The Project Gutenberg EBook There Is Sorrow On The Sea, by G. Parker
#82 in our series by Gilbert Parker
Copyright laws are changing all over the world. Be sure to check the
copyright laws for your country before downloading or redistributing
this or any other Project Gutenberg eBook.
This header should be the first thing seen when viewing this Project
Gutenberg file. Please do not remove it. Do not change or edit the
header without written permission.
Please read the "legal small print," and other information about the
eBook and Project Gutenberg at the bottom of this file. Included is
important information about your specific rights and restrictions in
how the file may be used. You can also find out about how to make a
donation to Project Gutenberg, and how to get involved.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**EBooks Readable By Both Humans and By Computers, Since 1971**
*****These EBooks Were Prepared By Thousands of Volunteers*****
Title: There is Sorrow On The Sea
Author: Gilbert Parker
Release Date: August, 2004 [EBook #6255]
[Yes, we are more than one year ahead of schedule]
[This file was first posted on October 31, 2002]
Edition: 10
Language: English
Character set encoding: ASCII
*** START OF THE PROJECT GUTENBERG EBOOK SORROW ON THE SEA BY PARKER ***
This eBook was produced by David Widger <
[email protected]>
"THERE IS SORROW ON THE SEA"
By Gilbert Parker
I
"YORK FACTORY, HUDSON'S BAY,
"23rd September, 1747.
"MY DEAR COUSIN FANNY,--It was a year last April Fool's Day, I left you
on the sands there at Mablethorpe, no more than a stone's throw from the
Book-in-Hand Inn, swearing that you should never see me or hear from me
again. You remember how we saw the coast-guards flash their lights here
and there, as they searched the sands for me? how one came bundling down
the bank, calling, 'Who goes there?' You remember that when I said, 'A
friend,' he stumbled, and his light fell to the sands and went out, and
in the darkness you and I stole away: you to your home, with a
whispering, 'God-bless-you, Cousin Dick,' over your shoulder, and I with
a bit of a laugh that, maybe, cut to the heart, and that split in a sob
in my own throat--though you didn't hear that.
"'Twas a bad night's work that, Cousin Fanny, and maybe I wish it undone,
and maybe I don't; but a devil gets into the heart of a man when he has
to fly from the lass he loves, while the friends of his youth go hunting
him with muskets, and he has to steal out of the backdoor of his own
country and shelter himself, like a cold sparrow, up in the eaves of the
world.
"Ay, lass, that's how I left the fens of Lincolnshire a year last April
Fool's Day. There wasn't a dyke from, Lincoln town to Mablethorpe that I
hadn't crossed with a running jump; and there wasn't a break in the
shore, or a sink-hole in the sand, or a clump of rushes, or a samphire
bed, from Skegness to Theddlethorpe, that I didn't know like every line
of your face. And when I was a slip of a lad-ay, and later too--how you
and I used to snuggle into little nooks of the sand-hills, maybe just
beneath the coast-guard's hut, and watch the tide come swilling in-water-
daisies you used to call the breaking surf, Cousin Fanny. And that was
like you, always with a fancy about everything you saw. And when the
ships, the fishing-smacks with their red sails, and the tall-masted brigs
went by, taking the white foam on their canvas, you used to wish that you
might sail away to the lands you'd heard tell of from old skippers that
gathered round my uncle's fire in the Book-in-Hand. Ay, a grand thing I
thought it would be, too, to go riding round the world on a well-washed
deck, with plenty of food and grog, and maybe, by-and-by, to be first
mate, and lord it from fo'castle bunk to stern-rail.
"You did not know, did you, who was the coast-guardsman that stumbled as
he came on us that night? It looked a stupid thing to do that, and let
the lantern fall. But, lass, 'twas done o' purpose. That was the one
man in all the parish that would ha' risked his neck to let me free.
'Twas Lancy Doane, who's give me as many beatings in his time as I him.
