what the text looks like,
       not why it's there or what role it fulfills. There are
       two ways out of this:
\begin{itemize}
\item
Use the \menuitem{File}{Save
             As\dots } menu item to save the
           wordprocessor file as HTML\index{HTML@HTML},
           rationalise the HTML\index{HTML@HTML} using
         \person{Dave  Raggett}'s \product{HTML
               Tidy}\footnote{\url+http://tidy.sourceforge.net/+}, and convert the resulting
           Extensible HyperText Markup
             Language (XHTML)\index{XHTML@XHTML|textbf}\index{Acronyms@\textbf{Acronyms}, defined!XHTML@XHTML|textbf} to \LaTeX{} with any of the standard
           XML\index{XML@XML} tools (see below).

\item
Use a specialist conversion tool like EBT's
           \product{DynaTag} (supposedly available
           from Enigma, if you can persuade them they have a copy to
           sell you; or you may still be able to get it from Red Bridge
             Interactive\footnote{\url+http://www.rbii.com/+} in Providence, RI). It's
           expensive and they don't advertise it, but for bulk
           conversion of consistently-marked
           \product{Word} files into XML it beats
           everything else hands down. The
           \product{Word} files
           \emph{must} be consistent, though, and must
           use named styles from a stylesheet, otherwise no system on
           earth is going to be able to guess what it means.

\end{itemize}

There is of course a third way, suitable for large volumes
       only: send it off to the Pacific Rim to be retyped into XML or
       \LaTeX{}. There are hundreds of companies from India to
       Polynesia who do this at high speed and low cost with very
       high accuracy. It sounds crazy when the document is already in
       electronic form, but it's a good example of the problem
       of low quality of wordprocessor markup that this solution
       exists at all.

You will have noticed that most of the solutions lead to
       one place: SGML\index{SGML@SGML}\footnote{The Standard Generalized Markup
             Language (SGML)\index{SGML@SGML|textbf}\index{Acronyms@\string\textbf{Acronyms}, defined!SGML@SGML|textbf} itself is little used now for new
           projects, as the software support for its daughter
           XML\index{XML@XML} is far greater, but there
           are still hundreds of large document repositories in
           SGML\index{SGML@SGML} still growing their
           collection by adding documents.} or XML\index{XML@XML}. As explained
       above and elsewhere, these formats are the only ones devised
       so far capable of storing sufficient information in
       machine-processable, publicly-accessible form to enable your
       document to be recreated in multiple output formats.  Once
       your document is in XML\index{XML@XML}, there is a
       large range of software available to turn it into other
       formats, including \LaTeX{}. Processors in any of the common
       SGML\index{SGML@SGML}/XML\index{XML@XML}
       processing languages like the Document
         Style Semantics and Specification Language (DSSSL)\index{DSSSL@DSSSL|textbf}\index{Acronyms@\textbf{Acronyms}, defined!DSSSL@DSSSL|textbf}, the
       Extensible Stylesheet Language
         [Transformations] (XSLT)\index{XSLT@XSLT|textbf}\index{Acronyms@\textbf{Acronyms}, defined!XSLT@XSLT|textbf},
       \product{Omnimark},
       \product{Metamorphosis},
       \product{Balise}, etc. can easily be written
       to output \LaTeX{}, and this approach is extremely
       common.

Much of this will be simplified when wordprocessors
       support native, arbitrary XML\index{XML@XML}/XSLT\index{XSLT@XSLT} as a
       standard feature, because \LaTeX{} output will become much
       simpler to produce.
\begin{itemize}
\item
Sun's \product{Star Office} and
           its Open Source sister,
           \product{OpenOffice}, have used XML as
           their native file format for several years, and there is a
           project at the Organisation for the
             Advancement of Structured Information Systems (OASIS)\index{OASIS@OASIS|textbf}\index{Acronyms@\textbf{Acronyms}, defined!OASIS@OASIS|textbf}
           for developing a common XML\index{XML@XML}
           office file format based on those used by these two
           packages, which has been proposed to the International Organization for
             Standardization (ISO)\index{ISO@ISO|textbf}\index{Acronyms@\textbf{Acronyms}, defined!ISO@ISO|textbf} in Geneva as a candidate for
           an International Standard.

\item
\product{WordPerfect} has also had a
           native SGML\index{SGML@SGML} (and now XML\index{XML@XML}) editor for many years, which will
           work with any Document Type
             Definition (DTD)\index{DTD@DTD|textbf}\index{Acronyms@\textbf{Acronyms}, defined!DTD@DTD|textbf} (but not a Schema; and at the time
           of writing (2005) it still used a proprietary stylesheet
           format).

\item
Microsoft has had a half-hearted `Save
             As\dots XML' for a while, using an
           internal and formerly largely undocumented Schema
           (recently published at last). The
           `Professional' versions of
           \product{Word} and
           \product{Excel} in
           \product{Office�11} (Office 2003 for
           XP) now have full support for arbitrary Schemas and a real
           XML\index{XML@XML} editor, albeit with a rather
           primitive interface, but there is no conversion to or from
           \product{Word}'s
           \url+.doc+ format.\footnote{Which is silly, given that Microsoft used to make
               one of the best
               \product{Word}-to-SGML\index{SGML@SGML} converters ever, which was
               bi-directional (yes, it could round-trip
               \product{Word} to SGML\index{SGML@SGML} and back to
               \product{Word} and back into SGML\index{SGML@SGML}). But they dropped it on the
               floor when XML\index{XML@XML}
               arrived.}

However, help comes in the shape of \person{Ruggero Dambra}'s
           \product{WordML2\LaTeX{}}, which is an
           XSLT\index{XSLT@XSLT} stylesheet to transform an
           XML\index{XML@XML} document in this internal
           Schema (WordML) into \LaTeXe{} format.
           Download it from any CTAN\index{CTAN@CTAN} server
           in \url+/support/WordML2LaTeX+.

\item\label{rtf2latex2e}
Among the conversion programs on CTAN\index{CTAN@CTAN} is \person{Ujwal Sath\-yam}'s
           \product{rtf2latex2e}, which converts
           Rich Text Format (RTF)\index{RTF@RTF|textbf}\index{Acronyms@\textbf{Acronyms}, defined!RTF@RTF|textbf} files (output
           by many wordprocessors) to \LaTeXe{}. The package
           description says it has support
           for figures and tables, equations are read as figures, and
           it can the handle the latest RTF\index{RTF@RTF}
           versions from Microsoft Word 97/98/2000, StarOffice, and
           other wordprocessors. It runs on Macs, Linux, other Unix
           systems, and Windows.

\end{itemize}

When these efforts coalesce into generalised support for
       arbitrary DTD\index{DTD@DTD}s and Schemas, it will
       mean a wider choice of editing interfaces, and when they
       achieve the ability to run XSLT\index{XSLT@XSLT}
       conversion into
       \LaTeX{} from within these editors,  such as is done at the
       moment with \product{Emacs} or
       \product{XML Spy}, we will have full
       convertability.
\subsection{Getting \LaTeX{} out of XML}

Assuming you can get your document out of its
         wordprocessor format into XML\index{XML@XML} by
         some method, here is a very brief example of how to turn it
         into \LaTeX{}.

You can of course buy and install a fully-fledged
         commercial XML\index{XML@XML} editor with
         XSLT\index{XSLT@XSLT} support, and run this
         application within it. However, this is beyond the reach of
         many users, so to do this unaided you just need to install
         three pieces of software: \product{Java}\footnote{\url+http://java.sun.com/j2se/1.4.2/download.html+},
         \product{Saxon}\footnote{\url+http://saxon.sourceforge.net/+}
         and the DocBook
           4.2 DTD\footnote{\url+http://www.docbook.org/xml/4.2/index.html+} (URI\index{URI@URI}s are
         correct at the time of writing). None of these has a visual
         interface: they are run from the command-line in the same
         way as is possible with \LaTeX{}.

