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lite.cnn.com - on gopher - inofficial
ARTICLE VIEW:
‘Sopranos’ star Jerry Adler, Broadway backstage vet turned
late-in-life actor, dies at 96
By The Associated Press
Updated:
2:57 PM EDT, Mon August 25, 2025
Jerry Adler, who spent decades behind-the-scenes of storied Broadway
productions before pivoting to acting in his 60s, has died at 96.
Adler died Saturday, according to a brief family announcement confirmed
by the Riverside Memorial Chapel in New York.
Among Adler’s acting credits are “The Sopranos,” on which he
played Tony Soprano adviser Hesh Rabkin across all six seasons, and
“The Good Wife,” where he played law partner Howard Lyman. But
before Adler had ever stepped in front of a film or television camera,
he had 53 Broadway productions to his name – all behind the scenes,
serving as a stage manager, producer or director.
He hailed from an entertainment family with deep roots in Jewish and
Yiddish theater, as he told the in 2014. His father, Philip Adler, was
a general manager for the famed Group Theatre and Broadway productions,
and his cousin Stella Adler was a legendary acting teacher.
“I’m a creature of nepotism,” Adler told in 2015. “I got my
first job when I was at Syracuse University and my father, the general
manager of Gentlemen Prefer Blondes, called me (because) there was an
opening for an assistant stage manager. I skipped school.”
After a long theater career, which included the original production of
“My Fair Lady” and working with the likes of Marlene Dietrich,
Julie Andrews and Richard Burton, among many others, Adler left
Broadway during its 1980s slump. He moved to California, where he
worked on television productions like the soap opera “Santa
Barbara.”
“I was really getting into the twilight of a mediocre career,” he
told in 1992.
But the retirement he was contemplating was staved off when Donna
Isaacson, the casting director for “The Public Eye” and a longtime
friend of one of Adler’s daughters, had a hunch about how to cast a
hard-to-fill role, as The New York Times reported then. Adler had been
on the other side of auditions, and, curious to experience how actors
felt, agreed to try out. Director Howard Franklin, who auditioned
dozens of actors for the role of a newspaper columnist in the Joe
Pesci-starring film, had “chills” when Adler read for the part, the
newspaper reported.
So began an acting career that had him working consistently in front of
the camera for more than 30 years. An early role on the David
Chase-written “Northern Exposure” paved the way for his time on a
future Chase project, “The Sopranos.”
“When David was going to do the pilot for ‘The Sopranos’ he
called and asked me if I would do a cameo of Hesh. It was just supposed
to be a one-shot,” he told in 2015. “But when they picked up the
show they liked the character, and I would come on every fourth
week.”
Films included Woody Allen’s “Manhattan Murder Mystery,” but
Adler was perhaps best known for his television work. Those credits
included stints on “Rescue Me,” “Mad About You,”
“Transparent” and guest spots on shows ranging from “The West
Wing” to “Broad City.”
He even returned to Broadway, this time onstage, in Elaine May’s
“Taller Than a Dwarf” in 2000. In 2015, he appeared in Larry
David’s writing and acting stage debut, “Fish in the Dark.”
“I do it because I really enjoy it. I think retirement is a road to
nowhere,” Adler told Forward, on the subject of the play. “I
wouldn’t know what to do if I were retired. I guess if nobody calls
anymore, that’s when I’ll be retired. Meanwhile this is great.”
Adler published a memoir, “Too Funny for Words: Backstage Tales from
Broadway, Television and the Movies,” last year. “I’m ready to go
at a moment’s notice,” he told then, when asked if he’d take more
acting roles. In recent years, he and his wife, Joan Laxman, relocated
from Connecticut back to his hometown of New York.
For Adler, who once thought he was “too goofy-looking” to act,
seeing himself on screen was odd, at least initially. And in multiple
interviews with various outlets, he expressed how strange it was to be
recognized by the public after spending so many years working behind
the scenes. There was at least one advantage to being preserved on
film, though, as he told The New York Times back in 1992.
“I’m immortal,” he said.
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