We were always getting foul one o' t'other since I was big enough to shy
a bit of turf at him across a dyke, and there isn't a spot on's body that
I haven't hit, nor one on mine that he hasn't mauled. I've sat on his
head, and he's had his knee in my stomach till I squealed, and we never
could meet without back-talking and rasping 'gainst the grain. The night
before he joined the coast-guardsmen, he was down at the Book-in-Hand,
and 'twas little like that I'd let the good chance pass--I might never
have another; for Gover'ment folk will not easy work a quarrel on their
own account. I mind him sittin' there on the settle, his shins against
the fire, a long pipe going, and Casey of the Lazy Beetle, and Jobbin the
mate of the Dodger, and Little Faddo, who had the fat Dutch wife down by
the Ship Inn, and Whiggle the preaching blacksmith. And you were
standin' with your back to the shinin' pewters, and the great jug of ale
with the white napkin behind you; the light o' the fire wavin' on your
face, and your look lost in the deep hollow o' the chimney. I think of
you most as you were that minute, Cousin Fanny, when I come in. I tell
you straight and fair, that was the prettiest picture I ever saw; and
I've seen some rare fine things in my travels. 'Twas as if the thing had
been set by some one, just to show you off to your best. Here you were,
a slip of a lass, straight as a bulrush, and your head hangin' proud on
your shoulders; yet modest too, as you can see off here in the North the
top of the golden-rod flower swing on its stem. You were slim as slim,
and yet there wasn't a corner on you; so soft and full and firm you were,
like the breast of a quail; and I mind me how the shine of your cheeks
was like the glimmer of an apple after you've rubbed it with a bit of
cloth. Well, there you stood in some sort of smooth, plain, clingin'
gown, a little bit loose and tumblin' at the throat, and your pretty foot
with a brown slipper pushed out, just savin' you from bein' prim. That's
why the men liked you--you didn't carry a sermon in your waist-ribbon,
and the Lord's Day in the lift o' your chin; but you had a smile to give
when 'twas the right time for it, and men never said things with you
there that they'd have said before many another maid.
"'Twas a thing I've thought on off here, where I've little to do but
think, how a lass like you could put a finger on the lip of such rough
tykes as Faddo, Jobbin, and the rest, keepin' their rude words under flap
and button. Do you mind how, when I passed you comin' in, I laid my hand
on yours as it rested on the dresser? That hand of yours wasn't a tiny
bit of a thing, and the fingers weren't all taperin' like a simperin'
miss from town, worked down in the mill of quality and got from graftin'
and graftin', like one of them roses from the flower-house at Mablethorpe
Hall--not fit to stand by one o' them that grew strong and sweet with no
fancy colour, in the garden o' the Book-in-Hand. Yours was a hand that
talked as much as your lips or face, as honest and white; and the palm
all pink, and strong as strong could be, and warmin' every thread in a
man's body when he touched it. Well, I touched your hand then, and you
looked at me and nodded, and went musin' into the fire again, not seemin'
to hear our gabble.
"But, you remember--don't you?--how Jobbin took to chaffin' of Lancy
Doane, and how Faddo's tongue got sharper as the time got on, and many a
nasty word was said of coast-guards and excisemen, and all that had to do
with law and gover'ment. Cuts there were at some of Laney's wild doings
in the past, and now and then they'd turn to me, saying what they thought
would set me girdin' Lancy too. But I had my own quarrel, and I wasn't
to be baited by such numskulls. And Lancy--that was a thing I couldn't
understand--he did no more than shrug his shoulder and call for more ale,
and wish them all good health and a hundred a year. I never thought he
could ha' been so patient-like. But there was a kind of little smile,
too, on his face, showin' he did some thinkin'; and I guessed he was
bidin' his time.
"I wasn't as sharp as I might ha' been, or I'd ha' seen what he was
waitin' for, with that quiet provokin' smile on his face, and his eyes
smoulderin' like. I don't know to this day whether you wanted to leave
the room when you did, though 'twas about half after ten o'clock, later
than I ever saw you there before. But when my uncle come in from Louth,
and give you a touch on the shoulder, and said: 'To bed wi' you, my
lass,' you waited for a minute longer, glancin' round on all of us, at
last lookin' steady at Lancy; and he got up from his chair, and took off
his hat to you with a way he had. You didn't stay a second after that,
but went away straight, sayin' good-night to all of us, but Lancy was the
only one on his feet.
"Just as soon as the door was shut behind you, Lancy turned round to the
fire, and pushed the log with his feet in a way a man does when he's
think-in' a bit. And Faddo give a nasty laugh, and said:
"' Theer's a dainty sitovation. Theer's Mr. Thomas Doane, outlaw and
smuggler, and theer's Mr. Lancy Doane his brother, coast-guardsman. Now,
if them two should 'appen to meet on Lincolnshire coast, Lord, theer's a
sitovation for ye--Lord, theer's a cud to chew! 'Ere's one gentleman
wants to try 'is 'and at 'elpin' Prince Charlie, and when 'is Up doesn't
amount to anythink, what does the King on 'is throne say? He says, "As
for Thomas Doane, Esquire, aw've doone wi' 'im." And theer's another
gentleman, Mr. Lancy Doane, Esquire. He turns pious, and says, "Aw'm
goin' for a coast-guardsman." What does the King on his throne say? 'E
says, 'Theer's the man for me.'"