As an example, let's take the above paragraph, as
         typed or imported into \product{AbiWord}
         (see
       Figure~\ref{abidoc}). This is stored as a single
         paragraph with highlighting on the product names (italics),
         and the names are also links to their Internet sources, just
         as they are in this document. This is a convenient way to
         store two pieces of information in the same place.
\begin{figure}\small
\caption{\small Sample paragraph in
           \emph{AbiWord} converted to XML\index{XML@XML}}
\label{abidoc}
\begin{center}
\includegraphics[width=1\textwidth]{abiword}
\end{center}
\end{figure}

\product{AbiWord} can export in DocBook
         format, which is an XML\index{XML@XML} vocabulary
         for describing technical (computer)
         documents\ndash{}it's what I use for this book.
         \product{AbiWord} can also export \LaTeX{},
         but we're going make our own
         version, working from the XML\index{XML@XML}
         (Brownie points for the reader who can guess why I'm
         not just accepting the \LaTeX{} conversion output).

Although \product{AbiWord}'s
         default is to output an XML\index{XML@XML}�\texttt{book} document
         type, we'll convert it to a \LaTeX{} article document
         class. Notice that \product{AbiWord} has
         correctly output the expected section and title markup
         empty, even though it's not used. Here's the
         XML\index{XML@XML} output (I've changed the
         linebreaks to keep it within the bounds of this page
         size):
\begin{sourcecode}\begin{Verbatim}[fontsize=\tiny]
<!DOCTYPE book PUBLIC "-//OASIS//DTD DocBook XML V4.2//EN"
       "http://www.oasis-open.org/docbook/xml/4.2/docbookx.dtd">
<book>
<!-- ===================================================================== -->
<!-- This DocBook file was created by AbiWord.                    -->
<!-- AbiWord is a free, Open Source word processor.                -->
<!-- You may obtain more information about AbiWord at www.abisource.com -->
<!-- ===================================================================== -->
 <chapter>
   <title></title>
   <section role="unnumbered">
     <title></title>
     <para>You can of course buy and install a fully-fledged commercial XML
editor with XSLT support, and run this application within it. However, this
is beyond the reach of many users, so to do this unaided you just need to
install three pieces of software: <ulink
url="http://java.sun.com/j2se/1.4.2/download.html"><emphasis>Java</emphasis></ulink>,
<ulink
url="http://saxon.sourceforge.net"><emphasis>Saxon</emphasis></ulink>, and
the <ulink url="http://www.docbook.org/xml/4.2/index.html">DocBook 4.2 DTD</ulink>
(URIs are correct at the time of writing). None of these has a visual
interface: they are run from the command-line in the same way as is possible
with L<superscript>A</superscript>T<subscript>E</subscript>X.</para>
   </section>
 </chapter>
</book>
         \end{Verbatim}
\end{sourcecode}

The XSLT\index{XSLT@XSLT} language lets us
         create templates for each type of element in an XML\index{XML@XML} document. In our example, there are
         only three which need handling, as we did not create chapter
         or section titles (DocBook requires them to be present, but
         they don't have to be used).
\begin{itemize}
\item
\texttt{para}, for the
             paragraph[s];

\item
\texttt{ulink}, for the URIs;

\item
\texttt{emphasis}, for the
             italicisation.

\end{itemize}

I'm going to cheat over the superscripting and
         subscripting of the letters in the \LaTeX{} logo, and use my
         editor to replace the whole thing with the
         \command{LaTeX} command. In the other three cases,
         we already know how \LaTeX{} deals with these, so we can
         write our templates (see Figure~\ref{xslcode}).
\begin{figure}\small
\caption{\small XSLT\index{XSLT@XSLT} script to convert the
           paragraph}
\label{xslcode}
\begin{sourcecode}\begin{Verbatim}[fontsize=\footnotesize]
<?xml version="1.0" encoding="utf-8"?>
<xsl:stylesheet
xmlns:xsl="http://www.w3.org/1999/XSL/Transform"
version="1.0">
 <xsl:output method="text"/>

 <xsl:template match="/">
   <xsl:text>\documentclass{article}
\usepackage{url}</xsl:text>
   <xsl:apply-templates/>
 </xsl:template>

 <xsl:template match="book">
   <xsl:text>\begin{document}</xsl:text>
   <xsl:apply-templates/>
   <xsl:text>\end{document}</xsl:text>
 </xsl:template>

 <xsl:template match="para">
   <xsl:apply-templates/>
   <xsl:text>&#x000A;</xsl:text>
 </xsl:template>

 <xsl:template match="ulink">
   <xsl:apply-templates/>
   <xsl:text>\footnote{\url{</xsl:text>
   <xsl:value-of select="@url"/>
   <xsl:text>}}</xsl:text>
 </xsl:template>

 <xsl:template match="emphasis">
   <xsl:text>\emph{</xsl:text>
   <xsl:apply-templates/>
   <xsl:text>}</xsl:text>
 </xsl:template>

</xsl:stylesheet>
           \end{Verbatim}
\end{sourcecode}
\end{figure}

If you run this through
         \product{Saxon}, which is an XSLT\index{XSLT@XSLT} processor, you can output a \LaTeX{}
         file which you can process and view (see Figure~\ref{paraview}).
\begin{sourcecode}\begin{Verbatim}[fontsize=\scriptsize]
$ java -jar /usr/local/saxonb8-0/saxon8.jar -o para.ltx \
para.dbk para.xsl
$ latex para.ltx
This is TeX, Version 3.14159 (Web2C 7.3.7x)
(./para.ltx
LaTeX2e <2001/06/01>
Loading CZ hyphenation patterns: Pavel Sevecek, v3, 1995
Loading SK hyphenation patterns: Jana Chlebikova, 1992
Babel <v3.7h> and hyphenation patterns for english,
dumylang, nohyphenation, czech, slovak, german, ngerman,
danish, spanish, catalan, finnish, french, ukenglish, greek,
croatian, hungarian, italian, latin, mongolian, dutch,
norwegian, polish, portuguese, russian, ukrainian,
serbocroat, swedish, loaded.
(/usr/TeX/texmf/tex/latex/base/article.cls
Document Class: article 2001/04/21 v1.4e Standard LaTeX
document class (/usr/TeX/texmf/tex/latex/base/size10.clo))
(/usr/TeX/texmf/tex/latex/ltxmisc/url.sty) (./para.aux)
[1] (./para.aux) )
Output written on para.dvi (1 page, 1252 bytes).
Transcript written on para.log.
$ xdvi para &
         \end{Verbatim}
\end{sourcecode}
\begin{figure}\small
\caption{\small Displaying the typeset paragraph}
\label{paraview}
\begin{center}
\includegraphics[width=0.6\textwidth]{para}
\end{center}
\begin{sourcecode}\begin{Verbatim}[fontsize=\scriptsize]
\documentclass{article}\usepackage{url}\begin{document}

     You can of course buy and install a fully-fledged commercial
XML editor with XSLT support, and run this application within it.
However, this is beyond the reach of many users, so to do this
unaided you just need to install three pieces of software:
\emph{Java}\footnote{\url{http://java.sun.com/j2se/1.4.2/download.html}},
\emph{Saxon}\footnote{\url{http://saxon.sourceforge.net}}, and the
DocBook 4.2 DTD\footnote{\url{http://www.docbook.org/xml/4.2/index.html}}
(URIs are correct at the time of writing). None of these has a visual
interface: they are run from the command-line in the same way as is
possible with \LaTeX.

\end{document}
           \end{Verbatim}
\end{sourcecode}
\end{figure}

Writing XSLT\index{XSLT@XSLT} is not hard, but
         requires a little learning. The output method here is
         \verb+text+, which is \LaTeX{}'s file
         format (XSLT\index{XSLT@XSLT} can also output
         HTML\index{HTML@HTML} and other formats of
         XML).
\begin{enumerate}\item
The first template matches
             `\verb+/+', which is
             the document root (before the \texttt{book}
             start-tag). At this stage we output the text
             \verb+\documentclass{article}+ and
             \verb+\usepackage{url}+. The
             `\verb+apply-templates+'
             instructions tells the processor to carry on processing,
             looking for more matches. XML\index{XML@XML}
             comments get ignored, and any elements which don't
             match a template simply have their contents passed
             through until the next match occurs.

