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Confessions of a tech nerd: Why I buy vintage

  [20]Christopher Phin ContributorUntil late 2014, Chris was
  editor-in-chief of three different Mac titles in the UK - including the
  market leader, MacFormat. He’s an unashamed geek and presenter of a
  whisky-based podcast. It gets better the more drunk he becomes.
  [21]Read more June 1, 2015
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  If I told you I own 14 laptops and seven desktop computers, you might
  conceivably be impressed. If I confess that most of them were made last
  century, you would probably be less so. If I went on to disclose that I
  bought them only recently – that is, they’re not just former buys that
  I’ve hung onto because they’ve since been superseded, but instead are
  machines that I sought out and paid good money for – you might feel the
  need to extricate yourself from this conversation altogether.
  Confessions of a tech nerd: Why I buy vintage Confessions of a tech
  nerd: Why I buy vintage

  However, all this vintage tech – or “obsolete Mac crap”, as my wife
  affectionately calls it – fulfils an important function in my life: it
  makes me happy.

  I’m willing to bet one (and just one, mind you) of my beloved Macintosh
  Classic IIs that, like me, you and your family couldn’t afford to buy
  the computers, cameras, printers and other gadgets that you desired as
  a kid, because who could? This was expensive stuff, and when you look
  at the price lists for early laser printers and megabyte-grade hard
  disks today, you wonder who could ever have afforded this stuff.

  Therein lies the key to understanding why my dining-room table is
  currently dominated by the looming bulk of a 21in CRT Apple Studio
  Display – and it’s this: I can afford it all now.

  [16wOxNaL5KU4k5_9ohxLcryQwhYR_yzD0VBLq0JjAShQBZDpP5Jg0iC-1tQQbe1KQsUEPN
  EAly02g_BGc-BnkU1ME0O5PPk8lfSAHOMwMXBNPW_yCDQdzjtqPQISMOPAB4FgRb0]
  [16wOxNaL5KU4k5_9ohxLcryQwhYR_yzD0VBLq0JjAShQBZDpP5Jg0iC-1tQQbe1KQsUEPN
  EAly02g_BGc-BnkU1ME0O5PPk8lfSAHOMwMXBNPW_yCDQdzjtqPQISMOPAB4FgRb0]

  Moore’s law is unsentimental and unforgiving; I just stopped myself
  bidding on an eBay auction that offered 15 Power Mac G5s for 99p. Sure,
  a G5 sucks up vastly more power and takes up far more space than a
  Raspberry Pi – and both are probably about as useful as each other –
  but back in the day a G5 would have cost a whopping £1,549-plus. And
  that day wasn’t all that long ago.

  That 21in Apple Studio Display? A tenner – as opposed to $1,499 in
  1999. The elegant iMac G4 sitting beside me as I type – with its iconic
  “Anglepoise” design that was Apple’s high water mark for ergonomics –
  fifty quid, from just down the road. Immaculate.

  The unattainably expensive Amstrad NC200, the model up from the NC100
  for which I saved up for and on which I wrote many a secondary-school
  essay? Pennies.

  I wanted all this kit when I was a boy, not only because of what I
  could do with it but because of the glamorous, desirable, enigmatic
  designs that bore straight through my eyes and lodged themselves into
  my hindbrain. They were exciting, and full of promise – and there was
  nothing I could do except yearn for them and fruitlessly pester my
  parents.

  Now in my thirties, though, I can own them – and because they’re
  essentially (if not actually) useless, I can pick them up for pocket
  change. And it isn’t only about finally scratching that itch and
  fulfilling my boyhood fantasies – some of which were dispensed with
  some years earlier – but about the sheer joy and delight of surrounding
  myself with these perennially beautiful objects.

  vintagetech2 vintagetech2

  I get to admire them, play with them, discover now what I couldn’t
  afford to discover back then: how they work, how they feel under my
  fingers, and how they’re finished and detailed. I get to observe the
  broader context of the march of technology: to remind myself of the
  difference in quality of the picture on a flat-screen monitor having
  only used smeary, bulging CRTs before it; to remember little hacks and
  tricks we all knew and used daily that have since passed.

  While I don’t often use these old machines, I’m comforted by having
  them in my life. It’s an unconventional form of respect; I’m saying
  that while the rest of the world may have deemed you obsolete, I still
  think you look as wonderful and fascinating and beguiling as when I
  first saw you as a kid, and I want to treasure you.

  Why do I buy vintage tech? Because I couldn’t when it wasn’t.
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