But aw says, "Aw've doone, aw've doone wi' Mr. Lancy Doane, Esquire, and
be damned to 'im!" He! he! Theer's a fancy sitovation for ye. Mr.
Thomas Doane, Esquire, smuggler and outlaw, an' Mr. Lancy Doane, Esquire,
coast-guardsman. Aw've doone. Ho! ho! That gits into my crop.'
"I tell you these things, Cousin Fanny, because I'm doubtin' if you ever
heard them, or knew exactly how things stood that night. I never was a
friend of Lancy Doane, you understand, but it's only fair that the truth
be told about that quarrel, for like as not he wouldn't speak himself,
and your father was moving in and out; and, I take my oath, I wouldn't
believe Faddo and the others if they was to swear on the Bible. Not that
they didn't know the truth when they saw it, but they did love just to
let their fancy run. I'm livin' over all the things that happened that
night--livin' them over to-day, when everything's so quiet about me here,
so lonesome. I wanted to go over it all, bit by bit, and work it out in
my head, just as you and I used to do the puzzle games we played in the
sands. And maybe, when you're a long way off from things you once lived,
you can see them and understand them better. Out here, where it's so
lonely, and yet so good a place to live in, I seem to get the hang o'
the world better, and why some things are, and other things aren't;
and I thought it would pull at my heart to sit down and write you a long
letter, goin' over the whole business again; but it doesn't. I suppose I
feel as a judge does when he goes over a lot of evidence, and sums it all
up for the jury. I don't seem prejudiced one way or another. But I'm
not sure that I've got all the evidence to make me ken everything; and
that's what made me bitter wild the last time that I saw you. Maybe you
hadn't anything to tell me, and maybe you had, and maybe, if you ever
write to me out here, you'll tell me if there's anything I don't know
about them days.
"Well, I'll go back now to what happened when Faddo was speakin' at my
uncle's bar. Lancy Doane was standin' behind the settle, leanin' his
arms on it, and smokin' his pipe quiet. He waited patient till Faddo had
done, then he comes round the settle, puts his pipe up in the rack
between the rafters, and steps in front of Faddo. If ever the devil was
in a man's face, it looked out of Lancy Doane's that minute. Faddo had
touched him on the raw when he fetched out that about Tom Doane. All of
a sudden Lancy swings, and looks at the clock.
"'It's half-past ten, Jim Faddo,' said he, 'and aw've got an hour an' a
half to deal wi' you as a Lincolnshire lad. At twelve o'clock aw'm the
Gover'ment's, but till then aw'm Lancy Doane, free to strike or free to
let alone; to swallow dirt or throw it; to take a lie or give it. And
now list to me; aw'm not goin' to eat dirt, and aw'm goin' to give you
the lie, and aw'm goin' to break your neck, if I swing for it to-morrow,
Jim Faddo. And here's another thing aw'll tell you. When the clock
strikes twelve, on the best horse in the country aw'll ride to
Theddlethorpe, straight for the well that's dug you know where, to find
your smuggled stuff, and to run the irons round your wrists. Aw'm
dealin' fair wi' you that never dealt fair by no man. You never had an
open hand nor soft heart; and because you've made money, not out o'
smugglin' alone, but out o' poor devils of smugglers that didn't know
rightly to be rogues, you think to fling your dirt where you choose.
But aw'll have ye to-night as a man, and aw'll have ye to-night as
a King's officer, or aw'll go damned to hell.'
"Then he steps back a bit very shiny in the face, and his eyes like
torchlights, but cool and steady. 'Come on now,' he says, 'Jim Faddo,
away from the Book-in-Hand, and down to the beach under the sand-hills,
and we'll see man for man--though, come to think of it, y 'are no man,'
he said--'if ye'll have the right to say when aw'm a King's officer that
you could fling foul words in the face of Lancy Doane. And a word more,'
he says; 'aw wouldn't trust ye if an Angel o' Heaven swore for ye. Take
the knife from the belt behind your back there, and throw it on the
table, for you wouldn't bide by no fair rules o' fightin'. Throw the
knife on the table,' he says, comin' a step forward.
"Faddo got on to his feet. He was bigger built than Lancy, and a bit
taller, and we all knew he was devilish strong in his arms. There was a
look in his face I couldn't understand. One minute I thought it was
fear, and another I thought it was daze; and maybe it was both. But all
on a sudden something horrible cunnin' come into it, and ugly too.
