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on Gopher (inofficial) | |
Visit Hacker News on the Web | |
COMMENT PAGE FOR: | |
Being too ambitious is a clever form of self-sabotage | |
avcix wrote 16 hours 5 min ago: | |
It's funny, I was aspiring to be a game developer when I was a child | |
and developed some games on Game Maker when I was like 12, and those | |
were the best games I made. | |
Then, I attended to University but never found my skill enough to | |
develop a game worthy of my tastes. | |
juggli wrote 18 hours 22 min ago: | |
Thank you for sharing, it's a fantastic article. When you feel like | |
giving up, that's when the real work begins. | |
CommenterPerson wrote 1 day ago: | |
Good article. Verified by years of observing my own and others' | |
failures and successes. Do-Learn is a great positive motto. Compared to | |
the nihilistic break things, or fail fast, etc. | |
Must say, it was a bit long. At the beginning, and after looking up the | |
author, I confess to thinking "Oh no another pretty face influencer". | |
But it built up very well. My respect level increased a lot when I saw | |
Olin College of Engineering on her bio. Had checked it out for my | |
daughter and came away very impressed by their approach. Most all | |
American engineering colleges are so full of theory and so little | |
doing, when it should be the other way around. Kudos. | |
georgeecollins wrote 1 day ago: | |
I love the term "taste-skill gap". I work with people who are good at | |
making movies and people who are good at making video games. There is | |
always this awkward thing that people who are good in one area are | |
convinced they would be great in the other. I don't think I have ever | |
met a film director that didn't think he would be a great video game | |
designer if he put the time into it and really good game designers | |
(well the narrative game ones) don't understand why they wouldn't be a | |
good choice to direct a movie. | |
Taste comes quicker and can be more generalized. It's also pretty easy | |
to express. Skill has many hidden components, takes experience to hone | |
and is typically very specific. | |
0xbadcafebee wrote 1 day ago: | |
"The gap" is probably what allowed humans to evolve complex solutions. | |
Rather than just bang things together, they had to think of how they | |
would do it before they even began. That seems to be the differentiator | |
between other animals and humans: we can shave a lot more yaks. | |
I have spent a year on a project that is not really much closer to | |
completion than when I started. But I have been shaving yaks like a | |
motherfucker. Research, design iterations, acquiring tools, making | |
jigs, creating space. (I have also wasted a lot of time due to coping | |
with ADHD and depression) | |
I could have done it sooner if I had compromised more. But I wasn't yet | |
experienced enough to know what compromises to make and still end up | |
with an acceptable solution. Many things have come up that I didn't | |
expect in my initial dream. If I'd known then what I know now, I would | |
have dialed things down. | |
Ignorance amplified my ambition, and my ambition exceeded my grasp. But | |
if you never give up, it's not sabotage: it's perseverance. And I | |
refuse to quit. My grasp is getting stronger. I'm moving forward | |
faster, getting better. So my ambition (in this case) is a stupid form | |
of self-improvement. It turns out I'm not building a camper. I'm | |
building Me. | |
czhu12 wrote 1 day ago: | |
I think this is why it helps a lot to build something you actually use. | |
Because then, the barometer for what is good becomes a lot more | |
defined: "Did I solve the problem I had", and then slowly build up from | |
there. | |
Instead of trying to imagine a thing that someone else might or might | |
not need. | |
I've been slowly chipping away at a heroku alternative called Canine | |
[1] for the better part of a year now on the side, and for once, I | |
don't feel tons of pressure or self loathing for not working on it | |
quickly enough. | |
I use it every day now, and whenever I come across something that I | |
wish was a little better (at the moment, understanding how much memory | |
is used by the cluster is a pet peeve), I ruminate on it for a few days | |
before hopping in and making some changes. No more, no less. It helps | |
me get away from "what is the perfect solution", to "can i fix this | |
thing that annoys me right now" | |
[1]: https://canine.sh | |
whilenot-dev wrote 1 day ago: | |
> "Did I solve the problem I had" | |
I really think that's the wrong question, but I don't know how to | |
formulate it any better... it should be somewhere between playful | |
curiosity ("how did it advance me a step in my own interests?"), | |
pragmatic foresight ("how did it open up new possibilities?"), and | |
bland reflection ("why was it the necessary thing to do at that | |
moment?"). | |
> "can i fix this thing that annoys me right now" | |
Whatever your questions might be, I sure hope they won't only aim for | |
a boolean answer. | |
prairieroadent wrote 1 day ago: | |
my intuition on all this, and what both you seem to be getting at | |
is that is wildly difficult to understand the problems of others at | |
least to the degree that you understand your own problems, which | |
even then understanding one's own problems is hard... which leads | |
to the perspective of focusing on what they understand (their own | |
problems), and then as a side-effect of addressing their own | |
problem helping others by documenting their problem and attempted | |
solutions... documenting and broadcasting adds a little bit of | |
overhead but it seems like an environmentally-friendly approach to | |
participating in society in a healthy way | |
anontrot wrote 1 day ago: | |
so if i am content with my life, i can't create anything... | |
Herring wrote 1 day ago: | |
Nah you can, you just need to worry extra hard about finding | |
product-market-fit or youâll have something 100% useless on your | |
hands. | |
lotyrin wrote 1 day ago: | |
Shaw's unreasonable man strikes again. | |
sonicvrooom wrote 1 day ago: | |
I don't get this at all. | |
WTF is "too ambitious"? When people *don't* want to make the only | |
necessary "sacrifice" aka exchange/trade off? It's usually time that | |
is otherwise spend on something else, which includes family, friends, | |
other hobbies but the latter can be taken off the list because implicit | |
to ambition is the higher priority of the thing or state aspired and | |
worked on. | |
The ability to recognize quality grows quicker because of the amount of | |
people who have successfully made the exchange and either improved | |
their skill or found and implemented acceptable workarounds. | |
Most post-modern creation is fractal remixing. It's just effort put | |
into time. The most untalented people can create superb stuff if they | |
just keep grinding adequate levels of skill and workarounds. | |
The beauty, IMO, is in accepting the process of others and to support, | |
motivate, inspire them, with anything one can provide. That will help | |
them grow both, skill and taste, which in turn augments your world and | |
raises your ambition. | |
Look at it this way: if you poison your neighbors you lower the quality | |
in your environment which lowers the quality of your personal IO, input | |
and output. You even lower the standards of the evaluation of your IO. | |
Both, those of others and your own. You basically keep yourself low, | |
and thus, your own creation. That applies to content, products, code | |
and any writing. | |
People are stuck in the old hierarchical ways of thinking. That's not | |
even annoying. Please hone your sense for quality. You don't owe that | |
to the old world and guard but it would prove their effort was not for | |
nothing. | |
Wilsoniumite wrote 1 day ago: | |
I've faced this problem for almost every task in my life, from the | |
creative stuff already mentioned too less obvious things, like | |
socializing (Seeing what you said wrong without knowing how you could | |
have said it better). Because of this, the only things I have been able | |
to bear "practicing" are ones that are outside of any public view. Ones | |
were my taste was nonexistent. Code is one of them. We don't see much | |
code (good or bad) in public, and so it's one of few areas where my | |
taste could only improve after I saw the failures in my own work after | |
I had produced it, rather than during. | |
zahlman wrote 1 day ago: | |
> The algorithmic machinery of attention has, of course, engineered | |
simple comparison. But it has also seemingly erased the process that | |
makes mastery possible. A time-lapse of someone creating a masterpiece | |
gets millions of views. A real-time video of someone struggling through | |
their hundredth mediocre attempt disappears into algorithmic obscurity. | |
Honestly, I have found that the most important reason something gets a | |
million views is because it got 999,999 views (so the algorithm likes | |
it more). Lots of popular content doesn't demonstrate that mastery at | |
all; it demonstrates a dumbed-down presentation of relatively little | |
actual content, while the really good stuff is something you only | |
stumble upon by random chance, buried in hundredth-mediocre-attempts. | |
> I see this in wannabe founders listening to podcasts on loop, wannabe | |
TikTokkers watching hours of videos as âresearch,â | |
... Which feeds right into that. It becomes too easy to mistake fluff | |
for content and convince yourself of the value of that research. I | |
think it's something specific to watching video content, too. | |
One of my own possibly-self-sabotaging ambitions is video rendering | |
software that I would then use to produce my own content. But then, on | |
top of the actual software, I would have to figure out how to actually | |
write the shorter-but-still-compelling scripts that I imagine to be | |
possible. And I would spend the whole time expecting my work to be | |
ignored and despairing over that anyway. | |
uncivilized wrote 1 day ago: | |
Rare Hackernews W. Thanks for posting. This is a really great read. | |
matthewsinclair wrote 1 day ago: | |
> âThere is a moment, just before creation begins, when the work | |
exists in its most perfect form in your imagination.â | |
I think TS Eliot said this exact thing, but more poetically, in âThe | |
Hollow Menâ (1925): | |
> âBetween the conception and the creation, falls the Shadowâ | |
Which remains one of my all time fave pieces of writing. So much said | |
in so few words. | |
hamilyon2 wrote 1 day ago: | |
I'll be fired if I create my worst | |
aswegs8 wrote 1 day ago: | |
Well-written but not really anything new or groundbreaking. I think | |
most people are well aware of this kind of idealization/perfection that | |
prevents progress. | |
gcanyon wrote 1 day ago: | |
>The quantity group would be graded on volume: one hundred photos for | |
an A, ninety photos for a B, eighty photos for a C, and so on. | |
> The quality group only need to present one perfect photo. | |
> At semester's end, all the best photos came from the quantity group. | |
I think the more interesting experiment would be to give both groups | |
the same assignment in terms of volume, but tell the quality group they | |
had to submit N photos but designate one as their choice, to be graded | |
on the quality of it. I think this would be interesting because my | |
hypothesis is that people differ in what they consider "good" and the | |
quality group would end up indicating the "wrong" photo as their choice | |
nearly 100% of the time. | |
thenthenthen wrote 1 day ago: | |
Agree. This method is not sound nor pedagogically acceptable. This a | |
big issue in art education still today. | |
sweezyjeezy wrote 1 day ago: | |
100% - the quality group only had one chance to impress the teacher, | |
whereas quantity group had dozens. The conclusion drawn from this in | |
the text seems to be based on assumptions. We don't actually know | |
how many intermediate photographs the quality group took as well, and | |
without knowing that and also checking the quality of those, it's | |
hard to say anything useful. | |