\item
The \texttt{book} template outputs the
             \verb+\begin{document}+ and the
             \verb+\end{document}+ commands, and between
             them to carry on processing.

\item
The \texttt{para} template just outputs
             its content, but follows it with a linebreak (using the
             hexadecimal character code \verb+x000A+ (see
             the ASCII\index{ASCII@ASCII} chart in Table~\ref{asciicodes}).

\item
The \texttt{ulink} template outputs its
             content but follows it with a footnote using the
             \command{url} command to output the value of
             the \texttt{url} attribute.

\item
The \texttt{emphasis} template surrounds
             its content with \verb+\emph{+ and
             \verb+}+.

\end{enumerate}

This is a relatively trivial example, but it serves to
         show that it's not hard to output \LaTeX{} from
         XML\index{XML@XML}. In fact there is a set of
         templates already written to produce \LaTeX{} from a DocBook
         file at
         \url+http://www.dpawson.co.uk/docbook/tools.html#d4e2905+
\section{Converting out of \LaTeX{}}
\label{latexto}

This is much harder to do comprehensively. As noted
       earlier, the \LaTeX{} file format really requires the \LaTeX{}
       program itself in order to process all the packages and
       macros, because there is no telling what complexities authors
       have added themselves (what a lot of this book is
       about!).

Many authors and editors rely on custom-designed or
       homebrew converters, often written in the standard shell
       scripting languages (Unix shells, Perl, Python, Tcl, etc).
       Although some of the packages presented here are also written
       in the same languages, they have some advantages and
       restrictions compared with private conversions:
\begin{itemize}
\item
Conversion done with the standard utilities (eg awk,
           tr, sed, grep, detex, etc) can be faster for
           \emph{ad hoc} translations, but it
           is easier to obtain consistency and a more sophisticated
           final product using
         \LaTeX{}2HTML\index{HTML@HTML} or
           \TeX{}4ht\mdash{}or one of the other systems
           available.

\item
Embedding additional non-standard control sequences in
         \LaTeX{} source code may make it harder to edit and
           maintain, and will definitely make it harder to port to
           another system.

\item
Both the above methods (and others) provide a fast and
           reasonable reliable way to get documents authored in
           \LaTeX{} onto the Web in an acceptable\mdash{}if not
           optimal\mdash{}format.

\item
\LaTeX{}2HTML\index{HTML@HTML} was written to
           solve the problem of getting \LaTeX{}-with-mathematics
           onto the Web, in the days before MathML and math-capable
           browsers.
           \TeX{}4ht was written to turn \LaTeX{} documents into Web
           hypertext\mdash{}mathematics or not.

\end{itemize}
\subsection{Conversion to \emph{Word}}

There are several programs on CTAN\index{CTAN@CTAN} to do
       \LaTeX{}-to-\product{Word} and similar
         conversions, but they do not all handles everything \LaTeX{}
         can throw at them, and some only handle a subset of the
         built-in commands of default
         \LaTeX{}. Two in particular, however, have a good
         reputation, although I haven't used either of them (I
         stay as far away from \product{Word} as
         possible):
\begin{itemize}
\item
\product{latex2rtf} by \person{Wilfried Hennings}, \person{Fernando Dorner}, and \person{Andreas Granzer} translates
             \LaTeX{} into RTF\index{RTF@RTF}\mdash{}the
             opposite of the \product{rtf2latex2e}
             mentioned in item~\ref{rtf2latex2e}the list on p.\thinspace\pageref{rtf2latex2e}. RTF\index{RTF@RTF} can be read by most
             wordprocessors, and this program preserves layout and
             formatting for most \LaTeX{} documents using standard
             built-in commands.

\item
\person{Kirill Chikrii}'s \product[tex2word]{\TeX{}2Word} for
             Microsoft Windows is a converter plug-in for
             \product{Word} to let it open \TeX{}
             and \LaTeX{} documents. The author's company claims
             that `virtually any existing \TeX{}/\LaTeX{}
               package can be supported by \product[tex2word]{\TeX{}2Word}'
             because it is customisable.

\end{itemize}

One easy route into wordprocessing, however, is the
         reverse of the procedures suggested in the preceding
         section: convert \LaTeX{} to HTML\index{HTML@HTML},
         which many wordprocessors read easily. The following
         sections cover two packages for this.
\subsection{\emph{\LaTeX{}2HTML}}

As its name suggests, \LaTeX{}2HTML\index{HTML@HTML} is a system to convert \LaTeX{}
         structured documents to HTML\index{HTML@HTML}. Its
         main task is to reproduce the document structure as a set of
         interconnected HTML\index{HTML@HTML} files. Despite
         using Perl,
         \LaTeX{}2HTML\index{HTML@HTML} relies very heavily
         on standard Unix facilities like the
         \product{NetPBM} graphics package and the
         pipe syntax. Microsoft Windows is not well suited to this
         kind of composite processing, although all the required
         facilities are available for download in various forms and
         should in theory allow the package to run\mdash{}but reports
         of problems are common.
\begin{itemize}
\item
The sectional structure is preserved, and
             navigational links are generated for the standard Next,
             Previous, and Up directions.

\item
Links are also used for the cross-references,
             citations, footnotes, ToC, and lists of figures and
             tables.

\item
Conversion is direct for common elements like lists,
             quotes, paragraph-breaks, type-styles, etc, where there
             is an obvious HTML\index{HTML@HTML}
             equivalent.

\item
Heavily formatted objects such as math and diagrams
             are converted to images.

\item
There is no support for homebrew macros.

\end{itemize}

There is, however, support for arbitrary hypertext
         links, symbolic cross-references between `evolving
           remote documents', conditional text, and the
         inclusion of raw HTML\index{HTML@HTML}. These are
         extensions to
         \LaTeX{}, implemented as new commands and
         environments.

\LaTeX{}2HTML\index{HTML@HTML} outputs a
         directory named after the input filename, and all the output
         files are put in that directory, so the output is
         self-contained and can be uploaded to a server as it
         stands.
\subsection{\emph{\TeX{}4ht}}

\TeX{}4ht operates differently from
         \LaTeX{}2HTML\index{HTML@HTML}: it uses the \TeX{}
         program to process the file, and handles conversion in a set
         of postprocessors for the common \LaTeX{} packages. It can
         also output to XML\index{XML@XML}, including
         Text Encoding Initiative (TEI)\index{TEI@TEI|textbf}\index{Acronyms@\textbf{Acronyms}, defined!TEI@TEI|textbf} and
         DocBook, and the OpenOffice and WordXML formats, and it can
         create \TeX{}info format
         manuals.

By default, documents retain the single-file structure
         implied by the original, but there is again a set of
         additional configuration directives to make use of the
         features of hypertext and navigation, and to split files for
         ease of use.
\subsection{Extraction from PS and PDF}

If you have the full version of Adobe
         \product{Acrobat}, you can open a PDF\index{PDF@PDF} file created by
         \product{pdf\LaTeX{}}, select and copy all
         the text, and paste it into \product{Word}
         and some other wordprocessors, and retain some common
         formatting of headings, paragraphs, and lists. Both
         solutions still require the wordprocessor text to be edited
         into shape, but they preserve enough of the formatting to
         make it worthwhile for short documents. Otherwise, use the
         \product{pdftotext} program to extract
         everything from the PDF\index{PDF@PDF} file as
         plain (paragraph-formatted) text.
\subsection{Last resort: strip the markup}

At worst, the \product{detex} program
         on CTAN\index{CTAN@CTAN} will strip a \LaTeX{} file
         of all markup and leave just the raw unformatted text, which
         can then be re-edited. There are also programs to extract
         the raw text from DVI\index{DVI@DVI} and PostScript (PS)\index{PS@PS|textbf}\index{Acronyms@\textbf{Acronyms}, defined!PS@PS|textbf} files.
\appendix
\chapter{Configuring \TeX{} search paths}
\label{cnf}

\TeX{} systems run on a huge variety of platforms, and are
     typically made up of a large number of rather small files. Some
     computer operating systems have problems with packages like
     this, as their built-in methods for searching for a file when
     needed are poor.