"'Go to the well, then, since ye've found out all about it,' he says,
'but aw've an hour and a half start o' ye, Lancy Doane.'
"'Ye've less than that,' says Lancy back to him, 'if ye go with me to the
sands first.'
"At that my uncle stepped in to say a word for peacemakin', but Lancy
would have none of it. 'Take the knife and throw it on the table,' he
said to Faddo once more, and Faddo took it out and threw it down.
"'Come on, then,' Faddo says, with a sneerin' laugh; 'we'll see by
daybreak who has the best o' this night's work,' and he steps towards the
door.
"'Wait a minute,' says Lancy, gettin' in front of him. 'Now take the
knife from your boot. Take it,' he says again, 'or aw will. That's like
a man, to go to a fist fight wi' knives. Take it,' he said. 'Aw'll gi'
ye till aw count four, and if ye doan't take it, aw'll take it meself.
One!' he says steady and soft. 'Two!' Faddo never moved. 'Three!' The
silence made me sick, and the clock ticked like hammers. 'Four!' he
said, and then he sprang for the boot, but Faddo's hand went down like
lightnin' too. I couldn't tell exactly how they clinched but once or
twice I saw the light flash on the steel. Then they came down together,
Faddo under, and when I looked again Faddo was lying eyes starin' wide,
and mouth all white with fear, for Lancy was holding the knife-point at
his throat. 'Stir an inch,' says Lancy, 'and aw'll pin ye to the lid o'
hell.'
"Three minutes by the clock he knelt there on Faddo's chest, the knife-
point touching the bone in's throat. Not one of us stirred, but just
stood lookin', and my own heart beat so hard it hurt me, and my uncle
steadyin' himself against the dresser. At last Lancy threw the knife
away into the fire.
"'Coward!' he said. 'A man would ha' taken the knife. Did you think aw
was goin' to gie my neck to the noose just to put your knife to proper
use? But don't stir till aw gie you the word, or aw'll choke the breath
o' life out o' ye.'
"At that Faddo sprung to clinch Laney's arms, but Laney's fingers caught
him in the throat, and I thought surely Faddo was gone, for his tongue
stood out a finger-length, and he was black in the face.
"'For God's sake, Lancy,' said my uncle, steppin' forward, 'let him go.'
"At that Lancy said: 'He's right enough. It's not the first time aw've
choked a coward. Throw cold water on him and gi' 'im brandy.'
"Sure enough, he wasn't dead. Lancy stood there watchin' us while we
fetched Faddo back, and I tell you, that was a narrow squeak for him.
When he got his senses again, and was sittin' there lookin' as if he'd
been hung and brought back to life, Lancy says to him: 'There, Jim Faddo,
aw've done wi' you as a man, and at twelve o'clock aw'll begin wi' you as
King's officer.' And at that, with a good-night to my uncle and all of
us, he turns on his heels and leaves the Book-in-Hand.
"I tell you, Cousin Fanny, though I'd been ripe for quarrel wi' Lancy
Doane myself that night, I could ha' took his hand like a brother, for
I never saw a man deal fairer wi' a scoundrel than he did wi' Jim Faddo.
You see, it wasn't what Faddo said about himself that made Laney wild,
but that about his brother Tom; and a man doesn't like his brother spoken
ill of by dirt like Faddo, be it true or false. And of Laney's brother
I'm goin' to write further on in this letter, for I doubt that you know
all I know about him, and the rest of what happened that night and
afterwards."
"DEAR COUSIN FANNY, I canna write all I set out to, for word come to me,
just as I wrote the last sentence above, that the ship was to leave port
three days sooner than was fixed for when I began. I have been rare and
busy since then, and I have no time to write more. And so 'twill be
another year before you get a word from me; but I hope that when this
letter comes you'll write one back to me by the ship that sails next
summer from London. The summer's short and the winter's long here,
Cousin Fanny, and there's more snow than grass; and there's more flowers
in a week in Mablethorpe than in a whole year here. But, lass, the sun
shines always, and my heart keeps warm in thinkin' of you, and I ask you
to forgive me for any harsh word I ever spoke, not forgettin' that last
night when I left you on the sands, and stole away like a thief across
the sea. I'm going to tell you the whole truth in my next letter, but
I'd like you to forgive me before you know it all, for 'tis a right
lonely and distant land, this, and who can tell what may come to pass in
twice a twelve month! Maybe a prayer on lips like mine doesn't seem in
place, for I've not lived as parson says man ought to live, but I think
the Lord will have no worse thought o' me when I say, God bless thee,
lass, and keep thee safe as any flower in His garden that He watereth
with His own hand. Write to me, lass: I love thee still, I do love thee.