gcanyon wrote 1 day ago: | |
> At semester's end, all the best photos came from the quantity group. | |
My parents once owned a photography studio. My stepfather often said | |
something like, "A great photographer doesn't only take great photos; | |
he takes many photos of various quality, and never shows anyone the bad | |
ones." | |
RaftPeople wrote 1 day ago: | |
I think the lesson at the end of that semester is a bit muddied. It | |
says the quantity group figured out a bunch of stuff due to multiple | |
photos being taken, but there are a couple things we don't know: | |
1-Just because the single photo group only submitted one photo, they | |
may have taken just as many as the quantity group | |
2-How were "best" photos determined (by prof? by class vote?) | |
If quality group took as many photos, then the issue is really about | |
the subjective selection of "best" photo. The first group had 100x | |
as many photos to choose from than the 2nd group, so it could be more | |
about how well each person in the 2nd group was able to select best | |
photo from their collection compared to however "best" photos were | |
selected out of all photos. | |
thenthenthen wrote 1 day ago: | |
This is not a very pedagogic method. Why divide the group?! Have | |
everyone go thru the same exercise seems more valuable to me. This | |
would get you fired today tbh. | |
satyrun wrote 1 day ago: | |
Exactly. | |
If you look at a book of Picasso's drawings/paintings he has | |
thousands of examples of half finished, complete shit. | |
The masterpieces are the result of picking the best output. | |
mrbluecoat wrote 1 day ago: | |
> your brain begins to treat planning as accomplishing | |
So project managers accomplish nothing? | |
scottgg wrote 1 day ago: | |
I enjoyed the writing here a lot - itâs a nice, clearly explained | |
idea. I can recognize myself in this. | |
mmsc wrote 1 day ago: | |
Even if some people are not ready for the day, it cannot always be | |
night. | |
luckystarr wrote 1 day ago: | |
I started my most ambitious project in February. A few years ago I | |
wouldn't have even dreamed of ever starting let alone finishing it, but | |
now I have a Claude Code Max Pro subscription and it goes forward in a | |
steady pace. I expect the first version of it to be finished within the | |
year. Even it's written mostly by AI, it's still a lot of work to get | |
it to do the right thing, but I'm getting better at it. | |
raphinou wrote 1 day ago: | |
I'm just starting a software project and, again, it is ambitious and | |
somewhat complex (multi-sig signoff solution). | |
I envy people that can identify a simple project and execute it | |
successfully. | |
But the challenge of building something more complex is what's | |
interesting for me. And I'm not sure I would have more success with a | |
simpler project, I'd get bored rapidly. | |
9dev wrote 1 day ago: | |
For me it helps to reflect on my desire to finish, which is mostly | |
just a fragment of my day job. On my side projects, I can go as deep | |
into the rabbit hole as I want, and enjoy the journey. Of course it | |
feels great to publish something eventually, but the zen garden | |
effect of just bike shedding to your hearts content is really | |
something you shouldnât dismiss immediately. | |
moooo99 wrote 1 day ago: | |
> being too ambitious is a clever form of self-sabotage | |
Nice, Iâm clever! | |
moritzwarhier wrote 1 day ago: | |
Have to admit (I added to a snark comment about Substack and | |
productivity blogs when this was posted), it addresses a problem that | |
is plaguing myself. | |
Still not sure if it will help me overcome this, but the "quitting | |
point" concept and the drawing example made it a good read for me. | |
Not 100% the same, but I've also heard there is a correlation between | |
procrastrination and perfectionism, narcisissm (not only grandiosity, | |
also vulnerabity and low self-esteem): [1] Relevant proverbs are | |
plenty... "There is no failure except in no longer trying" etc | |
[1]: https://pmc.ncbi.nlm.nih.gov/articles/PMC11353843/#sec3-ijerph... | |
TrackerFF wrote 1 day ago: | |
The «taste-skill» thing is something you often see in music. Those | |
with great taste, but limited ability, tend to pursue roles like | |
promotion, agents, producing, etc. | |
xchip wrote 1 day ago: | |
And drinking to much water is also bad. | |
We already know that too much of anything is bad and that virtue is in | |
the middle. | |
Please stop writing articles like this. | |
wizzwizz4 wrote 1 day ago: | |
Because these articles aren't ambitious enough? | |
ezekiel68 wrote 1 day ago: | |
I read the title. Immediate reaction: | |
"Jeepers - they're on to me!" | |
baxtr wrote 1 day ago: | |
> At semester's end, all the best photos came from the quantity group. | |
The quantity group learned something that cannot be taught: that | |
excellence emerges from intimacy with imperfection, that mastery is | |
built through befriending failure, that the path to creating one | |
perfect thing runs directly through creating many imperfect things. | |
This reminded me of Roger Federer, who has won 82% of all matches but | |
only 54% of all points. | |
I really enjoyed this article and also believe that in many cases doing | |
is superior to planning. | |
Just a word of caution: the author doesnât account for cost. All | |
examples given are relatively low-cost and high-frequency: drawing | |
pictures, taking photos, writing blog posts. | |
The cost-benefit ratio of simply doing changes when costs increase. | |
Quitting your high-paid job to finally start the startup youâve been | |
dreaming of is high-cost and rather low-frequency. | |
I donât want to discourage anyone from doing these things, but itâs | |
obvious to me that the cost/frequency aspect shouldnât be neglected. | |
t_hozumi wrote 12 hours 8 min ago: | |
That's a really important point, and I completely agree. | |
This perspective reminds me of an excellent book I recently read, How | |
Big Things Get Done: The Surprising Factors That Determine the Fate | |
of Every Project, from Home Renovations to Space Exploration and | |
Everything In Between by Bent Flyvbjerg and Dan Gardner. | |
This book focuses on extremely high-cost "megaprojects" and | |
emphasizes the critical importance of thorough "planning" before | |
execution. This stands in stark contrast to the low-risk creative | |
activities discussed in the article, which makes the point about cost | |
even more compelling. | |
However, rather than being a complete counter-argument, I see a | |
significant overlap. The book advocates *for low-risk, low-cost | |
experimentation and creative exploration during the planning phase* | |
through methods like miniature prototyping and CAD simulations. In | |
this sense, both the article and the book highlight the value of | |
iterative approaches, whether it's through frequent, small-scale | |
actions or through meticulous, low-cost trials before committing to | |
high-cost endeavors. | |
Marsymars wrote 21 hours 13 min ago: | |
> This reminded me of Roger Federer, who has won 82% of all matches | |
but only 54% of all points. | |
This is in large part just a function of the way the rules of tennis | |
work. e.g. consider gambling games, where there are games where the | |
house only has a 1% edge, but if you play long enough, the casino | |
will get 100% of your money. | |
baxtr wrote 18 hours 40 min ago: | |
Yeah and thatâs the point of the article I think. If you never | |
swing your canât never hit. | |
And I added the notion that even if you miss almost half of your | |
swings you can still win big time. | |
d4rkn0d3z wrote 1 day ago: | |
Clearly, this author could sell ice cubes to penguins. What a splended | |
piece! | |
The word that kept coming to my mind as I read this was convergence. | |
eleveriven wrote 1 day ago: | |
I've definitely spent more time designing "the perfect system" than | |
using it. There's a seductive comfort in planning that real execution | |
just doesn't offer because actual work has feedback, friction, failure | |
ethan_smith wrote 1 day ago: | |
The "architecture astronaut" syndrome is particularly endemic in | |
software - we design elegant systems in our heads that would take 10x | |
the time to build than a simple solution that actually ships. | |
gizajob wrote 1 day ago: | |
I thought I wasnât going to enjoy the article from the title, but it | |
turned out to be bang on the money with regards to creativity. | |
nilirl wrote 1 day ago: | |
Let's be honest, this is us taking a few terms from a few neuroscience | |
and cognitive psychology papers and running with it. | |
There are two claims in this post: Initial goals get adjusted as we | |
discover operating constraints, and it is easier to work with fewer | |
variables to pay attention to. | |
I didn't like these sentences in this post: | |
- "I see this in wannabe ..." | |
- "Here's what happens to those brave enough to actually begin ..." | |
Here the author was brave enough to put themselves on a pedestal; like | |
a true wannabe profound. | |
Simon_O_Rourke wrote 1 day ago: | |
There's the flip side to it too... I'm just waiting for an overly | |
ambitious non-technical colleague in what should be a technical | |
management role to overreach in terms of role and promotion. | |
eleveriven wrote 1 day ago: | |
Yeah, I've seen that dynamic play out. Sometimes it works out okay, | |
but when it doesn't⦠| |
joduplessis wrote 1 day ago: | |
If you consider any creative endeavor as a burden, I suggest you relook | |
at why you're doing it. You have to love the process (not just the | |
outcome), and in this case, that "gap" Ira Glass refers to usually acts | |
like fuel on the fire. | |
r33b33 wrote 1 day ago: | |
LLM written article. | |
gregjw wrote 1 day ago: | |
Scope creep. | |
thrwwXZTYE wrote 1 day ago: | |
This syndrome is called "eternal child" (puer aeternus) in psychology. | |
You were destined to great things. You were exceptional as a child, you | |
learnt to associate your great potential with all the good in yourself, | |
you built your identity around it. You were ahead of your peers in | |
elementary school, whatever you applied towards - you exceled at. | |
So you value that potential as the ultimate good, and any decision | |
which reduces it in favour of actually doing something - you fear and | |
avoid with all your soul. Any decision whatsoever murders part of that | |
infinite potential to deliver something subpar (at best - it's not even | |
guaranteed you achieve anything). | |
Over time this fear takes over and stunts your progress. You could be | |
great, you KNOW you have this talent, but somehow you very rarely tap | |
into it. You fall behind people you consider "mediocre" and "beneath | |
you". Because they seem to be able to do simple things like it's the | |
simplest thing in the world, while you somehow can't "motivate" | |
yourself to do the "simple boring things". | |
When circumstances are just right you are still capable of great work, | |
but more and more the circumstances are wrong, and you procrastinate | |
and fail. You don't understand why, you focus on the environment and | |
the things you fail to achieve. You search for the right productivity | |
hack or the exact right domain that will motivate you. But any domain | |
has boring repeative parts. Any decision is a chance to do sth OK in | |
exchange of infinite potential. It never seems like it's worth it, so | |
you don't do it. | |
You start doubting yourself. Maybe you're just an ordinary lazy person? | |
Being ordinary is the thing you fear the most. It's a complete negation | |
of your identity. You can be exceptional genius with problems, you take | |
that any time if the alternative is "just a normal guy". | |
mkaic wrote 1 day ago: | |
I feel a bit shaken after reading this comment, to be honest. I don't | |
think I've ever heard someone so perfectly describe such a major | |
component of my life experience. It's like you read my mind. | |
I was a "gifted kid", now I'm a lonely adult living by herself | |
constantly cycling between complacency, failure, panic, and | |
productivity. Diagnosed ADHD, choose to stay unmedicated, sometimes | |