To get around this, \TeX{} uses a technique borrowed from the
     Unix world, based on a simple hash index for each directory they
     need to look in. This is known as the ls-R database, from the
     Unix command (\verb+ls -R+) which creates it. The
     program which does this for \TeX{} is actually called after this
     command: \product{mktexlsr}, although it may be
     renamed \product{texhash} or something else on
     your system. This is the program referred to in step~\ref{texindex} in the procedure on p.\thinspace\pageref{texindex}.

However, to know where to make these indexes, and thus where
     to search, \TeX{} needs to be told about them. In a standard
     \TeX{} installation this information is in
     \url+texmf/web2c/texmf.cnf+. The file is similar
     to a Unix shell script, but the only lines of significance for
     the search paths are the following (this is how they appear in
     the default Unix installation, omitting the comments):
\begin{sourcecode}\begin{Verbatim}[fontsize=\small]
TEXMFMAIN = /usr/TeX/texmf
TEXMFLOCAL = /usr/TeX/texmf-local
HOMETEXMF = $HOME/texmf
TEXMF = {$HOMETEXMF,!!$TEXMFLOCAL,!!$TEXMFMAIN}
SYSTEXMF = $TEXMF
VARTEXFONTS = /var/lib/texmf
TEXMFDBS = $TEXMF;$VARTEXFONTS
   \end{Verbatim}
\end{sourcecode}

As you can see, this defines where the main \TeX{}/\mf{}
     directory is, where the local one is, and where the user's
     personal (home) one is. It then defines the order in which they
     are searched, and makes this the system-wide list. A temporary
     directory for bitmap fonts is set up, and added to the list,
     defining the places in which \product{texhash}
     or \product{mktexlsr} creates its
     databases.

In some installations, the local directory is set up in
     \url+/usr/local/share/texmf+ or
     \url+/usr/share/texmf.local+ or similar
     variations, so you would substitute this name for
     \url+/usr/TeX/texmf-local+. Under Microsoft
     Windows, the names will be full paths such as
     \url+C:\Program Files\TeXLive\texmf+. On an Apple
     Mac, it might be \url+Hard
       Disk:TeX:texmf+.

If you edit plain-text configuration files with anything
     other than a plain-text editor (e.g.�a wordprocessor), or
     if you edit them with a plain-text editor which has been set to
     word-wrap long lines, make sure you turn line-wrapping
     \emph{off} so that any long lines are preserved in
     their correct format.
\chapter{\TeX{} Users Group membership}
\label{tugform}

The \TeX{} Users Group (TUG)\index{TUG@TUG|textbf}\index{Acronyms@\textbf{Acronyms}, defined!TUG@TUG|textbf} was
     founded in 1980 for educational and scientific purposes: to
     provide an organization for those who have an interest in
     typography and font design, and are users of the \TeX{}
     typesetting system invented by Donald Knuth.
     TUG is run by and for its members and represents the interests
     of \TeX{} users worldwide.
\subsection*{TUG membership benefits}\addcontentsline{toc}{subsection}{TUG membership benefits}

Members of TUG help to support and promote the use of
       \TeX{}, \mf{}, and related systems worldwide. All members
       receive \titlecite{tugboat},
       the journal of the \TeX{} Users Group, the \TeX{} Live software
       distribution (a runnable \TeX{} system), and the CTAN\index{CTAN@CTAN} software distribution (containing most
       of the CTAN\index{CTAN@CTAN} archive).

In addition, TUG members vote in TUG elections, and
       receive discounts on annual meeting fees, store purchases, and
       TUG-sponsored courses. TUG membership (less benefits) is
       tax-deductible, at least in the USA.  See the TUG Web site for
       details.
\subsection*{Becoming a TUG member}\addcontentsline{toc}{subsection}{Becoming a TUG member}

Please see the forms and information at \url+http://www.tug.org/join.html+.  You can join
       online, or by filling out a paper form. The NTG (Dutch) and
       UKTUG (United Kingdom) \TeX{} user groups have joint membership
       agreements with TUG whereby you can receive a discount for
       joining both user groups.  To do this, please join via \url+http://www.ntg.nl/newmember.html+ (the NTG
       membership page) or \url+http://uk.tug.org/Membership/+ (the UKTUG
       page), respectively, and select the option for joint
       membership.

Each year's membership entitles you to the software and
       TUGboat produced for that year (even if it is produced in a
       subsequent calendar year, as is currently the case with
       TUGboat).  You can order older issues of TUGboat and \TeX{}
       memorabilia through the TUG store (\url+http://www.tug.org/store+).

The current TUG membership fee is \$65 (US) per year
       for individuals and \$35 for students and seniors. Add
       \$10 to the membership fee after May 31 to cover
       additional shipping and processing costs. The current rate for
       non-voting subscription memberships (for libraries, for
       example) is \$85. The current institutional rate is
       \$500, which includes up to seven individual
       memberships.
\subsection*{Privacy}\addcontentsline{toc}{subsection}{Privacy}

TUG uses your personal information only to mail you
       products, publications, notices, and (for voting members)
       official ballots. Also, if you give explicit agreement, we may
       incorporate it into a membership directory which will be made
       available only to TUG members.

TUG neither sells its membership list nor provides it to
       anyone outside of its own membership.
\chapter{The ASCII character set}
\label{asciicharset}

The American Standard Code for Information Interchange was
     invented in 1963, and after some redevelopment settled down in
     1984 as standard X3.4 of American National
       Standards Institute (ANSI)\index{ANSI@ANSI|textbf}\index{Acronyms@\textbf{Acronyms}, defined!ANSI@ANSI|textbf}. It represents the 95 basic
     codes for the unaccented printable characters and punctuation of
     the Latin alphabet, plus 33 internal `control
       characters' originally intended for the control of
     computers, programs, and external devices like printers and
     screens.

Many other character sets (strictly speaking,
     `character repertoires') have been standardised for
     accented Latin characters and for all other non-Latin writing
     systems, but these are intended for representing the symbols
     people use when writing text on computers. Most programs and
     computers use ASCII\index{ASCII@ASCII} internally for all
     their coding, the exceptions being XML\index{XML@XML}-based languages like XSLT\index{XSLT@XSLT}, which are inherently designed to be
     usable with any writing system, and a few specialist systems
     like APL.