"DICK ORRY."
II
THE BOOK-IN-HAND INN,
MABLETHORPE, LINCOLNSHIRE.
May-Day, 1749.
"DEAR COUSIN DICK,--I think I have not been so glad in many years as when
I got your letter last Guy Fawkes Day. I was coming from the church
where the parson preached on plots and treasons, and obedience to the
King, when I saw the old postman coming down the road. I made quickly to
him, I know not why, for I had not thought to hear from you, and before I
reached him he held up his hand, showing me the stout packet which
brought me news of you. I hurried with it to the inn, and went straight
to my room and sat down by the window, where I used to watch for your
coming with the fishing fleet, down the sea from the Dogger Bank. I was
only a girl, a young girl, then, and the Dogger Bank was, to my mind, as
far off as that place you call York Factory, in Hudson's Bay, is to me
now. And yet I did not know how very far it was until our schoolmaster
showed me on a globe how few days' sail it is to the Dogger Bank, and how
many to York Factory.
"But I will tell you of my reading of your letter, and of what I thought.
But first I must go back a little. When you went away that wild, dark
night, with bitter words on your lips to me, Cousin Dick, I thought I
should never feel the same again. You did not know it, but I was bearing
the misery of your trouble and of another's also, and of my own as well;
and so I said over and over again, Oh, why will men be hard on women?
Why do they look for them to be iron like themselves, bearing double
burdens as most women do? But afterwards I settled to a quietness which
I would not have you think was happiness, for I have given up thought
of that. Nor would I have you think me bearing trouble sweetly, for
sometimes I was most hard and stubborn. But I lived on in a sort of
stillness till that morning when, sitting by my window, I read all you
had written to me. And first of all I must tell you how my heart was
touched at your words about our childhood together. I had not thought it
lay so deep in your mind, Cousin Dick. It always stays in mine; but
then, women have more memories than men. The story of that night I knew;
but never fully as you have told it to me in your letter. Of what
happened after Lancy Doane left the inn, of which you have not written,
but promised the writing in your next letter, I think I know as well as
yourself. Nay, more, Cousin Dick. There are some matters concerning
what followed that night and after, which I know, and you do not know.
But you have guessed there was something which I did not tell you, and so
there was. And I will tell you of them now. But I will take up the
thread of the story where you dropped it, and reel it out.
"You left the inn soon after Lancy Doane, and James Faddo went then too,
riding hard for Theddlethorpe, for he knew that in less than an hour the
coast-guards would be rifling the hiding places of his smuggled stuff.
You did not take a horse, but, getting a musket, you walked the sands
hard to Theddlethorpe.
"I know it all, though you did not tell me, Cousin Dick. You had no
purpose in going, save to see the end of a wretched quarrel and a
smuggler's ill scheme. You carried a musket for your own safety, not
with any purpose. It was a day of weight in your own life, for on one
side you had an offer from the Earl Fitzwilliam to serve on his estate;
and on the other to take a share in a little fleet of fishing smacks,
of which my father was part owner. I think you know to which side I
inclined, but that now is neither here nor there; and, though you did not
tell me, as you went along the shore you were more intent on handing
backwards and forwards in your mind your own affairs, than of what should
happen at Theddlethorpe. And so you did not hurry as you went, and, as
things happened, you came to Faddo's house almost at the same moment with
Lancy Doane and two other mounted coast-guards.
"You stood in the shadow while they knocked at Faddo's door. You were so
near, you could see the hateful look in his face. You were surprised he
did not try to stand the coast-guards off. You saw him, at their
bidding, take a lantern, and march with them to a shed standing off a
little from the house, nearer to the shore. Going a roundabout swiftly,
you came to the shed first, and posted yourself at the little window on
the sea-side. You saw them enter with the lantern, saw them shift a
cider press, uncover the floor, and there beneath, in a dry well, were
barrels upon barrels of spirits, and crouched among them was a man whom
you all knew at once--Laney's brother, Tom. That, Cousin Dick, was Jim
Faddo's revenge. Tom Doane had got refuge with him till he should reach
his brother, not knowing Lancy was to be coast-guard. Faddo, coming back
from Mablethorpe, told Tom the coast-guards were to raid him that night;
and he made him hide in this safe place, as he called it, knowing that
Lancy would make for it.