the best employee in my office, usually one of the laziest and most | |
disappointing employees in my office. Constantly daydreaming about | |
how better circumstances would change things for the better even | |
while knowing deep down I'd cause the exact same set of problems for | |
myself all over again even if I got my Dream Job. | |
Spent my whole life being told I was exceptional, and, to be fair, I | |
lived up to it as a kid. These days I'm so terrified of regressing to | |
being "normal" that I sabotage myself at every turn. | |
Thank you for leaving this comment. I may bring up the concept with | |
my therapist and see what she thinks of it. | |
joewhale wrote 1 day ago: | |
wow. you put into words what i've been experiencing but never | |
understanding. thank you. | |
wordpad wrote 1 day ago: | |
Oh God | |
So, what is the lesson here? | |
Gotta let go of pride and risk it for the biscuit (ship something)? | |
mr_mitm wrote 1 day ago: | |
And what's the lesson for parents? Can it be counter productive to | |
praise your child a lot? | |
1auralynn wrote 1 day ago: | |
The answer here is actually teach them to self-evaluate, e.g. | |
What do you think about your drawing? Should we hang it up? | |
Got this from Steve Peters: | |
[1]: https://en.m.wikipedia.org/wiki/Steve_Peters_(psychiatri... | |
hengheng wrote 1 day ago: | |
Don't just reward your child for being smart. | |
Reward them for listening, integrating, being nice towards | |
others, relaxed, comfortable, flourishing, in their lane | |
ajuc wrote 1 day ago: | |
Praise the effort not the result. And especially don't make it | |
into identity of the child. | |
Best: good job studying for that exam. | |
Meh: good job passing that exam. | |
Worst: you so smart, everything comes easy to you. | |
thrwwXZTYE wrote 1 day ago: | |
There's no lesson. It's hard. Your brain will search for the silver | |
bullet to skip the boring self-improvement work and feel good NOW. | |
It'll likely detach your current self from your past self (I was | |
bad, I discovered this, now I'm great, exceptional and heroic | |
again). Then you'll again avoid the boring day-to-day work (becaue | |
you feel exceptional again) and fail again. | |
Everything you know is material for your brain to make excuses and | |
rationalizations. So no lessons work. | |
What works is retraining the part of the brain that distorts the | |
reality and directs all your thoughts towards these patterns. | |
It's a lot like debugging. There's a callback in your brain that is | |
harmful. It triggers every time you have to sacrifice some future | |
potential for uncertain reality. It is subconscious. Put a | |
breakpoint in that callback. Try to notice every time it triggers. | |
At first just notice it, notice what it urges you to do. | |
When you have it nailed down - try to change it. At that point | |
you'll realize the urge and where it comes from. Then it's a matter | |
to making the decision and committing to sth, no matter what. It | |
doesn't only have to be big things, it can be small things | |
unrelated to work. It's the same "code". If you do it every time - | |
you'll retrain it eventually. | |
At least that's the theory, I'm not there yet. | |
snarfy wrote 1 day ago: | |
Physical exercise does wonders for this. The results you achieve | |
are a 100% determined by the time and effort you put in. It's | |
hard to start, as its asking for more self-improvement, but if | |
you can get this one thing, the rest fall into place. | |
bn-l wrote 1 day ago: | |
> Put a breakpoint in that callback. Try to notice every time it | |
triggers. At first just notice it, notice what it urges you to | |
do. | |
Damn I love this advice phrased like this. | |
Joel_Mckay wrote 1 day ago: | |
I tend to find if it isn't ambitious enough, than it is just low | |
hanging fruit for competitors... Chances are someone already published | |
something similar. | |
The market usually doesn't want advanced technology, but rather the | |
comfortable nostalgic dysfunctional totems they always purchased in the | |
past. =) | |
"The Man In The White Suit" ( 1951) | |
[1]: https://archive.org/details/TheManInTheWhiteSuit1951_201810 | |
bravesoul2 wrote 1 day ago: | |
Prioritisation! It's very hard. Deciding what to do and therefore what | |
not to do. | |
strogonoff wrote 1 day ago: | |
To be strategic, you think hard enough how to get somewhere and | |
carefully plan and eliminate unknowns until you reach a point when | |
getting there is no longer interesting. | |
Congratulations: you have successfully turned your cool idea into a | |
chore. Itâs just a lot of trivial typing and package management and | |
it might not even be all that impressive when it is done. | |
Your idea is not at all a path well-trodden, but it is a path down | |
which youâve sent a high-resolution camera FPV drone so many times | |
that you doubt you will see anything new in person. | |
What might happen then is that you try to keep it interesting by making | |
it more impressive and raising the bar, by continuing to think and plan | |
even harder. Why not write it in Rust? Why not make it infinitely | |
extensible? More diagrams, hundreds more of open tabs⦠| |
It can absolutely lead to cool ideas with strategic and well-defined | |
execution plans. Unfortunately, it is also difficult to break this loop | |
and actually implement without an external force or another mind giving | |
you some reframing. | |
eleveriven wrote 1 day ago: | |
Planning as a dopamine hit, turning creativity into project | |
management, then raising the complexity bar just to feel engaged | |
again. It's like chasing novelty within the sandbox instead of | |
stepping outside it | |
andoando wrote 1 day ago: | |
RIP the project Ive spent 5 years on. Spent more time doing thinking | |
than doing. Shifted goals higher and higher and never felt satisfied | |
with what I had done. And now at the supposed end even my perfect | |
goal seems completely uninteresting | |
astrobe_ wrote 1 day ago: | |
> Itâs just a lot of trivial typing and package management and it | |
might not even be all that impressive when it is done. | |
> What might happen then is that you try to keep it interesting by | |
making it more impressive | |
This feeling is something that immediately sets off an alarm in my | |
head. | |
IRL every time I tried to impress someone, I said or did stupid | |
things. These experiences are now part of cringe memories about | |
myself. | |
In software, the paradox is often that making something simple is | |
difficult, but easily reproducible and unimpressive for most people. | |
It is kind of like the engineers' version of when people say that | |
their 4yo kid could do the same drawings as Picasso. | |
Just go through the last 90% and finish the thing. Like Antoine de | |
Saint-Exupéry said, perfection is reached not when there's nothing | |
else to add, but when there's nothing more to remove. | |
Then put the V1.0 tag on it and move it to maintenance mode. Then | |
move to the next project, which very well might be about covering a | |
different set of needs in the same area. | |
raynr wrote 1 day ago: | |
> Congratulations: you have successfully turned your cool idea into a | |
chore. | |
The article gave me a vague, off-topic sense of unease but your | |
comment crystallised the feeling for me. | |
I really wish less emphasis is placed on this kind of blue-sky, | |
"strategic" thinking, and more placed on the "chores". Legwork, | |
maintenance, step-by-step execution of a plan, issue tracking, | |
perspective shifting etc. are all, in my opinion, critically | |
important and much more deserving of praise and respect than | |
so-called "strategic" thinking. | |
Which, IME, most people can't do anyway! After they've talked their | |
big talk you suggest that there's a practical, on-ground problem and | |
they look at you accusingly, like you're sabotaging their picture. | |
And I'm like, no, my friend; reality is sabotaging your picture, it's | |
just the two of us here and you're not losing any face by me pointing | |
that out, and also if you were an actual strategic thinker you'd have | |
taken my on-ground problem into account already... | |
manapause wrote 1 day ago: | |
Iâve found the best strategies are the ones you can abandon. | |
clearly defined tactics and an appropriate application of people | |
and resources require a quarterback with an ability to audible. | |
Itâs possible to make no mistakes and still lose, itâs when | |
people get offended about something they are wrong about that | |
creates a tolerance for Pyrrhic victories. | |
strogonoff wrote 20 hours 12 min ago: | |
> clearly defined tactics and an appropriate application of | |
people and resources require a quarterback with an ability to | |
audible | |
Can you rephrase? | |
strogonoff wrote 1 day ago: | |
This might come from childhood and problematic praise patterns. You | |
can grow to both crave praise and surprise, but at the same time | |
when you get it not really value it. You might be interested to do | |
impressive work as play when you donât know how it will pan out, | |
but if you donât feel like it is interesting enough then you are | |
demotivated. | |
I think it is important to be able to strategise, especially if you | |
can delegate parts of the work. If you cannot delegate, there needs | |
to be a balance with capacity for grunt work. One way to address it | |
perhaps is learning to get in the zone and enjoy ongoing work as a | |
process. Unfortunately, sometimes it is hard to snap out of big | |
picture view and get to it. | |
scuol wrote 1 day ago: | |
If this sounds like you, I highly recommend reading "The Problem of the | |
Puer Aeternus". | |
You can definitely skip a lot of the tedious bits where the author | |
essential copy-pastes other books for analysis, but this is a very | |
common pattern where people tend to hold themselves back because doing | |
the unambitious, rather pedestrian next step forward requires one to | |
face these preconceived notions about oneself, e.g. "I should've done | |
this long ago", etc. | |
ninetyninenine wrote 1 day ago: | |
>Creation is not birth; it is murder. The murder of the impossible in | |
service of the possible. | |
What a stupid quote. You know why it's stupid. Because murder is | |
creation. It is the creation of death while destroying life. | |
Just use the word the way it's meant to be used. Don't come up with | |
quotes that sound clever and trick the mind into thinking a statement | |
is profound when really it's just more word trickery. | |
jiriro wrote 11 hours 56 min ago: | |
> Just use the word the way it's meant to be used. | |
Ha ha, you are funny:-) | |
This is the whole point of a (natural) language â the meaning of | |
words is inevitably floating. | |
Do not nail down a meaning of a word, itâs impossible. Instead, try | |
to imagine there is no word;-) | |
the_af wrote 1 day ago: | |
I thought the phrase was a whimsical/poetic way of saying something | |
that rings true to me: that all the possibilities in your mind get | |
narrowed down to a single imperfect one when actually | |
materializing/putting them into practice -- in a way getting | |
"destroyed" and replaced with an imperfect but existing version -- | |
and that we sometimes get anxious about this. | |
It's not the only way of looking at it, but it is one way, and it's | |
not wrong. | |
fcatalan wrote 1 day ago: | |
This resonates a lot with me. In fact it's a trait that has made me | |
unhappy for as long as I can remember. | |
I'm seeing a therapist later this month because in a talk with my GP | |
she saw strong enough hints of ADHD to send me there, and the kind of | |
situations and some feelings talked about in the article came up a lot | |
in the conversation. | |
I size up my oil paints against the old masters, not the old ladies in | |
the atelier. I paint miniatures way better than average but hang around | |
with Golden Demon winners so I always find myself wanting. Can play | |
beautiful Renaissance pieces on my uke, but infuriatingly not at a | |
professional performance level. Can win many sim races, but not against | |
the top 0.1%, yet I size myself against their telemetry and laptimes. I | |
