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© 2020 VICE MEDIA GROUP
Above view of the various parts of a typewriter
Image via Dave King / Dorling Kindersley / Allens Typewriters Ltd. /
Science Source
[59]Money
The Elegant, and Not Quite Dying, Art of Typewriter Repair
Typewriters, and the people who fix them, have been enjoying a quiet
longevity.
[60]Anna Merlan
by [61]Anna Merlan
May 26, 2020, 12:00pm
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This article appears in VICE Magazine's [62]Means of Production issue.
Conceived of pre-COVID-19 and constructed during it, it explores the
organization and ownership of our world.
The people who repair the world’s typewriters tend to have very long
memories, but this wasn’t like anything he could recall. On a recent
morning, Paul Schweitzer, 81, was trying to adjust to his new, lonely
routine.
“I’ve been sitting at home for the last couple weeks,” he told VICE in
March. “I’m not ready for that. It feels like retirement.”
For most of the past six decades, Schweitzer has gotten up each morning
and traveled from his home in Long Island to his typewriter repair
shop, Gramercy Typewriter Company, in Manhattan. The company was
founded by Schweitzer’s father, Abraham, in 1932, and Schweitzer began
working with his father in 1959, soon after he came out of the Navy,
just as he’d always known he would do. As a child of 8 or 9, he was
already learning the trade at his father’s elbow. “I’d help him clean
typewriters and make ribbons and things. I was born into it.”
And nothing much changed over the years, even as the six or seven pages
of typewriter shops in the phone book Schweitzer recalls seeing from
the 1950s to the 70s dwindled to nearly nothing, and the phone books
themselves eventually disappeared. Typewriter repair used to be its own
category in the Occupational Outlook Handbook, where the Bureau of
Labor Statistics forecasts which jobs will rise and fall. “The long-run
outlook is for steady employment,” the bureau promised [63]back in
1949. These days, typewriter repair is reduced to miscellanea, slotted
somewhere under [64]“office machine repairers,” their numbers
imprecise; they all seem to be aware of each other. “We’re getting to
be one of the only shops in the country,” Schweitzer said.
In that time, he’s watched with slight surprise as typewriters began to
make a modest, strangely poetic comeback. “There seems to be a
resurgence in the typewriter business,” he said. “It’s mostly the
younger people who still have their computers. They just want to write
or do poetry or whatever they wanna do. They would prefer to do it on a
typewriter. They want to be like Hemingway. They tell me there’s fewer
distractions while they’re typing their thoughts, putting them on the
paper.” Schweitzer watches them as they come into his shop. “They look
around, try out a few different machines, see if they can get used to
typing on a typewriter.”
The shop is, in Gramercy Typewriter’s long history, a very recent
innovation. Schweitzer was joined “quite a number of years ago” by his
son Jay, who’d also always felt drawn to the family business. It was
Jay who suggested a year and a half ago that they close their private
repair shop in Manhattan’s famous Flatiron Building (the shop takes its
name from its neighborhood). They moved into a storefront a few blocks
away, where people can walk in, press the keys of an IBM Selectric,
marvel at the Hermes 3000, the Royal portable, the Olympia portable.
“All very, very nice machines,” Schweitzer said fondly. (He’s partial,
if he has to choose, to the IBM Selectric or IBM Wheelwriter, both of
which allow users to make corrections.)
But the novel coronavirus pandemic has altered Schweitzer’s routine,
like those of millions of other people, and since early March, he has
been repairing typewriters in his son’s basement. “It’s put things to a
halt as far as I’m concerned,” he said. “For all these years I would go
to work every day,” five or six days a week. When we spoke, he’d been
reluctantly staying home or going to his son’s house to work for the
past three weeks, and he said the change had erased an elemental part
of the business.
“I’m not interacting with our customers, which I have done for so much
of my life,” he said. “I’m not going out into the field. I’m not going
from office to office, taking a bus and a subway and traveling all over
the city. Obviously, I really miss that.”
His retired friends, he said, envy his usual lifestyle. “I get up with
a purpose every day. I can’t wait to get there. I have people waiting
to have their machines serviced and repaired. Some people don’t
understand how important that really is.” He has thought, with pain, of
all the broken typewriters in offices all over the city, and their
owners, waiting for his return.
For Schweitzer, and for the people who repair typewriters, there’s not
much to do but wait, fix the machines out in a basement somewhere, and
try to remember that a few weeks or months in a long history isn’t much
at all.
“Time goes very fast,” Schweitzer said, before heading back to his 61st
year of work. “And this will be over soon. I’ll be happy to get back to
New York City and our store and to continue on.”
Follow Anna Merlan on [65]Twitter.
Tagged:[66]typewriters, [67]COVID-19, [68]the means of production issue
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[70]The Last of New York City's Jukebox Repairmen Are Searching for Their
Successors
There are only five people in New York capable of fixing antique
jukeboxes. Unless they can find someone to carry on their line of
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Drew Schwartz
05.26.20
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[72]The Most Interesting New Museum Is a Vintage Shop in Brooklyn
BLK MKT Vintage wants to be the “Blackest antique store there ever
was.” But in trying to make Black cultural ephemera accessible to
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curators control the narrative.
Kristin Corry
05.26.20
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It Really For?
Some argue that this benefit provides yet another way for women to
have a career and family. Others see it as just part of a solution
to a problem not yet solved.
Avery Stone
05.26.20
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[76]These Are the Days of Our Lives
A look at how creativity works within walls.
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05.26.20
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In Athens, one cinema is keeping alive a dying, and deeply human,
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Can a restaurant feed and fix—and stay afloat while doing it?
Bettina Makalintal
05.26.20
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