"For a minute after Tom was found no man stirred. Tom was quick of brain
and wit--would it had always been put, to good purposes!--and saw at once
Faddo's treachery. Like winking he fired at the traitor, who was almost
as quick to return the fire. What made you do it I know not, unless it
was you hated treachery; but, sliding in at the open door behind the
coast-guards, you snatched the lantern from the hands of one, threw it
out of the open door, and, thrusting them aside, called for Tom to follow
you. He sprang towards you over Faddo's body, even as you threw the
lantern, and, catching his arm, you ran with him towards the dyke.
"'Ready for a great jump!' you said. 'Your life hangs on it.' He was
even longer of leg than you. 'Is it a dyke?' he whispered, as the shots
from three muskets rang after you. 'A dyke. When I count three, jump,'
you answered. I have read somewhere of the great leap that one Don
Alvarado, a Spaniard, made in Mexico, but surely never was a greater leap
than you two made that night, landing safely on the other side, and
making for the sea-shore. None of the coast guardsmen, not even Lancy,
could make the leap, for he was sick and trembling, though he had fired
upon his own brother. And so they made for the bridge some distance
above, just as the faint moon slipped behind a cloud and hid you from
their sight.
"That is no country to hide in, as you know well, no caves, or hills, or
mazy coombes, just a wide, flat, reedy place, broken by open woods. The
only refuge for both now was the sea. 'Twas a wild run you two made,
side by side, down that shore, keeping close within the gloom of the
sand-hills, the coast-guards coming after, pressing you closer than they
thought at the time, for Tom Doane had been wounded in the leg. But
Lancy sent one back for the horses, he and the other coming on; and so,
there you were, two and two. 'Twas a cruel task for Lancy that night,
enough to turn a man's hair grey. But duty was duty, though those two
lads were more to each other than most men ever are. You know how it
ended. But I want to go all over it just to show you that I understand.
You were within a mile of Mablethorpe, when you saw a little fishing
smack come riding in, and you made straight for it. Who should be in the
smack but Solby, the canting Baptist, who was no friend to you or my
uncle, or any of us. You had no time for bargaining or coaxing, and so,
at the musket's mouth, you drove him from the boat, and pushed it out
just as Lancy and his men came riding up. Your sail was up, and you
turned the lugger to the wind in as little time as could be, but the
coast-guardsmen rode after you, calling you to give in. No man will ever
know the bitter trouble in Laney's heart when he gave the order to fire
on you, though he did not fire himself. And you--do I not know, Cousin
Dick, what you did? Tom Doane was not the man to fire at the three dark
figures riding you down, not knowing which was his brother. But you, you
understood that; and you were in, you said to yourself, and you'd play
the game out, come what would. You raised your musket and drew upon a
figure. At that moment a coast-guard's musket blazed, and you saw the
man you had drawn on was Lancy Doane. You lowered your musket, and as
you did a ball struck you on the wrist.
"Oh, I have thanked God a hundred times, dear Cousin Dick, that you fired
no shot that night, but only helped a hunted, miserable man away, for you
did get free. Just in the nick of time your sail caught the wind, and
you steered for the open sea. Three days from that, Tom Doane was safe
in the Low Country, and you were on your way back to Lincolnshire. You
came by a fishing boat to Saltfleet Haven, and made your way down the
coast towards Mablethorpe. Passing Theddlethorpe, you went up to Faddo's
house, and, looking through the window, you saw Faddo, not dead, but
being cared for by his wife. Then you came on to Mablethorpe, and
standing under my window, at the very moment when I was on my knees
praying for the safety of those who travelled by sea, you whistled like a
quail from the garden below--the old signal. Oh, how my heart stood
still a moment and then leaped, for I knew it was you! I went down to
the garden, and there you were. Oh, but I was glad to see you, Cousin
Dick!
"You remember how I let you take me in your arms for an instant, and then
I asked if he was safe. And when you told me that he was, I burst into
tears, and I asked you many questions about him. And you answered them
quickly, and then would have taken me in your arms again. But I would
not let you, for then I knew--I knew that you loved me, and, oh, a
dreadful feeling came into my heart, and I drew back, and could have sunk
upon the ground in misery, but that there came a thought of your safety!