dabble in Chess but being forever stuck around lowly 1300 ELO makes me | |
feel dumb. My dead side projects cemetery has subdirectories | |
approaching 3 figures. I go out and cycle with my brother but I huff | |
and puff while he tops the Strava segments and wins the regional | |
amateur championship again. | |
So too many days I just sit and do nothing, or just look for something | |
else to enjoy for a few months until I become an unhappy promising | |
beginner at yet another thing, adding to the overall problem. | |
tayo42 wrote 1 day ago: | |
Why would not want to compare your self with the best? | |
Just don't drive your self crazy over it? | |
willguest wrote 1 day ago: | |
To have such capacity and drive, as well as critical self-reflection | |
is a rare thing. I would first suggest some appreciation for the | |
interesting and curious state of being that you seem to have | |
developed. Nicely done! | |
My own route out of this trap was to explore theories of mind and, | |
more profoundly, practices of no-mind. Doing nothing is much harder | |
to achieve than doing something and can create a space for insight | |
that the analytical mind cannot access. From this place, which is | |
free of comparison and judgement, incredibly beautiful things can | |
emerge. | |
If you would like to get to the root of it, I would suggest Taoist | |
teachings and reading a few things by Krishnamurti. To understand | |
the fundamental limitations of the mind can tell you something about | |
who you through negation. For me, this has brought a deep sense of | |
peace as well as an ability to use my mind in a more satisfying way. | |
Just my two cents :) | |
whatevertrevor wrote 1 day ago: | |
I don't want to psychoanalyze but it seems your sense of | |
dissatisfaction is a little different from what the author is | |
describing? Your dissatisfaction is from not accomplishing the | |
possibly implausible goal of being the very best at something without | |
being a professional competitor, while the author is describing a | |
case of not even getting started on creative projects out of a fear | |
of them not living up to a made up standard in your mind. | |
They're both arguably unreasonable standards but one is for the | |
end-product (i.e. a novel/album/software project) as opposed to | |
reaching some apparent level of general skill at your hobby. The | |
latter is full of traps because for subjective hobbies like arts, how | |
does one even evaluate that? | |
kretaceous wrote 1 day ago: | |
The first two sections reminded me of an observation I've made about | |
myself: the more I delay "doing the thing" and spend time "researching" | |
or "developing taste", the more I turn into a critic instead of a | |
creator. | |
> Your taste develops faster than your skill | |
> "the quality group could tell you why a photograph was excellent" | |
They are critics now. People with a huge taste-skill gap are basically | |
critics â first towards themselves and gradually towards others. I | |
don't want to generalize by saying "critics are just failed creators", | |
but I've certainly found it true for myself. Trying to undo this change | |
in me and this article kind of said all the words I wanted to hear. :) | |
It's both dense and beautifully written. Feels like every paragraph has | |
something profound to say. This kind of | |
"optimizing-for-screenshot-shares" writing usually gets overdone, but | |
since this actually had substance, it was amazing to read. | |
(See how I turned into a critic?) | |
al_borland wrote 1 day ago: | |
For those who havenât run across it, I like the man in the arena | |
speech from Theodore Roosevelt to put things in perspective when I | |
turn into a critic, or get harsh feedback from a critic. | |
âIt is not the critic who counts; not the man who points out how | |
the strong man stumbles, or where the doer of deeds could have done | |
them better. The credit belongs to the man who is actually in the | |
arena, whose face is marred by dust and sweat and blood; who strives | |
valiantly; who errs, who comes short again and again, because there | |
is no effort without error and shortcoming; but who does actually | |
strive to do the deeds; who knows great enthusiasms, the great | |
devotions; who spends himself in a worthy cause; who at the best | |
knows in the end the triumph of high achievement, and who at the | |
worst, if he fails, at least fails while daring greatly, so that his | |
place shall never be with those cold and timid souls who neither know | |
victory nor defeat.â | |
satvikpendem wrote 1 day ago: | |
There is a great comics site that illustrates such quotes: | |
[1]: https://www.zenpencils.com/comic/theodore-roosevelt-the-ma... | |
dismalaf wrote 2 days ago: | |
I hate the title but actually a pretty decent article. | |
> We are still the only species cursed with visions of what could be. | |
But perhaps that's humanity's most beautiful accident. To be haunted by | |
possibilities we cannot yet reach, to be driven by dreams that exceed | |
our current grasp. The curse and the gift are the same thing: we see | |
further than we can walk, dream bigger than we can build, imagine more | |
than we can create. | |
> And so we make imperfect things in service of perfect visions. We | |
write rough drafts toward masterpieces we may never achieve. We build | |
prototypes of futures we can barely envision. We close the gap between | |
imagination and reality one flawed attempt at a time. | |
meander_water wrote 2 days ago: | |
> the "taste-skill discrepancy." Your taste (your ability to recognize | |
quality) develops faster than your skill (your ability to produce it). | |
This creates what Ira Glass famously called "the gap," but I think of | |
it as the thing that separates creators from consumers. | |
This resonated quite strongly with me. It puts into words something | |
that I've been feeling when working with AI. If you're new to something | |
and using AI for it, it automatically boosts the floor of your taste, | |
but not your skill. And you end up never slowing down to make mistakes | |
and learn, because you can just do it without friction. | |
nickelpro wrote 1 day ago: | |
There's no meaningful taste-skill gap in programming because | |
programming doesn't involve tacit skills. If you know what you're | |
supposed to do, it is trivial to type that into a keyboard. | |
The taste-skill gap emerges when you intellectually recognize what a | |
quality creation would be, but are physically unable to produce that | |
creation, and judge the creations you are physically capable of | |
producing as low quality | |
The oft cited example is drawing a circle. Everyone knows what a | |
perfectly round circle looks like, but drawing one takes practice. | |
It doesn't take practice to type code. If you know what code you're | |
supposed to write, you write it. The problem is all in the taste | |
step, to know what code to write in the first place. | |
mjr00 wrote 1 day ago: | |
> There's no meaningful taste-skill gap in programming because | |
programming doesn't involve tacit skills. If you know what you're | |
supposed to do, it is trivial to type that into a keyboard. | |
Strongly disagree here. The taste-skill gap still applies even when | |
there's no mechanical skill involved. A lot of amateur music | |
production is entirely "in the box" and the taste-skill gap very | |
much exists, even though it's trivial to e.g. click a button to | |
change a compressor's settings. | |
In programming, or more broadly application development, this | |
manifests as crappy user interfaces or crappy APIs. Some developers | |
may not notice or care, sure, but for many the feeling is, "this | |
doesn't seem right, but I'm not exactly sure what's wrong or how to | |
fix it." And that feeling is the taste-skill gap. | |
nickelpro wrote 12 hours 12 min ago: | |
If you know what sound you want to hear, but don't know the | |
compressor settings to make that sound, that is a taste-skill | |
gap. | |
If you don't know what sound you want to hear at all, that's | |
undeveloped taste. | |
If you know what code you want to type, but don't know how to use | |
a keyboard, that would be a taste-skill gap. | |
If you don't know what code you want to type at all, that's | |
undeveloped taste. | |
mitjam wrote 1 day ago: | |
Yes and for me vibe coding / agent assisted coding is not just | |
pouring canned skills but about developing skills to handle this | |
new machine in a way to produce intended results. | |
purplesyringa wrote 1 day ago: | |
That's absolutely not the case. I can look at code and realize that | |
it's garbage because the architecture sucks, performance | |
degradation is out of the window, and there's lots of special | |
casing and unhandled edge cases. That's the taste part. But I can | |
also absolutely be underqualified and be unable to figure out how | |
to improve the architecture, fix performance issues, or simplify | |
special/edge case handling. | |
nickelpro wrote 12 hours 15 min ago: | |
Then your taste hasn't developed. You don't know what good code | |
for the problem even looks like. It's not that your code doesn't | |
resemble what you wanted to make, you don't know what you want to | |
make at all. | |
simianwords wrote 1 day ago: | |
This is not what Ira Glass meant by taste gap. What he rather means | |
is that taste is important. Itâs what gets you into the field and | |
what makes you stick around. Happy to be corrected on this. | |
michaelbrave wrote 1 day ago: | |
yes that was the gist of Ira Glass's quote, but he also added to it | |
that it makes you feel frustrated when you have taste but are not | |
creating things that live up to that taste, but that as a young | |
artist you should push through that. | |
Here is a copy paste of the quote: | |
âNobody tells this to people who are beginners, I wish someone | |
told me. All of us who do creative work, we get into it because we | |
have good taste. But there is this gap. For the first couple years | |
you make stuff, itâs just not that good. Itâs trying to be | |
good, it has potential, but itâs not. But your taste, the thing | |
that got you into the game, is still killer. And your taste is why | |
your work disappoints you. A lot of people never get past this | |
phase, they quit. Most people I know who do interesting, creative | |
work went through years of this. We know our work doesnât have | |
this special thing that we want it to have. We all go through this. | |
And if you are just starting out or you are still in this phase, | |
you gotta know its normal and the most important thing you can do | |
is do a lot of work. Put yourself on a deadline so that every week | |
you will finish one story. It is only by going through a volume of | |
work that you will close that gap, and your work will be as good as | |
your ambitions. And I took longer to figure out how to do this than | |
anyone Iâve ever met. Itâs gonna take awhile. Itâs normal to | |
take awhile. Youâve just gotta fight your way through.â | |
â Ira Glass | |
benreesman wrote 1 day ago: | |
I don't know much about Ira Glass and I'm not going to be a 5 minute | |
wikipedia expert about it, so maybe I'm missing out on very relevant | |
philosophy (I hope someone links the must read thing), but those | |
would be very intentionally inverted meanings of the taste/skill | |
dichotomy. | |
LLMs are good at things with a lot of quantity in the training set, | |
you can signal boost stuff, but its not perfect (and its non-obvious | |
that you want rare/special/advanced stuff to be the sweet spot as a | |
vendor, that's a small part of your TAM by construction). | |
This has all kinds of interesting tells, for example Claude is better | |
at Bazel than Gemini is, which is kind of extreme given Google has | |
infinite perfect Bazel and Anthropic has open source (really bad) | |
Bazel, so you know Gemini hasn't gotten the google4 pipeline | |
decontamination thing dialed in. | |
All else equal you expect a homogenizing effect where over time | |
everything is like NextJS, Golang, and Docker. | |
There are outlier events, like how Claude got trained on nixpkgs in a | |
serious way recently, but idk, maybe they want to get into defense or | |