Although the \TeX{} and \LaTeX{} file formats can easily be
     used with many other encoding systems (see the discussion of the
     \package{inputenc} in \S\thinspace\ref{accents}), they are based on ASCII\index{ASCII@ASCII}. It is therefore important to know
     where to find \emph{all} 95 of the printable
     characters, as some of them are not often used in other
     text-formatting systems. The following table shows all 128
     characters, with their decimal, octal (base-8), and hexadecimal
     (base-16) code numbers.
\begin{table}\small \caption{\small The ASCII characters}
\label{asciicodes}
\begin{center}
\setlength{\tabcolsep}{1mm}
\begin{tabular}{@{}>{$}r<{$\enspace}>{\ttfamily}>{\pbs{\centering}}p{1cm}>{\ttfamily}>{\pbs{\centering}}p{1cm}>{\ttfamily}>{\pbs{\centering}}p{1cm}>{\ttfamily}>{\pbs{\centering}}p{1cm}>{\ttfamily}>{\pbs{\centering}}p{1cm}>{\ttfamily}>{\pbs{\centering}}p{1cm}>{\ttfamily}>{\pbs{\centering}}p{1cm}>{\ttfamily}>{\pbs{\centering}}p{1cm}>{\enspace$}l<{$}@{}}
\mbox{\textbf{\sffamily\upshape Oct}}&\textbf{\sffamily\upshape 0}&\textbf{\sffamily\upshape 1}&\textbf{\sffamily\upshape 2}&\textbf{\sffamily\upshape 3}&\textbf{\sffamily\upshape 4}&\textbf{\sffamily\upshape 5}&\textbf{\sffamily\upshape 6}&\textbf{\sffamily\upshape 7}&\mbox{\textbf{\sffamily\upshape Hex}}\\[2pt]\hline\\[-1.5\baselineskip]
'00\UParrow&NUL&SOH&STX&ETX&EOT&ENQ&ACK&BEL&''0\UParrow\\[1mm]
'01\UParrow&BS&HT&LF&VT&FF&CR&SO&SI&''0\DOWNarrow\\[1mm]
'02\UParrow&DLE&DC1&DC2&DC3&DC4&NAK&SYN&ETB&''1\UParrow\\[1mm]
'03\UParrow&CAN&EM&SUB&ESC&FS&GS&RS&US&''1\DOWNarrow\\[1mm]
'04\UParrow&&!&"&\#&\$&\%&\amp &'&''2\UParrow\\[1mm]
'05\UParrow&(&)&*&+&,&-&.&/&''2\DOWNarrow\\[1mm]
'06\UParrow&0&1&2&3&4&5&6&7&''3\UParrow\\[1mm]
'07\UParrow&8&9&:&;&$<$&=&$>$&?&''3\DOWNarrow\\[1mm]
'10\UParrow&@&A&B&C&D&E&F&G&''4\UParrow\\[1mm]
'11\UParrow&H&I&J&K&L&M&N&O&''4\DOWNarrow\\[1mm]
'12\UParrow&P&Q&R&S&T&U&V&W&''5\UParrow\\[1mm]
'13\UParrow&X&Y&Z&[&$\backslash$&]&{\char'136}&{\ttfamily\char'137}&''5\DOWNarrow\\[1mm]
'14\UParrow&\`{}&a&b&c&d&e&f&g&''6\UParrow\\[1mm]
'15\UParrow&h&i&j&k&l&m&n&o&''6\DOWNarrow\\[1mm]
'16\UParrow&p&q&r&s&t&u&v&w&''7\UParrow\\[1mm]
'17\UParrow&x&y&z&{\ttfamily\char'173}&$|$&{\ttfamily\char'175}&{\char'176}&DEL&''7\DOWNarrow\\[1mm]
\\[-1em]\hline\vrule height1.2em width0pt \textbf{}&\textbf{8}&\textbf{9}&\textbf{A}&\textbf{B}&\textbf{C}&\textbf{D}&\textbf{E}&\textbf{F}&\textbf{}\\[1mm]
\end{tabular}
\end{center}
\end{table}

The index numbers in the first and last columns are for
     finding the octal (base-8) and hexadecimal (base-16) values
     respectively. Replace the arrow with the number or letter from
     the top of the column (if the arrow points up) from the bottom
     of the column(if the arrow points down).

Example: The Escape character (ESC) is octal '033 (03 for
     the row, 3 for the number at the top of the column because the
     arrow points up) or hexadecimal "1B (1 for the row, B for the
     letter at the bottom of the column because the arrow points
     down).

For the decimal value, multiply the Octal row number by
     eight and add the column number from the top line (that makes
     ESC 27).
\chapter[GNU Free Documentation License]{GNU Free Documentation License\\\LARGE\itshape Version 1.2, November 2002}
\label{gfdl}
\begin{multicols}{2}\small\gfdl
\begin{quotation}\small\begingroup
Copyright (C) 2000,2001,2002  Free Software Foundation,
       Inc. 59 Temple Place, Suite 330, Boston, MA  02111-1307  USA
       Everyone is permitted to copy and distribute verbatim copies
       of this license document, but changing it is not
       allowed.
\par\endgroup\smallskip\footnotesize\noindent \end{quotation}
\setcounter{section}{-1}
\section{PREAMBLE}
\label{gfdl-0}

The purpose of this License is to make a manual, textbook,
       or other functional and useful document `free' in
       the sense of freedom: to assure everyone the effective freedom
       to copy and redistribute it, with or without modifying it,
       either commercially or noncommercially. Secondarily, this
       License preserves for the author and publisher a way to get
       credit for their work, while not being considered responsible
       for modifications made by others.

This License is a kind of `copyleft', which
       means that derivative works of the document must themselves be
       free in the same sense.  It complements the GNU General Public
       License, which is a copyleft license designed for free
       software.

We have designed this License in order to use it for
       manuals for free software, because free software needs free
       documentation: a free program should come with manuals
       providing the same freedoms that the software does.  But this
       License is not limited to software manuals; it can be used for
       any textual work, regardless of subject matter or whether it
       is published as a printed book.  We recommend this License
       principally for works whose purpose is instruction or
       reference.
\section{APPLICABILITY AND DEFINITIONS}
\label{gfdl-1}

\label{gfdl-doc}%
This License applies to any manual or other
       work, in any medium, that contains a notice placed by the
       copyright holder saying it can be distributed under the terms
       of this License.  Such a notice grants a world-wide,
       royalty-free license, unlimited in duration, to use that work
       under the conditions stated herein.  The
       `Document', below, refers to any such manual or
       work.  Any member of the public is a licensee, and is
       addressed as `you'.  You accept the license if
       you copy, modify or distribute the work in a way requiring
       permission under copyright law.

\label{gfdl-mod-ver}%
A `Modified Version' of the
       Document means any work containing the Document or a portion
       of it, either copied verbatim, or with modifications and/or
       translated into another language.

\label{gfdl-secnd-sect}%
A `Secondary Section' is
       a named appendix or a front-matter section of the Document
       that deals exclusively with the relationship of the publishers
       or authors of the Document to the Document's overall
       subject (or to related matters) and contains nothing that
       could fall directly within that overall subject.  (Thus, if
       the Document is in part a textbook of mathematics, a Secondary
       Section may not explain any mathematics.)  The relationship
       could be a matter of historical connection with the subject or
       with related matters, or of legal, commercial, philosophical,
       ethical or political position regarding them.

\label{gfdl-inv-sect}%
The `Invariant Sections'
       are certain Secondary Sections whose titles are designated, as
       being those of Invariant Sections, in the notice that says
       that the Document is released under this License.  If a
       section does not fit the above definition of Secondary then it
       is not allowed to be designated as Invariant.  The Document
       may contain zero Invariant Sections.  If the Document does not
       identify any Invariant Sections then there are none.

\label{gfdl-cov-text}%
The `Cover Texts' are
       certain short passages of text that are listed, as Front-Cover
       Texts or Back-Cover Texts, in the notice that says that the
       Document is released under this License.  A Front-Cover Text
       may be at most 5 words, and a Back-Cover Text may be at most
       25 words.

\label{gfdl-transparent}%
A `Transparent' copy of
       the Document means a machine-readable copy, represented in a
       format whose specification is available to the general public,
       that is suitable for revising the document straightforwardly
       with generic text editors or (for images composed of pixels)
       generic paint programs or (for drawings) some widely available
       drawing editor, and that is suitable for input to text
       formatters or for automatic translation to a variety of
       formats suitable for input to text formatters.  A copy made in
       an otherwise Transparent file format whose markup, or absence
       of markup, has been arranged to thwart or discourage
       subsequent modification by readers is not Transparent.  An
       image format is not Transparent if used for any substantial
       amount of text.  A copy that is not `Transparent'
       is called `Opaque'.

Examples of suitable formats for Transparent copies
       include plain ASCII without markup, Texinfo input format,
       LaTeX input format, SGML or XML using a publicly available
       DTD, and standard-conforming simple HTML\index{HTML@HTML},
       PostScript\index{PostScript} or PDF designed for human
       modification.  Examples of transparent image formats include
       PNG, XCF and JPG.  Opaque formats include proprietary formats
       that can be read and edited only by proprietary word
       processors, SGML or XML for which the DTD and/or processing
       tools are not generally available, and the machine-generated
       HTML\index{HTML@HTML}, PostScript\index{PostScript} or PDF produced by
       some word processors for output purposes only.

\label{gfdl-title-page}%
The `Title Page' means,
       for a printed book, the title page itself, plus such following
       pages as are needed to hold, legibly, the material this
       License requires to appear in the title page. For works in
       formats which do not have any title page as such, `Title
         Page' means the text near the most prominent
       appearance of the work's title, preceding the beginning
       of the body of the text.

\label{gfdl-entitled}%
A section `Entitled XYZ'
       means a named subunit of the Document whose title either is
       precisely XYZ or contains XYZ in parentheses following text
       that translates XYZ in another language. (Here XYZ stands for
       a specific section name mentioned below, such as
       `Acknowledgements', `Dedications',
       `Endorsements', or `History'.)  To
       `Preserve the Title' of such a section when you
       modify the Document means that it remains a section
       `Entitled XYZ' according to this
       definition.

