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lite.cnn.com - on gopher - inofficial | |
ARTICLE VIEW: | |
Tony Awards 2024: ‘Stereophonic’ and Alicia Keys’ ‘Hell’s | |
Kitchen’ lead nominations | |
By Lisa Respers France, CNN | |
Updated: | |
10:18 AM EDT, Tue April 30, 2024 | |
Source: CNN | |
Music naturally scored with this year’s Tony Award nominations. | |
Alicia Keys’ ambitious musical “Hell’s Kitchen” and | |
“Stereophonic,” a play set in the ’70s about fictional band, led | |
with 13 nods each. “The Outsiders,” a musical based on the popular | |
S.E. Hinton novel, which also inspired a 1983 movie with a superstar | |
cast, scored 12 nominations. It was followed by the Eddie Redmayne led | |
“Cabaret” revival with nine. | |
The Tony Awards will be presented June 16. See below for a full list of | |
nominees. | |
Best Play | |
“Jaja’s African Hair Braiding” | |
“Mary Jane” | |
“Mother Play” | |
“Prayer for the French Republic” | |
“Stereophonic” | |
Best Musical | |
“Hell’s Kitchen” | |
“Illinoise” | |
“The Outsiders” | |
“Suffs” | |
“Water for Elephants” | |
Best Revival of a Play | |
“Appropriate” | |
“An Enemy of the People” | |
“Purlie Victorious: A Non-Confederate Romp Through the Cotton | |
Patch” | |
Best Revival of a Musical | |
“Cabaret at the Kit Kat Club” | |
“Gutenberg! The Musical!” | |
“Merrily We Roll Along” | |
“The Who’s Tommy” | |
Best Performance by an Actor in a Leading Role in a Play | |
William Jackson Harper, “Uncle Vanya” | |
Leslie Odom, Jr., “Purlie Victorious: A Non-Confederate Romp Through | |
the Cotton Patch” | |
Liev Schreiber, “Doubt: A Parable” | |
Jeremy Strong, “An Enemy of the People” | |
Michael Stuhlbarg, “Patriots” | |
Best Performance by an Actress in a Leading Role in a Play | |
Betsy Aidem, “Prayer for the French Republic” | |
Jessica Lange, “Mother Play” | |
Rachel McAdams, “Mary Jane” | |
Sarah Paulson, “Appropriate” | |
Amy Ryan, “Doubt: A Parable” | |
Best Performance by an Actor in a Leading Role in a Musical | |
Brody Grant, “The Outsiders” | |
Jonathan Groff, “Merrily We Roll Along” | |
Dorian Harewood, “The Notebook” | |
Brian d’Arcy James, “Days of Wine and Roses” | |
Eddie Redmayne, “Cabaret at the Kit Kat Club” | |
Best Performance by an Actress in a Leading Role in a Musical | |
Eden Espinosa, “Lempicka” | |
Maleah Joi Moon, “Hell’s Kitchen” | |
Kelli O’Hara, “Days of Wine and Roses” | |
Maryann Plunkett, “The Notebook” | |
Gayle Rankin, “Cabaret at the Kit Kat Club” | |
Best Performance by an Actor in a Featured Role in a Play | |
Will Brill, “Stereophonic” | |
Eli Gelb, “Stereophonic” | |
Jim Parsons, “Mother Play” | |
Tom Pecinka, “Stereophonic” | |
Corey Stoll, “Appropriate” | |
Best Performance by an Actress in a Featured Role in a Play | |
Quincy Tyler Bernstine, “Doubt: A Parable” | |
Juliana Canfield, “Stereophonic” | |
Celia Keenan-Bolger, “Mother Play” | |
Sarah Pidgeon, “Stereophonic” | |
Kara Young, “Purlie Victorious: A Non-Confederate Romp Through the | |
Cotton Patch” | |
Best Performance by an Actor in a Featured Role in a Musical | |
Roger Bart, “Back To The Future: The Musical” | |
Joshua Boone, “The Outsiders” | |
Brandon Victor Dixon, “Hell’s Kitchen” | |
Sky Lakota-Lynch, “The Outsiders” | |
Daniel Radcliffe, “Merrily We Roll Along” | |
Steven Skybell, “Cabaret at the Kit Kat Club” | |
Best Performance by an Actress in a Featured Role in a Musical | |
Shoshana Bean, “Hell’s Kitchen” | |
Amber Iman, “Lempicka” | |
Nikki M. James, “Suffs” | |
Leslie Rodriguez Kritzer, “Monty Python’s Spamalot” | |
Kecia Lewis, “Hell’s Kitchen” | |
Lindsay Mendez, “Merrily We Roll Along” | |
Bebe Neuwirth, “Cabaret at the Kit Kat Club” | |
Best Book of a Musical | |
“Hell’s Kitchen”Kristoffer Diaz | |