He was safe, but you--you were here, where reward was posted for you. I
begged you to come into the house, that I might hide you there, but you
would not. You had come for one thing, you said, and only one. An hour
or two, and then you must be gone for London. And so you urged me to the
beach. I was afraid we might be seen, but you led me away from the
cottages near to the little bridge which crosses the dyke. By that way
we came to the sands, as we thought unnoted. But no, who should it be to
see us but that canting Baptist, Solby! And so the alarm was given. You
had come, dear Cousin Dick, to ask me one thing--if I loved you? and if,
should you ever be free to come back, I would be your wife? I did not
answer you; I could not answer you; and, when you pressed me, I begged
you to have pity on me and not to speak of it. You thought I was not
brave enough to love a man open to the law. As if--as if I knew not that
what you did came out of a generous, reckless heart. And on my knees--
oh, on my knees--I ought to have thanked you for it! But I knew not what
to say; my lips were closed. And just then shots were fired, and we saw
the coast-guards' lights. Then came Lancy Doane stumbling down the
banks, and our parting--our parting. Your bitter laugh as you left me
has rung in my ears ever since.
"Do not think we have been idle here in your cause, for I myself went to
Earl Fitzwilliam and told him the whole story, and how you had come to
help Tom Doane that night. How do I know of it all? Because I have seen
a letter from Tom Doane. Well, the Earl promised to lay your case before
the King himself, and to speak for you with good eager entreaty. And so,
it may be, by next time I write, there will go good news to you, and--
will you then come back, dear Cousin Dick?
"And now I want to tell you what I know, and what you do not know.
Tom Doane had a wife in Mablethorpe. He married her when she was but
sixteen--a child. But she was afraid of her father's anger, and her
husband soon after went abroad, became one of Prince Charlie's men, and
she's never seen him since. She never really loved him, but she never
forgot that she was his wife; and she always dreaded his coming back; as
well she might, for you see what happened when he did come. I pitied
her, dear Cousin Dick, with all my heart; and when Tom Doane died on the
field of battle in Holland last year, I wept with her and prayed for her.
And you would have wept too, man though you are, if you had seen how
grateful she was that he died in honourable fighting and not in a
smuggler's cave at Theddlethorpe. She blessed you for that, and she
never ceases to work with me for the King's pardon for you.
"There is no more to say now, dear Cousin Dick, save that I would have
you know I think of you with great desire of heart for your well-being,
and I pray God for your safe return some day to the good country which,
pardoning you, will cast you out no more.
"I am, dear Cousin Dick,
"Thy most affectionate Cousin,
"FANNY."
"Afterword--Dear Dick, my heart bursts for joy. Enclosed here is thy
pardon, sent by the good Earl Fitzwilliam last night. I could serve him
on my knees for ever. Dick, she that was Tom Doane's wife, she loves
thee. Wilt thou not come back to her?
"In truth, she always loved thee. She was thy cousin; she is thy Fanny.
Now thou knowest all."
*** END OF THE PROJECT GUTENBERG EBOOK SORROW ON THE SEA, PARKER ***
******* This file should be named gp82w10.txt or gp82w10.zip *******
Corrected EDITIONS of our eBooks get a new NUMBER, gp82w11.txt
VERSIONS based on separate sources get new LETTER, gp82w10a.txt
This eBook was produced by David Widger <
[email protected]>
Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the US
unless a copyright notice is included. Thus, we usually do not
keep eBooks in compliance with any particular paper edition.
We are now trying to release all our eBooks one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to tell us about any error or corrections,
even years after the official publication date.
Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg eBooks is at
Midnight, Central Time, of the last day of the stated month. A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.
Most people start at our Web sites at:
http://gutenberg.net or
http://promo.net/pg
These Web sites include award-winning information about Project
Gutenberg, including how to donate, how to help produce our new
eBooks, and how to subscribe to our email newsletter (free!).
Those of you who want to download any eBook before announcement
can get to them as follows, and just download by date. This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.
http://www.ibiblio.org/gutenberg/etext03 or
ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
Just search by the first five letters of the filename you want,
as it appears in our Newsletters.
Information about Project Gutenberg (one page)
We produce about two million dollars for each hour we work. The
time it takes us, a rather conservative estimate, is fifty hours
to get any eBook selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc. Our
projected audience is one hundred million readers. If the value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour in 2002 as we release over 100 new text
files per month: 1240 more eBooks in 2001 for a total of 4000+
We are already on our way to trying for 2000 more eBooks in 2002
If they reach just 1-2% of the world's population then the total
will reach over half a trillion eBooks given away by year's end.
The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.
Here is the briefest record of our progress (* means estimated):
eBooks Year Month
1 1971 July
10 1991 January
100 1994 January
1000 1997 August
1500 1998 October
2000 1999 December
2500 2000 December
3000 2001 November
4000 2001 October/November
6000 2002 December*
9000 2003 November*
10000 2004 January*
The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.