The Document may include Warranty Disclaimers next to the
       notice which states that this License applies to the Document.
       These Warranty Disclaimers are considered to be included by
       reference in this License, but only as regards disclaiming
       warranties: any other implication that these Warranty
       Disclaimers may have is void and has no effect on the meaning
       of this License.
\section{VERBATIM COPYING}
\label{gfdl-2}

You may copy and distribute the Document in any medium,
       either commercially or noncommercially, provided that this
       License, the copyright notices, and the license notice saying
       this License applies to the Document are reproduced in all
       copies, and that you add no other conditions whatsoever to
       those of this License.  You may not use technical measures to
       obstruct or control the reading or further copying of the
       copies you make or distribute.  However, you may accept
       compensation in exchange for copies.  If you distribute a
       large enough number of copies you must also follow the
       conditions in section 3.


You may also lend copies, under the same conditions stated
       above, and you may publicly display copies.
\section{COPYING IN QUANTITY}
\label{gfdl-3}

If you publish printed copies (or copies in media that
       commonly have printed covers) of the Document, numbering more
       than 100, and the Document's license notice requires
       Cover Texts, you must enclose the copies in covers that carry,
       clearly and legibly, all these Cover Texts: Front-Cover Texts
       on the front cover, and Back-Cover Texts on the back cover.
       Both covers must also clearly and legibly identify you as the
       publisher of these copies.  The front cover must present the
       full title with all words of the title equally prominent and
       visible.  You may add other material on the covers in
       addition.  Copying with changes limited to the covers, as long
       as they preserve the title of the Document and satisfy these
       conditions, can be treated as verbatim copying in other
       respects.

If the required texts for either cover are too voluminous
       to fit legibly, you should put the first ones listed (as many
       as fit reasonably) on the actual cover, and continue the rest
       onto adjacent pages.

If you publish or distribute Opaque copies of the Document
       numbering more than 100, you must either include a
       machine-readable Transparent copy along with each Opaque copy,
       or state in or with each Opaque copy a computer-network
       location from which the general network-using public has
       access to download using public-standard network protocols a
       complete Transparent copy of the Document, free of added
       material.  If you use the latter option, you must take
       reasonably prudent steps, when you begin distribution of
       Opaque copies in quantity, to ensure that this Transparent
       copy will remain thus accessible at the stated location until
       at least one year after the last time you distribute an Opaque
       copy (directly or through your agents or retailers) of that
       edition to the public.

It is requested, but not required, that you contact the
       authors of the Document well before redistributing any large
       number of copies, to give them a chance to provide you with an
       updated version of the Document.
\section{MODIFICATIONS}
\label{gfdl-4}

You may copy and distribute a Modified Version of the
       Document under the conditions of sections 2 and 3 above,
       provided that you release the Modified Version under precisely
       this License, with the Modified Version filling the role of
       the Document, thus licensing distribution and modification of
       the Modified Version to whoever possesses a copy of it.  In
       addition, you must do these things in the Modified
       Version:
\begin{enumerate}\renewcommand{\theenumi}{\Alph{enumi}}\item Use in the Title Page (and on the covers,
           if any) a title distinct from that of the Document, and
           from those of previous versions (which should, if there
           were any, be listed in the History section of the
           Document).  You may use the same title as a previous
           version if the original publisher of that version gives
           permission.

\item List on the Title Page, as authors, one or
           more persons or entities responsible for authorship of the
           modifications in the Modified Version, together with at
           least five of the principal authors of the Document (all
           of its principal authors, if it has fewer than five),
           unless they release you from this requirement.

\item State on the Title page the name of the
           publisher of the Modified Version, as the
           publisher.
\item Preserve all the copyright notices of the
           Document.

\item Add an appropriate copyright notice for
           your modifications adjacent to the other copyright
           notices.

\item Include, immediately after the copyright
           notices, a license notice giving the public permission to
           use the Modified Version under the terms of this License,
           in the form shown in the Addendum (\S\thinspace\ref{gfdl-addendum}) below.

\item Preserve in that license notice the full
           lists of Invariant Sections and required Cover Texts given
           in the Document's license
           notice.
\item Include an unaltered copy of this License.

\item Preserve the section Entitled
           `History', Preserve its Title, and add to it
           an item stating at least the title, year, new authors, and
           publisher of the Modified Version as given on the Title
           Page.  If there is no section Entitled
           `History' in the Document, create one stating
           the title, year, authors, and publisher of the Document as
           given on its Title Page, then add an item describing the
           Modified Version as stated in the previous sentence.

\item Preserve the network location, if any,
           given in the Document for public access to a Transparent
           copy of the Document, and likewise the network locations
           given in the Document for previous versions it was based
           on.  These may be placed in the `History'
           section.  You may omit a network location for a work that
           was published at least four years before the Document
           itself, or if the original publisher of the version it
           refers to gives permission.

\item For any section Entitled
           `Acknowledgements' or
           `Dedications', Preserve the Title of the
           section, and preserve in the section all the substance and
           tone of each of the contributor acknowledgements and/or
           dedications given therein.

\item Preserve all the Invariant Sections of the
           Document, unaltered in their text and in their titles.
           Section numbers or the equivalent are not considered part
           of the section titles.

\item Delete any section Entitled
           `Endorsements'. Such a section may not be
           included in the Modified Version.

\item Do not retitle any existing section to be
           Entitled `Endorsements' or to conflict in
           title with any Invariant Section.

\item Preserve any Warranty Disclaimers.

\end{enumerate}

If the Modified Version includes new front-matter sections
       or appendices that qualify as Secondary Sections and contain
       no material copied from the Document, you may at your option
       designate some or all of these sections as invariant.  To do
       this, add their titles to the list of Invariant Sections in
       the Modified Version's license notice. These titles must
       be distinct from any other section titles.

You may add a section Entitled
       `Endorsements', provided it contains nothing but
       endorsements of your Modified Version by various parties--for
       example, statements of peer review or that the text has been
       approved by an organization as the authoritative definition of
       a standard.

You may add a passage of up to five words as a Front-Cover
       Text, and a passage of up to 25 words as a Back-Cover Text, to
       the end of the list of Cover Texts in the Modified Version.
       Only one passage of Front-Cover Text and one of Back-Cover
       Text may be added by (or through arrangements made by) any one
       entity.  If the Document already includes a cover text for the
       same cover, previously added by you or by arrangement made by
       the same entity you are acting on behalf of, you may not add
       another; but you may replace the old one, on explicit
       permission from the previous publisher that added the old
       one.

The author(s) and publisher(s) of the Document do not by
       this License give permission to use their names for publicity
       for or to assert or imply endorsement of any Modified
       Version.
\section{COMBINING DOCUMENTS}
\label{gfdl-5}

You may combine the Document with other documents released
       under this License, under the terms defined in section 4 (\S\thinspace\ref{gfdl-4}) above for modified
       versions, provided that you include in the combination all of
       the Invariant Sections of all of the original documents,
       unmodified, and list them all as Invariant Sections of your
       combined work in its license notice, and that you preserve all
       their Warranty Disclaimers.

The combined work need only contain one copy of this
       License, and multiple identical Invariant Sections may be
       replaced with a single copy.  If there are multiple Invariant
       Sections with the same name but different contents, make the
       title of each such section unique by adding at the end of it,
       in parentheses, the name of the original author or publisher
       of that section if known, or else a unique number.  Make the
       same adjustment to the section titles in the list of Invariant
       Sections in the license notice of the combined work.

In the combination, you must combine any sections Entitled
       `History' in the various original documents,
       forming one section Entitled `History'; likewise
       combine any sections Entitled `Acknowledgements',
       and any sections Entitled `Dedications'.  You
       must delete all sections Entitled
       `Endorsements'.
\section{COLLECTIONS OF DOCUMENTS}
\label{gfdl-6}

You may make a collection consisting of the Document and
       other documents released under this License, and replace the
       individual copies of this License in the various documents
       with a single copy that is included in the collection,
       provided that you follow the rules of this License for
       verbatim copying of each of the documents in all other
       respects.