“The Notebook”Bekah Brunstetter | |
“The Outsiders”Adam Rapp and Justin Levine | |
“Suffs”Shaina Taub | |
“Water for Elephants”Rick Elice | |
Best Original Score (Music and/or Lyrics) Written for the Theatre | |
“Days of Wine and Roses”Music & Lyrics: Adam Guettel | |
“Here Lies Love”Music: David Byrne and Fatboy SlimLyrics: David | |
Byrne | |
“The Outsiders”Music & Lyrics: Jamestown Revival (Jonathan Clay and | |
Zach Chance) and Justin Levine | |
“Stereophonic”Music & Lyrics: Will Butler | |
“Suffs”Music & Lyrics: Shaina Taub | |
Best Scenic Design of a Play | |
dots, “Appropriate” | |
dots, “An Enemy of the People” | |
Derek McLane, “Purlie Victorious: A Non-Confederate Romp Through the | |
Cotton Patch” | |
David Zinn, “Jaja’s African Hair Braiding” | |
David Zinn, “Stereophonic” | |
Best Scenic Design of a Musical | |
AMP featuring Tatiana Kahvegian, “The Outsiders” | |
Robert Brill and Peter Nigrini, “Hell’s Kitchen” | |
Takeshi Kata, “Water for Elephants” | |
David Korins, “Here Lies Love” | |
Riccardo Hernández and Peter Nigrini, “Lempicka” | |
Tim Hatley and Finn Ross, “Back To The Future: The Musical” | |
Tom Scutt, “Cabaret at the Kit Kat Club” | |
Best Costume Design of a Play | |
Dede Ayite, “Appropriate” | |
Dede Ayite, “Jaja’s African Hair Braiding” | |
Enver Chakartash, “Stereophonic” | |
Emilio Sosa, “Purlie Victorious: A Non-Confederate Romp Through the | |
Cotton Patch” | |
David Zinn, “An Enemy of the People” | |
Best Costume Design of a Musical | |
Dede Ayite, “Hell’s Kitchen” | |
Linda Cho, “The Great Gatsby” | |
David Israel Reynoso, “Water for Elephants” | |
Tom Scutt, “Cabaret at the Kit Kat Club” | |
Paul Tazewell, “Suffs” | |
Best Lighting Design of a Play | |
Isabella Byrd, “An Enemy of the People” | |
Amith Chandrashaker, “Prayer for the French Republic” | |
Jiyoun Chang, “Stereophonic” | |
Jane Cox, “Appropriate” | |
Natasha Katz, “Grey House” | |
Best Lighting Design of a Musical | |
Brandon Stirling Baker, “Illinoise” | |
Isabella Byrd, “Cabaret at the Kit Kat Club” | |
Natasha Katz, “Hell’s Kitchen” | |
Bradley King and David Bengali, “Water for Elephants” | |
Brian MacDevitt and Hana S. Kim, “The Outsiders” | |
Best Sound Design of a Play | |
Justin Ellington and Stefania Bulbarella, “Jaja’s African Hair | |
Braiding” | |
Leah Gelpe, “Mary Jane” | |
Tom Gibbons, “Grey House” | |
Bray Poor and Will Pickens, “Appropriate” | |
Ryan Rumery, “Stereophonic” | |
Best Sound Design of a Musical | |
M.L. Dogg and Cody Spencer, “Here Lies Love” | |
Kai Harada, “Merrily We Roll Along” | |
Nick Lidster for Autograph, “Cabaret at the Kit Kat Club” | |
Gareth Owen, “Hell’s Kitchen” | |
Cody Spencer, “The Outsiders” | |
Best Direction of a Play | |
Daniel Aukin, “Stereophonic” | |
Anne Kauffman, “Mary Jane” | |
Kenny Leon, “Purlie Victorious: A Non-Confederate Romp Through the | |
Cotton Patch” | |
Lila Neugebauer, “Appropriate” | |
Whitney White, “Jaja’s African Hair Braiding” | |
Best Direction of a Musical | |
Maria Friedman, “Merrily We Roll Along” | |
Michael Greif, “Hell’s Kitchen” | |
Leigh Silverman, “Suffs” | |
Jessica Stone, “Water for Elephants” | |
Danya Taymor, “The Outsiders” | |
Best Choreography | |
Annie-B Parson, “Here Lies Love” | |
Camille A. Brown, “Hell’s Kitchen” | |
Rick Kuperman and Jeff Kuperman, “The Outsiders” | |
Justin Peck, “Illinoise” | |
Jesse Robb and Shana Carroll, “Water for Elephants” | |
Best Orchestrations | |
Timo Andres, “Illinoise” | |
Will Butler and Justin Craig, “Stereophonic” | |
Justin Levine, Matt Hinkley and Jamestown Revival (Jonathan Clay and | |
Zach Chance), “The Outsiders” | |
Tom Kitt and Adam Blackstone, “Hell’s Kitchen” | |
Jonathan Tunick, “Merrily We Roll Along” | |
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