something. | |
Skill is very rarely the problem for computers, if you're considering | |
it as district from taste (sometimes you call them both together just | |
skill). | |
theshrike79 wrote 1 day ago: | |
This is Rick Rubin pretty much. He has 100/100 in taste, but almost | |
0/100 in skill. | |
He can't really play an instrument, but he knows exactly what works | |
and what doesn't and can articulate it. | |
vikramkr wrote 1 day ago: | |
P vs NP | |
alistairSH wrote 1 day ago: | |
Thatâs an odd take for a massively successful person. In the | |
realm of producing hip-hop, his taste and skill are at the top of | |
the industry. | |
Sort of like saying Bill Belichick has a skill gap because heâs | |
not a top NFL player. AFAIK he never played pro ball at all (and | |
college wasnât at a top D1 program). Bit, heâs undeniably one | |
of the most successful coaches in the business. | |
mitjam wrote 1 day ago: | |
he also said he started always with anxiety, was pushing, working | |
not in a comfort zone. For me this Looks very much like âdo, | |
learnâ. Another Rick Rubim quote: Humanity breeds in the | |
mistakes. | |
[1]: https://www.youtube.com/watch?v=brPHcAJn7ZU | |
mnky9800n wrote 1 day ago: | |
I think by skill they mean that Rick Rubin plays no instruments | |
and actively acknowledges this. In interviews he repeatedly | |
claims his only skill is knowing what sounds good and will make | |
money. | |
satyrun wrote 1 day ago: | |
Rubin was also in the right place at the right time. | |
Putting out Run-DMC â Raising Hell, Slayer â Reign in Blood | |
and Beastie Boys â Licensed to Ill in the same year is | |
completely insane but things are probably much different if he is | |
20 years older or 20 years younger. ' | |
He was in the perfect place as hip hop and metal were taking off. | |
abenga wrote 1 day ago: | |
Rick Rubin said this in a popular interview himself, fwiw. | |
dgfitz wrote 1 day ago: | |
As an aside, beleichick was a lacrosse player as a | |
hobby/sport/passion, not an American football player. Iâm very | |
torn at the moment if he was an incredible coach or just rode the | |
wave or Brady talent. | |
I pay a lot of attention to football as a hobby (and a gambling | |
outlet) so these next two seasons at UNC for âol Bill will be | |
really telling. | |
BoxFour wrote 1 day ago: | |
> Iâm very torn at the moment if he was an incredible coach | |
or just rode the wave or Brady talent. | |
Honestly, itâs hard to imagine theyâd have been anywhere | |
near that successful if the answer wasn't just "both." | |
You see plenty of examples of great coaches stuck with lousy | |
rosters (Parcells with the Cowboys), and also great players on | |
poorly run teams (Patricia-era Lions). Usually when a team only | |
has one or the other, they continually flame out early in the | |
playoffs. | |
> these next two seasons at UNC for âol Bill will be really | |
telling. | |
I wouldnât read too much into that. Heâs 73, the gameâs | |
evolved a lot, and coaching college is a whole different thing | |
from the NFL. Itâs incredibly rare for someone to excel at | |
both â guys like Pete Carroll being the exception that prove | |
the rule. | |
satyrun wrote 1 day ago: | |
Exactly. It is such a stupid debate when Belichick coached | |
and molded Brady into what he became. | |
Everyone has always said Belichick is basically an | |
encyclopedia of football knowledge. | |
dgfitz wrote 1 day ago: | |
Thatâs my whole point. Brady went on to win a ring in | |
Tampa. Bill did⦠what? | |
I donât give belicheck the credit for teaching Brady, you | |
canât teach that. Itâs not stupid at all if youâre a | |
fan of the sport. | |
cheschire wrote 1 day ago: | |
Youâre saying the same thing as GP. Let me attempt to clarify. | |
What GP is saying is not that Rick Rubin has no skill anywhere, | |
but that he recognized he has 100/100 taste and instead of trying | |
to become a hip hop artist, instead became a producer for other | |
artists. | |
In the same way, youâve described how Bill Belichick recognized | |
his taste in what makes a player good is not enough to make him | |
also a good player, so he positioned himself to take advantage of | |
his 100/100 taste rather than whatever skill value he may have. | |
dasil003 wrote 1 day ago: | |
Itâs weird to frame Belicheck as a talent picker first. Yes, | |
he had a lot of control but he was a coach first, not a GM. | |
The thing that made him extraordinary was not identifying | |
talent it was orchestrating a team system to take advantage of | |
individual talents. Compared to other coaches that had one | |
system and tried to fit players rigidly into it, Belicheck was | |
master of adapting the system to the personnel. Of course he | |
also had Brady and a lot of control on personnel, but itâs | |
ridiculous to speak as if it was primarily his taste that made | |
the Patriots great. | |
missinglugnut wrote 1 day ago: | |
Being able to articulate taste is a skill in and of itself. | |
worldsayshi wrote 1 day ago: | |
Another important skill in this area, or maybe it's a personality | |
trait: Being able to tell yourself that taste is actually really | |
important. You have to kind of double down on following ideas to | |
their extreme, or something like that. Or maybe taking very | |
subtle emotions very seriously. | |
Most of the time when you chase taste you are working on | |
splitting hairs. Or it will look like that to an outside | |
observer. | |
dpritchett wrote 1 day ago: | |
An uncomfortable thing about skill, taste, and experience is | |
that itâs often easier to demonstrate the superiority of one | |
path over another than it is to explain the differences in a | |
way the audience is prepared to absorb. | |
I imagine this is a large part of why tooling and language wars | |
are still compelling throughout decades of computing. No amount | |
of lecturing on the joy of e.g. Rails vs. Node will really | |
convince anyone to use an âoutdatedâ, slow, dynamically | |
typed language like Ruby in 2025 â even in places where | |
itâd be a major win. | |
furyofantares wrote 1 day ago: | |
I'm confused. I often say of every genAI I've seen of all types that | |
it is totally lacking in taste and only has skill. And it drastically | |
raises your skill floor immediately, perhaps all the way up to your | |
taste, closing the gap. | |
Maybe that actually is what you were saying? But I'm confused because | |
you used the opposite words. | |
furyofantares wrote 1 day ago: | |
After sleeping on it and reading some replies I think I worked out | |
what they were saying. Take drawing - your skill at producing an | |
image is raised to a professional aesthetic (what I was saying) but | |
your skill at drawing is unchanged (what they are saying). | |
But they're saying your taste, in the context of self-judgment at | |
attempting to learn to draw, might also be raised to a professional | |
aesthetic, because you can already produce images of that level by | |
typing words. | |
I guess I will add that a difference here is we are talking about | |
taste somewhat differently. To me, genai has been a demonstration | |
that taste and skill are not two points on the same dimension. | |
debugnik wrote 1 day ago: | |
Closing the gap? I think we're inverting the gap: Many people now | |
have access to a higher skill level than they've developed taste | |
for (if they ever did), which makes them unable to judge their own | |
slop. | |
dmbche wrote 1 day ago: | |
Might be unrelated, but I feel like the "boost" that everyone is | |
talking about is cause by translating one medium into text, which | |
most people are more capable at than the medium they are trying | |
to produce in. | |
While it lets you create something you previously can't, the | |
qualities of the medium are replaced with those of languguage. | |
I.e. to produce visual images you don't need an understanding of | |
conrtast, composition, tranparency, chroma and all that, you just | |
need to be able to articulate what you want. | |
I think that's where the lack of taste appears, you have a | |
text-based interaction with a non-language medium. | |
How when a movie tries to keep as close as possible to a book it | |
rarely will be a noteworthy movie, versus something built from | |
the ground up in that medium | |
ItsHarper wrote 1 day ago: | |
Yeah this type of gap is going to become a huge problem the way | |
things are going | |
conartist6 wrote 1 day ago: | |
The gap will open itself back up again. If you can do anything in | |
10 seconds with a GenAI, it won't be long until 1,000,000 people | |
have all done it and it's considered poor taste... | |
phi-go wrote 1 day ago: | |
To me the argument also only makes sense as you understood it. | |
chatmasta wrote 1 day ago: | |
This is exactly why Iâm wary of ever attempting a developer-focused | |
startup ever again. | |
Whatâs not mentioned is the utter frustration when you can see your | |
own output is not up to your own expectations, but you canât | |
execute on any plan to resolve that discrepancy. | |
âI know what developers want, so I can build it for themâ is a | |
death knell proportionate to your own standards⦠| |
The most profitable business I built was something I hacked together | |
in two weeks during college holiday break, when I barely knew how to | |
code. There was no source control (I was googling âwhat is | |
GitHubâ at the time), it was my first time writing Python, I stored | |
passwords in plaintext⦠but within a year it was generating $20k a | |
month in revenue. It did eventually collapse under its own weight | |
from technical debt, bugs and support cost⦠and I wasnât equipped | |
to solve those problems. | |
But meanwhile, as the years went on and I actually learned about | |
quality, I lost the ability to ship because I gained the ability to | |
recognize when it wasnât ready⦠itâs not quite | |
âperfectionism,â but itâs borne of the same pathology, of | |
letting perfect be the enemy of good. | |
Kheyas wrote 1 day ago: | |
Do you need to ship? | |
webdevver wrote 1 day ago: | |
what was the $20k/mo business? | |
chatmasta wrote 1 day ago: | |
Selling proxies for scraping⦠this was circa 2011. | |
ido wrote 1 day ago: | |
a developer-focused startup | |
I'm sorry to tell you it doesn't just apply to developer-focused | |
startups! | |
ludicrousdispla wrote 1 day ago: | |
Within every startup, there is a developer-focused startup that | |
is trying to get out. I suppose that is because it is easier for | |
people to think about problems that affect them directly. | |
Or maybe it's the only way in which companies these days give | |
software developers agency. | |
gsf_emergency_2 wrote 1 day ago: | |
>letting perfect be the enemy of good. | |
My attempt to improve the cliche: | |
Let skill be the enemy of taste | |
2 issues here. Neither can be developed (perfected?) in isolation, | |
but they certainly ramp up at different rates. They should probably | |
feed back into each other somehow, whether adversarially or not | |
whatevertrevor wrote 1 day ago: | |
The issue as the article points out is you can grow taste much | |
much faster by only engaging in consumption, which leaves skill | |
in the dirt. | |
gsf_emergency_2 wrote 1 day ago: | |
I've heard that one way to pace is to... only consume your own | |
stuff (aka dogfooding :) | |
More grown-up way to do it is to consume your mates' stuff? | |
(Trying to go from where TFA left off) | |
the_af wrote 1 day ago: | |
I think you must consume (I hate that word, but let's go with | |
it) elsewhere. Someone said (maybe Stephen King in "On | |
Writing"?) in order to be a writer you must be voracious | |
reader, and there's no escaping this. It rings true to me. | |
Of course the problem of taste growing much faster than skill | |
remains, but I don't think the answer is to "consume" (yuck) | |
less. I actually don't know if there's an answer. | |
jpc0 wrote 9 hours 12 min ago: | |
Something important is âconsumingâ critically. | |
You can be a passive consumer and never improve your taste | |
or skill. However when you consume with the intent of | |
asking how and then attempting to answer that question ( | |
for skill ) and why ( for taste ) you get a much different | |
