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[14]Jules Verne’s Most Famous Books Were Part of a 54-Volume Masterpiece,
Featuring 4,000 Illustrations: See Them Online

in Art, [15]Books, [16]Sci Fi
| February 10th, 2020 [17]1 Comment

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Not many readers of the 21st century seek out the work of popular
writers of the 19th century, but when they do, they often seek out the
work of Jules Verne. Journey to the Center of the Earth, Twenty
Thousand Leagues Under the Sea, Around the World in Eighty Days: fair
to say that we all know the titles of these fantastical French tales
from the 1860s and 70s, and more than a few of us have actually read
them. But how many of us know that they all belong to a single series,
the 54-volume Voyages Extraordinaires, that Verne published from 1863
until the end of his life? Verne described the project's goal to an
interviewer thus: "to conclude in story form my whole survey of the
world’s surface and the heavens."

Verne intended to educate, but at the same time to entertain and even
artistically impress: "My object has been to depict the earth, and not
the earth alone, but the universe," he said. "And I have tried at the
same time to realize a very high ideal of beauty of style." This he
accomplished with great success in a time and place without even what
we would now consider a fully literate public.
[INS: :INS]

As philosopher Marc Soriano writes of the 1860s when Verne began
publishing, "The drive for literacy in France has been underway since
the [39]Guizot Law of 1833, but there is still much to do. Any
well-advised editor must aid his readers who have not yet achieved a
good reading proficiency."

Hence the need for illustrations: beautiful illustrations,
scientifically and narratively faithful illustrations, and above all a
great many illustrations: over 4,000 of them, by the count of Arthur B.
Evans in [40]his essay on the series' artists, "an average of 60+
illustrations per novel, one for every 6-8 pages of text." Still today,
"most modern French reprints of the Voyages Extraordinaires continue to
feature their original illustrations — recapturing the 'feel' of
Verne’s socio-historical milieu and evoking that sense of faraway
exoticism and futuristic awe which the original readers once
experienced from these texts. And yet, to date, the bulk of Vernian
criticism has virtually ignored the crucial role played by these
illustrations in Verne’s oeuvre."

Evans identifies four different types of illustrations in the series:
"renderings of the protagonists of the story — e.g., portraits like the
one of Impey Barbicane in De la terre à la lune"; "panoramic and
postcard-like" views of the "exotic locales, unusual sights, and flora
and fauna which the heroes encounter during their journey, like the one
from Vingt mille lieues sous les mers depicting divers walking on the
ocean floor"; "documentational" illustrations like "the map of the
Polar regions (hand-drawn by Verne himself) for his 1864 novel Les
Voyages et aventures du capitaine Hatteras"; and portayals of "a
specific moment of action in the narrative—e.g., the one from Voyage au
centre de la terre where Prof. Lidenbrock, Axel, and Hans are suddenly
caught in a lightning storm on a subterranean ocean."

Verne and his editor Pierre-Jules Hetzel commissioned these
illustrations from no fewer than eight artists, a group including
Edouard Riou, Alphonse de Neuville, Emile-Antoine Bayard
([41]previously featured here on Open Culture), and Léon Benett — all
well-known artists in late 19th-century France, and made even more so
by their work in the Voyages Extraordinaires. You can browse a
[42]complete gallery of the series' original illustrations here, and if
you like, enrich the experience with [43]this extensive essay by Terry
Harpold on "reading" these images in context.

Together with the stories themselves, on the back of which Verne
remains the most translated science-fiction author of all time, they
allow Harpold to make the credible claim that "the textual-graphic
domain constituted by these objects is unmatched in its breadth and
variety; no other corpus associated with a single author is
comparable." Human knowledge of the universe has widened and deepened
since Verne's day, but for sheer intellectual and adventurous wonder
about what that universe might contain, has any writer, from any era or
land, outdone him since?

Related Content:

[44]Émile-Antoine Bayard’s Vivid Illustrations of Jules Verne’s Around
the Moon: The First Serious Works of Space Art (1870)

[45]Jules Verne Accurately Predicts What the 20th Century Will Look
Like in His Lost Novel, Paris in the Twentieth Century (1863)

[46]How French Artists in 1899 Envisioned Life in the Year 2000:
Drawing the Future

[47]Hear Rick Wakeman’s Musical Adaptation of Jules Verne’s Journey to
the Centre of the Earth, “One of Prog Rock’s Crowning Achievements”

[48]Petite Planète: Discover Chris Marker’s Influential 1950s Travel
Photobook Series

[49]The Art of Sci-Fi Book Covers: From the Fantastical 1920s to the
Psychedelic 1960s & Beyond

Based in Seoul, [50]Colin Marshall writes and broadcasts on cities,
language, and culture. His projects include the book The Stateless
City: a Walk through 21st-Century Los Angeles and the video
series [51]The City in Cinema. Follow him on Twitter
at [52]@colinmarshall or on [53]Facebook.

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by [75]Colin Marshall | [76]Permalink | Comments (1) |
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Comments (1)

You can skip to the end and leave a response. Pinging is currently not
allowed.
* azteclady says:
[77]February 10, 2020 at 9:50 am
Thank you so much for this piece; I have read most of Verne’s
Extraordinary Voyages, and yet, I did not know until now that they
were formally part of one series.
[78]Reply

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