We need your donations more than ever!
As of February, 2002, contributions are being solicited from people
and organizations in: Alabama, Alaska, Arkansas, Connecticut,
Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
Virginia, Wisconsin, and Wyoming.
We have filed in all 50 states now, but these are the only ones
that have responded.
As the requirements for other states are met, additions to this list
will be made and fund raising will begin in the additional states.
Please feel free to ask to check the status of your state.
In answer to various questions we have received on this:
We are constantly working on finishing the paperwork to legally
request donations in all 50 states. If your state is not listed and
you would like to know if we have added it since the list you have,
just ask.
While we cannot solicit donations from people in states where we are
not yet registered, we know of no prohibition against accepting
donations from donors in these states who approach us with an offer to
donate.
International donations are accepted, but we don't know ANYTHING about
how to make them tax-deductible, or even if they CAN be made
deductible, and don't have the staff to handle it even if there are
ways.
Donations by check or money order may be sent to:
Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109
Contact us if you want to arrange for a wire transfer or payment
method other than by check or money order.
The Project Gutenberg Literary Archive Foundation has been approved by
the US Internal Revenue Service as a 501(c)(3) organization with EIN
[Employee Identification Number] 64-622154. Donations are
tax-deductible to the maximum extent permitted by law. As fund-raising
requirements for other states are met, additions to this list will be
made and fund-raising will begin in the additional states.
We need your donations more than ever!
You can get up to date donation information online at:
http://www.gutenberg.net/donation.html
***
If you can't reach Project Gutenberg,
you can always email directly to:
Michael S. Hart <
[email protected]>
Prof. Hart will answer or forward your message.
We would prefer to send you information by email.
**The Legal Small Print**
(Three Pages)
***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this eBook, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this eBook if you want to.
*BEFORE!* YOU USE OR READ THIS EBOOK
By using or reading any part of this PROJECT GUTENBERG-tm
eBook, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this eBook by
sending a request within 30 days of receiving it to the person
you got it from. If you received this eBook on a physical
medium (such as a disk), you must return it with your request.
ABOUT PROJECT GUTENBERG-TM EBOOKS
This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this eBook
under the "PROJECT GUTENBERG" trademark.
Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.
To create these eBooks, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's eBooks and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other eBook medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.
LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] Michael Hart and the Foundation (and any other party you may
receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
all liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.
If you discover a Defect in this eBook within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.
THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.
Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.
INDEMNITY
You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause: [1] distribution of this eBook,
[2] alteration, modification, or addition to the eBook,
or [3] any Defect.
DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this eBook electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:
[1] Only give exact copies of it. Among other things, this
requires that you do not remove, alter or modify the
eBook or this "small print!" statement. You may however,
if you wish, distribute this eBook in machine readable
binary, compressed, mark-up, or proprietary form,
including any form resulting from conversion by word
processing or hypertext software, but only so long as
*EITHER*:
[*] The eBook, when displayed, is clearly readable, and
does *not* contain characters other than those
intended by the author of the work, although tilde
(~), asterisk (*) and underline (_) characters may
be used to convey punctuation intended by the
author, and additional characters may be used to
indicate hypertext links; OR
[*] The eBook may be readily converted by the reader at
no expense into plain ASCII, EBCDIC or equivalent
form by the program that displays the eBook (as is
the case, for instance, with most word processors);
OR
[*] You provide, or agree to also provide on request at
no additional cost, fee or expense, a copy of the
eBook in its original plain ASCII form (or in EBCDIC
or other equivalent proprietary form).
[2] Honor the eBook refund and replacement provisions of this
"Small Print!" statement.
[3] Pay a trademark license fee to the Foundation of 20% of the
gross profits you derive calculated using the method you
already use to calculate your applicable taxes. If you
don't derive profits, no royalty is due. Royalties are
payable to "Project Gutenberg Literary Archive Foundation"
the 60 days following each date you prepare (or were
legally required to prepare) your annual (or equivalent
periodic) tax return. Please contact us beforehand to
let us know your plans and to work out the details.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.
The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."
If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:
[email protected]
[Portions of this eBook's header and trailer may be reprinted only
when distributed free of all fees. Copyright (C) 2001, 2002 by
Michael S. Hart. Project Gutenberg is a TradeMark and may not be
used in any sales of Project Gutenberg eBooks or other materials be
they hardware or software or any other related product without
express permission.]
*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