You may extract a single document from such a collection,
       and distribute it individually under this License, provided
       you insert a copy of this License into the extracted document,
       and follow this License in all other respects regarding
       verbatim copying of that document.
\section{AGGREGATION WITH INDEPENDENT
       WORKS}
\label{gfdl-7}

A compilation of the Document or its derivatives with
       other separate and independent documents or works, in or on a
       volume of a storage or distribution medium, is called an
       `aggregate' if the copyright resulting from the
       compilation is not used to limit the legal rights of the
       compilation's users beyond what the individual works
       permit.  When the Document is included an aggregate, this
       License does not apply to the other works in the aggregate
       which are not themselves derivative works of the
       Document.

If the Cover Text requirement of section 3 is applicable
       to these copies of the Document, then if the Document is less
       than one half of the entire aggregate, the Document's
       Cover Texts may be placed on covers that bracket the Document
       within the aggregate, or the electronic equivalent of covers
       if the Document is in electronic form.  Otherwise they must
       appear on printed covers that bracket the whole
       aggregate.
\section{TRANSLATION}
\label{gfdl-8}

Translation is considered a kind of modification, so you
       may distribute translations of the Document under the terms of
       section 4. Replacing Invariant Sections with translations
       requires special permission from their copyright holders, but
       you may include translations of some or all Invariant Sections
       in addition to the original versions of these Invariant
       Sections.  You may include a translation of this License, and
       all the license notices in the Document, and any Warranty
       Disclaimers, provided that you also include the original
       English version of this License and the original versions of
       those notices and disclaimers.  In case of a disagreement
       between the translation and the original version of this
       License or a notice or disclaimer, the original version will
       prevail.

If a section in the Document is Entitled
       `Acknowledgements', `Dedications',
       or `History', the requirement (section 4) to
       Preserve its Title (section 1) will typically require changing
       the actual title.
\section{TERMINATION}
\label{gfdl-9}

You may not copy, modify, sublicense, or distribute the
       Document except as expressly provided for under this License.
       Any other attempt to copy, modify, sublicense or distribute
       the Document is void, and will automatically terminate your
       rights under this License.  However, parties who have received
       copies, or rights, from you under this License will not have
       their licenses terminated so long as such parties remain in
       full compliance.
\section{FUTURE REVISIONS OF THIS
       LICENSE}
\label{gfdl-10}

The Free Software Foundation may publish new, revised
       versions of the GNU Free Documentation License from time to
       time.  Such new versions will be similar in spirit to the
       present version, but may differ in detail to address new
       problems or concerns.  See
       http://www.gnu.org/copyleft/.

Each version of the License is given a distinguishing
       version number.  If the Document specifies that a particular
       numbered version of this License `or any later
         version' applies to it, you have the option of
       following the terms and conditions either of that specified
       version or of any later version that has been published (not
       as a draft) by the Free Software Foundation.  If the Document
       does not specify a version number of this License, you may
       choose any version ever published (not as a draft) by the Free
       Software Foundation.
\section{ADDENDUM: How to use this License
       for your documents}
\label{gfdl-addendum}

To use this License in a document you have written,
       include a copy of the License in the document and put the
       following copyright and license notices just after the title
       page:
\begin{quotation}\small\begingroup

         Copyright (c)  YEAR  YOUR NAME. Permission is granted to
         copy, distribute and/or modify this document under the terms
         of the GNU Free Documentation License, Version 1.2 or any
         later version published by the Free Software Foundation;
         with no Invariant Sections, no Front-Cover Texts, and no
         Back-Cover Texts. A copy of the license is included in the
         section entitled `GNU Free Documentation
           License'.

\par\endgroup\smallskip\footnotesize\noindent \end{quotation}

If you have Invariant Sections, Front-Cover Texts and
       Back-Cover Texts, replace the
       `with\dots Texts.' line with this:
\begin{quotation}\small\begingroup

         with the Invariant Sections being LIST THEIR TITLES, with
         the Front-Cover Texts being LIST, and with the Back-Cover
         Texts being LIST.

\par\endgroup\smallskip\footnotesize\noindent \end{quotation}

If you have Invariant Sections without Cover Texts, or
       some other combination of the three, merge those two
       alternatives to suit the situation.

If your document contains nontrivial examples of program
       code, we recommend releasing these examples in parallel under
       your choice of free software license, such as the GNU General
       Public License, to permit their use in free software.