experience. | |
Read code, looking for patterns. Look at design looking for | |
patterns. | |
Then play, try to implement what you saw, implement to | |
opposite and see how if feels, see what happens to the | |
code. | |
This is a lot of work, but helps you improve. | |
gsf_emergency_2 wrote 1 hour 12 min ago: | |
You've just suggested to me following optimization: | |
Prioritize "consuming" your frenemies' stuff | |
Because one always has to pay full attention when doing | |
that :) | |
gsf_emergency_2 wrote 19 hours 51 min ago: | |
>yuck | |
Some alts to choose from: | |
"use","utilize","imbibe","process","assimilate","experience | |
" | |
zambal wrote 1 day ago: | |
I don't think it's actually a problem. Taste can guide the | |
direction skill needs to go. | |
milkey_mouse wrote 1 day ago: | |
If anything it's the opposite, except maybe at the very low end: AI | |
boosts implementation skill (at least by increasing speed), but not | |
{research, coding, writing} taste. Hence slop of all sorts. | |
Loughla wrote 2 days ago: | |
This is the disconnect between proponents and detractors of AI. | |
Detractors say it's the process and learning that builds depth. | |
Proponents say it doesn't matter because the tool exists and will | |
always exist. | |
It's interesting seeing people argue about AI, because they're | |
plainly not speaking about the same issue and simply talking past | |
each other. | |
jibal wrote 1 day ago: | |
This is a radical misrepresentation of the dispute. | |
Loughla wrote 1 day ago: | |
I disagree with you. Please expand. | |
skydhash wrote 1 day ago: | |
Not GP, but I agree with him and I will expand. | |
The fact isn't that we don't know how to use AI. We've done so | |
and the result can be very good sometimes (mostly because we | |
know what's good and not). What's pushing us away from it is | |
its unreliability. Our job is to automate some workflow (the | |
business's and some of our owns') so that people can focus on | |
the important matters and have the relevant information to make | |
decisions. | |
The defect of LLM is that you have to monitor its whole output. | |
It's like driving a car where the steering wheel loosely | |
connected to the front wheels and the position for straight | |
ahead varies all the time. Or in the case of agents, it's like | |
sleeping in a plane and finding yourself in Russia instead of | |
Chile. If you care about quality, the cognitive load is a lot. | |
If you only care about moving forward (even if the path made is | |
a circle or the direction is wrong), then I guess it's OK. | |
So we go for standard solutions where fixed problems stays | |
fixed and the amount of issues is a downward slope (in a well | |
managed codebase), not an oscillating wave that is centered | |
around some positive value. | |
Loughla wrote 1 day ago: | |
I understand that but I'm not sure how it's a response to my | |
original statement. | |
ninetyninenine wrote 1 day ago: | |
>It's interesting seeing people argue about AI, because they're | |
plainly not speaking about the same issue and simply talking past | |
each other. | |
There's actually some ground truth facts about AI many people are | |
not knowledgeable about. | |
Many people believe we understand in totality how LLMs work. The | |
absolute truth of this is that we overall we do NOT understand how | |
LLMs work AT all. | |
The mistaken belief that we understand LLMs is the driver behind | |
most of the arguments. People think we understand LLMs and that we | |
Understand that the output of LLMs is just stochastic parroting, | |
when the truth is We Do Not understand Why or How an LLM produced a | |
specific response for a specific prompt. | |
Whether the process of an LLM producing a response resembles | |
anything close to sentience or consciousness, we actually do not | |
know because we aren't even sure about the definitions of those | |
words, Nor do we understand how an LLM works. | |
This erroneous belief is so pervasive amongst people that I'm | |
positive I'll get extremely confident responses declaring me wrong. | |
These debates are not the result of people talking past each other. | |
It's because a large segment of people on HN literally are | |
Misinformed about LLMs. | |
exceptione wrote 1 day ago: | |
> we do NOT understand how LLMs work AT all. | |
> We Do Not understand Why or How an LLM produced a specific | |
response for a | |
> specific prompt. | |
You mean the system is not deterministic? How the system works | |
should be quite clear. I think the uncertainty is more about the | |
premise if billions of tokens and their weights relative to each | |
other is enough to reach intelligence. These debates are older | |
than LLM's. In 'old' AI we were looking at (limited) autonomous | |
agents that had the capability to participate in an environment | |
and exchange knowledge about the world with each other. The next | |
step for LLM's would be to update their own weights. That would | |
be too costly in terms of money and time yet. What we do know is | |
that for something to be seen as intelligent it cannot live in a | |
jar. I consider the current crop as shared 8-bit computers, while | |
each of us need one with terabytes of RAM. | |
ninetyninenine wrote 1 day ago: | |
[1] For context, George Hinton is basically the Father of AI. | |
He's responsible for the current resurgence of machine learning | |
and utilizing GPUs for ML. | |
The video puts it plainly. You can get pedantic and try to | |
build scaffolding around your old opinion in attempt to fit it | |
into a different paradigm but that's just self justification | |
and an attempt to avoid realizing or admitting that you held a | |
strong belief that was utterly incorrect. The overall point is: | |
We have never understood how LLMs work. | |
That's really all that needs to be said here. | |
[1]: https://www.youtube.com/watch?v=qrvK_KuIeJk&t=284s | |
whatevertrevor wrote 1 day ago: | |
I couldn't agree more, and not just on HN but the world at large. | |
For the general populace including many tech people who are not | |
ML researchers, understanding how convolutional neural nets work | |
is already tricky enough. For non tech people, I'd hazard a guess | |
that LLM/ generative AI is complexity-indistinguishable from "The | |
YouTube/Tiktok Algorithm". | |
And this lack of understanding, and in many cases lack of | |
conscious acknowledgement of the lack of understanding has made | |
many "debates" sound almost like theocratic arguments. Very | |
little interest in grounding positions against facts, yet | |
strongly held opinions. | |
Some are convinced we're going to get AGI in a couple years, | |
others think it's just a glorified text generator that cannot | |
produce new content. And worse there's seemingly little that | |
changes their mind on it. | |
And there are self contradictory positions held too. Just as an | |
example: I've heard people express AI produced stuff to not | |
qualify as art (philosophically and in terms of output quality) | |
but at the same express deep concern how tech companies will | |
replace artists... | |
the_af wrote 1 day ago: | |
> Just as an example: I've heard people express AI produced | |
stuff to not qualify as art (philosophically and in terms of | |
output quality) but at the same express deep concern how tech | |
companies will replace artists... | |
I don't think this is self contradictory at all. | |
One may have beliefs about the meaning of human produced art | |
and how it cannot -- and shouldn't -- be replaced by AI, and at | |
the same time believe that companies will cut costs and replace | |
artists with AI, regardless of any philosophical debates. As an | |
example, studio execs and producers are already leveraging AI | |
as a tool to put movie industry professionals (writers, and | |
possibly actors in the future) "in their place"; it's a power | |
move for them, for example against strikes. | |
whatevertrevor wrote 22 hours 50 min ago: | |
Yeah, I know that's the theory, but if AI generated art is | |
slop then it follows that it can't actually replace quality | |
art. | |
I don't think people will suddenly accept worse standards for | |
art, and anyone producing high quality work will have a | |
significant advantage. | |
And now if your argument is that the average consumer can't | |
tell the difference, then well for mass production does the | |
difference actually matter? | |
the_af wrote 21 hours 48 min ago: | |
Well, my main argument is that it's replacing humans, not | |
that the quality is necessarily worse for mass produced | |
slop. | |
Let's be cynical for a moment. A lot of Hollywood (and | |
adjacent) movies are effectively slop. I mean, take almost | |
all blockbusters, almost 99% action/scifi/superhero | |
movies... they are slop. I'm not saying you cannot like | |
them, but there's no denying they are slop. If you take | |
offense at this proposition, just pretend it's not about | |
any particular movie you adore, it's about the rest -- I'm | |
not here to argue the merits of individual movies. | |
(As an aside, the same can be said about a lot of fantasy | |
literature, Young Adult fiction, etc. It's by the numbers | |
slop, maybe done with good intentions but slop | |
nonetheless). | |
Superhero movie scripts could right now be written by AI, | |
maybe with some curation by a human reviewer/script doctor. | |
But... as long as we accept these movies still exist, do we | |
want to cut most humans out of the loop? These movies | |
employ tons of people (I mean, just look at the credits), | |
people with maybe high aspirations to which this is a job, | |
an opportunity to hone their craft, earn their paychecks, | |
and maybe eventually do something better. And these movies | |
take a lot of hard, passionate work to make. | |
You bet your ass studios are going to either get rid of all | |
these people or use AI to push their paychecks lower, or | |
replace them if they protest unhealthy working conditions | |
or whatever. Studio execs are on record admitting to this. | |
And does it matter? After all, the umpteenth Star Wars or | |
Spiderman movie is just more slop. | |
Well, it matters to me, and I hope it's clear my argument | |
is not exactly "AI cannot make another Avengers movie". | |
I also hope to have shown this position is not | |
self-contradicting at all. | |
ants_everywhere wrote 1 day ago: | |
I usually see the opposite. | |
Detractors from AI often refuse to learn how to use it or argue | |
that it doesn't do everything perfectly so you shouldn't use it. | |
Proponents say it's the process and learning that builds depth and | |
you have to learn how to use it well before you can have a sensible | |
opinion about it. | |
The same disconnect was in place for every major piece of | |
technology, from mechanical weaving, to mechanical computing, to | |
motorized carriages, to synthesized music. You can go back and read | |
the articles written about these technologies and they're nearly | |
identical to what the AI detractors have been saying. | |
One side always says you're giving away important skills and the | |
new technology produces inferior work. They try to frame it in | |
moral terms. But at heart the objections are about the fear of | |
one's skills becoming economically obsolete. | |
SirHumphrey wrote 1 day ago: | |
> Detractors from AI often refuse to learn how to use it or argue | |
that it doesn't do everything perfectly so you shouldn't use it. | |
But here is the problem - to effectively learn the tool, you must | |
learn to use. Not learning how to effectively AI and then | |
complaining that the results are bad is building a straw-men and | |
then burning it. | |
But what I am giving away when using LLM is not skills, it's the | |
ability to learn those skills. Because if the LLM instead of me | |
is solving all easy and intermediate problems I cannot learn how | |
to solve hard problems. The process of digging for an answer | |
through documentation gives me a better understanding of how some | |
technology works. | |
Those kinds of problems existed before - programming languages | |
robed people of the necessity to learn assembly - high level | |
languages of the necessity to learn low level languages - low | |