\end{multicols}
\renewcommand{\bibname}{References}
\bibliography{beginlatex}
\bibliographystyle{jurabib}
\begin{VerbatimOut}{beginlatex.bib}
@book{mathguide,
 juraauthor = {AMS},
 author = {{}},
 title = {{Short Math Guide for \LaTeX{}}},
 juratitle = {Short Math Guide},
 publisher = {AMS},
 address = {Providence, RI},
 url = {http://www.ams.org/tex/short-math-guide.html},
 year = {2001},
 comment = {Written by XSLT}
}
@techreport{fontname,
 author = {Karl Berry},
 title = {{Fontname: Filenames for \TeX{} fonts}},
 url = {http://www.ctan.org/tex-archive/info/fontname/},
 organisation = {\TeX{} Users Group},
 address = {Portland, OR},
 year = {June 2001},
 comment = {Written by XSLT}
}
@book{bull,
 author = {RJ Bull},
 title = {{Accounting in Business}},
 publisher = {Butterworths},
 address = {London},
 year = {1972},
 isbn = {0-406-70651-4},
 comment = {Written by XSLT}
}
@techreport{teiguide,
 author = {Lou Burnard and Michael Sperberg-McQueen},
 title = {{Guidelines for the Text Encoding Initiative}},
 juratitle = {TEI Guidelines},
 organisation = {OUP},
 address = {Oxford},
 year = {1995},
 comment = {Written by XSLT}
}
@book{davy,
 author = {William Davy},
 title = {{A System of Divinity}},
 publisher = {Published by the author},
 address = {Lustleigh, Devon},
 year = {1806},
 comment = {Written by XSLT}
}
@techreport{gentle,
 author = {Michael Doob},
 title = {{A Gentle Introduction to \TeX{}: A Manual for Self-Study}},
 juratitle = {Gentle Intro},
 organisation = {\TeX{} Users Group},
 address = {Portland, OR},
 year = {2002},
 url = {http://www.ctan.org/tex-archive/info/gentle/},
 comment = {Written by XSLT}
}
@book{bovary,
 author = {Gustave Flaubert},
 title = {{Madame Bovary}},
 address = {Paris},
 year = {1857},
 comment = {Written by XSLT}
}
@book{htmlbook,
 author = {Peter Flynn},
 title = {{The HTML Handbook}},
 juratitle = {The HTML Handbook},
 publisher = {International Thompson Computer
         Press},
 address = {London},
 isbn = {1-85032-205-8},
 year = {1995},
 comment = {Written by XSLT}
}
@book{sgmltools,
 author = {Peter Flynn},
 title = {{Understanding SGML and XML Tools}},
 juratitle = {SGML \amp  XML Tools},
 publisher = {Kluwer},
 address = {Boston},
 isbn = {0-7923-8169-6},
 year = {1998},
 comment = {Written by XSLT}
}
@book{fg,
 author = {John Fothergill},
 title = {{An Innkeeper's Diary}},
 publisher = {Penguin},
 address = {London},
 edition = {3rd},
 year = {1929},
 comment = {Written by XSLT}
}
@book{companion,
 author = {Frank Mittelbach and Michel Goossens and Johannes Braams and David Carlisle and Chris Rowley},
 title = {{The \LaTeX{} Companion}},
 juratitle = {Companion},
 publisher = {Addison-Wesley/Pearson Education},
 address = {Boston, MA},
 edition = {2},
 isbn = {0-201-36299-6},
 year = {2004},
 comment = {Written by XSLT}
}
@book{graphicscomp,
 author = {Michel Goossens and Sebastian Rahtz and Frank Mittelbach},
 title = {{The \LaTeX{} Graphics Companion}},
 juratitle = {Graphics Companion},
 publisher = {Addison-Wesley},
 address = {Reading, MA},
 isbn = {0-201-85469-4},
 year = {1997},
 comment = {Written by XSLT}
}
@book{webcomp,
 author = {Michel Goossens and Sebastian Rahtz and Ross Moore and Bob Sutor},
 title = {{The \LaTeX{} Web Companion}},
 juratitle = {Web Companion},
 publisher = {Addison-Wesley},
 address = {Reading, MA},
 isbn = {0-201-43311-7},
 year = {1999},
 comment = {Written by XSLT}
}
@article{goreham-ctt,
 author = {Anthony Goreham},
 title = {{Re: Installing a new font: PFM, PFB}},
 juratitle = {Installing a new font},
 journal = {\texttt{comp.text.tex}},
 number = {[email protected]},
 pages = {(all pages)},
 year = {28 November 2001},
 comment = {Written by XSLT}
}
@article{heller,
 author = {Robert Heller},
 title = {{New To \LaTeX{}\dots Unlearning Bad Habits}},
 juratitle = {Bad habits},
 journal = {\texttt{comp.text.tex}},
 number = {[email protected]},
 pages = {(all pages)},
 year = {11 March 2003},
 comment = {Written by XSLT}
}
@techreport{fontinst,
 author = {Alan Jeffrey and Rowland McDonnell},
 title = {{Font installation software for \TeX{}}},
 juratitle = {Fontinst},
 url = {http://www.tex.ac.uk/tex-archive/fonts/utilities/fontinst/},
 organisation = {\TeX{} Users Group},
 year = {30 June 1998},
 comment = {Written by XSLT}
}
@book{aocs,
 author = {Donald Ervin Knuth},
 title = {{The Art of Computer Programming}},
 publisher = {Addison-Wesley},
 address = {Reading, MA},
 edition = {2nd},
 volume = {1},
 isbn = {0-201-89685-0},
 year = {1980},
 comment = {Written by XSLT}
}
@book{latexbook,
 author = {Leslie Lamport},
 title = {{\LaTeX{}: A Document Preparation System}},
 publisher = {Addison-Wesley},
 address = {Reading, MA},
 isbn = {0-201-52983-1},
 edition = {2nd},
 year = {1994},
 comment = {Written by XSLT}
}
@book{macnamara,
 author = {Matthew {Mac Namara}},
 title = {{La Textualisation de \emph{Madame
         Bovary}}},
 publisher = {Rodopi},
 address = {Amsterdam},
 year = {2003},
 comment = {Written by XSLT}
}
@techreport{lshort,
 author = {Tobias Oetiker and Hubert Partl and Irene Hyna and Elisabeth Schlegl},
 title = {{The (Not So) Short Guide to \LaTeXe{}: \LaTeXe{} in 131 Minutes}},
 juratitle = {Short Guide},
 organisation = {\TeX{} Users Group},
 url = {http://www.ctan.org/tex-archive/info/lshort/},
 year = {2001},
 edition = {3.2},
 comment = {Written by XSLT}
}
@techreport{symbol-list,
 author = {Scott Pakin},
 title = {{A comprehensive list of symbols in \TeX{}}},
 juratitle = {Symbol list},
 organisation = {\TeX{} Users Group},
 url = {http://www.ctan.org/tex-archive/info/symbols/comprehensive/},
 year = {2002},
 comment = {Written by XSLT}
}
@techreport{begin,
 juraauthor = {TUG},
 author = {{}},
 title = {{Getting Started with \TeX{}, \LaTeX{}, and friends}},
 juratitle = {Getting Started},
 organisation = {\TeX{} Users Group},
 address = {Portland, OR},
 url = {http://www.tug.org/begin.html},
 year = {November 2003},
 comment = {Written by XSLT}
}
@techreport{imported,
 author = {Keith Reckdahl},
 title = {{Using imported graphics in \LaTeXe{}}},
 juratitle = {Imported graphics},
 organisation = {\TeX{} Users Group},
 url = {http://www.ctan.org/tex-archive/info/epslatex.pdf/},
 year = {1997},
 edition = {2.0},
 comment = {Written by XSLT}
}
@incollection{tain,
 author = {{}},
 title = {{T�in b� C�ailnge}},
 pages = {55},
 booktitle = {Leabhar na h-Uidhri},
 publisher = {Royal Irish Academy},
 address = {Dublin},
 year = {1100},
 comment = {Written by XSLT}
}
@article{varmints,
 author = {Marjorie Kinnan Rawlings},
 title = {{Varmints}},
 journal = {Scribner's Magazine},
 year = {1936},
 comment = {Written by XSLT}
}
@book{ryder,
 author = {John Ryder},
 title = {{Printing for Pleasure}},
 publisher = {Bodley Head},
 address = {London},
 isbn = {0-370-10443-9},
 year = {1976},
 comment = {Written by XSLT}
}
@techreport{xmlfaq,
 author = {Peter Flynn},
 title = {{The XML FAQ}},
 organisation = {University College Cork},
 address = {Cork, Ireland},
 url = {http://www.ucc.ie/xml/},
 year = {January 2005},
 comment = {Written by XSLT}
}
@techreport{gnufdl,
 juraauthor = {FSF},
 author = {{}},
 title = {{The GNU Free Documentation License}},
 juratitle = {GNU FDL},
 organisation = {Free Software Foundation},
 address = {Boston, MA},
 url = {http://www.fsf.org/copyleft/fdl.html},
 year = {2003/02/10
       23:42:49},
 comment = {Written by XSLT}
}
@proceedings{tugboat,
 editor = {Barbara Beeton},
 title = {{TUGboat}},
 publisher = {\TeX{} Users Group},
 address = {Portland, OR},
 issn = {0896-3207},
 year = {Since 1980},
 comment = {Written by XSLT}
}
@proceedings{practex,
 editor = {Lance Carnes and Karl Berry},
 title = {{The Prac\TeX{} Journal}},
 publisher = {\TeX{} Users Group},
 address = {Portland, OR},
 url = {http://www.tug.org/pracjourn/},
 year = {2004},
 comment = {Written by XSLT}
}
@proceedings{wired,
 editor = {Chris Anderson},
 title = {{WIRED}},
 publisher = {Cond\'e Nast},
 address = {San Francisco, CA},
 issn = {1059-1028},
 year = {1993--},
 comment = {Written by XSLT}
}
@book{mathwrite,
 author = {Donald E Knuth and Tracey Larrabee and Paul M Roberts},
 title = {{Mathematical Writing}},
 publisher = {Mathematical Association of America},
 address = {Washington, DC},
 series = {MAA Notes 14},
 isbn = {0-88385-063-X},
 year = {1989},
 comment = {Written by XSLT}
}
\end{VerbatimOut}
\renewcommand{\indexname}{Index}
\clearpage\section*{\indexname}

The same fonts are used here as in the text of the book
     (see the Introduction on p.\thinspace\pageref{symbols}) to distinguish between different
     meanings:
\begingroup\small \begin{center}
\begin{tabular}{@{}ll@{}}
\textbf{\sffamily\upshape Notation}&\textbf{\sffamily\upshape Meaning}\\[2pt]\hline\\[-1.5\baselineskip]
CTAN\index{CTAN@CTAN}&Acronyms (small caps in some typefaces)\\
\command{command}&\LaTeX{} control sequences (monospace font)\\
{\fontseries{b}\fontshape{it}\selectfont{}term}&Defining instance of a specialist term (bold
             italics)\\
\product{product}&program or product name (italics)\\
\env{environment}&\LaTeX{} environment (sans-serif bold)\\
\package{package}&\LaTeX{} package (sans-serif; all available from
             CTAN\index{CTAN@CTAN})\\
\opt{options}&Options to environments (sans-serif oblique)\\
\counter{variables}&Variables (monospace oblique)\\
\end{tabular}
\end{center}
\endgroup
In the online version, the entries below are all hyperlinked
     to their source, with subsequent multiple occurrences giving the
     section number or name. Page or section numbers in {\fontseries{b}\selectfont{}bold type} indicate a defining
     instance.
\par\parfillskip=0pt plus.5fil
\multicolsep=1.5pc\printindex
\end{document}