code solutions of the necessity to learn how to code. Some of | |
these solutions (like low level and high level programming | |
languages) are robust enough that this trade-off makes sense - | |
some are not (like low code). | |
I think it's too early to call weather AI agents go one way or | |
the other. Putting eggs in both baskets means learning how to use | |
AI tools and at the same time still maintaining the ability to | |
work without them. | |
fsmv wrote 1 day ago: | |
If you assume all AI detractors haven't tried it enough then | |
you're the one building a straw man | |
ants_everywhere wrote 1 day ago: | |
I said often not always | |
seadan83 wrote 1 day ago: | |
All the same. There's a mixture of no-true-scotsman in the | |
argument that (paraphrasing) "often they did not learn to | |
use the tool well", and then this part is a strawman | |
argument: | |
"They try to frame it in moral terms. But at heart the | |
objections are about the fear of one's skills becoming | |
economically obsolete." | |
ants_everywhere wrote 12 hours 3 min ago: | |
I remember when I first learned the names of logical | |
fallacies too, but you aren't using either of them | |
correctly | |
seadan83 wrote 6 hours 29 min ago: | |
Then please educate me on how the logical fallacies are | |
misapplied. | |
In short, what it comes down to, is you do not know | |
this to be true: "Detractors from AI often refuse to | |
learn how to use it or argue that it doesn't do | |
everything perfectly so you shouldn't use it." If you | |
do know that to be true, please provide the citations. | |
Sociology is a bitch, because we like to make | |
stereotypes but it turns out that you really don't know | |
anything about the individual you are talking to. You | |
don't know their experiences, their learnings, their | |
age. | |
Further, humans tend to have very small sample sizes | |
based on their experiences. If you met one detractor | |
every second for the rest of the year, your experiences | |
would still not be statistically significant. | |
You can say, in your experience, in your conversations, | |
but as a general true-ism - you need to provide some | |
data. Further, even in your conversations, do you | |
always really know how much the other person knows? For | |
example, you assumed (or at least heavily implied) that | |
I just learned the name of logical fallacies. I'm | |
actually quite old, it's been a long while since I | |
learned the name of logical fallacies. Regardless, it | |
does not matter so long as the fallacies are correctly | |
applied. Which I think they were, and I'll defend it in | |
depth compared to your shallow dismissal. | |
Quoting from earlier: | |
> Detractors from AI often refuse to learn how to use | |
it.. you have to learn how to use it well before you | |
can have a sensible opinion about it. | |
Clearly, if you don't like AI, you just have not | |
learned enough about it. This argument assumes that | |
detractors are not coming from a place of experience. | |
This is an no-true-scotsman. They wouldn't be | |
detractors if they had more experience, you just need | |
to do it better! The assumption of the experience level | |
of detractors gives away the fallacy. Clearly | |
detractors just have not learned enough. | |
From a definition of no-true-scotsman [1], "The no true | |
Scotsman fallacy is the attempt to defend a | |
generalization by denying the validity of any | |
counterexamples given." In this case, the | |
counterexamples provided by detractors are discounted | |
because they (assumingly) simply have not learned how | |
to use AI. A detractor could say "this technology does | |
not work", and of course they are 'wrong' because they | |
don't know how to use it well enough. Thus, the | |
generalization is that AI is useful and the detractors | |
are wrong due to a lack of knowledge (and so implying | |
if they knew more, they would not be detractors). | |
----- | |
I'll define here that straw man is misrepresenting a | |
counter argument in a weaker form, and then showing | |
that weaker form to be false in order to discredit the | |
entirety of the argument. | |
There multiple straw man: | |
> The same disconnect was in place for every major | |
piece of technology, from mechanical weaving, to | |
mechanical computing, to motorized carriages, to | |
synthesized music. You can go back and read the | |
articles written about these technologies and they're | |
nearly identical to what the AI detractors have been | |
saying... They try to frame it in moral terms. | |
Perhaps the disconnect is actually different. I'd say | |
it is. Because there is no fear of job loss from AI | |
(from this detractor at least) these examples are not | |
relevant. That makes them a strawman. | |
> But at heart the objections are about the fear of | |
one's skills becoming economically obsolete. | |
So: | |
(1) The argument of detractors is morality based | |
(2) The argument of detractors is rooted in the fear | |
of "becoming economically obsolete". | |
I'd say the strongest arguments of detractors is that | |
the technology simply doesn't work well. Period. If | |
that is the case, then there is NO fear of "becoming | |
economically obsolete." | |
Let's look at the original statement: | |
> Detractors say it's the process and learning that | |
builds depth. | |
Which means detractors are saying that AI tools are bad | |
because they prohibit learning. Yet, now we have words | |
put in their mouths that the detractors actually fear | |
becoming 'economically obsolete' and it's similar to | |
other examples that did not prove to be the case. That | |
is exactly a weaker form of the counter argument that | |
is then discredited through the examples of synthesized | |
music, etc.. | |
So, it's not the case that AI hinders learning, it's | |
that the detractors are afraid AI will take their jobs | |
and they are wrong because there are similar examples | |
where that was not the case. That's a strawman. | |
[1]: https://www.scribbr.com/fallacies/no-true-scot... | |
paulryanrogers wrote 1 day ago: | |
I stopped using auto complete for a while because I found that | |
having to search for docs and source forced me to learn the | |
APIs more thoroughly. Or so it seemed. | |
ludicrousdispla wrote 1 day ago: | |
>> Proponents say it's the process and learning that builds depth | |
and you have to learn how to use it well before you can have a | |
sensible opinion about it. | |
That's like telling a chef they'll improve their cooking skills | |
by adding a can of soup to everything. | |
Shorel wrote 1 day ago: | |
> But at heart the objections are about the fear of one's skills | |
becoming economically obsolete. | |
Unless I can become a millionaire just with those skills, they | |
are in a limbo between economically adequate and economically | |
obsolete. | |
bluefirebrand wrote 1 day ago: | |
> But at heart the objections are about the fear of one's skills | |
becoming economically obsolete. | |
I won't deny that there is some of this in my AI hesitancy | |
But honestly the bigger barrier for me is that I fear signing my | |
name on subpar work that I would otherwise be embarrassed to | |
claim as my own | |
If I don't type it into the editor myself, I'm not putting my | |
name on it. It is not my code and I'm not claiming either credit | |
nor responsibility for it | |
benreesman wrote 1 day ago: | |
I think you're very wise to preserve your commit handle as | |
something other than a shift operator annotation, not everyone | |
is. | |
I think I'm using it more than it sounds like you are, but I | |
make very clear notations to myself and others about what's a | |
big generated test suite that I froze in amber after it cleared | |
a huge replay event, and what I've been over a fine tooth comb | |
with personally. I type about the same amount of prose and code | |
every day as ever, but I type a lot of code into the prompt now | |
"like this, not like that" in a comment. | |
The percentage of hand-authored lines varies wildly from | |
probably 20% of unit tests to still close to 100â on io_uring | |
submission queue polling or whatever. | |
If it one shots a build file, eh, I put opus as the | |
meta.authors and move on. | |
mwcampbell wrote 1 day ago: | |
I wonder if it's actually accurate to attribute authorship to | |
the model. As I understand it, the code is actually derived | |
from all of the text that went into the training set. So, | |
strictly speaking, I guess proper attribution is impossible. | |
More generally, I wonder what you think about the whole | |
plagiarism/stealing issue. Is it something you're at all | |
uneasy about as you use LLMs? Not trying to accuse or argue; | |
I'm curious about different perspectives on this, as it's | |
currently the hang-up preventing me from jumping into | |
LLM-assisted coding. | |
benreesman wrote 1 day ago: | |
I'm very much on the record that I want Altman tried in the | |
Hague for crimes against humanity, and he's not the only | |
one. So I'm no sympathizer of the TESCREAL/EA sociopaths | |
who run frontier AI labs in 2025 (Amodei is no better). | |
And in a lot of areas it's clearly just copyright | |
laundering, the way the Valley always says that breaking | |
the law is progress if it's done with a computer (AI means | |
computer now in policy circles). | |
But on code? Coding is sort of a special case in the sense | |
that our tradition of | |
sharing/copying/pasting/gisting-to-our-buddies-fuck-the-bos | |
s is so strong that it's kind of a different thing. Coding | |
is also a special case on LLMs being at all useful over and | |
above like, non-spammed Google, it's completely absurd that | |
they generalize outside of that hyper-specific niche. And | |
it's completely absurd the `gpt-4-1106-preview` was better | |
than pre-AI/pre-SEO Google: LLM is both arsonist and | |
fireman like Ethan Hunt in that Mission Impossible flick | |
with Alex Baldwin. | |
So if you're asking if I think the frontier vendors have | |
the moral high ground on anything? No, they're very very | |
bad people and I don't associate with people who even work | |
there. | |
But if you're asking if I care about my code going into a | |
model? | |
[1]: https://i.ibb.co/1YPxjVvq/2025-07-05-12-40-28.png | |
armada651 wrote 1 day ago: | |
> If I don't type it into the editor myself, I'm not putting my | |
name on it. It is not my code and I'm not claiming either | |
credit nor responsibility for it | |
This of course isn't just a moral concern, it's a legal one. I | |
want ownership of my code, I don't want to find out later the | |
AI just copied another project and now I've violated a license | |
by not giving attribution. | |
Very few open-source projects are in the public domain and even | |
the most permissive license requires attribution. | |
thfuran wrote 1 day ago: | |
And, though I don't think it's nearly settled, in other areas | |
courts seen to be leaning towards the output of generative AI | |
not being copyrightable. | |
add-sub-mul-div wrote 1 day ago: | |
Unfortunately the majority don't think like this and will take | |
whatever shortcut allows them to go home at 5. | |
jchw wrote 2 days ago: | |
> It's interesting seeing people argue about AI, because they're | |
plainly not speaking about the same issue and simply talking past | |
each other. | |
It's important to realize this is actually a general truth of | |
humans arguing. Sometimes people do disagree about the facts on the | |
ground and what is actually true versus what is bullshit, but a lot | |
of the time what really happens is people completely agree on the | |
facts and even most of the implications of the facts but completely | |
disagree on how to frame them. Doesn't even have to be Internet | |
arguments. A lot of hot-button political topics have always been | |
like this, too. | |
It's easy to dismiss people's arguments as being irrelevant, but I | |
think there's room to say that if you were to interrogate their | |
worldview in detail you might find that they have coherent | |
reasoning behind why it is relevant from their perspective, even if | |
you disagree. | |
Though it hasn't really improved my ability to argue or even not | |
argue (perhaps more important), I've definitely noticed this in | |
myself when introspecting, and it definitely makes me think more | |
about why I feel driven to argue, what good it is, and how to do it | |
better. | |
w10-1 wrote 2 days ago: | |
Recognizing delusions is probably the highest form of wisdom. It can | |
help us avoid entire wasted lives. | |
That said, "Do-learn" sort of begs the question, and it's only a | |
half-step. How do you know when you're polishing a turd? Who's to say | |
this cycle is virtuous or vicious? | |
The second part is that after you drop your self-centered delusion of | |
seeking perfection, you actually start to find and solve other people's | |
problems. | |
It might not be pretty or fun, but that's what has value. | |
If you're interested in building companies, the key factor is not the | |
technology or even the team, but the market -- the opportunity to help. | |
Then it's not really your ambition: it's a need that needs filling, and | |
the question is whether you can find the people and means to do it, and | |
you'll find both the people and the means are inspired not by your | |
ambition, but by your vision for how to fill the need, in a kind of | |
self-selected alignment and mutual support. | |
deadbabe wrote 2 days ago: | |
Ambition is the enemy of consistency. | |
thehappyfellow wrote 2 days ago: | |
It's closely related to another truth: | |
Unconstrained curiosity is a vice, not virtue. | |
james-bcn wrote 1 day ago: | |
Sorry I don't consider this a "truth" at all. | |
Unconstrained curiosity is a superpower. Some of the greatest people | |
in history have had immense curiosity. Think Newton, Darwin, Feynman. | |
In fact pretty much any great scientist is great because of their | |
wide curiosity. It's often the crossover between things that seem | |
unrelated where the breakthroughs lie. | |
It's a joy to have "the pleasure of finding things out" and I pity | |
anyone who lacks it. | |
bGl2YW5j wrote 2 days ago: | |
To you maybe. People get satisfaction and purpose from different | |
things. Unbounded curiosity can often drive tangible outcomes too. | |
You might even have that curiosity to thank for methods and tools you | |
use in your own persuits! | |
jebarker wrote 2 days ago: | |
Especially if youâre a cat. Seriously though, I donât like | |
hearing this - curiosity about all things is sort of what keeps me | |
getting up each morning. | |
SeanAnderson wrote 2 days ago: | |
I find it surprisingly difficult to lower my standards once I feel | |
committed to an idea. I wish this article leaned a little more into | |
ways to address that sort of dilemma. | |
Don't get me wrong, I agree fully with the article. I put it into | |
practice plenty well in many areas of my life. I've made great progress | |
with my diet, self-care, and physical fitness routines by keeping my | |
goals SMART. | |
And yet, a few years ago, I got this idea in my head for a piece of | |
software I wanted to create that is, if not too ambitious, then clearly | |
asking all of me and then some. The opening paragraph of the article | |
really resonated with me -- "The artwork that will finally make the | |
invisible visible." | |
And so, I've chipped away at the idea here and there, but I find myself | |
continually put off by "the gap" - even though I know it's to be | |
expected and is totally human. | |
Part of me wishes I had never dared to dream so big and wishes I could | |
let the idea go entirely. Another part of me is mad and ashamed for | |
thinking like that about a personal dream. | |
Anyway, don't know where I'm going with all this. Just felt like | |
remarking on the article since it struck close to home. | |
P.S. if you haven't seen the Ira Glass video, I'd take a look. It's | |
pretty inspirational. Here's Part 3 which is what the article was | |
referencing. | |
[1]: https://www.youtube.com/watch?v=X2wLP0izeJE | |
cl42 wrote 2 days ago: | |
In the spirit of July 4, John Lewis Gaddis explores a similar theme in | |
"On Grand Strategy". This is one of my favourite explorations, where he | |
compares Abraham Lincoln and John Quincy Adams: | |
> Compare Lincolnâs life with that of John Quincy Adams. Great | |
expectations inspired, pursued, and haunted Adams, depriving him, at | |
critical moments, of common sense. Overestimations by othersâwhich he | |
then magnifiedâplaced objectives beyond his reach: only self-demotion | |
brought late-life satisfaction. No expectations lured Lincoln apart | |
from those he set for himself: he started small, rose slowly, and only | |
when ready reached for the top. His ambitions grew as his opportunities | |
expanded, but he kept both within his circumstances. He sought to be | |
underestimated. | |
The point -- being too ambitious can slow you down if you're not | |
strategic. | |
strogonoff wrote 1 day ago: | |
Some people grow to both crave praise but also when they get it not | |
really value it; they want people to be always surprised at cool | |
stuff they can do but are not motivated to do boring uninteresting | |
work. This may be accompanied by one or more of: perfectionism, | |
narcissism, rejection anxiety, etc. | |
I suspect this might have to do with praise patterns in childhood. | |
MichaelZuo wrote 2 days ago: | |
It almost seems like a tautology. | |
e.g. By definition the 99.9th percentile person cannot live a | |
99.999th percentile life, if they did they would in fact be that | |
amazing. | |
cantor_S_drug wrote 1 day ago: | |
Can we invoke a version of 80-20 rule here, that 0.1% people will | |
easily capture success of 80% while subsequent marginal capture | |
takes increasingly more investment and luck? | |
jahewson wrote 1 day ago: | |
John Quincy Adams was arguably such a 99.999th percentile person | |
though. | |
thrwwXZTYE wrote 1 day ago: | |
Significant part of what separates 99.9th (or even 90th) from | |
99.999th percentile is ego management. | |
In particular IQ is not associated with better life outcomes after | |
you have "enough", and that "enough" isn't Mensa level. | |
MichaelZuo wrote 13 hours 17 min ago: | |
How could that possibly be true? | |
The former might be a literal genius (in the genuine unironic | |
sense) in one field, say software engineering of astrophysics or | |
banking or diplomacy. | |
The latter would be a literal genius in all four fields | |
simultaneously. | |
majormajor wrote 2 days ago: | |
> e.g. By definition the 99.9th percentile person cannot live a | |
99.999th percentile life, if they did they would in fact be that | |
amazing. | |
This seems far too deterministic and I think is contrary to what | |
you're replying to. | |
It sounds more like a 99.999th percentile person[0] that constantly | |
reaches too far too early, before being prepared, will not have a | |
99.999th percentile life. A 99th percentile person who, on the | |
other hand, does not constantly fail due to over-reach, can easily | |
end up accomplishing more. (And there are many other things that | |
might hold them back too - they might get hit by a car while | |
crossing the street.) | |
[0] in whatever measurement of "capability" you have in mind | |
MichaelZuo wrote 2 days ago: | |
Well the critical thing is that we canât determine who is at | |
what percentile until after the fact. So for example an early | |
bloomer genius type, who is 99.999th percentile among everyone in | |
the same birth year cohort, could suddenly crash back down | |
towards the average. | |
Thereâs no practical way to determine that looking forwards in | |
time. | |
wrs wrote 2 days ago: | |
Iâm very good at one thing (thank goodness), but I do some other | |
things that Iâm not good at, to remind myself how nice it feels to | |
just do something without the pressure of having to be good at it. | |
I also think being a beginner at other things reminds me that failure | |
is what learning feels like, which gives me some perspective when my | |
ârealâ job feels difficult although Iâm supposedly so good at i… | |
When I look back at big things Iâve done, theyâre all the result of | |
just âdoing the thingâ for a long time and making thousands of | |
course corrections. Never the result of executing the perfect | |
crystalline plan. | |
eleveriven wrote 1 day ago: | |
There's something really valuable about stepping outside your comfort | |
zone and letting yourself just be bad at something | |
pedalpete wrote 2 days ago: | |
What is "too ambitious"? | |
Are there dreamers who overthink and never get anything done? | |
Absolutely! | |
Are there also people who do what other people regularly say is | |
impossible? Also an absolute yes. | |
Ambition has nothing to do with it. There are doers and there are | |
talkers. | |
amirmi78 wrote 9 hours 26 min ago: | |
It's too ambitious if it's harming the doing. | |
eleveriven wrote 1 day ago: | |
Ambition isn't bad on its own, but when it becomes a substitute for | |
action instead of fuel for it, that's where things go sideways | |
hackable_sand wrote 1 day ago: | |
Griffith from Berserk is "too ambitious" but yeah they got things | |
done I guess. | |
GianFabien wrote 2 days ago: | |
The word "ambition" comes with a variety of connotations. | |
>There are doers and there are talkers. | |
There are those who use their ambition to define a goal and then work | |
tirelessly to achieve it. Think of the mountaineer who plans and | |
trains for decades to eventually ascend Mt Everest. | |
Then there are those who share their ambition by talking about it. | |
Seeking recognition, etc for "being ambitious". Staying with the | |
mountaineer theme, those who refuse to climb a lesser mountain as not | |
being important enough to expend their precious talents upon. It is | |
these folks that if they somehow make enough money in some form, end | |
up chartering a helicopter and sherpas to climb Mt Everest. | |
lo_zamoyski wrote 1 day ago: | |
The word âambitionâ is indeed vague, and this is unfortunate, | |
as there is a rich vocabulary full of distinction we ought to be | |
using. (You see the same thing when people use âpassionateâ as | |
a virtue, such as in job postings when what they mean is | |
âenthusiasticâ. Taken literally, you certainly donât want | |
passionate employees!) | |
In the strict sense, ambition [0] is an inordinate love of honor. | |
Perseverance [1], OTOH, is the ability to endure suffering in | |
pursuit of a good. Both effeminacy (refusal or inability to endure | |
suffering to attain a good) and pertinacity (obstinate pursuit of | |
something one should not) are opposed to perseverance. | |
It seems that ambition is therefore opposed to perseverance, since | |
it can either be effeminate (the ineffectual daydreamer that makes | |
big plans that he never realizes) or pertinacious (the person who | |
bites off more than he can chew). | |
Prudence [3] involves the application of right reason to action, | |
which itself presupposes right desire. An inordinate love of honor | |
is therefore opposed to prudence, because it involves an inordinate | |
desire. Furthermore, prudence presupposes humility [2], which | |
involves knowing the actual limits of your strengths and qualities | |
(it is not the denial of the strengths and qualities you actual | |
have, which is opposed to humility and a common misconception!). | |
Humility allows us to moderate our desires. In that sense, ambition | |
as an inordinate desire for honors beyond oneâs reach lacks | |
humility. | |
[0] [1] [2] [3] | |
[1]: https://www.newadvent.org/cathen/01381d.htm | |
[2]: https://www.newadvent.org/summa/3138.htm#article2 | |
[3]: https://www.newadvent.org/cathen/07543b.htm | |
[4]: https://www.newadvent.org/cathen/12517b.htm | |
GianFabien wrote 23 hours 11 min ago: | |
>In the strict sense, ambition [0] is an inordinate love of | |
honor. | |
I wasn't familiar with that connotation of "ambition", yet it | |
immediately rings the bell when thinking of many folks who loudly | |
and frequently talk about their "ambition"; all talk, no walk. | |
labrador wrote 2 days ago: | |
Being lazy is a clever form of productivity | |
âI choose a lazy person to do a hard job. Because a lazy person will | |
find an easy way to do it.â | |
â Bill Gates | |
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